riley-terry,Terry Riley: In C [Riley, Terry] [886974536826], Terry Riley: In C [Riley, Terry] [4010228665024], In C (Terry Riley) *, Terry Riley: Aleph *, Terry Riley: Assassin Reverie

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89.41136

$9.50
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89.41136

$19.76
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90.44797

$11.90
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90.44797

$17.97
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90.44797

$14.14
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89.53892

$12.36
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72.50029

$12.93
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72.35838

$13.50
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72.35838

$7.97
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72.35838

$13.00
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72.35838

$15.27
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63.31358

$7.00
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63.31358

$12.60
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54.26878

$20.29
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The Wire (p.52) - "Carlson patiently guides his small beats and Morse code dots into every shifting loops that recall Terry Riley."0.6037258

$12.61
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Record Collector (magazine) (p.92) - 4 stars out of 5 -- "It's an engaging mixture of repetitive sounds and all sorts of other things....It's a fascinating adn regularly intense listen..."Uncut (magazine) (p.83) - 3 stars out of 5 -- "Adams is often compared to minimalists like Philip Glass and Michael Nyman, but there are also nods to the pulse-based music of Terry Riley..."0.3773286

$12.42
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Alternative Press (5/02, p.94) - 8 out of 10 - "...Like a jazzy combination of Eno's DISCRETE MUSIC and Terry Riley's IN C, this long, mesmerizing 60-minute piece seems to move at several different speeds at once."Mojo (Publisher) (April 2002, p.97) - "...[An] extraordinary improvised 60-minute piece....over a delicate, insistent hi-hat pattern, fragments of melody weave in and out of the mix....you'll either be utterly mexmerised or put a foot through a speaker..."0.3018629

$19.05
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Spin (p.122) - 3 stars out of 5 -- "On 'Full Moon or Infinity,' he's gently Elliott Smith-like."Entertainment Weekly (p.126) - "[T]he singer-songwriter seems to source his lyrics from dreams, with hazy impressions of longing and wonder that linger."Uncut (p.94) - 4 stars out of 5 -- "[T]he range of McCombs' references is wide. 'Lionkiller' sounds like Terry Riley jamming with Franz Ferdinand. 'That's That' bounces like James' 'Sit Down'..."Magnet (p.105) - "Spacious arrangements leave plenty of room for layers of vocal harmonies, and unlike many crooners, McCombs is at his most endearing when he stretches his tenor."Q (Magazine) (p.110) - 4 stars out of 5 -- "[With] a folky, sometimes mod-like poppiness that resonates with trails of Big Star and Elliott Smith....This is the work of a singular talent."Clash (magazine) (p.107) - "Opening track 'Lionkiller' pounces on your ears and refuses to let go....The album continues to traverse everything from Laurel Canyon folk rock guitar of 'Petrified Forest' to his more reflective moments in 'Full Moon Of Infinity'..."0.2263972

$10.22
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Rolling Stone (5/13/99, p.79) - Included in Rolling Stone's "Essential Recordings of the 90's."Rolling Stone (6/30/94, p.72) - 4 Stars - Excellent - "...it's the absence of beats that makes the music so strange and haunting, and when the beats do surface, they serve to accent a tone rather than sustain a tempo..."Spin (9/99, p.148) - Ranked #56 in Spin Magazine's "90 Greatest Albums of the '90s."Spin (3/94, p.76) - "...undeniable proof that techno was blossoming into a new form of electronic composition...it's the restraint of James' music that paradoxically induces such an unrestrained emotional response in the listener...it's like he's playing acoustic instruments from the distant future or an alien civilization..."Q (1/94, p.84) - Included in Q's list of `The 50 Best Albums Of 1993' - "...[a] brilliant collection of experiments...always fascinating and somehow other-worldly, this is music as enjoyable as it is innovative and of its time..."Alternative Press (5/02, p.104) - Included in AP's '10 Essential Pioneering Electronic Albums'.Option (8/94, p.90) - "...His accomplishment here is monumental; this solo electronic album is so unusual that it needs to be stated up front that it sounds like no other recording in the genre, ever..."Melody Maker (1/1/94, p.76) - Ranked #10 in Melody Maker's list of the `Albums Of The Year' for 1993 - "...Creating a soundscape like a vast, depopulated techno world, the Twin's scurrying swathes of electronics recall Eno, Kraftwerk, Terry Riley--none of whom he'd heard of until years after this stuff. Awesome...."0.1886643

$20.32
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"...[BROKEN ARROW] delivers the hippest action fun around....Director John Woo is in dazzling form..." Rolling Stone "...A knockout beginning, gorgeous to the eye and a rush to the senses: very John Woo..." Sight and Sound "...A long wrap-up full of moving-train mayhem culminates in the movie's most memorable shot..." -- 3 out of 4 stars USA Today "...Audacious action scenes....Rewind...to savor the stunt work..." -- Rating: B+ Entertainment Weekly "A virtually nonstop actioner that's heavy on imaginative destruction..." Variety "...BROKEN ARROW packs an impressive wallop....[With] killer special effects..." New York Times "...[Woo] is one of the most fluidly cinematic filmmakers working today, gifted with a thorough grasp of the mechanics of action..." Los Angeles Times0.1864892

$6.02
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"...[BROKEN ARROW] delivers the hippest action fun around....Director John Woo is in dazzling form..." Rolling Stone "...A knockout beginning, gorgeous to the eye and a rush to the senses: very John Woo..." Sight and Sound "...A long wrap-up full of moving-train mayhem culminates in the movie's most memorable shot..." -- 3 out of 4 stars USA Today "...Audacious action scenes....Rewind...to savor the stunt work..." -- Rating: B+ Entertainment Weekly "A virtually nonstop actioner that's heavy on imaginative destruction..." Variety "...BROKEN ARROW packs an impressive wallop....[With] killer special effects..." New York Times "...[Woo] is one of the most fluidly cinematic filmmakers working today, gifted with a thorough grasp of the mechanics of action..." Los Angeles Times0.1864892

$8.70
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Entertainment Weekly (No. 849, p.72) - "...[M]editative string-picking and hypnotic blues-drone explorations...." - Grade: A-Magnet (p.112) - "IMAGINATIONAL ANTHEM distinguishes itself from other recent collections by juxtaposing mainly unavailable works by '60s pioneers...with current rising stars..."0.1864892

$12.51
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0.1739418

$20.75
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0.1739418

$11.53
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0.1739418

$7.48
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0.1739418

$9.98
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0.1739418

$9.77
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Rolling Stone (12/26/96, p.198) - "...the dark pulse and melodic abstraction of '70s German avant-rock; the hypnotonal minimalism of vintage Steve Reich and Terry Riley; the distended rhythms of ambient dance music; lush chamber jazz; Brian Eno's experiments....their ethereal subversion is a pleasure..."Spin (9/99, p.154) - Ranked #67 in Spin Magazine's "90 Greatest Albums of the '90s."Spin (3/96, pp.112-113) - 7 - Flawed Yet Worthy - "...McEntire's great talent, after his not inconsiderable drumming and synth capabilities, is making like Brian Eno....[he] apes Eno paradigmatically rather than stylistically....MILLIONS...is the work of a full-fledged member of the Brianist Conspiracy..."Q (5/01, p.72) - "...Revolutionized US indie rock and established Chicago as post-rock's Seattle. Dub, Kraut, free jazz, avant-electronica and classical minimalism played by veterans of the hardcore punk circuit..."Uncut (p.118) - 4 stars out of 5 - "[A] superb post-rock touchstone..."Alternative Press (5/96, p.91) - 5 - Supreme - "...a collective of pretentious, searching and brilliant musicians...a world where chaos and beauty are best of friends, and where sprawl and display hold hands with introspection..."The Wire (p.60) - "Bold studio savvy goes hand in hand with intelligent, disciplined playing....Much of this album has a sunset melancholy, filtered through group playing sleek with understatement."Melody Maker (12/21-28/96, pp.66-67) - Ranked #25 on Melody Maker's list of 1996's "Albums Of The Year."Melody Maker (1/27/96, p.35) - Bloody Essential - "...one of the five most important records...to surface from the American `alternative' quagmire this decade. And that's just on the strength of the opening track....Tortoise [are]...ambient, sure, but they're always on the move, never still..."Musician (5/96, p.102) - "Wallow in the oceanic sweep of Dave Pajo's guitar work....Dig the dueling marimbas and Brian Wilsonesque bassline on the 21-minute `Djed'--and don't be surprised when that middle section of the piece suddenly morphs into a white-noise synth opus....They're twisted--in a nice way..."Mojo (Publisher) (p.59) - Ranked #64 in Mojo's "100 Modern Classics" -- "Dave Pajo's guitar work brings a rustic authenticity to the bouncy futuristic grooves."NME (Magazine) (12/21-28/96, pp.66-67) - Ranked #35 in NME's 1996 critic's poll.NME (Magazine) (1/27/96, p.42) - 8 (out of 10) - "...MILLIONS NOW LIVING...is far too addictive, too organic, too incontrovertibly groovy to be no more than an art-rock cult....there's a rampant ambition to stretch the parameters...to mix and and match and generally muck up a proverbial shedload of different types of music..."0.1509314

$12.25
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0.141639

$13.01
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0.1304564

$10.50
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Record Collector (magazine) (p.88) - 5 stars out of 5 -- "[A]n astounding first EP which pulled together elements as diverse as jazz, systems music, experimental music, classical, rock and downright compelling interaction."Signal To Noise (magazine) (p.47) - "Maybe the coolest thing about BOTM is the way they balance earnestness and humor....This set is a boon for fans and a fab invitation for neophytes."0.1304564

$19.09
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0.1304564

$19.52
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0.1304564

$12.36
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0.1304564

$5.96
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0.1087136

$13.57
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0.1087136

$17.56
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0.1087136

$16.01
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0.1087136

$15.99
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0.1087136

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0.1065652

$23.48
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0.09120038

$14.75
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0.08697091

$8.08
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0.07992393

$29.45
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0.07609954

$6.89
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0.07609954

$10.60
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Record Collector (magazine) (p.97) - 3 stars out of 5 -- "Deep Dish's remix of 'Saint Of Me' still wreaks havoc with its dirty-based dubs..."0.0727215

$174.21
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0.06522818

$13.20
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