rosanne-cash,The List [Rosanne Cash], The Essential Rosanne Cash, Favorites [Rosanne Cash] [CD] [1 disc] [090431153628], Super Hits [Rosanne Cash] [CD] [1 disc], Favorites [Rosanne Cash] [CD] [1 disc] [079895974321]

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Rolling Stone (p.78) - 3.5 stars out of 5 -- "Electronic shadings give new color and depth to the Hank Williams hit 'Take These Chains From My Heart'..."Spin (p.74) - "Roseanne Cash delivers the most enjoyable history lesson....Cash is always in charge and always mesmerizing."Entertainment Weekly (p.57) - "THE LIST is a testament to both Cash Jr.'s vocal talents and Cash Sr.'s catholic taste." -- Grade: BDirty Linen (p.45) - "'500 Miles,' made famous by Peter, Paul and Mary, is an unexpected little gem that showcases Cash's vocal talents, clear and direct as the song she sings."Billboard (p.84) - "[T]he spotlight is rightfully on Cash, who sails gently through 'Miss the Mississippi and You' while deliciously strolling through Hank Snow's 'I'm Movin' On.'"Record Collector (magazine) (p.92) - 4 stars out of 5 -- "The playing is understated throughout, Roseanne's guitarist and producer hubby John Leventhal staying true to the stripped-down folk motifs of the originals..."70.15017

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Uncut (magazine) (p.81) - 5 stars out of 5 -- "Erudite, sophisticated, armed with a broad range and a gloriously haunting voice, she's best on impossibly poignant, existential ballads."70.15017

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Rolling Stone (No. 987, p.137) - 4 out of 5 stars - "...[D]oes an excellent job of covering the twenty-five-year ache of her recording career..."49.10512

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Q (1/02, p.115) - 3 out of 5 stars - "...Rosanne Cash's first two US albums...ushered in a whole new generation of female country singers..."1.018425

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Spin (5/97, pp.115-116) - "...Complicating Rosanne Cash's prettiness with Lucinda Williams's worn sensuality, Richey's voice conveys both unadorned directness and awesome range....in running crooked across modern country's fractured camps and simplistic themes, Richey is...the honky-tonk angel as zigzag wanderer."Entertainment Weekly (3/7/97, p.67) - "...Kim Richey's second release displays a more worldly lyrical stance and a tougher sound than the Nashville norm. Add to that her angel-with-a-past voice and BITTER SWEET becomes a near-perfect album of cutting-edge country that has as much heart as attitude." - Rating: AQ (4/97, p.128) - 4 Stars (out of 5) - "...A benchmark against which the rest of the year's country albums must be judged, Richey's peers and previous clients should be wondering exactly how they're going to match it."0.4455611

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Dirty Linen (p.60) - "[I]t's a refreshing project that takes the idea of folk music in new directions..."0.3165573

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0.2769876

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Entertainment Weekly (5/11/01, p.81) - "...Explores the Appalachian roots of country, bluegrass, and folk with an almost all-female lineup. Goosebump-good performances abound..." - Rating: BNo Depression (5-6/01, p.138) - "...It's all good. Well-chosen songs, beautifully played..."0.2769876

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Entertainment Weekly (p.80) - "It all hits home, but non quite like Emmylou Harris' tear-jerking take on the tender 'Song to John.'" -- Grade: B+Uncut (p.117) - 3 stars out of 5 -- "The intimate, familial tone of the singers is unmistakable, especially on Emmylou Harris' 'Song To John' and Roseanne Cash's spiritual 'Wings of Angels'..."Dirty Linen (p.75) - "June's daughter Carlene Carter and country star Ronnie Dunn have good fun with another Johnny and June duet, 'Jackson'..."No Depression (p.91) - "Acoustic textures predominate, and the performers lean toward Carter Cash's spirit rather than adapting her songs to fit their own sound."0.2769876

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Entertainment Weekly (7/31/92, p.72) - "..truly dreamy, a hypnotic anthology of vintage and original sleepytime tunes.." - Rating: B+0.2769876

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Spin (p.87) - 3.5 stars out of 5 -- "The Band were roots rockers before the term existed...[An] exquisite tribute the Americana pioneers..."Entertainment Weekly (p.123) - "Steve Reynolds successfully repaints a masterpiece with his brooding 'Stage Fright'..." -- Grade: B+Mojo (Publisher) (p.94) - 3 stars out of 5 -- "Lee Ann Womack serves up 'The Weight' with twang and three-part harmonies..."0.237418

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JazzTimes (p.86) - "It's gorgeous....Its captains are Haden's triplet daughters, Petra, Tanya and RAchel....Their three-part harmony sparkles on 'Single Girl, Married Girl'..."Dirty Linen (p.46) - "[A] successful attempt to resurrect the spirit of family bands of the early to mid 20th century."Signal To Noise (magazine) (p.58) - "RAMBLING BOY is essentially a family affair, just like those radio shows circa 1940....When it works, RAMBLING BOY makes early country music great: it's about the songs, not the showcasing..."0.237418

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Rolling Stone (9/16/93, p.72) - 4 Stars - Excellent - "...an extraordinary tribute....a remarkable moment of rock history and a fitting testimonial to a body of songs so deeply familiar that melodies, images and even turns of phrase have entered our common language..."Entertainment Weekly (9/17/93, p.90) - "...a streamlined, high-tech extravaganza that does its best to catch the emotional high of the old concert films..." - Rating: BQ (9/93, p.86) - 3 Stars - Good0.1978483

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Mojo (Publisher) (p.99) - 4 stars out of 5 -- "Cash seemed to find something extra in the music of the church and like so many truly great country artists, it always made him dig a little deeper."Uncut (magazine) (p.92) - "The Tennessee Three and various Nashville pros play the classic Cash sound, while the singer refracts his pious philosophy through the vision of, and belief in, a benevolent, forgiving deity."0.1582787

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Rolling Stone (p.60) - 4 stars out of 5 -- "[A]t every turn -- high-mountain balladry, brassy R&B, near-metallic blues rock -- Rosanne sings of coming through loss with a poise and confessional will that are utterly country and absolutely in the family tradition."Entertainment Weekly (p.84) - "[T]he best of Cash's nuanced compositions, especially the luminous piano ballads 'I Was Watching You' and 'The World Unseen,' turns her healing process into great art." -- Grade: B+Uncut (p.68) - 4 stars out of 5 -- "BLACK CADILLAC is the most intense record of Cash's career. A meditation on life and identity as much as loss, her soul is laid bare..."Dirty Linen (p.49) - "Her intimate portraits offer a glimpse inside the Cash family circle, but just as compelling is her ability to articulate complex emotions in simple, artful, meaningful wayMojo (Publisher) (p.93) - 4 stars out of 5 -- "Cash has fashioned a tear-stained, yet tasteful, requiem."0.3737133

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Rolling Stone (3/9/96, p.52) - 3 Stars - Good - "...the arrangements don't sound unfinished as much as they sound stripped to their essence..."Entertainment Weekly (4/12/96, p.67) - "...DEMO's spare arrangements reinforce the sturdiness of her melodies..." - Rating: BQ (9/96, p.110) - 4 Stars - Excellent - "...Cash...writes songs which seem made for a minimum of elaboration....Cash filters emotion through a sharp intelligence, the neat lyrics joining simple, effective tunes..."Mojo (Publisher) (6/96, p.118) - "...one of the tastiest cakes Rosanne's ever baked, a luminous collection of reflective songs supported by John Leventhal's simple instrumental back-shading. Simply satisfying."New York Times (Publisher) (3/31/96, sec.2, p.32) - "...Her new songs are about desolation and faith and loss, using primal images: tears, blood, fire. She sings about staying honest even at the price of pain and loneliness....Her voice trembles with ache and determination..."0.3159468

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