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38 Items Found For robert rich

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Down Beat (3/93, p.46) - 4 Stars - Very Good - "...Roach and Rich demonstrate some evocative possibilites between the cracks of existing genres. They freely and unapologetically blend ethnic instruments and synth/sampling gear...dark and hypnotic..."98.16418

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98.16418

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Down Beat (2/91) - 4 stars - "This is serious, important instrumental music..."98.16418

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Alternative Press (8/95, p.97) - "...highly recommended trance music which maintains a sense of mystery, and indeed yearning, throughout its continuous hour-long running time."Option (9-10/95, p.129) - "Rich and Moskow create an extended exploration of the alap, the slow, improvised introduction to the classical Indian raga..."78.53134

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NAPRA Review (09-10/02, pp.84-85) - "...A totally hip way to start your day--gets the blood pumping and clears the head..."0.1776235

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BOOK REVIEWS COMING SOON!!!!29.53361

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Rolling Stone (p.85) - 3.5 stars out of 5 -- "Skilled and inspired....[With] relaxed, smoky harmonies and reverbed midtempo rockabilly..."Rolling Stone (p.112) - Included in Rolling Stone's "50 Top Albums of the Year 2007" -- "They harmonize with natural worry and warmth against a midnight Mississippi chill..."Entertainment Weekly (p.65) - "They ultimately meet in a roots-rock commonwealth....[E]xercises in sublime harmony..." -- Grade: A-Uncut (p.115) - 5 stars out of 5 -- "The partners' close harmonies are especially ravishing -- intimate as Gram & Emmylou on Gene Clark's 'Through The Morning, Through The Night'..."Down Beat (p.62) - 4 stars out of 5 -- "Doc Watson's 'Your Long Journey' finds Plant and Krauss attaining a state of grace, their shared spiritual strength interlocked with sorrow over a loved one's death."Dirty Linen (p.56) - "[O]ne listen to these songs, and you'll quickly appreciate how they -- and Burnett and the other musicians -- effortlessly blended different genres into one gorgeous stew of pop music..."No Depression (p.92) - "Their harmonies couldn't be more fetching on 'Killing The Blues'....The emotional landscape of RAISING SAND stretches far and wide."Record Collector (magazine) (p.90) - 4 stars out of 5 -- "The pair drift in an out of the tracks, supplementing each other with subtlety and charm on a stunning set..."23.45436

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"...A high-spirited, good-natured comedy....It's fast-paced, peopled with attractive characters, loaded with mostly slapstick humor, and peppered with 13 original pop songs..." Variety8.3678

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"...Franco's performance is solid..." Movieline's Hollywood Life "...It is loaded with rich, dark themes..."New York Times "...[De Niro is] raw and compelling....McDormand has a salt-of-the-earth quality that lends itself nicely to this role..." USA Today "...[De Niro] gives one of his gentlest, most quietly affecting performances....CITY BY THE SEA has combustible moments that wake you right up..." Entertainment Weekly "...[Dushku and Lupone] each effectively pulls out the stops when the moment calls for it..."Variety "...The old Method master hasn't lost his touch....DeNiro's final speech brings back the great-actor tingles..."Total Film "...Franco brings a tortured grace to his performance..." Sight and Sound "Franco's a find, and the rapport between De Niro and McDormand resonates effortlessly." Uncut7.217274

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"...Gilliam creates this dehumanizing universe with demented wit, sane anger and the most eye-popping visuals since METROPOLIS..." Rolling Stone "...Landmark retro-future tragicomedy..." -- Rating: A+ Entertainment Weekly "...BRAZIL, a jaunty, wittily observed vision of an extremely bleak future, is a superb example of the power of comedy to underscore serious ideas, even solemn ones....Ambitious visual style..." New York Times "...It's a knockout..." Los Angeles Times "...It's rich in irony, steeped in surrealism and touched with genius....Easily one of the greatest movies of the '80s..." Total Film "...Hugely inventive..." Sight and Sound7.189436

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"...[Roberts] delivers much of the film's humor and becomes an affecting figure..." Variety5.359921

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"...This role gives Ms. Roberts a lovely opportunity to poke fun at her own situation..." New York Times "...NOTTING HILL doesn't just refresh. It's deadpan wit, ingenious fairy-tale premise and superbly accomplished cast will leave you feeling positively oxygenated..." USA Today "...NOTTING HILL is a smartly cast and consistently amusing romantic comedy..." Los Angeles Times "...The movie is bright, the dialogue has wit and intelligence, and Roberts and Grant are very easy to like..." Chicago Sun-Times 4 stars out of 5 -- "A warm, romantic film for a rainy day, as Grant and Roberts play mismatched lovers....Their star quality here never waivers."Total Film5.338305

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"...Filled with heart and humor....[Roberts is] lively and beautiful..." New York Times "...Gish is subtle, Taylor goofy and mercurial. Best of them is Julia Roberts....[She] shows a priceless movie quality: a real sense of danger and unpredictability..."Los Angeles Times5.319582

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Living Blues (9/03, pp.99-100) - "...The revue-style show is framed by guitarist Rich Dangel's uniquely choked six string technique that swaps instrumental staples and similarly cast originals with fervent vocal numbers by Morrill and Rockin' Robin Roberts..."0.2771441

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Q (1/01, p.112) - 4 out of 5 stars - "...A master class....He learnt guitar at Robert Johnson's knee, but developed his own jazz-inflected brilliance on 12-string, its subtle ebb and flow balancing harsh, dark lyrics and a rough old voice..."JazzTimes (11/00, p.69) - "...A rich tribute and a must for Delta fanatics..."0.2309534

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"...A LIFE LESS ORDINARY certainly shows off Mr. Boyle's flamboyant visual cleverness....[McGregor is] charming and sheepishly fun here..." New York Times 3 stars out of 5 -- "Chock-full of offbeat ideas, high energy and good moments..."Empire0.1254253

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Rolling Stone (10/29/92, p.69) - 3.5 Stars - Good Plus - "...It's a song older than Waits himself--older than Hank Williams, older than Robert Johnson--that Waits is chasing...Albums this rich with spiritual longing prove the validity of that effort..."Spin (12/92, p.68) - Ranked #13 in Spin's list of the `20 Best Albums Of The Year' - "...leaves you breathless in amazement that anyone could be this friggin' weird and cool...a shining collection of tunes..."Spin (11/92, p.115) - Highly Recommended - "...Waits keeps getting weirder--and better--proving that you can live life in sinful disgrace and come out somehow purer in the end..."Entertainment Weekly (9/17/92, p.65) - "...You never know when you're going to be shocked, thrilled, or just plain unnerved by some startling image or sound...As modern songwriters go, [Waits] is one of the few who does matter..." - Rating: A+Q (10/92, p.100) - 4 Stars - Excellent - "...a formidable talent who is surely the true heir to Captain Beefheart...in an era when even the fringes of cultural enterprise are becoming increasingly dominated by market pandering, his is the bravest of stances..."Alternative Press (12/92, p.75) - "...the apocalyptic howl which is Waits' strongest calling card positively bowls you over..."Dirty Linen (Apr/May 93, p.75) - "...a musical sideshow; not one full of bogus wonders, but rather, applicable sounds and images. It doesn't have to be all popsicles and icicles, you know. And Tom Waits remains oh-so valid..."Option (Nov.-Dec./92, p.151) - "...his best album ever....Waits--poignant, brilliant, and original--is beyond all comparisons..."Melody Maker (9/12/92, p.45) - "...Waits doesn't prettify, he just simplifies, as the best storytellers must...shows his roots in the spirituals of black American slaves, gospel, Leadbelly's blues and the Depression folk of Woody Guthrie...weird and wonderful..."Musician (10/92, p.99) - "...one of the most singular-sounding albums to come along in some time...BONE MACHINE should be counted among [Waits's] best efforts--deeply weird, aggressively sardonic and, at its greasy core, painfully humane..."Village Voice (3/2/93, p.5) - Ranked #9 in the Village Voice's list of the 40 Best Albums Of 1992.Stereo Review (1/93, p.88) - "...BONE MACHINE is minimalist music from hell, played on the bones of sinners and sung through the rusty, ravaged, and perhaps even channeled voice of the devil, who shovels coal through Waits's dreams..."Audio Magazine (1/93, p.150) - "...the folk music of the post-apocalypse...his most chilling and darkly humorous album to date..."0.09238137

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