redman,Beyond [Joshua Redman], MoodSwing [Joshua Redman Quartet], Farewell Walter Dewey Redman *, English Vocabulary in Use [Stuart Redman] [2011] [ENGLISH] [Paperback] [Cambridge Univ Pr], Momentum [Joshua Redman Elastic Band] [075597986426]

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Entertainment Weekly (4/14/00, p.75) - "...Redman comes out swinging, soulfully....His fine quartet lends heat and wisdom to the material....Its freshness, honesty, and ferocity reconfirm his status as the saxist of his generation." - Rating: B+Q (8/00, p.104) - 3 stars out of 5 - "...A convincing collection of new tunes...Redman is never short of something to play and BEYOND visits some good edgy places."JazzTimes (10/00, pp.90-1) - "...Best described as populist bop. [He] creates suspense similar to R&B sensualists Al Green and Marvin Gaye. He knows how to croon a melody through the saxophone..."82.20142

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Entertainment Weekly (9/30/94, p.60) - "...Redman finds ingenious ways of creating a mode of acoustic jazz that is both entertaining and enlightening....MOODSWING plays like an artistic journey..." - Rating: A-Q (12/94, p.142) - 4 Stars - Excellent - "...Its eclectic collection of 11 originals represents an extended palette after the previous, much-hyped WISH....Will do his enviable reputation no harm at all..."JazzTimes (12/94, p.116) - "...variety within a unifying compositional style and a balance of harmonic interest and harmonic openness that neither chains soloists...nor leaves them wallowing....Meticulous musicianship..."Vibe (9/94, p.121) - "...This collection of original compositions is not perfect, but it's strong, and surely a sign that he can become all that the hype contends..."82.06068

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JazzTimes (pp.89-90) - "[I]t's a funk album with jazz flavors. This is the sound of Redman unleashing his inner Maceo Parker..."65.98784

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The Wire (1/99, pp.56-7) - "...Redman's versions of even the unlikeliest suspects...are surprisingly effective, working a pleasing fluidity into the structure....The band is impeccable..."0.5219926

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Down Beat (p.70) - 4 stars out of 5 -- "Redman has always sought the most inspiring sparring partners. Here he has another superb interface with Joe Lovano on Wayne Shorter's 'Indian Song.'"JazzTimes (p.107) - "[T]here is confidence throughout as Redman creates a multitude of tonal colors on both tenor and soprano sax to mark and match the tempos set by his various collaborators."0.4613806

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Down Beat (p.73) - 4 stars out of 5 -- "TAylor Eigsti assembles the strong attributes...the intelligence, emotional depth, technical assurance adn buoyant swing -- with confidence and joy."JazzTimes (pp.97-98) - "Some of the samples are stunning. Redman smokes Pat Metheny's 'Timeline,' a passionate celebration of the life of Michael Brecker. Few pianists could stay with the intensity of Redman's outpourings, but Eigsti hangs in there."0.4613806

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Down Beat (p.73) - 4 stars out of 5 -- "TAylor Eigsti assembles the strong attributes...the intelligence, emotional depth, technical assurance adn buoyant swing -- with confidence and joy."JazzTimes (pp.97-98) - "Some of the samples are stunning. Redman smokes Pat Metheny's 'Timeline,' a passionate celebration of the life of Michael Brecker. Few pianists could stay with the intensity of Redman's outpourings, but Eigsti hangs in there."0.4613806

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"...Enough cheery mockery to amuse even non-tokers..."Entertainment Weekly "...Frequently amusing....Dylan maintains a consistent level of a swaggering, semi-anarchic silliness..."Variety "...If you like stoner comedies and Cheech & Chong, HOW HIGH will feel like home....Method Man and Redman lend a certain charm to this film....The pair exudes humor..." Chicago Sun-Times0.4557638

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Q (3/95, p.103) - 4 Stars - Excellent - "...Redman's sound is a dark, bass-heavy, hip hop soup interspersed with mock radio snippets, overheard homie gossip and the booming tones of the fictional Dr. Trevis, who warns our [man] to empty his mind and forget his first album..."Vibe (11/94, pp.125-126) - "...Redman's abstract poetry has an edgy passion that combines ghetto humor with insightful meandering..."The Source (1/95, p.88) - 4 Mics - Slammin' - "...on DARE IZ A DARKSIDE, Redman challenges himself to shatter the limits of lyrical, mental and funkadelic illness--and he succeeds..."0.4520588

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Entertainment Weekly (11/6/92, p.68) - "..engaging, hilarious, bargain-basement funk that doesn't care what you think.." - Rating: A-The Source (11/92, p.63) - 4.5 Stars - Excellent Plus - "..an LP to mush all competition dead in the grill...Redman lives up to all expectations...Make way for the new funk material.."Melody Maker (5/23/00, p.57) - 4.5 stars out of 5 - "Stone-cold genius...a landmark hip-hop album. 'Rated R' will kill you....Check this out. Do it now."Reflex (12/15/92, p.74) - "..a riotous, 50-odd minute trip through the mind of `the funkadelic devil'...If you only buy five hip-hop albums this year, see to it that this is one of them.."0.4010631

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Down Beat (8/92, p.51) - 5 Stars - Excellent - "..recording from '24 to '28 with Don Redman, Fletcher Henderson, Louis Armstrong and Coleman Hawkins among her sidemen in accompaniments that only had to be serviceable, but are more often than not inspired, Gertrude Mallissa Pridgett moves us still.."0.3914944

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New York Times (Publisher) (1/6/96, p.C16) - Included on Peter Watrous' list of the Top 10 Albums Of '95 - "In a tenor saxophone cutting session, I'd put money on Mr. Warfield over either James Carter or Joshua Redman..."0.3914944

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