rejoicing,Rejoicing in the Hands [Devendra Banhart], Rejoicing [Pat Metheny/Billy Higgins/Charlie Haden], We Are Not at the Opera, Life and Nothing But, Tomorrow Is the Question! [Remaster]

19 Items Found For rejoicing

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Rolling Stone (4/15/04, p.151) - 3 stars out of 5 - "Sounding like the work of a high-pitched Tom Waits, Banhart's second album is full of alternately fragile and quirky folk songs..."Q (p.94) - 4 stars out of 5 - "[E]ven more mesmeric and deep into Nick Drake territory: intense and slightly damaged, especially on the stark love songs..."Uncut (p.90) - 4 stars out of 5 - "REJOICING...feels like the work of a man in the midst of a prodigious creative spurt."Uncut (p.74) - Ranked #26 in Uncut's "Best New Albums of 2004" - "[A] mystical trip into an eerie neverland of joyful bohemian blues."Magnet (p.87) - "With his trembling tenor, Banhart continues to traverse the surreal, telling the tales of laughing lemon trees, milky suns and dancing teeth....It's a mesmerizing journey through the dark heart of Brooklyn's lost boy."Mojo (Publisher) (p.106) - 4 stars out of 5 - "Banhart wraps his songs in a gorgeously quavering warble that seems lifted right off some blues mama's dusty 78. A nearly flawless left-field folk."33.94083

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"...Somberly beautiful..." New York Times "...A cause for rejoicing. More than just a beautiful or affecting film, more than one with great performances and a significant subject -- all of which it has -- it's a movie with breadth of vision and strength of spirit..." Los Angeles Times0.3964422

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Q (5/92, p.97) - 3 Stars - Good - "...an accurate reflection of the fiery passion and keen sense of urgency felt by a cast of virtuoso musicians rejoicing in the unshakable belief that nothing is impossible..."Uncut (10/00, p.84) - 5 stars out of 5 - "...Fiercely passionate and spectacular[ly] spiritual music..."Alternative Press (11/00, p.118) - "An indisputable jazz-fusion classic...combining brain-burning virtuosity with profoundly soulful mysticism..."JazzTimes (11/00, p.70) - "...A snapshot of the band at its interactive best....established the standards for rock-fusion performance..."0.2642948

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3.5 stars out of 5 -- "[A] fast-moving and gut-busting dispatch from the front lines of pain management, as the late night comic attempts to overcome his anger the only way he knows how."Box Office "Throughout, Mr. O'Brien is seen fretting, fuming and occasionally rejoicing while in the throes of what looks like a sustained adrenaline rush."New York Times 3 stars out of 4 -- "Here is a man driven to assert himself....In addition to telling jokes, O'Brien plays guitar and joins a backup band and various guest stars to perform country-rock."Chicago Sun-Times "CONAN O'BRIEN CAN'T STOP captures not just the thrill that live performer thrive on, but the tedium that invariably sets in when they have to go back to being themselves....From the looks of this documentary, O'Brien navigates that transition better than most."Movieline "[A]n unexpectedly revealing, disconcerting documentary that benefits from the filmmaker's unmediated approach, his home-movie-quality visual style, and his controlled use of on-the-fly moments." -- Grade: A-Entertainment Weekly0.1982211

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3.5 stars out of 5 -- "[A] fast-moving and gut-busting dispatch from the front lines of pain management, as the late night comic attempts to overcome his anger the only way he knows how."Box Office "Throughout, Mr. O'Brien is seen fretting, fuming and occasionally rejoicing while in the throes of what looks like a sustained adrenaline rush."New York Times 3 stars out of 4 -- "Here is a man driven to assert himself....In addition to telling jokes, O'Brien plays guitar and joins a backup band and various guest stars to perform country-rock."Chicago Sun-Times "CONAN O'BRIEN CAN'T STOP captures not just the thrill that live performer thrive on, but the tedium that invariably sets in when they have to go back to being themselves....From the looks of this documentary, O'Brien navigates that transition better than most."Movieline "[A]n unexpectedly revealing, disconcerting documentary that benefits from the filmmaker's unmediated approach, his home-movie-quality visual style, and his controlled use of on-the-fly moments." -- Grade: A-Entertainment Weekly0.1982211

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