ron-carter,Ron Carter, Ron Carter, Orfeu [Ron Carter (Bass)], Where? [Ron Carter (Bass)] [888072306486], Etudes [Ron Carter (Bass)]

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BOOK REVIEWS COMING SOON!!!!197.847

$14.41
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165.8142

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JazzTimes (3/00, p.79) - "...mixes the melodic side of jazz improv with the subtle insinuation of the various supporting rhythms....This is one of his better albums as a leader..."118.4387

$14.04
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94.75099

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94.75099

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94.75099

$25.62
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94.75099

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94.75099

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90.86132

$15.62
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71.06325

$10.74
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Down Beat (p.80) - 3.5 stars out of 5 -- "Carter's virtuosity is always felt...never more than in the eloquent contrapuntal bass running through Wayne Shorter's 'Footprints'..."JazzTimes (p.46) - "Carter drives the tunes, including two of his own, with typically impeccable timing, tone that's woody and resonant, and adroit note choices."71.06325

$15.34
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JazzTimes (p.72) - "[A] nifty recording that traverses many styles, from hard bop and ballads to soul jazz and pop jazz."59.21937

$10.81
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22.36598

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22.36598

$15.43
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22.36598

$12.19
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19.57023

$6.04
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JazzTimes (p.119) - "[The] second CD, which runs the stylistic gamut from an alluring bossa nova to urgent funk to a freak-out improv jam and a faithful rendition of the Ron Carter-Miles Davis composition 'Eighty One,' makes this a must for guitar fans.'0.603174

$14.28
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Down Beat (p.64) - 5 stars out of 5 -- "[The] scintillating performance included takes on Coltrane's 'Impressions' and Miles Davis' 'So What'..."0.3222191

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0.2848041

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0.2819417

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0.2819417

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0.2416643

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0.2278433

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0.2278433

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0.2278433

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0.2278433

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0.2278433

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Entertainment Weekly (1/26/01, p.103) - "...[Frisell] reaches new atmospheric heights....brilliant guitar work..." - Rating: BThe Wire (5/01, p.61) - "...A compendious evocation and synthesis of a range of genres that never sounds merely eclectic....on a far superior level to most contemporary jazz albums....one of Frisell's most ambitious productions to date..."CMJ (2/19/01, p.15) - "...The soundtrack to a sleepwalk, a blurred ghost image of American music..."Down Beat (5/01, pp.61-2) - 4.5 stars out of 5 - "...Call it sophisticated hick music....It's the good, bad and the ugly, as his essentially cinematic approach to storytelling contains both fragments and extended pieces....suggesting the Wild West with a twist one moment, a gospel, down-by-the-river meeting the next..."JazzTimes (5/01, p.122) - "...Another winsome album....reiterating his bucolic synthesis of American roots music....an American original..."0.2278433

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0.2278433

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0.2278433

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0.2013869

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Rolling Stone (5/13/99, pp.76-77) - Included in Rolling Stone's "Essential Recordings of the 90's."Rolling Stone (2/20/97, pp.66-68) - 3.5 Stars (out of 5) - "...Badu is from the Diana Ross school of Billie Holiday imitation...mainly interested in just being herself....BADUIZM's strength lies in her ability to filter jazz vocals through hip-hop without any fuss or fanfare..."Spin (1/98, p.87) - Ranked #12 on Spin's list of the "Top 20 Albums Of The Year."Entertainment Weekly (2/14/97, p.62) - "...Badu's nouvelle-soul debut hits the target, blows it up, reinvents it. Sweetly cooing over Ron Carter's walking bass rhythms and the Roots' poetic wordplay, the singer echoes Lady Day--especially her phrasing and cadence..." - Rating: AQ (1/98, p.111) - Included in Q Magazine's "50 Best Albums of 1997."Q (4/97, p.117) - 4 Stars (out of 5) - "...a warm thoroughly idiosyncratic record which mixes jazz, soul and a slice or two of hip hop into a rich, smoky musical brew..."Q (p.132) - 4 stars out of 5 - "File next to D'Angelo or OutKast's Badu-featuring HUMBLE MUMBLE, under loaded-soul perfection."Vibe (3/97, p.133) - "...BADUIZM is rooted in an old vocab....[It] serves as a conduit for an awakening of something dark, familiar, and long slept....Badu...reaches for the joyful, exacting vocal arrangements of the Sweet Inspirations and the Emotions..."The Source (3/97, p.126) - "Erykah Badu redefines the word diva....She's replaced attitude with sass, and her sex appeal lies within her own private sensuality..."Melody Maker (12/20-27/97, pp.66-67) - Ranked #45 on Melody Maker's list of 1997's "Albums Of The Year."Rap Pages (4/97, p.79) - "...What Erykah has accomplished is to set herself worlds apart from the universe of over-produced, honey-voiced, nothing-worthwhile-to-say fly girls..."Village Voice (2/24/98) - Ranked #7 in the Village Voice's 1997 Pazz & Jop Critics' Poll.Village Voice (2/18/97, pp.65-69) - "...sparklingly fresh....The last time a black woman came across in mainstream black pop as so nakedly her own creation and with so much creative control, her name was Sade..."NME (Magazine) (3/29/97, p.46) - "...BADUIZM has a sophisticated running order, with reprises, lyrical motifs and a series of musical refrains. And refreshingly, this is probably the first rap-influenced record in which `hoe' is a garden implement and not a term of disrespect."0.201058

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0.1993629

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0.1993629

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0.1993629

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0.1993629

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Down Beat (p.74) - 3.5 stars out of 5 -- "[This is] his most alive-sounding disc in nearly two decades....Here, Collins steps into his role as a living musical institution..."Billboard (p.32) - "[E]pic in scale, from its 16 mostly woofer-shaking tracks to the generation-spanning guest list."0.1708825

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0.1708825

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BOOK REVIEWS COMING SOON!!!!0.1424021

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Down Beat (p.81) - 4.5 stars out of 5 - "[W]hat really juices this joint is the contributions from the relative unknowns who brought the six-string guitar away from its origins as poor relation to the banjo and the Hawaiian steel guitar and into its contemporary role..."JazzTimes (p.93) - "For some, the stunning revelation here will be the masterful clarity of Barney Kessely. For others, it will be the sensuous ear candy of George Van Eps..."0.08544125

$43.00
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26.99374

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22.52307

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4 stars out of 5 -- "TREMORS is a B-movie classic. Kevin Bacon's never had so much fun, the script drips with tongue-in-cheek wit..."Total Film22.34909

$9.67
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4 stars out of 5 -- "TREMORS is a B-movie classic. Kevin Bacon's never had so much fun, the script drips with tongue-in-cheek wit..."Total Film22.34909

$15.37
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