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32.42651

$9,999.99
(0 reviews)

Rolling Stone (p.71) - 4 stars out of 5 -- "[F]ull of heavy business: life's meaning, beauty, brutality and brevity....It's his best album since 1990's THE RHYTHM OF THE SAINTS, and it also sums up much of what makes Simon great."Rolling Stone (p.68) - Ranked #3 in Rolling Stone's '50 Best Albums Of 2011' -- "[Simon's] best album in more than 20 years..."Entertainment Weekly (p.86) - "[T]he GRACELAND-ic guitar figures still emphasize rhythm above all....Spirited spirituality is his goal these days.' -- Grade: B+Billboard (p.32) - "The album's songwriting and sound are deceptively complex, gradually revealing their intricacy with each listen. It's natural and earthy, with acoustic instrumentation and percussion to the fore."Uncut (magazine) (p.32) - Ranked #29 in Uncut's '50 Best Albums Of 2011' -- "[A]n impeccably crafted, erudite and rueful collection of songs that tackled spirituality with both sureness and lightness of touch."30.03456

$9,999.99
(0 reviews)

Rolling Stone (p.71) - 4 stars out of 5 -- "[F]ull of heavy business: life's meaning, beauty, brutality and brevity....It's his best album since 1990's THE RHYTHM OF THE SAINTS, and it also sums up much of what makes Simon great."Rolling Stone (p.68) - Ranked #3 in Rolling Stone's '50 Best Albums Of 2011' -- "[Simon's] best album in more than 20 years..."Entertainment Weekly (p.86) - "[T]he GRACELAND-ic guitar figures still emphasize rhythm above all....Spirited spirituality is his goal these days.' -- Grade: B+Billboard (p.32) - "The album's songwriting and sound are deceptively complex, gradually revealing their intricacy with each listen. It's natural and earthy, with acoustic instrumentation and percussion to the fore."Uncut (magazine) (p.32) - Ranked #29 in Uncut's '50 Best Albums Of 2011' -- "[A]n impeccably crafted, erudite and rueful collection of songs that tackled spirituality with both sureness and lightness of touch."29.99977

$12.35
(0 reviews)

Rolling Stone (p.71) - 4 stars out of 5 -- "[F]ull of heavy business: life's meaning, beauty, brutality and brevity....It's his best album since 1990's THE RHYTHM OF THE SAINTS, and it also sums up much of what makes Simon great."Rolling Stone (p.68) - Ranked #3 in Rolling Stone's '50 Best Albums Of 2011' -- "[Simon's] best album in more than 20 years..."Entertainment Weekly (p.86) - "[T]he GRACELAND-ic guitar figures still emphasize rhythm above all....Spirited spirituality is his goal these days.' -- Grade: B+Billboard (p.32) - "The album's songwriting and sound are deceptively complex, gradually revealing their intricacy with each listen. It's natural and earthy, with acoustic instrumentation and percussion to the fore."Uncut (magazine) (p.32) - Ranked #29 in Uncut's '50 Best Albums Of 2011' -- "[A]n impeccably crafted, erudite and rueful collection of songs that tackled spirituality with both sureness and lightness of touch."18.80307

$17.00
(0 reviews)

Pitchfork (Website) - "Siriusmo loves to set scampering funk, meaty saw-wave synths, and hammy vocal samples against percussion so crisply pounding it edges into rock territory."0.3201478

$9,999.99
(0 reviews)

0.2774248

$9,999.99
(0 reviews)

Record Collector (magazine) (p.90) - 4 stars out of 5 -- "[H]ere are 14 examples of effortless quaking grooves incorporating mouth percussions, synths, fuzz guitar and a recorded vocal so up front in the mix it threatens to shred the eardrums."0.2401108

$9,999.99
(0 reviews)

Down Beat (9/97, p.54) - 3 1/2 stars (out of 5) - "...the tenor sounds as silky and sexy as ever....the record's gentle, colorful percussion arrangements are still superb..."0.238417

$9,999.99
(0 reviews)

Down Beat (9/97, p.54) - 3 1/2 stars (out of 5) - "...the tenor sounds as silky and sexy as ever....the record's gentle, colorful percussion arrangements are still superb..."0.2289116

$17.49
(0 reviews)

JazzTimes (p.100) - "[With] odd time signatures and a small arsenal of percussion instruments....The group doesn't stray so far afield that it loses touch with blues tonalities or swing pulses..."Dirty Linen (p.78) - "[Garcia's] sympathetic playing complements nicely the interplay between de Grassi's acoustic guitar and Manring's slippery electric bass."0.2000924

$20.96
(0 reviews)

Rolling Stone (10/15/98, p.131) - 3 Stars (out of 5) - "...a likably earnest pile of heavenly jazz percussion, pogoable Green Day-like drum rolls and Nirvana-esque power chords; nods to rock royalty from Queen to Prince...and lyrics that...can be read as both sacred and secular..."0.1890792

$9,999.99
(0 reviews)

Magnet (p.55) - "[I]t's a strummy, breezy delight. Johnson's melodic falsetto is underpinned by jaunty acoustic guitars, shimmering electrics and rustic percussion."Uncut (magazine) (p.87) - 4 stars out of 5 -- "Keynote track 'Tony The Tripper' sets the bar high, a mini symphony where psychedelia meets strutting, rustic rock'n'roll."0.1698884

$9,999.99
(0 reviews)

Rolling Stone (8/21/03, p.73) - 3 stars out of 5 - "...Producer Steve Albini serves up a stark, stately sound that's sometimes punctuated by hurricanes of strings and percussion. What gives the album life, though, is Nastasia's airy, intimate voice..."Uncut (6/03, p.128) - 4 stars out of 5 - "...Spare, beautiful, outstanding..."CMJ (6/2/03, p.6) - "...Nastasia is the tender voice that coos across the same bumpy desert terrain that Tom Waits and Devendra Banhart amble over so noisily..."Mojo (Publisher) (7/03, p.101) - 4 stars out of 5 - "...These eight sparse songs each have a novel embedded deep within..."0.1600739

$13.90
(0 reviews)

Spin - "Arnalds' game is more ambience than transcendence -- so the four very brief detours into Explosions in the Sky-style post-rock seem all the more cinematic."Pitchfork (Website) - "It's melodic, sensitive, rhythmically subdued....A few tracks feature very prominent climaxes with laidback rock percussion, at which times the starry nocturnes flood with daylight."Clash (magazine) - "[A]n uplifting and richly orchestrated second album....Delicate string arrangements married with subtle synths highlight Arnalds' trademark piano sound..."Uncut (magazine) (p.81) - 4 stars out of 5 -- "[T]he frosted beauty of 'Kjurrt' is a particular highlight."0.1600739

$9,999.99
(0 reviews)

Spin - "Arnalds' game is more ambience than transcendence -- so the four very brief detours into Explosions in the Sky-style post-rock seem all the more cinematic."Pitchfork (Website) - "It's melodic, sensitive, rhythmically subdued....A few tracks feature very prominent climaxes with laidback rock percussion, at which times the starry nocturnes flood with daylight."Clash (magazine) - "[A]n uplifting and richly orchestrated second album....Delicate string arrangements married with subtle synths highlight Arnalds' trademark piano sound..."Uncut (magazine) (p.81) - 4 stars out of 5 -- "[T]he frosted beauty of 'Kjurrt' is a particular highlight."0.1600739

$9,999.99
(0 reviews)

0.1443305

$5.03
(0 reviews)

Spin (12/96, p.147) - "...relies on cameos from Eric Clapton, Stevie Wonder and a reunited Shalamar. Plus Kenny G, which works in this upside-down, fascinating pop sphere..."Entertainment Weekly (11/1/96, p.68) - "...All the Babyface trademarks--the crisp, unobtrusive percussion, the silky guitars, the harmonies that blanket the melodies like a quilt--are laid out like a three-piece suit. But more so than any previous album he's made, THE DAY is chockful of luscious, gently persuasive songs..." - Rating: A-Vibe (3/01, p.192) - 3.5 discs out of 5 - "...Inthe hurly-burly of today's music scene, it's getting a lot easier to appreciate the charms of this quiet man..."0.1400647

$11.89
(0 reviews)

Rolling Stone (p.68) - 3.5 stars out of 5 - "[ELEVATOR] contains some of the finest pure pop-rock songs of the year so far; it's a fourteen-track, thirty-seven-minute rush of pleasure..."Spin (pp.101-102) - "Bays fully understands that new-wave vocals are about percussion and repetition, and he sings his like a caffeinated cognitive scientist." - Grade: B+Entertainment Weekly (No. 814, p.62) - "[T]hey're still fixated on the [late 1970s and early '80s], but BREAKDOWN's suggestions of rainy-afternoon electro-pop are mostly gone, replaced by guitar-driven pogo-pop..." - Grade: BUncut (p.100) - 4 stars out of 5 - "ELEVATOR resonates more with every spin...'Ladies And Gentlemen' channels Blur and Joe Jackson to great effect."0.1400647

$18.27
(0 reviews)

Rolling Stone (12/29/94-1/12/95, p.182) - "...Even without enhancement, Rogie's voice is so velvety and thick that after three songs you'll swear it's seeping out of the speakers..."Entertainment Weekly (11/25/94, pp.77-78) - "...his style has the lulling pulse one associates with a fine afternoon buzz. This, his last recording, is as mellow a monument as the man himself..." - Rating: AQ (8/94, p.109) - 4 Stars - Excellent - "...all carry the effortless Rogie stamp: the occasional yodel, unobtrusive percussion and flowing acoustic guitar rhythms soaked in the feel good factor..."Option (11-12/94, p.141) - "...Evokes the sound of Doc Watson or Mississippi John Hurt as much as it does the music of his fellow countrymen [from Sierra Leone]..."0.1400647

$17.85
(0 reviews)

Alternative Press (p.97) - 4 stars out of 5 -- "The result is near-perfection. The album is a rich, warm confection that finds the pair further embodying the soulful strain of Neil Young or Dylan at their `70s best."Uncut (magazine) (p.96) - 4 stars out of 5 -- "[T]he music is now awash with warm reverb, subtle harmonics, soulful percussion and, as on 'Life Away From The Garden', a full-on children's choir."0.1305337

$9,999.99
(0 reviews)

0.1275272

$9,999.99
(0 reviews)

Rolling Stone (p.57) - 3 stars out of 5 -- "[T]here are tweaked Sixties AM-radio melodies and flashes of quiet soul....It's mostly a psychedelic, smarty-pants dance party..."Spin (p.72) - "Here, they explode with the force of a polyrhythmic fireworks display, celebrating the art of borrowed yet blissful noise."Alternative Press (p.94) - 4.5 stars out of 5 -- "'White Knuckles' is self-help advice delivered in a funky pop sheen that approximates Prince fronting the Flaming Lips with DFA majordomo James Murphy at the controls."Alternative Press (p.100) - Ranked #4 in Alternative Press's "10 Essential Albums of 2010" -- "[With] throbbing percussion, tight guitar solos and ridiculously passionate and honest lyrics..."Paste (magazine) (p.66) - "[A] courageous amalgam that gets your head bopping to resoundingly upbeat rhythms and surging bridges, as on the unstoppable 'All is Not Lost.'"0.124299

$9,999.99
(0 reviews)

Spin (p.84) - "It's their most instantly accessible effort after BARK, with a dozen catchy tunes packed inside 47 easy, breezy minutes."Entertainment Weekly (p.58) - "Fans can breathe easy: The weirdness that so delights them isn't GOING anywhere just yet." -- Grade: A-Billboard (p.28) - "[T]he tracks come off in a surprisingly modern way -- much like I'M GOING AWAY as a whole."Q (Magazine) (p.107) - 3 stars out of 5 -- "Opener 'I'm Going Away' is a rollicking jig of fuzzy riffs and rolling snares."Pitchfork (Website) - "[Matthew Friedberg's] melodic sensibility remains intact and boldened by streamlined arrangements emphasizing acoustic piano and the crisp, groovy percussion of drummer Robert D'Amico."Record Collector (magazine) (p.82) - 3 stars out of 5 -- "I'M GOING AWAY sees them temper their more eccentric tendencies. The Friedberger siblings' more perverse side is still there, bubbling away under the surface."0.1200554

$9,999.99
(0 reviews)

Entertainment Weekly (10/18/02, p.114) - "...The guitars crunch like thunderclaps, and the band's harmonies make the little neck hairs stand on end..." - Rating: B+Uncut (6/03, p.106) - 4 stars out of 5 - "...This is an album packed with glam rock drumming....Even the forlorn sentiments sound melodious and summery. Sheer unironic rock pleasure..."CMJ (9/23/02) - "...Gloriously unabashed power-pop and cheerfully upbeat indie rock, basking in harmony, wit and irresistible hooks..."Mojo (Publisher) (4/03, p.108) - 3 stars out of 5 - "...OK Go's songs are full of imaginative twists in which space is found for Hammond organ, tuned percussion, even accordion. Kulash's slice-of-lfie lyrics are also sharp and pithy..."0.1175776

$7.35
(0 reviews)

0.1154644

$9.93
(0 reviews)

Rolling Stone (p.57) - 3 stars out of 5 -- "[T]here are tweaked Sixties AM-radio melodies and flashes of quiet soul....It's mostly a psychedelic, smarty-pants dance party..."Spin (p.72) - "Here, they explode with the force of a polyrhythmic fireworks display, celebrating the art of borrowed yet blissful noise."Alternative Press (p.94) - 4.5 stars out of 5 -- "'White Knuckles' is self-help advice delivered in a funky pop sheen that approximates Prince fronting the Flaming Lips with DFA majordomo James Murphy at the controls."Alternative Press (p.100) - Ranked #4 in Alternative Press's "10 Essential Albums of 2010" -- "[With] throbbing percussion, tight guitar solos and ridiculously passionate and honest lyrics..."Paste (magazine) (p.66) - "[A] courageous amalgam that gets your head bopping to resoundingly upbeat rhythms and surging bridges, as on the unstoppable 'All is Not Lost.'"0.1144558

$9,999.99
(0 reviews)

Spin (p.85) - "SWIM builds drama with fluttered flutes, processed strings, skronking saxophone, or a wheezing horn meandering over a defiant, ominous bass."CMJ - "SWIM provides a shining example of Dan Snaith's constant innovation and well-executed reinvention...delivering an exciting new chapter in Caribou's career."Billboard (p.59) - "The dark harmonies on 'Leave House' reveal a trace of Massive Attack-like trip-hop, while guest vocals from Born Ruffians singer Luke LaLonde on 'Jamelia' lend a dream-pop tinge to the album."Mojo (Publisher) (p.96) - 4 stars out of 5 -- "SWIM comprises an organic, beautifully constructed 45 minutes or so of music, with its own sound-world and its own deep emotional logic."Mojo (Publisher) (p.56) - Ranked #18 in Mojo's "The 50 Best Albums Of 2010" -- "[It] achieved an utterly thrilling synthesis of the dreamily clattering electronica with which he made his reputation..."Paste (magazine) (p.82) - "The shadowy electronics flow from the subdued funk opener 'Odessa' through the slow-motion 'Lalibela....Austere, chilling and beautiful."Clash (magazine) - "Closing track 'Jamelia' is the most ambitious of the lot, with an innocuous electronic backing that spins of into psychedelic synth whorls..."Uncut (magazine) (p.85) - 4 stars out of 5 -- "Snaith's fifth album synthesizes free jazz horns, Tibetan percussion, fluttering flutes and acid basslines, and is his most beguiling release yet..."0.1000462

$9,999.99
(0 reviews)

Rolling Stone (6/13/96, p.83) - 3 Stars - Good - "...hasn't lost his talent for writing pop songs as contagious as the Ebola virus....From the smooth, moody groove of 'It Doesn't Really Matter' to the bouncy disco concoction 'Fastlove'..., Michael proves his guilty feet still have rhythm."Q (12/99, p.90) - Included in Q Magazine's "90 Best Albums Of The 1990s."Vibe (8/96, p.144) - "...Michael may have had more birthdays, but in content and style, his music is similar to the rhythm-and-bluesy stuff he's done since breaking off from Wham! in 1986....Older is better."Melody Maker (5/25/96) - "...as unremittingly slow, solemn and sombre as side two of Joy Division's CLOSER....snazzily produced late-night smoochathons that'll provide horny shop assistants and bank clerks with shag material for months...."Mojo (Publisher) (6/96, p.110) - "...[OLDER] is elegiac, heartfelt, life-affirming, and appears to be as elegant a coming-out as a public figure has ever accomplished....Hip-swaying beat-box percussion bops around background strings and other sampled orchestral colourings..."NME (Magazine) (5/25/96, p.53) - 9 (out of 10) - "...bedtime sophisto-soul....George, for all the angst he so brazenly wears on his sleeve, remains the embodiment of suburban wish-fufilment. Times may have changed...but the music still fits the mood like a glove..."0.1000462

$9,999.99
(0 reviews)

Spin (p.85) - "SWIM builds drama with fluttered flutes, processed strings, skronking saxophone, or a wheezing horn meandering over a defiant, ominous bass."CMJ - "SWIM provides a shining example of Dan Snaith's constant innovation and well-executed reinvention...delivering an exciting new chapter in Caribou's career."Billboard (p.59) - "The dark harmonies on 'Leave House' reveal a trace of Massive Attack-like trip-hop, while guest vocals from Born Ruffians singer Luke LaLonde on 'Jamelia' lend a dream-pop tinge to the album."Mojo (Publisher) (p.96) - 4 stars out of 5 -- "SWIM comprises an organic, beautifully constructed 45 minutes or so of music, with its own sound-world and its own deep emotional logic."Mojo (Publisher) (p.56) - Ranked #18 in Mojo's "The 50 Best Albums Of 2010" -- "[It] achieved an utterly thrilling synthesis of the dreamily clattering electronica with which he made his reputation..."Paste (magazine) (p.82) - "The shadowy electronics flow from the subdued funk opener 'Odessa' through the slow-motion 'Lalibela....Austere, chilling and beautiful."Clash (magazine) - "Closing track 'Jamelia' is the most ambitious of the lot, with an innocuous electronic backing that spins of into psychedelic synth whorls..."Uncut (magazine) (p.85) - 4 stars out of 5 -- "Snaith's fifth album synthesizes free jazz horns, Tibetan percussion, fluttering flutes and acid basslines, and is his most beguiling release yet..."0.1000462

$9,999.99
(0 reviews)

Rolling Stone (10/31/96, p.70) - 3-1/2 Stars - Good/Excellent - "...The quintessential '80s act...have stuck to their guns and refused to defer to passing '90s fads. While their peers would have gone trip-hop by now, Lowe and Tennant have stayed true to their disco-pop sensibility..."Spin (10/96, pp.131-132) - 8 - Very Good - "...Tennant may be too much the cynic to buy into pop platitudes, but he's also too much a realist to think ironic detachment can sustain life. So he remains fluent in both languages--and ends up with astonishingly eloquent songs."Entertainment Weekly (9/6/96, p.76) - "The eighth album of slick-as-a-mirror-ball pop from this droll British duo relies as much on melody as rhythm or the Boys' trademark irony, making this a near-perfect album for converting discophobes to the pleasures of dance music..."- Rating: B+Q (10/96, p.160) - 4 Stars - Excellent - "...Where once there were gleaming surfaces, there are whistles, infectious percussion and sensual jazz chords straight from a cantina in Sao Paulo....a bold step for the Pet Shop Boys and, happily, it works almost unreservedly..."Melody Maker (8/31/96, p.44) - "...`Why would intelligent English musicians want to concern themselves with impassioned Eurodisco?...' BILINGUAL has no place in any such dialogue. The duo's ability to soil a perfectly good disco stomper by dropping in The Chord Of Mourning is well-known to fans who bought the achingly autumnal BEHAVIOUR. They've honed it to a fine art here..."NME (Magazine) (8/31/96, p.54) - 8 (out of 10) - "...they take us to a new setting...invested in some of the rhythmic knowledge of the South Americans they met on their '94 tour....Tennant's singing like a man who's reached a certain age and feels good/bad/guilty about it....seldom has their music sounded so rich..."0.09172306

$9,999.99
(0 reviews)

Rolling Stone (10/31/96, p.70) - 3-1/2 Stars - Good/Excellent - "...The quintessential '80s act...have stuck to their guns and refused to defer to passing '90s fads. While their peers would have gone trip-hop by now, Lowe and Tennant have stayed true to their disco-pop sensibility..."Spin (10/96, pp.131-132) - 8 - Very Good - "...Tennant may be too much the cynic to buy into pop platitudes, but he's also too much a realist to think ironic detachment can sustain life. So he remains fluent in both languages--and ends up with astonishingly eloquent songs."Entertainment Weekly (9/6/96, p.76) - "The eighth album of slick-as-a-mirror-ball pop from this droll British duo relies as much on melody as rhythm or the Boys' trademark irony, making this a near-perfect album for converting discophobes to the pleasures of dance music..."- Rating: B+Q (10/96, p.160) - 4 Stars - Excellent - "...Where once there were gleaming surfaces, there are whistles, infectious percussion and sensual jazz chords straight from a cantina in Sao Paulo....a bold step for the Pet Shop Boys and, happily, it works almost unreservedly..."Melody Maker (8/31/96, p.44) - "...`Why would intelligent English musicians want to concern themselves with impassioned Eurodisco?...' BILINGUAL has no place in any such dialogue. The duo's ability to soil a perfectly good disco stomper by dropping in The Chord Of Mourning is well-known to fans who bought the achingly autumnal BEHAVIOUR. They've honed it to a fine art here..."NME (Magazine) (8/31/96, p.54) - 8 (out of 10) - "...they take us to a new setting...invested in some of the rhythmic knowledge of the South Americans they met on their '94 tour....Tennant's singing like a man who's reached a certain age and feels good/bad/guilty about it....seldom has their music sounded so rich..."0.09172306

$9,999.99
(0 reviews)

Rolling Stone (8/31/00, p.74) - 3.5 stars out of 5 - "...The perfect soundtrack for those who aspire to the elegantly roguish, Vespa-riding, Italian-soft-porn-loving international set."Q (9/00, p.110) - 4 stars out of 5 - "...[They] have stirred more dub and succinct songwriting into their heady cocktail hour mix, with Le Monde's French vocals and the digitally rendered Latin vibes of 'Samba Tranquille' adding to the bachelor-pad ambiance..."Alternative Press (10/00, p.110) - 4 out of 5 - "...Fresh new approaches to the Brazilian/hip-hop/Euro-film-soundtrack styles....succeeding on all fronts..."The Wire (10/00, p.83) - "...[They] have embodied eclecticism from their beginnings, and the bass booms as sweetly as on any of their previously efforts..."Mixmag (9/00, p.169) - 4 out of 5 - "...3am, French-funk diva business like 'LeMonde' or the title track go head-to-smoke-wreathed-head with bubbling dub streamers, whacked-out beats and exotically tinkled percussion..."CMJ (1/08/01, p.19) - Included in CMJ's "Best of the Year" for 2000.CMJ (8/28/00, p.23) - "...Suave, downbeat dance tracks....a smooth mixture of dub reggae, trip-hop, acid jazz and Middle Eastern musics...elegant and inspiring..."Mojo (Publisher) (9/00, p.94) - "...They never experiment for its own sake: it's all intended for pleasure. Delightful."0.09166554

$11.23
(0 reviews)

Rolling Stone (p.74) - 4 stars out of 5 -- "With her classically trained voice and keyboard chops, Keys reintroduced the idea of a self-reliant R&B singer-songwriter -- a type that stretches back to Stevie Wonder."Rolling Stone (1/03/02, p.118) - Ranked #2 in Rolling Stone's "Top 10 2001".Rolling Stone (7/19/01, p.53) - 3 stars out of 5 - "...Keys shows a maturity beyond her years...suggesting down-home R&B contemporaries like Jill Scott as well as yesteryear's soul sophisticates..."Entertainment Weekly (6/29-7/6/01, p.144) - "...A debut full of promise..." - Rating: BQ (1/03, p.56) - Included in Q Magazine's "100 Greatest Albums Ever"Q (9/01, p.110) - 4 stars out of 5 - "...A prime candidate to head up the nu-soul revolution...with a voice that challenges Mary J. Blige's....Key's R&B trips to a fundamentally more old-skool set of values....Her sincerity is another plus..."Uncut (11/01, p.112) - 4 stars out of 5 - "...Frequently stunning....Keys soars like a young Aretha Franklin..."CMJ (4/30/01, p.21) - "...The singer showcases her classical piano training atop slow and somber percussion...her deep soulful voice and heartfelt delivery carry the songs..."Mojo (Publisher) (1/02, p.71) - Ranked #27 in Mojo's "Best [40] Albums of 2001".Record Collector (magazine) (p.96) - 3 stars out of 5 -- "SONGS IN A MINOR has dated well -- cuts the likes of 'Fallin'' and 'A Woman's Worth' still sound fresh."0.08830488

$10.58
(0 reviews)

Rolling Stone (p.74) - 4 stars out of 5 -- "With her classically trained voice and keyboard chops, Keys reintroduced the idea of a self-reliant R&B singer-songwriter -- a type that stretches back to Stevie Wonder."Rolling Stone (1/03/02, p.118) - Ranked #2 in Rolling Stone's "Top 10 2001".Rolling Stone (7/19/01, p.53) - 3 stars out of 5 - "...Keys shows a maturity beyond her years...suggesting down-home R&B contemporaries like Jill Scott as well as yesteryear's soul sophisticates..."Entertainment Weekly (6/29-7/6/01, p.144) - "...A debut full of promise..." - Rating: BQ (1/03, p.56) - Included in Q Magazine's "100 Greatest Albums Ever"Q (9/01, p.110) - 4 stars out of 5 - "...A prime candidate to head up the nu-soul revolution...with a voice that challenges Mary J. Blige's....Key's R&B trips to a fundamentally more old-skool set of values....Her sincerity is another plus..."Uncut (11/01, p.112) - 4 stars out of 5 - "...Frequently stunning....Keys soars like a young Aretha Franklin..."CMJ (4/30/01, p.21) - "...The singer showcases her classical piano training atop slow and somber percussion...her deep soulful voice and heartfelt delivery carry the songs..."Mojo (Publisher) (1/02, p.71) - Ranked #27 in Mojo's "Best [40] Albums of 2001".Record Collector (magazine) (p.96) - 3 stars out of 5 -- "SONGS IN A MINOR has dated well -- cuts the likes of 'Fallin'' and 'A Woman's Worth' still sound fresh."0.08830488

$9,999.99
(0 reviews)

Rolling Stone (4/2/98, p.73) - 4 Stars (out of 5) - "...focuses on the underappreciated golden age of rhythm and soul inspired by Dizzy Gillespie's revolutionary Afro-Cuban big band of the late Forties....taut ensemble interplay...and stunningly articulate jazz playing..."0.08659831

$18.57
(0 reviews)

0.08659831

$11.12
(0 reviews)

Rolling Stone (p.74) - 4 stars out of 5 -- "With her classically trained voice and keyboard chops, Keys reintroduced the idea of a self-reliant R&B singer-songwriter -- a type that stretches back to Stevie Wonder."Rolling Stone (1/03/02, p.118) - Ranked #2 in Rolling Stone's "Top 10 2001".Rolling Stone (7/19/01, p.53) - 3 stars out of 5 - "...Keys shows a maturity beyond her years...suggesting down-home R&B contemporaries like Jill Scott as well as yesteryear's soul sophisticates..."Entertainment Weekly (6/29-7/6/01, p.144) - "...A debut full of promise..." - Rating: BQ (1/03, p.56) - Included in Q Magazine's "100 Greatest Albums Ever"Q (9/01, p.110) - 4 stars out of 5 - "...A prime candidate to head up the nu-soul revolution...with a voice that challenges Mary J. Blige's....Key's R&B trips to a fundamentally more old-skool set of values....Her sincerity is another plus..."Uncut (11/01, p.112) - 4 stars out of 5 - "...Frequently stunning....Keys soars like a young Aretha Franklin..."CMJ (4/30/01, p.21) - "...The singer showcases her classical piano training atop slow and somber percussion...her deep soulful voice and heartfelt delivery carry the songs..."Mojo (Publisher) (1/02, p.71) - Ranked #27 in Mojo's "Best [40] Albums of 2001".Record Collector (magazine) (p.96) - 3 stars out of 5 -- "SONGS IN A MINOR has dated well -- cuts the likes of 'Fallin'' and 'A Woman's Worth' still sound fresh."0.08158354

$9,999.99
(0 reviews)

0.07620589

$33.05
(0 reviews)

0.07216525

$11.92
(0 reviews)

"...BANDITS is good on technical virtuosity..." Variety "...A cheerfully irreverent lark -- part fairy tale, part science fiction, part comedy..." New York Times "...[With] the funniest Robin Hood ever..." USA Today "...The movie's as perversely entertaining as it ever was..." Total Film 4 stars out of 5 -- "[E]very bit as much a marauding sensual riot as it is a history-hopping conundrum." Total Film 4 stars out of 4 -- "[A]n ingenious fantasy....[Gilliam's] most consistently entertaining..."Uncut 3 stars out of 4 -- "A fun and whimsical journey that is vintage Terry Gilliam."Premiere0.0577322

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