soundscape,Soundscapes *, Urban Soundscapes, Soundscapes 1: Sampler, Plague Soundscapes, Soundscapes [Andreas Makris] [CD] [1 disc]

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JazzTimes (3/02, p.61) - "...The duo's work is as richly varied as it is layered, from mystical ringing and blues/jazz...to lumbering gaits, animal sample sounds and cosmic keuboards...they communicate universal themes in elegant tones."106.63

$10.40
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Down Beat (p.70) - "[T]he emphasis is clearly on creating new repertoire for the modern big band....[With] uptempo originals..."76.16426

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CMJ (7/21/03, p.7) - "...Exceptionally brief--23 money shots in 21 minutes--but exceptionally deadly. Short is satisfying."76.16426

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Entertainment Weekly (3/26/04, p.75) - "[T]he virtuosic layering and cross-fading do create impressive soundscapes."0.4064017

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Vibe (p.144) - 3 discs out of 5 - "THE TRUEST captures some of that Louisiana ghetto soundscape we know and love."0.3251214

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Vibe (p.144) - 3 discs out of 5 - "THE TRUEST captures some of that Louisiana ghetto soundscape we know and love."0.3251214

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Vibe (9/01, p.245) - 3.5 discs out of 5 - "...Hardcore lyrics are buoyed by producer 4th Disciple's impressively emotional soundscapes....worthy of Wu affiliation..."0.3251214

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Record Collector (magazine) (p.80) - 4 stars out of 5 -- "RAIN DANCES saw the band exploring rockier soundscapes....The emphasis remains on instrumental canvases..."0.3251214

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Kerrang (Magazine) (p.53) - "Whether cranking out weighty, doom-laden riffs or putting together swirling post-rock soundscapes, they're never less than a mesmerising proposition."0.3251214

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Vibe (p.144) - 3 discs out of 5 - "THE TRUEST captures some of that Louisiana ghetto soundscape we know and love."0.3251214

$14.08
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Down Beat (1/97, p.58) - 3 Stars - (out of 5) - "This impressive sample-free session of `jazzoetry' and `smoove' music meshes hip-hop vibes with jazz sensibilities..."0.2975166

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Down Beat (11/97, p.50) - 4 stars (out of 5) - "...IMAGINARY DAY unequivocally triumphs....Metheny and his cohorts...explore a fresh compositional soundscape flavored with a variety of musical influences ranging from Indonesian gamelan to Iranian folk..."Down Beat (11/97, p.50) - 4 stars (out of 5) - "...IMAGINARY DAY unequivocally triumphs....Metheny and his cohorts...explore a fresh compositional soundscape flavored with a variety of musical influences ranging from Indonesian gamelan to Iranian folk..."0.2873694

$22.16
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Vibe (12/01, p.194) - 3.5 discs out of 5 - "...When the duo raps over trunk-rattlin' beats and dense, slow-noddin', bluesy soundscapes...their swaggering flow is still seductive..."0.2844812

$7.98
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Alternative Press (4/01, pp.81-2) - 4 out of 5 - "...Strictly for aficionados of ambient soundscapes...Its personality may be dark and forboding...but it's a remarkable piece."0.2844812

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Down Beat (12/00, p.95) - 3.5 stars out of 5 - "...Presents the full spectrum of the sounds Cohen's been absorbing....easily integrating global elements into his own vocabulary....visiting multiple soundscapes along the way..."0.2844812

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Q (4/00, p.107) - 3 stars out of 5 - "...they had their moments. Her lyrics were anodyne and she seemed to spend most of her time polishing up her unsexiness, but he was a master of the layered soundscape..."0.2844812

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Entertainment Weekly (8/20/93, p.62) - Rating: B-JazzTimes (12/93, p.51) - "...an adroit blend of mellow folk, fusion and jazz....Liebert offers appealing soundscapes splashed with pastels and palpable rhythms...."0.2844812

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Magnet (p.55) - "They remain true to the basic beats of sugary Euro techno and dubstep's prevalent, halting grooves, but inject elements of ambient soundscape and console-game electronica, reggae riffs and accents..."0.2844812

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JazzTimes (6/95, p.106) - "...firmly rooted in Asian traditions and richly original. They effortlessly layer pliant stirring textures and distinctive rhythmic highlights into intoxicating soundscapes. CAVERNS...ebbs and flows between languid, fragmentary lyricism and heated propulsiveness..."0.2844812

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Q (2/91) - 4 Stars - Very Good - "...a muttered collection of musical converstions that turns the blues into a kind of ambient soundscape ...evoking a swampy world of desire, deceit and consequences with masterful ease...."Uncut (1/03, p.97) - Included in Uncut's "100 Best Albums of the Year"0.243841

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Entertainment Weekly (5/22/92, p.76) - "..a dense barrage of found sound, sinister synthesizers, electronically induced beats, and strangulated vocals...a nonstop stretch of horrific soundscapes.." - Rating: B+Option (July-Aug./92, p.123) - "..Ultimately, this album seems like dance music dressed up with some distortion and a few guitar chords.."0.243841

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Spin (12/98, pp.174-175) - 7 (out of 10) - "...Her music is naturally itinerant: Klezmer clarinets ride over spaghetti-Western soundscapes, pedal steel coyotes wail outside a Brecht/Weill cantina, and radiator pipes clang over Spanish sibilants that splay like Tori Amos's knees..."0.243841

$10.92
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Down Beat (9/01, pp.64-5) - 3 stars out of 5 - "...A series of classically driven pieces; the now infamous ECM-audio esthetic is prominently exhibited throughout these largely harmonious opuses brinning with leisurely paced, semi-austere motifs and spatial soundscapes..."0.243841

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Uncut (p.92) - 3 stars out of 5 -- "Essentially a winning combination of old-school programmed beats...and crepuscular soundscapes, NEBULAE is still impressively melodic."Mojo (Publisher) (p.103) - 4 stars out of 5 -- "[I]t is constructed from powerful, confident grooves and sweeping melodies."0.243841

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Entertainment Weekly (1/17/97, p.64) - "In the early '80s, Art Of Noise forged an eclectic mix of club grooves, atmospheric soundscapes, and rock panache that prefigured '90s techno and ambient....their BEST OF...could still pack dance floors..." - Rating: B+0.243841

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Q (7/01, pp.108,111) - 3 stars out of 5 - "...[They] have the off-games querulousness of the titular, Watership Down rabbit and a good, old-fashioned Anglo-indie frangibility....Enhancing their ability to stretch out and glide..."Mojo (Publisher) (6/01, p.95) - "...Fiver's panoramic soundscapes are appropriately as foreboding as they are blissed-out..."0.2032009

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Entertainment Weekly (10/12/01, p.44) - Ranked #94 in EW's "100 Best Movie Soundtracks" - "...Avant-garde, impressionistic soundscapes influenced by Stravinsky and Bartok, yet wholly original..."Mojo (Publisher) (6/02, p.65) - Included in Mojo's "100 Coolest Movie Soundtracks" - "...Film soundtracks' abstract nature can often seem quite experimental. This is one of the best of this type..."0.2032009

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Q (8/94, p.130) - 4 Stars - Excellent - "...Avoiding big, intrusive themes, Vangelis integrated his electronic soundscapes perfectly into the film-noir ambience of Ridley Scott's claustrophobic future..."Muzik (12/00, p.59) - Included in Muzik's "Top 10 Electronic Soundtracks" - "...The grandaddy of them all....Much imitated, never equalled..."Mojo (Publisher) (6/02, p.67) - Included in Mojo's "100 Coolest Movie Soundtracks" - "...Vangelis's masterpiece..."NME (Magazine) (6/11/94, p.32) - 9 - Excellent Plus - "...The soundtrack album stands on its own...a pioneering ambient classic..."0.1625607

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Entertainment Weekly (8/18/95, p.56) - "...What's consistently effective is the minimal soundscape crafted by producer Craig Street..." - Rating: BQ (10/95, pp.113-114) - 3 Stars - Good - "...a rum idea--a whole album of Tom Waits songs...the rough textures cleverly softened..."NME (Magazine) (10/7/95, p.49) - 7 (out of 10) - "...a minimalist KD Lang....most effective on the Shirelles-esque sass of `Jersey Girl' and the scary `I Don't Wanna Grow Up'--where the Waits original was a rude kid rant, here it's an introverted suicidal lullaby..."0.1625607

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Rolling Stone (p.174) - 3 stars out of 5 - "Taylor's murky swamp drones and intricate African folk move right past entertainment - into a realm where the blues can again be about illumination, and provocation."Dirty Linen (p.62) - "Taylor's use of the electronic mandolin and banjo is most unusual for the blues, but it seems to hit home."Living Blues (p.49) - "Denver's blues-noir poet is back, and neither the darkness of his lyric vision nor the artistry of his soundscapes shows any sign of diminishing."0.1625607

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Q (8/94, p.130) - 4 Stars - Excellent - "...Avoiding big, intrusive themes, Vangelis integrated his electronic soundscapes perfectly into the film-noir ambience of Ridley Scott's claustrophobic future..."Muzik (12/00, p.59) - Included in Muzik's "Top 10 Electronic Soundtracks" - "...The grandaddy of them all....Much imitated, never equalled..."Mojo (Publisher) (6/02, p.67) - Included in Mojo's "100 Coolest Movie Soundtracks" - "...Vangelis's masterpiece..."NME (Magazine) (6/11/94, p.32) - 9 - Excellent Plus - "...The soundtrack album stands on its own...a pioneering ambient classic..."0.1625607

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Alternative Press (2/96, p.68) - "...This is not music meant for description but for experiencing--a wild sonic ride which moves from reverential chanting to dramatic, rhythmic drum rituals to spacey plateaus all within the space of 67 minutes. Cutting-edge techno-tribal sounds."Down Beat (10/95, p.62) - 4 Stars - Very Good - "...By tapping into the mystical aspects of traditional ceremonies, Roach, Stearns and Sunsinger have created a unique, imaginative fusion of ancient sounds with state-of-the-art production and technology....an impressionistic journey....challenging and radically different..."Option (3-4/96, p.119) - "...they sound more like modern primitives, as they mix Native American chanting and drumming with dark, moody soundscapes..."0.1625607

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Alternative Press (3/00, p.97) - 4 out of 5 - "...a clever and funky mix of trip hop, acid jazz, hardcore techno and mellow ambience...everything flows together smoothly....Very nicely done - start to finish."The Wire (2/00, p.58) - "...A cross-genre carnival/collage, its squeaks, eddies and irruptions drop out of some blue nowhere....gleeful, generous, a real laughing gas...Oddly anonymous...but intermittently sublime, a quiet riot."Muzik (1/00, p.129) - 4 stars out of 5 - "...consolidates [their] reputation for crafted abstractions and weirdo dubby hip hop soundscapes of the highest order....this stuff worms its way into your senses and does a very slow funky wiggle. Unusually good."0.1625607

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Down Beat (p.76) - 3.5 stars out of 5 -- "Pieranunzi plays with a thoughtful, sensitive approach that invites comparisons to Bill Evans. He revels in a gorgeous melody like 'Addio Fratello Crudele,' but he's also mindful of the tension and irony that surface in Morricone's compositions."JazzTimes (p.111) - "Pieranunzi actually played on some of the original soundtracks, and his lush, dramatic lyricism here is an inspired jazz response to Morricone's cinematic soundscapes."0.1625607

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Rolling Stone (8/16/01, p.106) - 3 stars out of 5 - "...Hypnotic, shadowy soundscapes....electronic epics that thunder along with bullet-train momentum..."Q (9/01, p.125) - 3 stars out of 5 - "...Oakenfold mixes up his own material with tracks by chill-out newcomers Lemon Jelly, N.E.R.D., and Afrika Bambaataa..."Mixmag (8/01, p.182) - 5 out of 5 - "...One of the best compilations of the year....Each track is a cracker....Let's hope the film is as good."0.1625607

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"...Startling and genuinely terrifying....SESSION 9 is a filmic experience that's impossible to brush off..." Box Office "...[The] sound design turns the psychological screws, and the score by band Climax Golden Twins creates its own atonal mental soundscapes..." Variety "...SESSION 9 is a marvel of vrit-nightmare atmosphere..." Entertainment Weekly "...The old hospital is a wonderfully photogenic place, full of picturesque rubble and odd spaces....The dialogue has an authentic working-class snap, and the performances are impeccable..." New York Times "...An ingeniously scary movie....SESSION 9 is so effective that its sense of uncertainty lingers long after the theater lights have gone up..." Los Angeles Times "...[An] accomplished chiller....This remains an original take on the haunted-house movie..." Sight and Sound0.1422406

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Spin (p.84) - 3 stars out of 5 -- "They're one of the few acts that can write a song about a hangover that will also sound great during a hangover."Entertainment Weekly (p.74) - "[D]rummer Matt Tong pumps out herculean disco-rock beats that'll work any nightclub into a froth." -- Grade: B-Q (p.110) - 3 stars out of 5 -- "The music is spiky but widescreen throughout, with electronic trimmings and even a hint of U2's epic soundscapes..."Uncut (p.75) - 3 stars out of 5 -- "Guitarist Russell Lissack enchants on 'Kreuzberg'..."Vibe (p.122) - "With WEEKEND, Bloc Party continue to refute genre tags, finding themselves wherever they may roam."Mojo (Publisher) (p.102) - 3 stars out of 5 -- "A WEEKEND IN THE CITY resolves largely around a cast of twentysomething hipsters, created with obvious care and attention."0.1422406

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Rolling Stone (12/26/96, pp.196-198) - "...E sings with a gruff, throaty vulnerability that is far preferable to the irritating weediness of Weezer's Rivers Cuomo....BEAUTIFUL FREAK has a spare, tight-focus sound that flatters E's low-key melodies...and his keen eye for absurdist detail..."Entertainment Weekly (10/11/96, p.92) - "The Eels' postgrunge pop melodies and quirky, intelligent production make for catchy modern rock that's miles ahead of the competition..." - Rating: BQ (12/96, p.147) - 4 Stars (out of 5) - "...Imagine Beck's ODELAY rhythms, The Beatles' songwriting maturity, Sparklehorse's simple production, Brian Wilson's visionary editing and arrangements and you have a complete musical vision, a genre-spanning soundscape that reels you in with its myriad hooks..."Melody Maker (12/20-27/97, pp.66-67) - Ranked #43 on Melody Maker's list of 1997's "Albums Of The Year."NME (Magazine) (12/20-27/97, pp.78-79) - Ranked #33 in NME's 1997 Critics' Poll.0.1219205

$5.43
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Rolling Stone (2/5/04, p.56) - 3.5 stars out of 5 - "[A]ir return to what they do best: elegantly moody soundtrack music for imaginary films....TALKIE WALKIE is rich, somber headphone pop..."Spin (p.63) - Ranked #35 in Spin's "40 Best Albums of the Year" - "Air fashioned a soundscape that's paradoxically simple and dense..."Entertainment Weekly (1/23/04, p.99) - "[Producer Nigel Godrich] helps the French duo bring their soft-focus sound into sharper relief....the dreamy space pop will have you floating in the clouds, if not above them." - Rating: A-Q (2/04, p.99) - 4 stars out of 5 - "[E]motive mood music that provides a roadmap to love, loneliness, all the difficult stuff."Uncut (2/04, p.69) - 4 stars out of 5 - "[T]he album contains their most convincing, most composerly music to date....Clever..."Uncut (p.78) - Ranked #58 in Uncut's "Best New Albums of 2004" - "Sci-fi and sex remain their chief preoccupations; nothing gets lost in translation."CMJ (1/19/04, p.6) - "For a band known as a major player on the electronic music scene, Air certainly uses a lot of...banjo."0.1219205

$6.43
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