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28 Items Found For sonic youth

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Uncut (2/03, p.86) - 4 stars out of 5 - "...The album teases, prods and jousts with the listener as squalls of guitar, brass and percussion cut in and out with taut ferocity....A fine album for Sonic Youth die-hards, lovers of all things avant-garde and jazz nuts..."85.10811

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Entertainment Weekly (1/10/97, p.59) - "...Although Tiffany's music digressed into adult-ballad careerism, this set mainly proves how unrestrained her sonic youth sounded." - Rating: B+0.5372393

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Spin (p.106) - "The stunning artistic merits almost go without saying, but the collection is also a fine document of Sonic Youth's ability to sniff out budding hipsterati..." - Grade: A0.5372393

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Entertainment Weekly (10/12/01, p.40) - Ranked #71 in EW's "100 Best Movie Soundtracks" - "...This eclectic set features prime arty spew from the Pixies, Soundgarden, Sonic Youth, and Cowboy Junkies..."0.4700844

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Spin (3/00, p.155) - "...it covers miles of styles, honing homemade axes alongside modern acoustic guitars with Sonic Youth-like tunings...a beautifully unified set..."CMJ (11/29/99, p.28) - "...a significant piece of scholarly research and an insightful look into a beautiful and varied musical world..."0.4029295

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Entertainment Weekly (7/26/96, pp.52-54) - "...features...several endearing slivers of roots rock..." - Rating: BQ (10/96, p.164) - 3 Stars - Good - "...the soundtrack captures the film's mood of yearning, particularly through the original score, composed by Thurston Moore....the Moore extracts recall Sonic Youth at their most reflective..."0.3357746

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Entertainment Weekly (12/18/98, p.87) - "...Though their latest is full of jagged guitars and impassioned vocals, it's as creatively abrasive as ever..." - Rating: B+The Wire (1/99, p.52) - "...lets them shout at once without degenerating into incoherence....It's truly a glorious sound when they're all going at it together....During such peaks, they can be as exciting as mid-80s Sonic Youth..."0.3357746

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Magnet (11-12/97, p.68) - "...a marriage of the ferocity and iconoclasm of Sonic Youth to the tender, ragged craftiness of Sebadoh."Option (11-12/97, pp.97-98) - "...comes across like would-have-been-Nirvana disciples that had the good fortune to hear records by pure popsters like Redd Kross in their formative years....could raise the eyebrows of listeners looking for minor league prospects with big league arms..."0.3357746

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Uncut (p.122) - 4 stars out of 5 -- "WHITEY ALBUM is an excuse for some mesmeric forays into abstract dub/rock turbulence..."The Wire (p.63) - "[A]s zeitgeisty a record as Sonic Youth ever made. It's a response to the 80s celebrity machine; the emergent, technicolour possibilities of the sampler, to a New York music scene..."Melody Maker (5/4/96, p.58) - "...contain[s] the plain groovy, avant-bubblegum, hip hop rock perversion of Madonna's `Into The Groove'..."Mojo (Publisher) (p.121) - 3 stars out of 5 -- "The Youth were augmented on this entertaining and inventive mish-mash by J Mascis on guitar and bass player Mike Watt."0.2686197

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Q (p.114) - 3 stars out of 5 -- [With] infectious melodies....'Lovers Who Uncover' chugs with the energy of early Strokes....Definitely ones to watch."Uncut (p.91) - 3 stars out of 5 -- "[T]heir hidden depths slay you off guard....'Oh, MJ!' has a Hall & Oates groove, and stadium-era Fleetwood Mac flavour to the coda."Mojo (Publisher) (p.100) - 3 stars out of 5 -- "The Sonic Youth-lite guitars of 'Lovers Who Uncover' and 'Cha Cha Cha' are pleasantly melodic."0.2686197

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Magnet (p.114) - "[The album] finds Blonde Redhead joined by Unwound bassist Vern Rumsey and stretched to the snapping point on these eight expressions of anxiety, tension and urban angst."Option (5-6/97, p.95) - "Blonde Redhead's love of New York art rock/no wave/noisecore is profound, and everywhere in evidence....a richly textured, finely wrought mess of a record..."Melody Maker (4/19/97, p.51) - "...At their more conventional they recall Die Kreuzen, Pere Ubu and even Television. If you don't own anyting by Live Skull or pre-1988 Sonic Youth, you'll love this. If you do, you'll find it pleasantly nostalgic."0.2686197

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Melody Maker (5/14/94, p.31) - Recommended - "...It'll take a few listens before it's true love, but, if you've a place in your life for Slint, Come, Shellac, Fugazi or Sonic Youth, then you shouldn't let it gather dust in your local record emporium..."NME (Magazine) (5/28/94, p.35) - 7 - Very Good - "...Welcome to the distinctively spare sound of Louisville, Kentucky....Out of extreme piddling about, it seems, enlightenment must eventually come..."0.2686197

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Rolling Stone (3/20/03, p.67) - 3 stars out of 5 - "...Expertly conceived stoner music..."Vibe (4/03, p.179) - 3 discs out of 5 - "...DUST weaves lo-fi blues with electronic loops and ghostly vocals...this is [Muggs'] most stoner-friendly album to date..."Mojo (Publisher) (4/03, p.100) - 4 stars out of 5 - "...He sounds like a cross between Sonic Youth and Massive Attack, and the results are immediately convincing..."0.2686197

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Rolling Stone (p.67) - 4 stars out of 5 -- "[A]n excellent record, one of the strongest to emerge from Sonic Youth's amazing late period. Thurston Moore dominates....The guitars ring out with a sense of emotional urgency..."Rolling Stone (p.102) - Ranked #3 in Rolling Stone's "The Top 50 Albums Of 2006" -- "[A] light, simple, terse, almost-pop album."Spin (p.59) - Ranked #22 in Spin's "The 40 Best Albums of 2006" -- "[T]heir 20th release extends the most comfortable hot streak in rock history, locating a few more nooks in a self-invented sound that no one else inhabits."Q (p.118) - 3 stars out of 5 -- "[T]heir most mature album to date, with songs taking centre stage and guitar squall used more selectively."Alternative Press (p.218) - "RATHER RIPPED is the sound of a band no longer setting their distortion pedals on stun, and, as a result, the best songs are as low-key as a small town on Sunday morning."Magnet (p.111) - "RATHER RIPPED turns out to be filled with delicate, pretty songs devoid of squall and doused in mellow melody."The Wire (p.63) - "While it seems improbably that Sonic Youth have fully mellowed, RATHER RIPPED finds them at home with some old fashioned rock verities."Kerrang (Magazine) (p.64) - "[A] clean collection of smart guitar songs that are low on the trademark-feedback tsunamis of old but high on skewed pop melodies of a Fugazi bent..."Mojo (Publisher) (p.98) - 4 stars out of 5 -- "RATHER RIPPED is a concise collection of melodious, and pretty straightforward songs: light of touch, compact in construction, sweet on the ear."0.2374285

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Spin (10/92, p.115) - Highly Recommended - "...have at last outgrown their influences and emerged as butterflies...[HIT TO DEATH IN THE FUTURE HEAD] delivers perfect, whole songs...[and] the band's creativity explodes..."Q (9/92, p.74) - 4 Stars - Excellent - "...Flaming Lips resemble a crossbreed of Sonic Youth and Hawkwind, with fistfulls of idiosyncrasies to lift them from strange American noise bands..."Option (Nov.-Dec./92, p.115) - "...This band takes the contemporary noiserock/'60s psychedelic formula to amazing heights on its most fully realized album...beautiful, trippy sounds..."Mojo (Publisher) (7/02, p.60) - "...Explores the mind-expanded proto-pop they've minded ever since. Wayne sounds like Neil Young on a trampolilne."0.2350422

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Rolling Stone (p.190) - "Now it its twenty-fifth year, the independent Dutch band - a dream collision of Crass, Sonic Youth and Faust - has boldly expanded punk's language of resistance..."Magnet (p.96) - "Definitely not a band of escapists or xenophobes, the Ex eschews subtlety and opts instead for prolonged confrontation."The Wire (p.51) - "The Ex's latest album distils 25 years of spiky guitar punk experience and a melting pot of influences into a double CD's worth of new songs."CMJ (p.4) - "On TURN, The Exers flirt with African percussion, Eritrean liberation songs, frightening cello solos and pie-throwing-as-a-political-tool."Mojo (Publisher) (p.104) - 3 stars out of 5 - "[U]nderpinned by the distinctive, woody thrum of new member Rozemarie's acoustic double bass. Lyrically, the quintet hit their targets with wit as well as bile."0.2350422

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Rolling Stone (p.95) - 3.5 stars out of 5 -- "[T]he most avant-garde quality of this record is its gentle assertion of detail -- the way you can hear each leaf blowing on every tree."Spin (p.108) - 3 stars out of 5 -- "This one will probably sound just as forward-thinking a decade from now..."Q (p.106) - 3 stars out of 5 -- "Thurston Moore's second solo album finds him concentrating on the songs themselves....The overall feel is Sonic Youth Unplugged."Uncut (p.90) - 4 stars out of 5 -- "[Y]ou'll be pleasantly surprised to discover that his first solo album in 12 years is an orthodox acoustic pop record....[With] proper, beautiful, well-crafted songs."The Wire (p.57) - "[Moore is] still capable of surprising, indeed delighting, the listener....A relaxed, organic record that charms without really trying."0.2350422

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Spin (6/93, p.86) - Recommended - "...Polvo cuts its own niche on LIFESTYLES by taking the innovative guitar sound first heard on its debut, COR-CRANE SECRET, and twisting, stretching, and tuning it to even more unheard-of levels...its queasy, unstable feel is refreshingly potent..."Magnet (p.114) - "This 1993 gem was recorded in a mere three days and took Sonic Youth's atonal, alternate tunings and Slint's disregard for meter or consistency and made them the blueprint for an entire branch of the rock family tree."Melody Maker (5/1/93, p.32) - "...Polvo is Prog[ressive] Rock in the nicest way...it certainly manages to avoid the self-indulgence lumberings of the average Prog behemoth thanks to a snazzy line in razor-sharp guitar and a truly disturbed outlook..."NME (Magazine) (5/15/93, p.35) - (7) - Very Good0.2350422

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Alternative Press (4/01, p.83) - 4 out of 5 - "...Superb....Elements of indie-rock energy are injected into the albums Versus-style vibe against a late-80s Sonic Youth cruch..."Magnet (4-5/01, p.85) - "...A mood that falls somewhere between beautiful and menacing, evoking the obsessive tone of a gothic romance..."CMJ (2/19/01, p.17) - "...From song structures to guitar riffs and drum patterns, NEWNESS ENDS is more direct and aggressive than almost anything found in the Bedhead catalogue..."Mojo (Publisher) (5/01, p.103) - "...Catchy and darkly quirky, the songs stumble along like Lou Reed covering Pavement....taking the slo-core of BEdhead to the next level, with a subtlety that's hard to resist."NME (Magazine) (5/12/01, p.40) - 8 out of 10 - "...A sweet and doleful record peppered with wry couplets..."0.2350422

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Rolling Stone (No. 966, p.58) - 3.5 stars out of 5 - "[Buffs] up the guitar buzz of vintage Sonic Youth with anthemic power chords..."Spin (p.87) - "'Caterwaul' lives up to its title with a grinding post-grunge groove as heavy as the dud from Tad, while 'And the Rest Will Follow' blows in on a power-surge fanfare." - Grade: BEntertainment Weekly (p.143) - Ranked #9 in Entertainment Weekly's 'Top Ten Records of the Year' -- "[T]hey channel their rage, disgust and caustic humor into brawny, exhilarating anthems..."Entertainment Weekly (p.81) - "[T]hey've never sounded so incensed....robust, unapologetically anthemic rock & roll..." - Grade: A-Magnet (p.52) - Ranked #3 in Magnet's "The 20 Best Albums Of 2005" - "[T]hey came armed with an orchestra, a vocal choir, prog-rock album artwork and an extra drummer."Mojo (Publisher) (p.94) - 3 stars out of 5 - "[T]his is an unmistakably 'rock album, but this time they throw more into the mix; there are waltz timings, Primal Scream-style doubled vocals, swooping strings, and more."0.2014647

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Rolling Stone (9/2/93, p.64) - 3.5 Stars (out of 5) - "...Imagine a world in which Sonic Youth aren't smug, the Fall don't think they're literary, Tommy James has had it with playing to the kiddies and Iggy Pop hits all the notes. Now imagine they're all one band. That band is Pavement..."Spin (6/93, p.81) - Highly Recommended - "...there's gold in this here murk....a record all connoisseurs of clamor will cherish....You could argue that this noise-for-noise's-sake approach is going nowhere, but it's going there in terrific style..."Q (4/93, p.101) - 3 Stars (out of 5) - "...currently the hippest American indie rock band....they sometimes sound like The Fall, the Velvets and Swell Maps coupled with a rhythmic feel that recalls '60s psychedelic `jug' bands....an exciting alternative to grunge..."NME (Magazine) (3/20/93, p.34) - 6 (out of 10) - "...to call the majority of this material abstract is a bit like saying Dali knocked out some odd little sketches from time to time....You could never accuse Pavement of not being interesting..."0.2014647

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Rolling Stone (12/29/94-1/12/95, p.173) - "Chilly computer-graphics cover art and half their songs sung in French can't disguise the fact that--tweeters in woofers' clothing--Stereolab come on ambient but emerge as pop....This is strange and oddly elevating fun."Spin (10/94, pp.116-117) - Highly Recommended - "...[Stereolab] mixes and matches familiar sounding component parts like musical Lego blocks: Beach Boys-style good vibrations, dissonant grooves by way of the Velvet Underground, Sonic Youth feedback fugues..."Q (10/94, p.126) - 4 Stars - Excellent - "...dreampop, luscious and carefree, exotic and grooving for a change..."Option (11-12/94, p.147) - "Groovy as a `60s beach party, these fresh-scrubbed little tunes shimmy through their 4/4 moves while slyly slipping their message through the ear canal to a disarmed brain..."Musician (8/94, p.91) - "...Guitarist Tim Gane and French singer Laetitia Sadier have more noticeably molded their narcotic highway mantras into actual songs..."NME (Magazine) (8/27/94, p.39) - "...It's all here: oddbod lyrics, fragile paens to space travel with discotheque beats, Eurobop hi-fi thrills...masterful examples of off-kilter easy listening..."0.2014647

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Spin (8/00, p.149) - 8 out of 10 - "...[They] have stumbled onto something pretty damn deep....a loose-limbed sound-unit - swelling, melodramatic, unrequited....delving into lo-fi keyboard textures, jazzy drumming and studio manipulation..."Magnet (1-2/01, p.44) - Included in Magnet's "20 Best Albums of 2000".Magnet (8-9/00, p.69) - "...Entering their prime and bursting with self-confidence, [they] pull it off without missing a beat."The Wire (5/00, p.46) - "...Broadens their range of expression further...in favor of an incipient melodicism....an adventurous departure."CMJ (6/5/00, p.24) - "...BR uses their influences [no-wave band DNA and Sonic Youth] effectively, while incorporating some odd progressive elements and a lot of minor chords."Mojo (Publisher) (7/00, p.104) - "...Thrusts the band into a complex landscape of electro beats, trash drumming and Satie-like piano motif. Their sound has finally caught up with their eclectic backgrounds...bouncing the proto-New Wave of 'In Particular' to the angular 'Ballad Of Lemons'..."NME (Magazine) (5/20/00, p.43) - 8 out of 10 - "...Remarkable....It's as though all the contrariness of [their] angular past has dissolved into a fascination with pop, '60s soundtracks and naked piano ballads...without sacrificing any of the heart-stopping dynamics or confessional psychodramas..."0.1678873

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Rolling Stone (5/2/96, p.54) - 3 Stars (out of 5) - "...combinations of three or four killer riffs and a juggernautlike groove....The effect is mesmerizing even though the tunes aren't stricily memorable..."Spin (1/97, p.58) - Ranked #5 on Spin's list of the `20 Best Albums Of '96.'Spin (4/96, p.106) - 9 (out of 10) - "...the biggest, most contemporary sounding, and physically enticing hard rock anyone is offering....Fugazi, Big Black,...Sonic Youth...are some of the post-punk tributaries pop-alternative has largely passed by; Girls Against Boys' achievement is to show how the legacy of bands like these...wasn't insular avant-gardism but a revolution in how hard rock could sound, must sound, if it's to go forward..."Entertainment Weekly (3/22/96, p.74) - "Terminally tense singers and guitars that resemble low-speed power drills may be alterna-rock cliches, but these droners make those elements sound fresh and musical..." - Rating: B+Q (4/96, p.109) - 3 Stars (out of 5) - "...further spit and polish to their patented murky swagger..."Alternative Press (5/96, p.77) - "...intense bites of depraved carnality that made women faint and men envious..."Melody Maker (3/2/96, p.38) - Recommended - "...it rips through you like Ebola, hypes the room, your head, the moment with electricity....GVSB's guitars are full-blooded, glaring, but they're always honed to a single zone of impact....their most on-the-money bolt of perfection yet..."NME (Magazine) (3/2/96, p.45) - 8 (out of 10) - "...GVSB sound like some bizzare coital scandal waiting to happen, exuding tense sexual atmosphere like nothing this side of your local municipal library....a spot of sleazy shenanigans, courtesy of some devilishly suave US anti-heroes..."0.1678873

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Rolling Stone (1/4/01, p.106) - Ranked #3 in Rolling Stone's Top 10 Albums of 2000.Rolling Stone (10/12/00, p.86) - 4 stars out of 5 - "...Dirty, casually urgent....[It's] her most radical sonics yet....intimate, futurist pop..."Spin (1/01, p.73) - Ranked #18 in Spin's "Top 20 Albums of the Year [2000]".Spin (10/00, p.173) - 7 out of 10 - "...It's the first Madonna record in years that feels as effortless as the dance-pop of her Ciccone youth..."Entertainment Weekly (9/24/00, pp.72-3) - "...[She's] encased in a jet-stream, hard-disco beat and continually contorting her voice....MUSIC burps and thumps harder than RAY OF LIGHT, and it allows her moments of playful humor absent from that predecessor..." - Rating: BQ (1/01, p.93) - Included in Q's "50 Best Albums of 2000".Q (10/00, pp.108-9) - 4 stars out of 5 - "...A brave, radical and punchy album....thrilling non-stop Eurocentric disco....this is Madonna without a safety net."Uncut (10/00, p.86) - 3.5 stars out of 5 - "...Nursery rhyme melodies hang off twinkling, cut-glass keyboard lines..."Mixmag (10/00, p.179) - 3 out of 5 - "...It's full of Mirwais' trademark production gimmicks: stuttering vocal edits, tortured analog synth howls and oceans of vocoder....Yet the album's finest moment is the ruthlessly simple guitar-and-voice ballad 'I Deserve It'..."Vibe (11/00, p.173) - 4 discs out of 5 - "...A masterpiece of brilliantly arranged keyboards, futuristic drums and electronica dressings....it's a weird and fresh-sounding mix..."Melody Maker (9/26/00, pp.50-1) - 4 stars out of 5 - "...A collection of her slickest and sexiest sounds since 'Justify My Love'....impressive..."Mojo (Publisher) (10/00, p.102) - "...Still doing what she does best - giving a lick of pop genius to the unlikely genre of experimental dance music."NME (Magazine) (12/30/00, p.79) - Ranked #47 in NME's "Top 50 Albums Of The Year".NME (Magazine) (9/16/00, p.35) - 8 out of 10 - "...A bionic record, a triumph of advanced mechanics and the faultless design of a consumate superstar..."0.09563637

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Rolling Stone (1/4/01, p.106) - Ranked #3 in Rolling Stone's Top 10 Albums of 2000.Rolling Stone (10/12/00, p.86) - 4 stars out of 5 - "...Dirty, casually urgent....[It's] her most radical sonics yet....intimate, futurist pop..."Spin (1/01, p.73) - Ranked #18 in Spin's "Top 20 Albums of the Year [2000]".Spin (10/00, p.173) - 7 out of 10 - "...It's the first Madonna record in years that feels as effortless as the dance-pop of her Ciccone youth..."Entertainment Weekly (9/24/00, pp.72-3) - "...[She's] encased in a jet-stream, hard-disco beat and continually contorting her voice....MUSIC burps and thumps harder than RAY OF LIGHT, and it allows her moments of playful humor absent from that predecessor..." - Rating: BQ (1/01, p.93) - Included in Q's "50 Best Albums of 2000".Q (10/00, pp.108-9) - 4 stars out of 5 - "...A brave, radical and punchy album....thrilling non-stop Eurocentric disco....this is Madonna without a safety net."Uncut (10/00, p.86) - 3.5 stars out of 5 - "...Nursery rhyme melodies hang off twinkling, cut-glass keyboard lines..."Mixmag (10/00, p.179) - 3 out of 5 - "...It's full of Mirwais' trademark production gimmicks: stuttering vocal edits, tortured analog synth howls and oceans of vocoder....Yet the album's finest moment is the ruthlessly simple guitar-and-voice ballad 'I Deserve It'..."Vibe (11/00, p.173) - 4 discs out of 5 - "...A masterpiece of brilliantly arranged keyboards, futuristic drums and electronica dressings....it's a weird and fresh-sounding mix..."Melody Maker (9/26/00, pp.50-1) - 4 stars out of 5 - "...A collection of her slickest and sexiest sounds since 'Justify My Love'....impressive..."Mojo (Publisher) (10/00, p.102) - "...Still doing what she does best - giving a lick of pop genius to the unlikely genre of experimental dance music."NME (Magazine) (12/30/00, p.79) - Ranked #47 in NME's "Top 50 Albums Of The Year".NME (Magazine) (9/16/00, p.35) - 8 out of 10 - "...A bionic record, a triumph of advanced mechanics and the faultless design of a consumate superstar..."0.09563637

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Rolling Stone (4/11/02, p.107) - Ranked #32 in Rolling Stone's "50 Coolest Records".Rolling Stone (5/13/99, p.80) - Included in Rolling Stone's "Essential Recordings of the 90's."Rolling Stone (4/3/97, pp.63-64) - 4 Stars (out of 5) - "...You can dance to it until your limbs turn to tapioca or just sit, listen and have your mind blown inside out....it burns the whole rock vs. techno argument into a fine white ash....Put it on, turn it up and let yourself be moved."Spin (9/99, p.123) - Ranked #10 in Spin Magazine's "90 Greatest Albums of the '90s."Spin (1/98, p.86) - Ranked #10 on Spin's list of the "Top 20 Albums Of The Year."Spin (5/97, p.109) - 8 (out of 10) - "...Their digitally dense breakbeat workouts offer a funk-at-your-own-risk proposition....All the Brothers want, God forbid, is to create a better place for just one night by cramming together all their favorite records. No more, no less..."Entertainment Weekly (4/18/97, pp.64-65) - "...DIG YOUR OWN HOLE may epitomize sound as substance, a dubious distinction at worst. But those sounds (like recycled voice snippets) become alluring hooks in and of themselves, bringing the record as close to pop as techno has come so far..."- Rating: AQ (10/01, p.63) - Ranked #29 in Q's "Best 50 Albums of Q's Lifetime"Q (12/99, p.92) - Included in Q Magazine's "90 Best Albums Of The 1990s."Q (6/00, p.72) - Ranked #42 in Q's "100 Greatest British Albums"Q (1/98, p.111) - Included in Q Magazine's "50 Best Albums of 1997."Q (5/97, pp.116-117) - 4 Stars (out of 5) - "...it is DIG YOUR OWN HOLE'S joyful revival of seemingly unfashionable sounds from yesterdisco--a teeth-sucking hi-hat on `It Doesn't Matter,' a bass that's positively Level 42 on the title track, tons of outmoded hip hop punctuation of the `Yes yes, y'all' variety...--that makes it such a rare treat..."Alternative Press (5/00, p.120) - Included in AP's "10 Essential Dance Albums That Rock" - "...Mixing block-rocking beats, acidic synth lines and high-profile guest stars, they convinced many people to call them the best 'rock' band around..."Option (5-6/97, pp.96-97) - "...a techno masterpiece....A nearly continuous mix blending funk, disco and hard trance, the disc never goes flat or runs short on sonic ideas....This kicks atomic booty."Melody Maker (12/20-27/97, pp.66-67) - Ranked #22 on Melody Maker's list of 1997's "Albums Of The Year."Village Voice (2/24/98) - Ranked #12 in the Village Voice's 1997 Pazz & Jop Critics' Poll.Village Voice (4/8/97, pp.65-69) - "...the duo's fondness for distortion, feedback, and rocklike noises makes air-guitar players feel right at home....While the Chemical Brothers successfully present themselves in a live context like a band, the duo mostly represents the next chapter in electronic music's increasing domination of global youth culture..."Village Voice (4/15/97, p.62) - "Their secret isn't technowizardry, formal daring, or Lord help us eclecticism. As with so many pop wunderkinds, it's spirit--generous, jubilant, unfazed by industrial doom, in love with energy and sound. Noel Gallagher only wishes he had their heart..." - Rating: A-NME (Magazine) (12/20-27/97, pp.78-79) - Ranked #12 in NME's 1997 Critics' Poll.0.08368182

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