sheryl-crow,Sheryl Crow [731454058728], Icon 2 [Sheryl Crow], Sheryl Crow: Miles from Memphis - Live at the Pantages Theatre, Sheryl Crow [UK Bonus Track], Sheryl Crow [Bonus Track] [SHM]

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Rolling Stone (10/31/02, p.140) - Ranked # 44 in Rolling Stone's "Women in Rock: The 50 Essential Albums"Rolling Stone (5/13/99, p.54) - Included in Rolling Stone's "Essential Recordings of the 90's."Rolling Stone (10/3/96, pp.69-71) - 3.5 Stars (out of 5) - "...SHERYL CROW...finds the singer more forcefully asserting her own voice as an artist and a woman....she operates more like a leader than a club member this time, writing a few songs independently and imbuing all them with a greater sense of who she is....The lyrics seem grittier and more intimate..."Spin (11/96, p.121) - 8 (out of 10) - "...bigger beats and dirtier guitar/keyboard effects....Nothing extreme, perhaps, but almost psychedelic when joined to big mainstream melodies....It just sounds gorgeous, and current...pop musicians will be learning from it for years to come."Entertainment Weekly (12/27/96-1/3/97, p.148) - Ranked #7 on Entertainment Weekly's list of the "Top 10 Albums And Singles Of 1996."Entertainment Weekly (9/27/96, pp.76-78) - "...Crow doesn't expose that much of herself on SHERYL CROW--she's an emotional centrist. But at the very least, she's building a bridge to a lasting career." - Rating: A-Q (12/99, p.90) - Included in Q Magazine's "90 Best Albums Of The Rolling Stone (10/31/02, p.140) - Ranked # 44 in Rolling Stone's "Women in Rock: The 50 Essential Albums" 1990s."Q (1/94, p.82) - Included in Q's list of 'The 50 Best Albums Of 1993' - "...a mature, progressive, marvelous new record..."Q (11/96, p.124) - 3 Stars (out of 5) - "...radio friendly, not too self-important, light on its feet, sometimes too ready to disclaim any serious intent..."Village Voice (3/94, p.5) - Ranked #2 in the Village Voice's 1993 Pazz & Jop Critics Poll.Village Voice (2/25/97) - Ranked #26 in the Village Voice's 1996 Pazz & Jop Critics' Poll.135.5996

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135.2563

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133.8785

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Rolling Stone (10/31/02, p.140) - Ranked # 44 in Rolling Stone's "Women in Rock: The 50 Essential Albums"Rolling Stone (5/13/99, p.54) - Included in Rolling Stone's "Essential Recordings of the 90's."Rolling Stone (10/3/96, pp.69-71) - 3.5 Stars (out of 5) - "...SHERYL CROW...finds the singer more forcefully asserting her own voice as an artist and a woman....she operates more like a leader than a club member this time, writing a few songs independently and imbuing all them with a greater sense of who she is....The lyrics seem grittier and more intimate..."Spin (11/96, p.121) - 8 (out of 10) - "...bigger beats and dirtier guitar/keyboard effects....Nothing extreme, perhaps, but almost psychedelic when joined to big mainstream melodies....It just sounds gorgeous, and current...pop musicians will be learning from it for years to come."Entertainment Weekly (12/27/96-1/3/97, p.148) - Ranked #7 on Entertainment Weekly's list of the "Top 10 Albums And Singles Of 1996."Entertainment Weekly (9/27/96, pp.76-78) - "...Crow doesn't expose that much of herself on SHERYL CROW--she's an emotional centrist. But at the very least, she's building a bridge to a lasting career." - Rating: A-Q (12/99, p.90) - Included in Q Magazine's "90 Best Albums Of The Rolling Stone (10/31/02, p.140) - Ranked # 44 in Rolling Stone's "Women in Rock: The 50 Essential Albums" 1990s."Q (1/94, p.82) - Included in Q's list of 'The 50 Best Albums Of 1993' - "...a mature, progressive, marvelous new record..."Q (11/96, p.124) - 3 Stars (out of 5) - "...radio friendly, not too self-important, light on its feet, sometimes too ready to disclaim any serious intent..."Village Voice (3/94, p.5) - Ranked #2 in the Village Voice's 1993 Pazz & Jop Critics Poll.Village Voice (2/25/97) - Ranked #26 in the Village Voice's 1996 Pazz & Jop Critics' Poll.108.5483

$9,999.99
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Rolling Stone (10/31/02, p.140) - Ranked # 44 in Rolling Stone's "Women in Rock: The 50 Essential Albums"Rolling Stone (5/13/99, p.54) - Included in Rolling Stone's "Essential Recordings of the 90's."Rolling Stone (10/3/96, pp.69-71) - 3.5 Stars (out of 5) - "...SHERYL CROW...finds the singer more forcefully asserting her own voice as an artist and a woman....she operates more like a leader than a club member this time, writing a few songs independently and imbuing all them with a greater sense of who she is....The lyrics seem grittier and more intimate..."Spin (11/96, p.121) - 8 (out of 10) - "...bigger beats and dirtier guitar/keyboard effects....Nothing extreme, perhaps, but almost psychedelic when joined to big mainstream melodies....It just sounds gorgeous, and current...pop musicians will be learning from it for years to come."Entertainment Weekly (12/27/96-1/3/97, p.148) - Ranked #7 on Entertainment Weekly's list of the "Top 10 Albums And Singles Of 1996."Entertainment Weekly (9/27/96, pp.76-78) - "...Crow doesn't expose that much of herself on SHERYL CROW--she's an emotional centrist. But at the very least, she's building a bridge to a lasting career." - Rating: A-Q (12/99, p.90) - Included in Q Magazine's "90 Best Albums Of The Rolling Stone (10/31/02, p.140) - Ranked # 44 in Rolling Stone's "Women in Rock: The 50 Essential Albums" 1990s."Q (1/94, p.82) - Included in Q's list of 'The 50 Best Albums Of 1993' - "...a mature, progressive, marvelous new record..."Q (11/96, p.124) - 3 Stars (out of 5) - "...radio friendly, not too self-important, light on its feet, sometimes too ready to disclaim any serious intent..."Village Voice (3/94, p.5) - Ranked #2 in the Village Voice's 1993 Pazz & Jop Critics Poll.Village Voice (2/25/97) - Ranked #26 in the Village Voice's 1996 Pazz & Jop Critics' Poll.108.5483

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Rolling Stone (p.78) - 3.5 stars out of 5 -- "Each track assumes its own sonic identity. 'Peace Be Upon Us' mingles lush Arabic elements and psychedelic effects; 'God Bless This Mess' features Crow accompanying herself on acoustic guitar..."Q (Magazine) (p.100) - 3 stars out of 5 -- "'Love Is Free' ambles pleasantly, 'Gasoline' is 'All I Wanna Do' revisited and 'Detours' itself would grace and Best Of."Mojo (Publisher) (p.102) - 4 stars out of 5 -- "Like Petty...she is a troubled soul with a compensating love of breezy, top-down sounds. That play of sonic summer and spiritual winter shades this, her sixth studio album..."108.2051

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108.2051

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Entertainment Weekly (1/7/00, p.68) - "...it's a treat to hear Crow, Chrissie Hynde, and the Dixie Chicks trading verses on Dylan's 'Tombstone Blues,' the best cuts belong to [her] when she's all alone with her band....musically muscular..." - Rating: B-Q (2/00, pp.82-3) - 3 stars out of 5 - "...the limber momentum of the songs, no sentiment, strong emotions, the power of small detail at work in the big setting....Such a groove and such deadly reportage....it really does catch Shery Crow close-up, right now and credibily 'au naturel'."CMJ (12/27/99, p.27) - "...impresses not only with her own live chops, but also with her talented 'friends'..."Mojo (Publisher) (2/00, p.91) - "...This lengthy live souvenir has Sheryl in boisterous form, cantering through the familiar hits....[with] some intriguing collaborations....[it] has all the ramshackle enthusiasm of a concert..."81.15379

$8.98
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Rolling Stone (p.73) - 3.5 stars out of 5 -- "[T]his set suggests the Opry crowd might want to keep her on speed dial."Entertainment Weekly (p.73) - "[T]he lyrics funnel her cheery realism into finer-cut tales..." -- Grade: A-81.15379

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"The nimbly conceived and constructed documentary SELLEBRITY takes a vivid look at the megabucks industry of celebrity photography through a cogent variety of lenses."Los Angeles Times66.25037

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Billboard (p.32) - "Wilson sings all 14 tracks with a capable, if careful, confidence that of course never eclipses any of the originals. She also gets by with considerable help from her friends, including Sheryl Crow and Patti Scialfa..."0.849461

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Entertainment Weekly (No. 812, p.72) - "[A] spunky set of honky-tonk, country-rock, and Sheryl Crow-style ballads....[Lambert] clearly knows how to write a killer tune." - Grade: B+0.849461

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Entertainment Weekly (4/24/98, p.79) - "...Soaring through uplifting love songs by Diane Warren, Gretchen Peters, and Sheryl Crow, Hill has never sounded more passionate or sophisticated. But she's often so far out on a stylistic limb that only her ambition sustains her." - Rating: B-0.7281095

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Down Beat (p.85) - 4 stars out of 5 -- "Sheryl Crow is an elegant partner on 'The Man I Love'....Bennett's unique career arc may well be remembered as the only one whose encore outshined, and maybe outlasted, its first two acts."JazzTimes (p.57) - "[T]he truly delightful surprise is Bennett's playful bantering with Lady Gaga on 'The Lady Is a Tramp.' Not since Crosby met Clooney have two pros demonstrated such effortlessly joyous chemistry."Record Collector (magazine) (p.90) - 3 stars out of 5 -- "[Lady Gaga] pulls out all the stops on 'The Lady Is A Tramp.' It's a thrilling performance, full of wit and self-mockery..."0.7124658

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Rolling Stone (p.70) - 3 stars out of 5 -- "Nelson holds his unmistakable own throughout, like no other 80-year-old could."Mojo (Publisher) (p.91) - 3 stars out of 5 -- "[T]here are several memorable teamings, most notably Nelson partnering Sheryl Crow on the charm-filled 'Far Away Places'..."0.6067579

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Down Beat (p.75) - 3.5 stars out of 5 -- "[F]ull of exciting twists and turns...a marvel of production and logistics..."JazzTimes (p.94) - "Ries' session work includes artists from Maynard Ferguson and Maria Schneider to Paul Simon and Sheryl Crow, and he creates highlights by staying close to his jazz and pop sensibilities."Mojo (Publisher) (p.125) - 4 stars out of 5 -- "Treatments vary from full-on lengthy jazz breakdowns of 'Paint It Black' and 'Gimme Shelter' to a samba party 'Streetfighting Man'."0.4854063

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Down Beat (p.75) - 3.5 stars out of 5 -- "[F]ull of exciting twists and turns...a marvel of production and logistics..."JazzTimes (p.94) - "Ries' session work includes artists from Maynard Ferguson and Maria Schneider to Paul Simon and Sheryl Crow, and he creates highlights by staying close to his jazz and pop sensibilities."Mojo (Publisher) (p.125) - 4 stars out of 5 -- "Treatments vary from full-on lengthy jazz breakdowns of 'Paint It Black' and 'Gimme Shelter' to a samba party 'Streetfighting Man'."0.4854063

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Rolling Stone (p.125) - 3.5 stars out of 5 -- "The loping 'Leaving Las Vegas' launched her eclectic Grammy-sweeping 1993 debut..."Q (1/94, p.84) - Included in Q's list of 'The 50 Best Albums Of 1993' - "...A startlingly assured debut..."Q (11/93, p.116) - 4 Stars - Excellent - "...[TUESDAY NIGHT MUSIC CLUB] is an instant and lasting joy...the music is stylish, but not slick, while [Sheryl Crow's] charged lyrics mix irony, imagination and observation..."Musician (10/93, p.95) - "...TUESDAY NIGHT MUSIC CLUB presents a range and level of popcraft rarely on display these days..."0.4854063

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Rolling Stone (4/12/01, p.141) - 3 stars out of 5 - "...Colvin's voice drifts through Leventhal's crafted ambient folk - like dream pop that stops just short of heavy snoozing..."Entertainment Weekly (3/30/01, p.68) - "...Now that she's on the mommy track, Colvin writes about the impossibility of leaving, much less returning, witha torch....this folk-rock ma is likably set in her ways..." - Rating: B+Q (5/01, p.104) - 4 stars out of 5 - "...A treasure....Her constituency is love songs: but they come with such twists.... Colvin still makes most of her contemporaries and younger challengers look like the clod-hoppers they are."Down Beat (10/01, p.68) - 4 stars out of 5 - "...There is a feeling of rebirth and renewal....NEW YOU adds another chapter to Colvin's saga..."Mojo (Publisher) (4/01, p.103) - "...Another album of the year....Occupying a niche between pensive Sheryl Crow and pre-jazz Joni Mitchell...her songs slide into your consciousness...working their subtle magic..."0.3640547

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"FUEL is a vital, superbly assembled documentary that presents an insightful overview of America's troubled relationship with oil and how alternative and sustainable energies can reduce our country's -- and the world's -- addictive dependence on fossil fuels."Los Angeles Times "Thanks to an informative, buoyant tone and director's own restless intelligence, the film preaches to the unconverted with passion, energy and graphics so clear that they would make Al Gore weep over his PowerPoint."New York Times It is stylistically breezy but deeply sincere, as Tickell offers a thoughtful, well-researched argument for alternative energy.Washington Post0.3027459

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Rolling Stone (1/17/02, p.48) - 3 stars out of 5 - "...A massive banging victory....Rock self-conciously builds on his badass-hick-with-a-heart-of-gold image..."Entertainment Weekly (11/23/01, p.82) - "...A similar blend of low-rider hip-hop and strip-mall heavy metal, flavoring its Camaro-ready jams with the occasional turntable wika-wika, Steven Tyler yowl or tasty guitar lick...you have to at least admire the breadth of his vision..." - Rating: BQ (1/02, p.102) - 3 out of 5 stars - "...songs take rock and rop ethics and enthusiastically smash them together..."Mojo (Publisher) (2/02, p.102) - "...An enjoyably bad-ass record..."0.3027459

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Rolling Stone (1/17/02, p.48) - 3 stars out of 5 - "...A massive banging victory....Rock self-conciously builds on his badass-hick-with-a-heart-of-gold image..."Entertainment Weekly (11/23/01, p.82) - "...A similar blend of low-rider hip-hop and strip-mall heavy metal, flavoring its Camaro-ready jams with the occasional turntable wika-wika, Steven Tyler yowl or tasty guitar lick...you have to at least admire the breadth of his vision..." - Rating: BQ (1/02, p.102) - 3 out of 5 stars - "...songs take rock and rop ethics and enthusiastically smash them together..."Mojo (Publisher) (2/02, p.102) - "...An enjoyably bad-ass record..."0.3027459

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Spin (5/03, p.116) - "...The record recasts her unnerving spell - brooding country-pop riffs that conceal devastating lyrics..." - Grade: AEntertainment Weekly (3/28/03, p.68) - "...Beautiful and melancholy folk-pop....TRAVEL...journeys to the tender, haunted heart of love and mortality..." - Rating: A-Uncut (5/03, p.96) - 4 stars out of 5 - "...RULES OF TRAVEL signals a striking reawakening for a too often overlooked talent....A deeply felt and accomplished return..."0.3027459

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Rolling Stone - "On the ferocious rave-up 'Rockin' My Life Away,' Lewis shows the decades-younger Kid Rock and Slash how to do it."Billboard (p.40) - "[O]ne only need hear his bluesy solo piano version of 'Miss the Mississippi and You' to appreciate that Lewis still has his chops after 50 years."Mojo (Publisher) (p.102) - 4 stars out of 5 -- "Ronnie Wood donates the guitar licks on the title track, Slash supplies the pickin' on 'Rockin' My Life Away' and Keith Richards provides back-up on 'Sweet Virginia.'"Record Collector (magazine) (pp.83-85) - 3 stars out of 5 -- "This is a genuine legend in party mode....The Solomon Burke-assisted gospel holler of `Railroad To Heaven' stands proudly alongside the best of his past glories."Uncut (magazine) (p.93) - 4 stars out of 5 -- "Lewis' piano still sounds as urgent and uncontained as it did when rock'n'roll was invented on it, and his insouciant snarl remains thrillingly feral."0.3027459

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Rolling Stone (p.88) - 3.5 stars out of 5 -- "[T]he greatest country artist of his generation keeps it fresh, funny and guitar-heroic."Spin (p.102) - "Nashville's savviest superstar goes just-folks with a vengeance on THIS IS COUNTRY MUSIC..."Entertainment Weekly (p.69) - "[T]here are honest tearjerkers here, like the post-divorce lament 'I Do Now.' The whole record plays like a best-of sampler -- not just for Paisley, but for the history of the art form." -- Grade: A0.3027459

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Entertainment Weekly (12/29/00, p.140) - Ranked #8 in EW's Top 10 Albums of 2000 - "...These songs have rarely sounded so authentic, thanks to arrangements that are spare but never colorless and a voice that;s deep in more ways than one."Q (1/01, p.91) - Included in Q's "50 Best Albums of 2000".Q (12/00, pp.118-9) - 4 stars out of 5 - "...A regal comeback. It's a mostly acoustic affair...featuring unlikely covers....as resonant and dignified a covers album as you'll ever hear."CMJ (1/08/01, p.46) - Included in CMJ's "Year's Best Triple A Albums" from 2000.CMJ (10/16/00, p.26) - "...Pure goosebump material....[His] voice is commanding and cavernous in ever more tangible ways..."No Depression (1-2/01, pp.82-4) - "...It's a powerful disc....the key to its impact is in the reimagination [of songs] to make them [his]..."Mojo (Publisher) (p.64) - Ranked #17 in Mojo's "100 Modern Classics" -- "Makes rock songs sound like something as old as the hills."Mojo (Publisher) (11/00, p.102) - "...The choice is igenious, their themes of survival, toughness, self-destructyion, sin, redemption and love adding up to an autobiography....his voice is sober, honest and defiant..."NME (Magazine) (12/30/00, p.78) - Ranked #32 in NME's "Top 50 Albums Of The Year".NME (Magazine) (10/21/00, p.43) - 9 out of 10 - "...What is remarkable about this is its punishing intensity....stripped down, vivid and pure, emotionally naked stuff from a 68-year-old man who just 12 months ago was very seriously ill..."0.3027459

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Rolling Stone (p.72) - 3 stars out of 5 -- "The genre's emphasis on earnestness and sentiment suits him. Rucker sounds right at home singing finely crafted but blustery odes to domesticity and small-town life."Entertainment Weekly (p.71) - "[I]t's no surprise that his down-home cover of 'Wagon Wheel,' Old Crow Medicine Show's modern bluegrass anthem, has become one of the biggest hits of his solo country career."0.3027459

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0.2649027

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Rolling Stone (7/8-7/22/99, p.154) - 4 stars (out of 5) - "...the artists on this collection...concoct the sonic stew that Parsons called 'cosmic American music'....There's not a bad track among the thirteen here....Parsons fans won't be disappointed..."Spin (8/99, p.152) - 8 (out of 10) - "...Because many of the acts on ANGEL share parson's love for country tragedy along with his remove from it...they take the same freedoms with his songs that he took with his source material..."Entertainment Weekly (7/23/99, p.67) - "...plays it straight, with most contributors confident enough to just play the songs, not reinvent them..." - Rating: B+CMJ (6/14/99, p.26) - "...a beautifully orchestrated collection of some of [Gram Parsons'] most influential songs, covered by artists who owe much to his powerful yet subtle brilliance..."Dirty Linen (12/99-1/00, pp.70-1) - "...once the list of the top 10 tribute albums of the decade is tallied up this one has a good chance of making the list."0.2649027

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0.2649027

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Rolling Stone - "On the ferocious rave-up 'Rockin' My Life Away,' Lewis shows the decades-younger Kid Rock and Slash how to do it."Billboard (p.40) - "[O]ne only need hear his bluesy solo piano version of 'Miss the Mississippi and You' to appreciate that Lewis still has his chops after 50 years."Mojo (Publisher) (p.102) - 4 stars out of 5 -- "Ronnie Wood donates the guitar licks on the title track, Slash supplies the pickin' on 'Rockin' My Life Away' and Keith Richards provides back-up on 'Sweet Virginia.'"Record Collector (magazine) (pp.83-85) - 3 stars out of 5 -- "This is a genuine legend in party mode....The Solomon Burke-assisted gospel holler of `Railroad To Heaven' stands proudly alongside the best of his past glories."Uncut (magazine) (p.93) - 4 stars out of 5 -- "Lewis' piano still sounds as urgent and uncontained as it did when rock'n'roll was invented on it, and his insouciant snarl remains thrillingly feral."0.2649027

$10.05
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