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56 Items Found For rock goddess

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44.75706

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31.08095

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27.89834

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8.466656

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Rolling Stone (p.67) - 3 stars out of 5 -- "Petra Haden is known for mad-brilliant covers in which she replicates each instrumental using only her voice....Her swirling, untranslatable phonemes suggest a goddess who rules the cosmos."0.7566618

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0.7073548

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0.6047304

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Rolling Stone (p.86) - 3.5 stars out of 5 -- "Juxtapositions come in whiplash succession, but there is melodic poise inside the changes..."Pitchfork (Website) - "[EMBRACE] dispenses its earth-quaking riffage in such carefully measured, perfectly spaced-out rations, it tricks you into thinking the band is much heavier than it actually is."Record Collector (magazine) (p.86) - 3 stars out of 5 -- "[T]hey concoct generally transcendental states with all manner of approaches, ranging from massed gospel blues vocals, fuzz guitars...and mind-melting acid guitar breaks."0.6047304

$10.90
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Rolling Stone (p.192) - 4 stars out of 5 - "[THE] PLATINUM COLLECTION includes Roxy tunes that demonstrate this deeply skilled band's delicious development from thrashing rock to crystal-clear pop."0.5989649

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Spin (12/98, pp.184-185) - 8 (out of 10) - "...It's an album of shameless good-byes: to Manhattan, to love, and (most painfully) to not giving a shit. Successfully repressing his Sonic Youth tics, Donahue starts with goofy, SMILE-era Beach Boys and heaps on even thicker strata of strings and brass than SEE YOU ON THE OTHER SIDE..."Spin (12/98, pp.184-185) - 8 (out of 10) - "...It's an album of shameless good-byes: to Manhattan, to love, and (most painfully) to not giving a shit. Successfully repressing his Sonic Youth tics, Donahue starts with goofy, SMILE-era Beach Boys and heaps on even thicker strata of strings and brass than SEE YOU ON THE OTHER SIDE..."Entertainment Weekly (9/25/98, p.107) - "...their fourth effort feels like a watershed, the point where their heady mix of orchestral pop, roots rock, psychedlia, prog, choral, and chamber music finally crystallizes into something special and damn near ineffable..." - Rating: A-Entertainment Weekly (9/25/98, p.107) - "...their fourth effort feels like a watershed, the point where their heady mix of orchestral pop, roots rock, psychedlia, prog, choral, and chamber music finally crystallizes into something special and damn near ineffable..." - Rating: A-Q (10/01, p.59) - Ranked #30 in Q's "Best 50 Albums of Q's Lifetime"Q (12/99, p.100) - Included in Q Magazine's "90 Best Albums Of The 1990s."The Wire (1/99, p.27) - Included in Wire's "50 Records Of The Year [1998]"Mojo (Publisher) (p.63) - Ranked #30 in Mojo's "100 Modern Classics" -- "The results were rhapsodic: bowed saw symphonies and the ineffable 'Holes', a fantastical elegy to magic and loss."0.5957066

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0.578413

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0.578413

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0.578413

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Mojo (Publisher) (p.132) - 4 stars out of 5 -- "[They] mix the Stones bad-boy R&B...[with] the psychobilly of The Cramps..."0.578413

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0.578413

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0.578413

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0.578413

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0.578413

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0.578413

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0.578413

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0.578413

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0.578413

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Rolling Stone (5/13/99, p.58) - Included in Rolling Stone's "Essential Recordings of the 90's."Rolling Stone (1/25/96, p.41) - Ranked #1 in the 1996 Critics' Poll.Rolling Stone (3/9/95, pp.63-64) - 4 Stars - Excellent - "...Harvey envisions a teeming underworld where she is victim, aggressor and accomplice, song by song....all these are put in the service of a primal vision on TO BRING YOU MY LOVE: Harvey's bitter struggles with her demons and her wicked, wanton sympathy for the devil..."Spin (9/99, p.117) - Ranked #3 in Spin Magazine's "90 Greatest Albums of the '90s."Spin (12/95, p.62) - Ranked #3 on Spin's list of the `20 Best Albums of '95.'Spin (4/95, p.195) - 10 - Classic - "...She knows that rock'n'roll... stimulates desire, and if you're hungry enough, it can...break you apart....Harvey uses it...to free the man in her, and the madwoman, the goddess and the ghost. While most of her peers graze pop culture's surfaces for inspiration, Harvey plunges under. She's bent on touching rock's magical core..."Entertainment Weekly (12/29/95-1/5/96, p.132) - Ranked #5 on EW's Top 10 Albums Of 1995.Entertainment Weekly (3/10/95, p.68) - "...Her lyrics convey desire and love, while her barbed-wire voice betrays uncertainty about giving over that much of herself....TO BRING YOU MY LOVE is the most welcome of rarities: a move toward maturity without any loss of Harvey's visceral power..." - Rating: AQ (2/96, p.63) - Included in Q's 50 Best Albums of 1995 - "...it's sensual, intoxicating stuff, compelling--and expertly--performed..."Alternative Press (5/95, pp.74-75) - "...TO BRING YOU MY LOVE could be described as menstrual, in the primeval, ritualistic, sense of the word, the Earth Mother unleashing powers which man would rather lock up for fear of the dark....In another time, they'd call it the blues. But really, it's blacker than that..."Melody Maker (12/23-30/95, pp.66-67) - Ranked #9 on Melody Maker's list of 1995's `Albums Of The Year' - "...Rapacious, bluesy, stylistically drawing on Zeppelin and Cave..."Musician (5/95, pp.85-86) - "...No matter how good her earlier records convinced you Polly Harvey was, she's lots better...an innovative leap forward. She's written primal blues and country-based songs about love, death and longing and sung them passionately with no irony or distance..."Village Voice (2/20/96) - Ranked #1 in Village Voice's 1995 Pazz & Jop Critics' Poll.Mojo (Publisher) (p.62) - Ranked #40 in Mojo's "100 Modern Classics" -- "[A]n unprecedented slice of coal-black, freakily obsessional avant-roots-rock."New York Times (Publisher) (1/6/96, p.C16) - Included on Jon Pareles' and Neil Strauss' list of the Top 10 Albums of `95 - "In Polly Jean Harvey's songs, love becomes immolation and salvation, holy quest and desperate obsession..."NME (Magazine) (12/23-30/95, pp.22-23) - Ranked #8 in NME's `Top 50 Albums Of The Year' for 1995 - "...Obsession, voodoo rituals, religious visions, murder, revenge and a kind of spiritual search for love...set to a creaking, flinty modern-day blues..."0.5616737

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0.5607837

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Rolling Stone (6/13/96, pp.80-82) - 3 Stars (out of 5) - "...the highlight of GOOD GOD'S URGE is the searing title song, which is split into two moods that make alternate pleas for compassion and fury....Well put and idiosyncratic..."Spin (7/96, p.93) - 6 (out of 10) - "...There's little in the way of a 'we' here; all curiosity seems directed inward, to places no Lollapalooza laminate can get you. Much of GOOD GOD'S URGE was inspired by surfing trips to the Pacific Islands, and like any surf believer Farrell knows his only true kinship is with the waves..."Melody Maker (5/25/96, p.49) - "...these cocoon symphonies are strange and disturbing things....Perhaps the biggest mistake you could make with "Good God's Urge" is to try to understand it....Far better to abandon logic and let it wash over you..."RIP (7/96, p.12) - 5 (out of 5) - "...GOOD GOD's URGE is too far out there--ahead of it's time with a little borrowed from the mushroom-era of the '60s (War, not Sonny & Cher). Good God-dess!..."Mojo (Publisher) (6/96, p.120) - "...Tunes confidently blend weird improvisation with gorgeous melody, giving the album both depth and beauty..."New York Times (Publisher) (6/2/96, Sec.2, p.28) - "...an up-to-date counterpart to the music Syd Barrett made after leaving Pink Floyd. It is weird, candid and minimal. Moments of nonsense and endearing simplicity are mixed with revelations best interpreted by a team of psychoanalysts....an honest testament to flawed eccentricity."NME (Magazine) (5/25/96, p.50) - 8 (out of 10) - "...[Perry Farrell] has subjugated his ego to the ecosystem....GOOD GOD'S URGE is one long hymn to the greater forces...[that] evoke[s] colours and smells and feelings, a sensory feast....Perry Farrell is extraordinary..."0.5574818

$7.95
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Entertainment Weekly (4/20/01, p.73) - "...Intoxicating...demonstrating the resonance of the late artist's deeply personal vision..." - Rating: B+Q (7/01, pp.136-7) - 4 stars out of 5 - "...These unvarnished tracks offer a hugely affecting final portrait....she has rarely been more compelling....A simple, elegiac and quietly stunning farewell..."CMJ (4/30/01, p.28) - "...Her final sessions captured new, unreleased songs plus a few tenderly, rendered covers...that shed light on her inspirations and motivations..."No Depression (5-6/01, pp.129-30) - "...An enjoyable listen...She sounds inspired and in fine form despite her failing health..."0.5520957

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0.5520957

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Uncut (p.79) - 4 stars out of 5 -- "Stephen Fellows' lyrics were brilliant with existential suggestion."0.5520957

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0.5520957

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Record Collector (magazine) (p.85) - 4 stars out of 5 -- "[I]t was on the haunting baroque-pop originals, such as 'I've Been Told' and 'Sleep Talkin'', plus punked-up 'Numbers', that the group shone brightest..."0.5520957

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0.5520957

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0.5520957

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0.5520957

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0.5520957

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0.538937

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Uncut (magazine) (p.92) - 4 stars out of 5 -- "[T]he glowering 'Tracking' captures the quintessence of their Human League kling and Pere Ubu klang."0.538937

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Record Collector (magazine) (p.85) - 4 stars out of 5 -- "[I]t was on the haunting baroque-pop originals, such as 'I've Been Told' and 'Sleep Talkin'', plus punked-up 'Numbers', that the group shone brightest..."0.538937

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0.5353978

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0.5257783

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0.5252315

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0.5126196

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0.5126196

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0.5126196

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0.5126196

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0.4994609

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0.4994609

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0.4863022

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CMJ (p.24) - "By playing vintage instruments and old-timey amps, they channel the spirit of Black Sabbath on AGE OF WINTERS..."Mojo (Publisher) (p.102) - 3 stars out of 5 -- "The Sword's debut makes up in spirited rock power what it lacks in originality....With a heap of myths'n'monsters imager and pseudo-'70s artwork."0.1932621

$8.94
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