steve-earle,Essential Steve Earle [Steve Earle], Copperhead Road [Steve Earle], Live at Montreux 2005 [Steve Earle], Train a Comin' [Steve Earle], Ain't Ever Satisfied: The Steve Earle Collection

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Entertainment Weekly (3/5/93, p.59) - "...This compilation shows Earle moving from rockabilly to rock and captures the hostility and disillusionment of the nation's itinerant underbelly..." - Rating: A+139.0901

$8.74
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Rolling Stone (p.86) - 3.5 stars out of 5 -- "Tony Brown's bright heartland-rock production provides a stark contrast to Earle's gritty lyrics....[Earle's] passionate, solo-acoustic delivery of Bruce Springsteen's 'Nebraska' is sublime."Q (Magazine) (p.121) - 3 stars out of 5 -- "[T]he title track and 'The Devil's Right Hand' remain Earle staples..."Mojo (Publisher) (6/00, p.43) - "...The best of his early albums, characterized by the rock hard 'Devil's Right Hand' and 'Snake Oil'..."Record Collector (magazine) (p.90) - 3 stars out of 5 -- "Its real strength still lies in the performances of Earle and his band, matching superbly rough-edged musicianship with heartfelt emotion in a way which brings to mind the very different but equally committed matching of Neil Young and Crazy Horse."122.9395

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98.35159

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Spin (8/95, pp.92-93) - 8 - Very Good - "...Earle offers neither contrite confessionals nor toothless mush. He's too dogged and proud to be anything but himself....[His] redemptive gift lies in his ability to evoke poignance and loss without spilling into sentimentality....Truth be told, he makes no mistakes..."Entertainment Weekly (5/5/95, p.71) - "...Nashville's baddest boy returns, after a five-year-absence, with an acoustic album of early material, new songs, and covers by country-folk mentors like Townes Van Zandt....Earle is nothing short of a narrative master..." - Rating: BQ (2/96, p.65) - Included in Q's 50 Best Albums of 1995.Q (7/95, p.135) - 3 Stars - Good - "...sounds like a man beginning to feel his way around again after a long period out of circulation. He's gone back to where he started, making an acoustic album with the emphasis on the songs....He may be bowed but he's plainly not beaten."Sing Out! (8-10/95, p.148) - "...the writing is crisp and tough, deeply rooted in tradition but never self-consciously folky, and Earle sounds as if he has lived every word..."Mojo (Publisher) (7/95, p.111) - "...TRAIN A COMIN' is all acoustic....the feel of the record is also retrospective...very live, ramshackle and raw. Earle plays his guitar and mandolin parts with customary vigour and sings his heart out in his ragged but right voice..."NME (Magazine) (7/15/95, p.49) - 7 (out of 10) - "...a slew of smart tunes played simply on guitar, mandolin and stuff....He was always doomed by comparisons to Springsteen in the past but these days Earle comes over like a trainee Johnny Cash: pithy, grim-voiced, strangely mythical..."86.05765

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Q (10/96, p.175) - 4 Stars - Excellent - "...Suggests that his best days may be just arriving....[Earle is] apt to come on too loud, too abrasive, too rock'n'roll for Nashville....All those...hits are here...each as high, wide and handsome as the day they were coined."Mojo (Publisher) (6/00, p.43) - "...Brilliantly compiled...pulling together all of the high points of Earle's tenure at MCA, alongside live covers from the likes of Bruce Springsteen and The Rolling Stones..."73.76369

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61.46975

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Dirty Linen (p.62) - "Santaolalla's transition instrumentals add a contemplative, melancholy theme that brings cohesion to the various contributions."Mojo (Publisher) (p.98) - 3 stars out of 5 -- "Steve Earle and Rufus Wainwright add some passion and intensity."0.5757928

$7.04
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Entertainment Weekly (2/6/98, p.63) - "Newcomer Knight plows the same gritty ground as Steve Earle and Townes Van Zandt on an impressive set of original story-songs. Often cinematic in his imagery and spare on instrumentation, he's best at profiling dark characters whose violence bubbles just below the surface..." - Rating: A-0.5757928

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Uncut (5/04, p.99) - 3 stars out of 5 - "[W]hat he does, he does admirably: frayed-at-the-seams country-folk the slender side of Steve Earle, Springsteen blues without the pomp."Mojo (Publisher) (p.118) - 3 stars out of 5 - "[He] hits his stride very nicely with this collection of rootsy alt country barroom tunes."0.4798273

$13.27
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Journal Of Country Music (Vol.18, No.1, pp.52-54) - "...Tritt is one of those charming young hellcats as much influenced by Lynyrd Skynyrd as Hank 'n' Willie, and his GREATEST HITS...has a roiling variety....Tritt evinces his country-rock loyalty by covering a...Steve Earle song...and his show-biz shrewdness by including his version of [a] Platters rock oldie..."0.4798273

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Rolling Stone (12/11/97, p.78) - 4 Stars (out of 5) - "...Earle's strongest statement to date about what makes his heart beat and blood boil....he straddles a bunch of styles with the nimble ease of a homespun visionary who correctly sees that ultimately it's all one..."Entertainment Weekly (10/17/97, p.77) - "Eleven years after his prescient debut, this prickly alt-country survivor's insights into institutional callousness...romantic longing...and personal iconoclasm...resonate with hard-won wisdom..." - Rating: A-Village Voice (2/24/98) - Ranked #11 in the Village Voice's 1997 Pazz & Jop Critics' Poll.Mojo (Publisher) (6/00, p.43) - "If you had to get just one Steve Earle record, then this is it. Stylistically, it covers all of his bases, from acoustic balladry to fuzzed-up grunge and consistently marries brilliant songwriting to brilliant playing..."0.3358791

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Spin (5/03, p.116) - "...The record recasts her unnerving spell - brooding country-pop riffs that conceal devastating lyrics..." - Grade: AEntertainment Weekly (3/28/03, p.68) - "...Beautiful and melancholy folk-pop....TRAVEL...journeys to the tender, haunted heart of love and mortality..." - Rating: A-Uncut (5/03, p.96) - 4 stars out of 5 - "...RULES OF TRAVEL signals a striking reawakening for a too often overlooked talent....A deeply felt and accomplished return..."0.2940734

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Rolling Stone (7/6/72, p.56) - "...further confirmation of the fact that Newman is our most sophisticated art-song composer...SAIL AWAY is Newman's most mature album, a work of genius..."Entertainment Weekly (6/7/02, pp.76-7) - "...A masterpiece...When it comes to the 'untrustworthy narrator', the territory is Newman's own. They don't come nastier than the slave trader serenading Africans in SAIL's title track..." - Rating: AQ (p.128) - 3 stars out of 5 -- "[I]t does a fine job of putting the emphasis where it should be: the songs. Steve Earle has fun with the scabrous 'Rednecks'..."Q (8/00, p.120) - 4 stars out of 5 - "...One of [his] best albums....his succinct, evocative songs embrace more fully the complexities of the darker side of US society...and the more poignant aspects of family life..."Mojo (Publisher) (p.112) - 3 stars out of 5 -- "No one does slyness like him, but several try here...[with] agreeable results."Mojo (Publisher) (8/00, p.115) - "...Blackly funny, poignantly sentimental, witty, wistful and superbly orchestrated, it fused a traditional, Gershwin-via-Tin Pan Alley Americana with a wickedly un-American irony..."0.2878964

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Q (8/01, p.135) - 4 stars out of 5 - "...Much like Steve Earle or Leonard Cohen, he has the talent to transform life's dissappointments and regrets into a work of real wonder and beauty."Uncut (8/01, p.94) - 4 stars out of 5 - "...FIELD SONGS is profound in wisdom and emotion..."oAlternative Press (7/01, p.74) - 7 out of 10 - "...Vocally, Lanegan is in top form....his best work yet..."Magnet (6-7/01, p.99) - "...His most fully realized work to date..."No Depression (7-8/01, p.126) - "...An album full of doomed gothic romance, pharmaceutical and drunken reverie, and blurry, sepia snapshots....you'll be hard pressed to find anything more tempting than FIELD SONGS all year..."Mojo (Publisher) (7/01, p.112) - "...Brutal, bleak, and Lanegan's finest hour yet."NME (Magazine) (12/29/01, p.59) - Ranked #27 in NME's 50 "Albums Of the Year 2001".NME (Magazine) (6/9/01, p.41) - 8 out of 10 - "...This is soul music. Not necessarily by genre...but by the virtue of the songs that lay their author's soul bare....pitched somewhere between the last moments of clarity drifting off on junk-filled dreams and the ganzwing desperation between fixes..."0.2878964

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Rolling Stone (7/8-7/22/99, p.154) - 4 stars (out of 5) - "...the artists on this collection...concoct the sonic stew that Parsons called 'cosmic American music'....There's not a bad track among the thirteen here....Parsons fans won't be disappointed..."Spin (8/99, p.152) - 8 (out of 10) - "...Because many of the acts on ANGEL share parson's love for country tragedy along with his remove from it...they take the same freedoms with his songs that he took with his source material..."Entertainment Weekly (7/23/99, p.67) - "...plays it straight, with most contributors confident enough to just play the songs, not reinvent them..." - Rating: B+CMJ (6/14/99, p.26) - "...a beautifully orchestrated collection of some of [Gram Parsons'] most influential songs, covered by artists who owe much to his powerful yet subtle brilliance..."Dirty Linen (12/99-1/00, pp.70-1) - "...once the list of the top 10 tribute albums of the decade is tallied up this one has a good chance of making the list."0.2573142

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Rolling Stone (7/5/01, p.138) - 3.5 out of 5 stars - "...An affectionate and agreeable collection....going down as easily as Southern Comfort..."Entertainment Weekly (8/17/01, p.73) - "...A quasi-star-studded, rich salute to the blues..." - Rating: B+CMJ (8/01, p.76) - "...Populated by artists who learned directly under the guiding hand of the honoree..."Down Beat (8/01, pp.65-6) - 4 stars out of 5 - "...The bedrock simplicity at the heart of Hurt's tunes is what makes this 15-song hat-tip such a successful venture..."Living Blues (9-10/01, pp.70-1) - "...Those intrigued by the possibilities offered by Hurt's music in a variety of settings will find this a fitting tribute..."No Depression (7-8/01, p.129) - "...The best of these performances make you fall in love with Hurt like it was the first time..."Mojo (Publisher) (1/02, p.69) - Included in Mojo's "Best Americana of 2001".Mojo (Publisher) (9/01, p.97) - "...No showcasing, just understated, and 'right'..."0.2573142

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0.2573142

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Entertainment Weekly (4/10/98, p.67) - "Great soudntracks can fashion a mood while defining a genre, and this wistul alt-country & western set does just that, whil mostly avoiding the best-seller's bald sentimentality..."- Rating: A-0.2573142

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Mojo (Publisher) (1/00, p.98) - "...these profound, masterful songs of loss and loneliness are given a worthy going over by their creator."0.2573142

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Entertainment Weekly (9/20/96, p.83) - "Awright! Proof that 20 years after his cultural apogee, America's highwayman can still inspire great music..."- Rating: AQ (12/96, p.164) - 3 Stars (out of 5) - "...this is wonderful, if somewhat repetitive stuff....Best heard blasting down the M1 late at night with caffeine coursing through your veins towards the end of six days on the road."Option (1-2/97, p.103) - "...a first-rate album. These are solid tunes with a unified theme....do yourself a favor and track down RIG ROCK DELUXE."0.220555

$12.45
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0.1470367

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