solid-gold,Hard/Solid Gold, Solid Gold Cadillac, Solid Gold Hits [PA], Solid Gold Hits [Clean] [Edited], 30 Massive Rock Tracks

34 Items Found For solid gold

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Uncut (p.125) - 4 stars out of 5 - "SOLID GOLD catches them at their furious finest, shuffling between the personal politics of consumption and longing..."100.6403

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100.3495

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Uncut (p.122) - 4 stars out of 5 - "SOLID GOLD HITS leaves you with the impression that the Beasties were one of the great singles bands of their generation: nutty, fun, and a bit bizarre."80.55156

$100,002.99
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Uncut (p.122) - 4 stars out of 5 - "SOLID GOLD HITS leaves you with the impression that the Beasties were one of the great singles bands of their generation: nutty, fun, and a bit bizarre."80.55156

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27.9858

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Rolling Stone (p.143) - 3 stars out of 5 - "Its retrofunky grooves are slinky, sexy and very now."Alternative Press (p.138) - 4 out of 5 - "Head Automatica keeps Palumbo's heart, but adds hooks aplenty, in the form of funky, forward-looking rock 'n' roll..."0.2330011

$7.44
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Rolling Stone (3/9/95, p.66) - 4 Stars - Excellent - "...SHIPWRECK is a stunning album--a furious attempt to fashion something glorious....Echoes of Bowie at his most melodramatic and '60s Brit cult star Scott Walker resonate through....A trippy mix that hints alternately at chamber music, glam rock and sweeping, ambient-leaning pop..."Alternative Press (2/95, pp.57-58) - "...This LP surpasses even the best material on his last two efforts. Most striking is the album's diversity, proving Connelly's talent across a wide spectrum of musical styles..."0.2330011

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0.1864009

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Rolling Stone (p.83) - 5 stars out of 5 -- "[F]or Odelay, he hooked up with the Dust Brothers to play around with punk, hip-hop, acoustic folk, bossa nova, Latin soul, mainstream R&B and line-dance country -- there's as much Babyface as Bob Dylan on this record..."Rolling Stone (4/11/02, p.107) - Ranked #27 in Rolling Stone's "50 Coolest Records".Rolling Stone (5/13/99, p.63) - Included in Rolling Stone's "Essential Recordings of the 90's."Rolling Stone (1/23/97, p.44) - Ranked #1 on Rolling Stone's list of the "Ten Best Albums" of 1996.Rolling Stone (6/13/96, pp.77-78) - 4 Stars (out of 5) - "...[crams] his encyclopedic knowledge of 20th century musical styles into three- and four-minute nuggets of pure pop....while Beck may appear to be flip in his no-holds-barred approach to music, no other contemporary artist...comes close to his ambitious sense of adventure..."Spin (p.97) - 4.5 out of 5 stars -- "This splatter painting of breakbeats, electric blues, garage-style kitsch, and Dada versifying still sounds fresh..."Spin (9/99, p.118) - Ranked #4 in Spin Magazine's "90 Greatest Albums of the '90s."Spin (1/97, p.58) - Ranked #1 on Spin's list of the "20 Best Albums Of '96."Spin (7/96, p.87) - 10 (out of 10) - "...Just as Dylan created an entire universe around his helplessly strange vocal instrument, Beck uses sound and imagery to turn his congested yelp into the voice of a prophet....It's a beautiful thing."Entertainment Weekly (6/21/96, p.65) - "...Beck has enlisted the Dust Brothers, the producers responsible for...the Beastie Boys' seminal PAUL'S BOUTIQUE. The result: a pastiche of twangy country licks, hip-hop beats, surrealistic folk, jive-turkey rap, and samples...that further affirms Beck's rock-chameleon identity..." - Rating: A-Q (10/01, p.63) - Ranked #28 in Q's "Best 50 Albums of Q's Lifetime"Q (12/99, p.90) - Included in Q Magazine's "90 Best Albums Of The 1990s."Q (8/96, p.111) - 4 Stars (out of 5) - "...A more ambitious individual probably couldn't have made an album as relaxed, funky, stylish and left-of-center as ODELAY....the album...mooches attractively between country, folk and hip-hop..."Uncut (p.104) - 5 stars out of 5 -- "A '90s cultural landmark....Beck's freakfolk freestyle yields some solid gold nuggets among the jive."CMJ (1/6/03, p.16) - Included in CMJ's list of "Top 25 College Radio Albums of All Time"Vibe (9/96, p.223) - "...Beck goes Hollywood....Drums pounce with blunted park-jam finesse. Turntable-scratched hooks pan whimsically throughout....a more sophisticated Beck relays his own introspective emotions..."Option (7-8/96, p.89) - "...a brilliant kaleidoscope....a lazy, cruising groove....a sprawling, confident album....Nothing sounds out of place in Beck's world..."Melody Maker (12/21-28/96, pp.66-67) - Ranked #6 on Melody Maker's list of 1996's "Albums Of The Year."Musician (9/96, p.86) - "...ODELAY is intoxicating, proving Beck to be one of the era's more inventive songwriters. His observations are as catchy as his...songs....ODELAY is largely upbeat, even punk, but occasionally Beck reveals a sad soul under his clown's mask..."Village Voice (2/25/97) - Ranked #1 in the Village Voice's 1996 Pazz & Jop Critics' Poll.Q (Magazine) (p.120) - 4 stars out of 5 -- "[I]t's a definition of '90s pop....ODELAY is as cannibalistic as a Tarantino movie: a riot of decontextualised pop-cultural detritus."Mojo (Publisher) (p.66) - Ranked #10 in Mojo's "100 Modern Classics" -- "Even better than ODELAY's crazy-quilt sampling...was the dazzling songwriting."Mojo (Publisher) (p.123) - 4 stars out of 5 -- "[I]t was skeetering, excited, a grab bag of ideas."NME (Magazine) (12/21-28/96, pp.66-67) - Ranked #1 in NME's 1996 Critics' Poll.NME (Magazine) (6/22/96, p.54) - 8 (out of 10) - "...[Beck] plunges into the deep foreboding lake of received musical wisdom....All around is madness. Beck takes the thinking man's solution and makes music to make sense of it all. Or nonsense, even....Genius means never having to think too hard..."Blender (Magazine) (p.105) - 4 stars out of 5 -- "Against grunge's death knells, Beck's sunny mosaic of sound and style seemed to augur a radically expansive new form."Paste (magazine) (p.80) - "ODELAY is a pop-art nexus where everything is admissable, and nothing means anything outside of its immediate context -- a fine summary of the 20th century indeed."Record Collector (magazine) (p.87) - 5 stars out of 5 -- "Beck stepped out a true maverick, laying hip-hop vocals on top of country guitar lines in one song, paying equal homage to heavy metal and Serge Gainsbourg in another."0.08185431

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Q (6/92, p.94) - 3 Stars - Good - "..Vince Gill is a fine guitarist and solid songwriter...Gill transforms ordinary material into riveting confessions.."24.29898

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19.3043

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Q (7/96, p.141) - 3 Stars - Good - "...admirably recorded...gruelling world tour and Knopfler's theme from Local Hero added to the set..."0.1655442

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Rolling Stone (6/22/00, pp.128-30) - 3 stars out of 5 - "...Embodies nearly every hip-hop honky cliche....the grooving metallic production, which is both bugged out and appealingly populist...makes this a guilty pleasure....In the white-boy, skate-rap, nut-grabbin' crunk-punk-funk arena, these Kings rule."CMJ (7/00, p.54) - "...A solid improvement...showcasing proficient production and beats by DJ Bobby B, some cleverly blunted verbiage by Saint Vicious and D-Loc and strong party-for-your-right-to-fight antics..."0.1485077

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Rolling Stone (4/11/02, pp.129-30) - 3.5 stars out of 5 - "...Some of Young's breeziest groove music ever....Young as Soul Man? Believe it. This album hums on his timeless brand of fossil fuel: love that burns, faith that endures and guitar solos that keep searching for a heart of gold..."Spin (6/02, p.103) - 7 out of 10 - "...Tapping into Soul helps Young emphasize the timelessness of his maverick-yet-marketable talent....and delivers a dose of that million-dollar guitar..."Magnet (6-7/02, p.112) - "...The man proves as solid and reliable as a favored, aged steed..."Mojo (Publisher) (April 2002, p.106) - "...Display[s]...the major qualitites inherent in Young's work - musical tension and decent-hearted profundity....ARE YOU PASSIONATE is an homage to Memphis soul and R&B..."NME (Magazine) (4/6/02, p.36) - "...A collection fixated on how smashing his wife and family are....[Young] attempts to soften up his grizzled electric style with '60s R&B influences..."0.1395888

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Entertainment Weekly (No. 812, p.72) - "Jennings aimed for rock but made the perfect outlaw country record instead..." - Grade: A-0.1324354

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Rolling Stone (12/9/99, pp.80-1) - 3 stars out of 5 - "...Merchant takes a joy in performing that's absolutely winning. This disc transmits that joy....The hits and covers showcase the singer's considerable empathy..."Spin (2/00, pp.114-5) - 6 out of 10 - "...brings more purity of essence to her excerpting of 5 nights in Manhattan, hitting every note....Lovely takes on 'Carnival' and 'Ophelia' highlight her ongoing experiment in the toxicity limits of ruefulness..."Entertainment Weekly (11/12/99, p.82) - "...provides a tutorial on what meks a standout performance: different-enough versions of the hits...offbeat covers...and all the spontaneity of performance with none of the self-indulgence..." - Rating: B+Q (1/00, p.120) - 3 stars out of 5 - "...has the same end-of-an-era feel [as her MTV UNPLUGGED album]....Mostly, it's solid, sweetly sung readings of the finest from 1995's splendid TIGERLILY..."CMJ (12/13/99, p.27) - "...features [her] hits 'Wonder' and 'Ophelia,' as well as a few interesting covers....moving renditions of Neil Young's 'After The Goldrush' and David Bowie's 'Space Oddity'..."Mojo (Publisher) (1/00, p.103) - "...The selection is as safe as the format, withy crowd-pleasing covers of David Bowie's 'Space Oddity' and Neil Young's 'After The Goldrush' thrown in for good measure....the playing of her 7-poece band is exemplary..."0.1196202

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Rolling Stone (10/14/99, p.124) - 4 stars out of 5 - "...The stunning 3-CD box full of soul IT'S YOUR THING [captures the Isley story in all of its intermittent glory] brilliantly, including all the obvious hits...and lots of material that fell between the non-crossover cracks..."Spin (12/99, p.230) - 8 out of 10 - "...ragged beauty....a brood of calculating chameleons with a stylistic agility that, given the dictates of niche marketing and modern radio formats, will likely never be seen again..."Entertainment Weekly (9/10/99, p.153) - "...represents the Isleys' evolution from rock sensations to soul troubadours....A brilliantly arranged collection, including exceptional alternate takes and unreleased tracks, and a neccesity for anyone yearning to do their own thing." - Rating: AQ (1/00, p.138) - 4 stars out of 5 - "...an aptly garish package given their barking '70s apparel, with a sentimental sleeve note and a satisfying track choice..."Uncut (1/00, p.100) - 4 stars out of 5 - "A colossal, combustible fun-fest; enough for a throbbing theme-night in your very own living room....The Isleys remain titans..."Vibe (10/99, p.189) - "...any one of the three discs here would be a formidable compilation in and of itself....But as famous as the 'songs' are...the 'styles' that the band perfected, popularized, or foreshadowed are even more significant....[proves] that while time can wear rock down, it has no effect on solid-gold soul."The Source (11/99, p.236) - "...chronicles the breadth of the Isley experience....[They] infused everything with a balance of elegance and grit, creating a brave new musical world in the process..."Mojo (Publisher) (12/99, p.126) - "...a stylishly packaged way for those less familiar with their work to get to know and love an amazing act whose recording career spans 4 decades..."0.116324

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Entertainment Weekly (9/15/00, p.79) - "...Full of love in all its aching permutations...GIRL shimmers with poetic imagery and soul." - Rating: AQ (1/01, p.92) - Included in Q's "50 Best Albums of 2000".Q (10/00, p.119) - 4 stars out of 5 - "...[A] powerful new record that continues [her previous record, WRECKING BALL's] heavy/ethereal vibe....this is contemporary country of a kind never envisaged by Nashville..."Uncut (10/00, p.90) - 5 stars out of 5 - "...A wonderfully emotional and honest record, filled with thrillingly evocative songs which finds her staking out some new, undefined space between contemporary folk, alt. country and alternative rock..."CMJ (10/2/00, p.24) - "...Spectacular...leading one to wonder why she doesn't write more often - the dozen songs are like a book of short stories..."Down Beat (3/01, p.73) - 4 out of 5 - "...Her anguished soprano is in fine form, and WRECKING BALL's sonic fabric still prevails: acoustic instrumentation with rock and ambient shards and shadings."No Depression (9-10/00, pp.111-2) - "...[It] builds its sound from some solid sources....largely midtempo, familiar pop....There are songs that tell stories that jump out at you, and lyrics with traction..."Mojo (Publisher) (10/00, p.88) - "...An album to shatter your heart and lift your soul....[Her] greatest strength here remains her voice..."0.1055609

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0.08277212

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