scott-walker,Tilt [Scott Walker], TRIBUTE TO SCOTT WALKER, Best of Scott Walker [Universal/Polygram], Scott Walker: 30 Century Man [5055159277839], Scott Walker Sings Jacques Brel

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Rolling Stone (10/16/97, p.111) - 3.5 Stars (out of 5) - "...obtuse, sepulchral music that...matches the ambient extremity of Aphex Twin and the queasy claustrophobia of Tricky....a chilling, often magnificent view into the abyss from a true iconoclast."Spin (10/97, pp.142-143) - 8 (out of 10) - "...An unprecedented mix of industrial noise, shambling tone poetry, and lilting orchestration, TILT...is a picaresque that turns on suggestive character studies of condemned crusaders and exiles....Walker's unearthly voice has never sounded so resourceful..."Vibe (10/97, p.162) - "...On most of TILT, Walker deliberately short circuits the awesome virtuosity of his voice...by singing in a cooler, more neutral style..."Mojo (Publisher) (p.50) - Ranked #31 in Mojo's "The 50 Most Out There Albums Of All Time" - "[A] journey into evil and despair."106.2589

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Spin (4/04, p.94) - "[W]ith a dozen songs as dark and sweet as baking chocolate and as ambitious as the Mars rover." - Grade" B+Uncut (p.124) - 3 stars out of 5 - "[T]he overall impact is of a Scott Walker musical composed by a literate indie rocker in a Weimar Republic cellar studio....Oddly affecting."Magnet (p.89) - "Affected strings, soft, rolling percussion and a jailbird ode to cocaine: YOUR BLUES is nothing short of showstopping."0.4466299

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Uncut (p.108) - 4 stars out of 5 -- "[T]he record is a journey into startling abstraction....Scott Walker finally crossed the pop/art Rubicon, losing an audience, but gaining a lonely, vivid freedom."Mojo (Publisher) (p.114) - 4 stars out of 5 -- "With a singer at the top of his game over silken strings and synthesizer drones..."0.4466299

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Q (9/00, p.131) - 4 stars out of 5 - "...[The] gems proliferate....A record collection without Scott Walker is like one without The Beatles, The Clash or The Smiths - incomplete."Mojo (Publisher) (8/00, p.97) - "...Resonates with the riches of the last great days of the pop narrative. The pop song rarely aspired to such literacy after this....forged in the white-hot glare of the pop process....[with] superb orchestrations..."NME (Magazine) (8/12/00, p.29) - Ranked #16 in The NME "Top 30 Heartbreak Albums" - "...Rarely has existentialism sounded so empathetic. SCOTT 3 is truly depressed, deeply sad and utterly moving."0.3573039

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Q (9/00, p.131) - 4 stars out of 5 - "...Walker and arranger Wally Scott find their own voice on [this album], a luminous, orchestral and mystical take on the Jack Jones school of crooner..."Q (p.44) - "In one of pop's more remarkable reinventions, Scott Walker went from being a lust object for teeny-bopper girls to existential balladeer..."Mojo (Publisher) (8/00, p.97) - "...Resonates with the riches of the last great days of the pop narrative. The pop song rarely aspired to such literacy after this....forged in the white-hot glare of the pop process....[with] superb orchestrations..."0.3573039

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Rolling Stone (3/9/95, p.66) - 4 Stars - Excellent - "...SHIPWRECK is a stunning album--a furious attempt to fashion something glorious....Echoes of Bowie at his most melodramatic and '60s Brit cult star Scott Walker resonate through....A trippy mix that hints alternately at chamber music, glam rock and sweeping, ambient-leaning pop..."Alternative Press (2/95, pp.57-58) - "...This LP surpasses even the best material on his last two efforts. Most striking is the album's diversity, proving Connelly's talent across a wide spectrum of musical styles..."0.3573039

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Rolling Stone (4/17/97, p.77) - 4 Stars (out of 5) - "...a cheeky, grandiose masterpiece. On a foundation of guitar and piano, CASANOVA builds to a florid musicality....armed with...trumpets, violins and a Scott Walker-derived croon, leaving behind a loveless, voluptuous trail of broken hearts..."Entertainment Weekly (10/24/97, p.67) - "...features diminutive Irishman Neil Hannon playing a foppy modern-day version of the title's namesake. The album's brilliance lies in the pain--and pathos--beneath his pop-baroque cheek and Buddy Love-like swagger." - Rating: AQ (p.44) - "[A] raffish, lushly orchestrated stroll along the highways, byways and, indeed, cul-de-sacs of love at the tail end of Britpop."Option (11-12/96, p.101) - "...glistens with retro orchestration, celebrating linguistic gymnastics...amusing interpersonal dynamics, and, above all, style....Hannon's happy keyboard work punctuates the grand schemes disguised as musical scores..."Melody Maker (12/21-28/96, pp.66-67) - Ranked #40 on Melody Maker's list of 1996's `Albums Of The Year.'NME (Magazine) (12/21-28/96, pp.66-67) - Ranked #19 in NME's 1996 critic's poll.0.2679779

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Rolling Stone (p.66) - 3.5 stars out of 5 -- "Pounding on pianos, cranking out delicate little click-clack beats and shivering through choruses with an ultraromantic soprano, Khan proves she's a powerhouse..."Spin (p.76) - "Conjuring ancient tribal vibes from ominous synths and galloping tom-toms, this art-rock Joan of Arc gushes duality motifs that thwart narrative but overflow with moonstruck sensuality."Spin (p.33) - Ranked #6 in Spin's "40 Best Albums Of 2009" -- "Consider her a slow-burn siren for our overheated times."Mojo (Publisher) (p.106) - 3 stars out of 5 -- "'Daniel,' the album's early single, is a seductive, motorik love song, purring of bassline, drowsy of melody and swooning of lyric, it's pure Stevie Nicks circa RUMOURS."Blender (Magazine) - 3 stars out of 5 -- "'Sleep Alone' is a folky dirge about the fear of solitude. 'Daniel,' a shimmering, unfussy new-wave track..."Pitchfork (Website) - "A significant step forward from her debut, TWO SUNS is home to some of the year's most thrilling music so far."Clash (magazine) (p.109) - "Like Kate Bush, Natasha Khan creates uncompromising, heartbreaking music in a singular, eerie landscape, and it's just a joy that she lets us in."Record Collector (magazine) (p.88) - 4 stars out of 5 -- "[I]t's a concept album about the dual self....'Siren Song' illustrates the concept perfectly, with its two distinct halves, and 'The Big Sleep,' a vaudevillian 'Some Velvet Morning' for the 00s, finds Scott Walker on call-and-response vocals."0.2233149

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BOOK REVIEWS COMING SOON!!!!0.1609632

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"INTO THE BLUE is most remarkable for the visual charms of Walker, Alba and the big blue itself." Sight and Sound17.13589

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Sing Out! (8-10/95, p.124) - "...This recording works, not only because of the variety included, but because of the sheer brilliance of the performances as well. It doesn't, as they say, get much better than this..."0.094891

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Living Blues (1-2/02, p.57) - "...An excellent intro to the label..."0.0759128

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