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38 Items Found For screamin jay hawkins

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71.46888

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71.46888

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51.0492

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Mojo (Publisher) (p.112) - 4 stars out of 5 -- "Previously unreleased material recalls The Rivingtons, Ernie K. Doe and Screamin' Jay Hawkins, such is its diverse nature."1.399264

$18.70
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Q (Magazine) (p.96) - 4 stars out of 5 -- "Beal remains attention-grabbing throughout; he growls fast-paced poetry over noisy riffs on 'Swing On Low'..."Mojo (Publisher) (p.83) - 4 stars out of 5 -- "Beal's vocals shift from Screamin' Jay Hawkins wails to the lo-fi R&B melancholy of Cody Chesnutt, while his clattering snaketimes rhythms summon up the ghosts of Moondog and Sun RA, taking things to another level entirely."0.6996321

$15.69
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Rolling Stone (2/6/97, p.49) - "...ranks as one of the most consistent MCs in rap....Erick Sermon's beats are stripped down but tight--designed both to make you move and to give Redman plenty of room to let loose his nasty tongue....choppy, offbeat verses and memorable call-and-response choruses..."Q (4/97, p.128) - 3 Stars (out of 5) - "...Packed with blunted melodies, spattered with skits, MUDDY WATERS is impressively self-possessed....Redman remains unshakable, hardcore to the bone."Muzik (2/97, p.111) - 8 out of 10 - "...raggedy, head-top rhyming. The Screamin' Jay Hawkins of hip hop."Vibe (2/97, p.106) - "...MUDDY WATERS slides in and finds Redman crashing back to Earth--equally intense, funny....The best moments on MUDDY WATERS come on the songs Redman produced himself....boundless energy and raging fire."The Source (2/97, p.79) - 4 Mics - Slammin' - "Def Squad lion Redman has no problem blazing up the path between mainstream and the underground....The sonic approach creates a dance-floor friendly vibe which seems perfectly appropriate for the Funk Dr. Spock's return to dry land..."Rap Pages (2/97, p.59) - "...expect to excavate the usual Funkadelic relic remains, namely hard hittin' funk tracks frequently anchored by hooks utilizing snippets of other Hip-Hop tunes....MUDDY WATERS greatest strength is in its flow..."0.4372701

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0.4189534

$6.26
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Rolling Stone (p.104) - 3 stars out of 5 -- "Williams explores sex, death and regret with Elvis Costello, and Beck contributes a fang-y hip-hop/blues grind."Entertainment Weekly (p.70) - "TRUE BLOOD VOLUME 2 manages to both evoke its source -- that supernatural Louisiana swamp of longing, bloodlust, and just...lust -- and work apart from it too." -- Grade: B+0.3665843

$10.80
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Rolling Stone (10/2/97, p.56) - 3 Stars (out of 5) - "...the group easily re-establishes its mastery of the genre now known as trip-hop....Geoff Barrow and Adrian Utley have refined their sound to an instantly identifiable essence..."Spin (1/98, p.86) - Ranked #6 on Spin's list of the "Top 20 Albums Of The Year."Spin (11/97, p.142) - 9 (out of 10) - "...Like every brilliantly dismal act from Screamin' Jay Hawkins to the Wu-Tang Clan, Portishead tiptope across a ledge where utter seriousness is one false move away from tragic self-parody. They manage the high-wire act with brittle grace, bitter poise. And they sound as if they could break at any second..."Entertainment Weekly (10/03/97, p.84) - "...This sophomore spook-athon from chilly U.K. combo Portishead clanks across the attic, via Geoff Barrow's skeletal samples and funereal keyboards. Beth Gibbons' surgical-steel voices slices into her partner's scraps of musical meat, for an effect that's hypnotic, bloodless, and addictive..." - Rating: AQ (1/98, p.114) - Included in Q Magazine's "50 Best Albums of 1997."Vibe (11/97, p.152) - "...Beth Gibbons shows off stark vocal mood swings as she croons and claws under a bitter moon. A 30-piece orchestra keeps you strung out on drama, while producers/bandmates Adrian Utley and Geoff Barrow snap out the beats..."The Source (11/97, p.174) - "...crafted with care and eloquence, and somehow articulating the space that exists between the emotional and the physical....Portishead succeed with aplomb on their eponymously-titled follow-up album..."Melody Maker (12/20-27/97, pp.66-67) - Ranked #18 on Melody Maker's list of 1997's "Albums Of The Year."Melody Maker (10/4/97, p.50) - "...deep fried, delightful doom music....they're still...the original flames, the instigators, the innovators and still the only sure soundtrack to the future."Musician (11/97, p.86) - "...Gibbons' extraordinary voice has grown darker, nastier, and more spine-tingling, while the new songs vary from grim...to serene....PORTISHEAD looks over the cliff, then dives headlong into the abyss..."Village Voice (2/24/98) - Ranked #14 in the Village Voice's 1997 Pazz & Jop Critics' Poll.NME (Magazine) (12/20-27/97, pp.78-79) - Ranked #32 in NME's 1997 Critics' Poll.NME (Magazine) (9/27/97, p.57) - 8 (out of 10) - "...if DUMMY was smoky film noir material, this is a choking Hammer Horror ho-ho-free hoedown....wavering, painfully sensitive choruses, desperately distorted soundscapes and good old-fashioned tunes..."0.3498161

$8.44
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Rolling Stone (10/2/97, p.56) - 3 Stars (out of 5) - "...the group easily re-establishes its mastery of the genre now known as trip-hop....Geoff Barrow and Adrian Utley have refined their sound to an instantly identifiable essence..."Spin (1/98, p.86) - Ranked #6 on Spin's list of the "Top 20 Albums Of The Year."Spin (11/97, p.142) - 9 (out of 10) - "...Like every brilliantly dismal act from Screamin' Jay Hawkins to the Wu-Tang Clan, Portishead tiptope across a ledge where utter seriousness is one false move away from tragic self-parody. They manage the high-wire act with brittle grace, bitter poise. And they sound as if they could break at any second..."Entertainment Weekly (10/03/97, p.84) - "...This sophomore spook-athon from chilly U.K. combo Portishead clanks across the attic, via Geoff Barrow's skeletal samples and funereal keyboards. Beth Gibbons' surgical-steel voices slices into her partner's scraps of musical meat, for an effect that's hypnotic, bloodless, and addictive..." - Rating: AQ (1/98, p.114) - Included in Q Magazine's "50 Best Albums of 1997."Vibe (11/97, p.152) - "...Beth Gibbons shows off stark vocal mood swings as she croons and claws under a bitter moon. A 30-piece orchestra keeps you strung out on drama, while producers/bandmates Adrian Utley and Geoff Barrow snap out the beats..."The Source (11/97, p.174) - "...crafted with care and eloquence, and somehow articulating the space that exists between the emotional and the physical....Portishead succeed with aplomb on their eponymously-titled follow-up album..."Melody Maker (12/20-27/97, pp.66-67) - Ranked #18 on Melody Maker's list of 1997's "Albums Of The Year."Melody Maker (10/4/97, p.50) - "...deep fried, delightful doom music....they're still...the original flames, the instigators, the innovators and still the only sure soundtrack to the future."Musician (11/97, p.86) - "...Gibbons' extraordinary voice has grown darker, nastier, and more spine-tingling, while the new songs vary from grim...to serene....PORTISHEAD looks over the cliff, then dives headlong into the abyss..."Village Voice (2/24/98) - Ranked #14 in the Village Voice's 1997 Pazz & Jop Critics' Poll.NME (Magazine) (12/20-27/97, pp.78-79) - Ranked #32 in NME's 1997 Critics' Poll.NME (Magazine) (9/27/97, p.57) - 8 (out of 10) - "...if DUMMY was smoky film noir material, this is a choking Hammer Horror ho-ho-free hoedown....wavering, painfully sensitive choruses, desperately distorted soundscapes and good old-fashioned tunes..."0.3498161

$28.14
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"...Evocatively photographed...touched with comic inspiration..." Sight and Sound "...Blissful....[Jarmusch is especially] good with actors. The MYSTERY TRAIN performers fly..." New York Times "...[The film] lingers on in the memory....Jarmusch's conscious, Downtown deadpan style belies a wonderful romantic spirit. He has a sense of time -- of the moment, and of time passing -- that is heartbreaking..."Film Comment "...It's a jewel-like, minimalist film about a group of crisscrossing wanderers and outlaws on one lyrically strange day and night in Memphis -- where haphazard-seeming events slowly merge into entrancingly complex figures and patterns..."Los Angeles Times "Working with German cinematographer Robby Muller, Jarmusch shoots MYSTERY TRAIN with a cool reserve and an outsider's eye for overlooked detail..."A.V. Club0.3142151

$26.75
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"...Evocatively photographed...touched with comic inspiration..." Sight and Sound "...Blissful....[Jarmusch is especially] good with actors. The MYSTERY TRAIN performers fly..." New York Times "...[The film] lingers on in the memory....Jarmusch's conscious, Downtown deadpan style belies a wonderful romantic spirit. He has a sense of time -- of the moment, and of time passing -- that is heartbreaking..."Film Comment "...It's a jewel-like, minimalist film about a group of crisscrossing wanderers and outlaws on one lyrically strange day and night in Memphis -- where haphazard-seeming events slowly merge into entrancingly complex figures and patterns..."Los Angeles Times "Working with German cinematographer Robby Muller, Jarmusch shoots MYSTERY TRAIN with a cool reserve and an outsider's eye for overlooked detail..."A.V. Club0.3142151

$26.17
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0.3142151

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0.3142151

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0.3142151

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0.3142151

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0.3142151

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0.3142151

$10.54
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0.2618459

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0.2618459

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0.2618459

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0.2618459

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0.2618459

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0.2592142

$14.78
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0.2592142

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0.2221836

$29.74
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0.2094767

$13.69
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0.2094767

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0.2094767

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0.1832921

$12.49
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0.1832921

$11.39
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0.1571075

$12.72
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0.1571075

$26.07
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0.1481224

$15.60
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0.130923

$14.78
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0.130923

$51.03
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0.1047384

$12.53
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0.04740007

$303.59
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