record-makers-72,Hips and Makers, Vs. [Pearl Jam] [074645313627], Dig Your Own Hole [017046618021], Everything Must Go (10th Anniv. Edition) [PA]

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Rolling Stone (4/7/94, p.72) - 3 1/2 Stars - Good Plus - "...Luminous, alluring and slightly menacing..."Spin (9/99, p.160) - Ranked #81 in Spin Magazine's "90 Greatest Albums of the '90s."Spin (2/94, p.68) - "...it's a real joy to hear a whole album of Hersh's more delicately downered material, hitherto only seen in glimpses...HIPS is unrelentingly dark. Musically, however, the record dazzles....[Hersh's] voice is as lusciously lacerating as ever..."Magnet (p.114) - "HIPS AND MAKERS is dark, spare and acoustic..."Melody Maker (1/15/94, p.28) - "...a wounded masterpiece...."Village Voice (2/28/95) - Ranked #24 in the Village Voice's 1994 Pazz & Jop Critics Poll.NME (Magazine) (12/24/94, p.23) - Ranked #34 in NME's list of the `Top 50 Albums Of 1994.'NME (Magazine) (1/22/94, p.25) - 8 - Excellent - "...an accessible and gorgeous open-diary solo acoustic LP...."33.26339

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Rolling Stone (p.74) - 4.5 stars out of 5 -- "[T]he songs sound steelier than ever....Despite his rage, Vedder was also more willing than his peers to dip into folky beauty."Rolling Stone (5/13/99, p.53) - Included in Rolling Stone's "Essential Recordings of the 90's."Rolling Stone (11/11/93, p.72) - 4.5 Stars (out of 5) - "...the g-word in Pearl Jam's sound [on VS.] isn't `grunge' but `groove'....VS. isn't a one-man show--it's a group effort..."Entertainment Weekly (10/29/93, p.72) - "...Eddie keeps getting Vedder....I'm particularly impressed by that 12-second scream he emits in `Blood'..." - Rating: B-Q (1/94, p.82) - Included in Q's list of `The 50 Best Albums Of 1993' - "...a mature, progressive, marvelous new record..."Melody Maker (1/1/94, p.76) - Ranked #4 in Melody Maker's list of the "Albums Of The Year" for 1993 - "...about as great as classic American rock gets..."Melody Maker (10/16/93, p.40) - "... a raw, festering wound of an album, a brilliant, relentless passion play..."Village Voice (3/94, p.5) - Ranked #2 in the Village Voice's 1993 Pazz & Jop Critics Poll.Village Voice (3/1/94, p.5) - Ranked #14 in the Village Voice's 1993 Pazz & Jop Critics Poll.0.1299196

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Rolling Stone (4/11/02, p.107) - Ranked #32 in Rolling Stone's "50 Coolest Records".Rolling Stone (5/13/99, p.80) - Included in Rolling Stone's "Essential Recordings of the 90's."Rolling Stone (4/3/97, pp.63-64) - 4 Stars (out of 5) - "...You can dance to it until your limbs turn to tapioca or just sit, listen and have your mind blown inside out....it burns the whole rock vs. techno argument into a fine white ash....Put it on, turn it up and let yourself be moved."Spin (9/99, p.123) - Ranked #10 in Spin Magazine's "90 Greatest Albums of the '90s."Spin (1/98, p.86) - Ranked #10 on Spin's list of the "Top 20 Albums Of The Year."Spin (5/97, p.109) - 8 (out of 10) - "...Their digitally dense breakbeat workouts offer a funk-at-your-own-risk proposition....All the Brothers want, God forbid, is to create a better place for just one night by cramming together all their favorite records. No more, no less..."Entertainment Weekly (4/18/97, pp.64-65) - "...DIG YOUR OWN HOLE may epitomize sound as substance, a dubious distinction at worst. But those sounds (like recycled voice snippets) become alluring hooks in and of themselves, bringing the record as close to pop as techno has come so far..."- Rating: AQ (10/01, p.63) - Ranked #29 in Q's "Best 50 Albums of Q's Lifetime"Q (12/99, p.92) - Included in Q Magazine's "90 Best Albums Of The 1990s."Q (6/00, p.72) - Ranked #42 in Q's "100 Greatest British Albums"Q (1/98, p.111) - Included in Q Magazine's "50 Best Albums of 1997."Q (5/97, pp.116-117) - 4 Stars (out of 5) - "...it is DIG YOUR OWN HOLE'S joyful revival of seemingly unfashionable sounds from yesterdisco--a teeth-sucking hi-hat on `It Doesn't Matter,' a bass that's positively Level 42 on the title track, tons of outmoded hip hop punctuation of the `Yes yes, y'all' variety...--that makes it such a rare treat..."Alternative Press (5/00, p.120) - Included in AP's "10 Essential Dance Albums That Rock" - "...Mixing block-rocking beats, acidic synth lines and high-profile guest stars, they convinced many people to call them the best 'rock' band around..."Option (5-6/97, pp.96-97) - "...a techno masterpiece....A nearly continuous mix blending funk, disco and hard trance, the disc never goes flat or runs short on sonic ideas....This kicks atomic booty."Melody Maker (12/20-27/97, pp.66-67) - Ranked #22 on Melody Maker's list of 1997's "Albums Of The Year."Village Voice (2/24/98) - Ranked #12 in the Village Voice's 1997 Pazz & Jop Critics' Poll.Village Voice (4/8/97, pp.65-69) - "...the duo's fondness for distortion, feedback, and rocklike noises makes air-guitar players feel right at home....While the Chemical Brothers successfully present themselves in a live context like a band, the duo mostly represents the next chapter in electronic music's increasing domination of global youth culture..."Village Voice (4/15/97, p.62) - "Their secret isn't technowizardry, formal daring, or Lord help us eclecticism. As with so many pop wunderkinds, it's spirit--generous, jubilant, unfazed by industrial doom, in love with energy and sound. Noel Gallagher only wishes he had their heart..." - Rating: A-NME (Magazine) (12/20-27/97, pp.78-79) - Ranked #12 in NME's 1997 Critics' Poll.0.09178358

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Rolling Stone (12/26/96, p.199) - "...the most underrated album of the year....ABBEY ROAD with tenement-block attitude; GIVE 'EM ENOUGH ROPE as produced by Phil Spector....a record of painstaking melodic craft and thundering execution..."Entertainment Weekly (8/23-8/30/96, p.124) - "...they focus on more personal concerns and come up with a document of bracing, guitar-swept compositions that yields many a trenchant insight as well as a few anthems." - Rating: AQ (p.151) - 4 stars out of 5 -- "Few albums have as dramatic a story to tell. After a decade, it sounds like a release from a dark place and a life-affirming jump for joy."Q (10/01, p.85) - Ranked #16 in Q's "Best 50 Albums of Q's Lifetime"Q (12/99, p.90) - Included in Q Magazine's "90 Best Albums Of The 1990s."Q (6/00, p.72) - Ranked #39 in Q's "100 Greatest British Albums" - "The moment the Manic Street Preachers came to terms with their roots....What hadn't killed them really did make them stronger."Alternative Press (10/96, p.93) - 5 (out of 5) - "...their wide-screen symphonic sweep has that uplifting classic pop feel which is gonna sound great on oldies radio someday....what the Manics lost in angst and emotion, they'be replaced with sharp hooks and humor..."Melody Maker (12/21-28/96, pp.66-67) - Ranked #1 on Melody Maker's list of 1996's `Albums Of The Year.'Melody Maker (5/18/96, p.48) - Bloody Essential - "...there has always been something of the walking wounded about the Manics, that's why we like them. So it is weirdly appropriate that they should now limp along without their most famous member....We're glad they're still here..."RIP (9/96, p.73) - 4 (out of 5) - "...What's great about EVERYTHING MUST GO is how the tunes are uplifting yet realistic, anthemic while not being self-righteous, wounding without descending into nihilism..."Mojo (Publisher) (6/96, p.113) - "...EVERYTHING MUST GO is a string-drenched Phil Spector/Kashmir collision, 'A Design For Life' is rugged and perfect, and 'The Girl Who Wanted To Be God' is splendid soaring pop....a bold and frequently remarkable album."NME (Magazine) (12/21-28/96, pp.66-67) - Ranked #2 in NME's 1996 critics' poll.NME (Magazine) (5/18/96, p.50) - 8 (out of 10) - "...tragedy has not dimmed the Manics' creative glow....the sound of a band in bloom....No other group makes music that sounds so much like one final, valedictory salute to everything..."0.09150226

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