subterranean,Subterranean Jungle [Expanded] [Remaster], Impossible Monsters, That's Where It's At!, Unsung: The Best of Helmet 1991-1997, Sev7en

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Rolling Stone (9/19/02, p.110) - 3 stars out of 5 - "...Their version of a Sixties garage-rock testament, including hard-boy assault, inclusive pride and dippy nonsense..."Q (10/02, p.132) - 3 stars out of 5Mojo (Publisher) (7/00, p.127) - "...Finds "Da Brudders" in search of an '80s identity....Dee Dee rules [this] noisy album...most notable for the first 4-minute Ramones song, a worthy cover of 'Time Has Come Today'."99.43272

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Q (11/92, p.133) - 3 Stars - Good - "..Stark and sensuous, this is the blues at its most subterranean.."0.4387641

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Entertainment Weekly (3/5/04, p.68) - "Without this underground metal-punk quartet, we wouldn't have the subterranean guitar chunk and drum thunder of nu-metal superstars like Linkin Park." - Rating: A-0.3839186

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Uncut (p.102) - 4 stars out of 5 -- "Cervenka's found a versatile, hard-driving quartet that pushes her songs into the kind of subterranean abandon in which they thrive."0.3839186

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The Wire (8/00, p.42) - "...Apparently [they] were in a nostalgic state of mind....with some funk, swing, a dark excavation of subterranean sonorities, and a familiar pungent drum and horn escapade....illustrating their compositional and improvisational abilities..."0.3839186

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Q (5/95, p.134) - 4 Stars - Excellent - "...[a] remarkable achievement, given the then fledgling nature of synthesizer technology and the leading role therefore thrust upon the unwieldy and limited Mellotron..."Mojo (Publisher) (p.153) - "RUBYCON is the zenith of the band's exploration of ever-shifting synthesized textures and rhythmic layers, with sounds adrift in endless space of echoing through vast subterranean caverns."0.2742275

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Spin (1/97, p.88) - 7 (out of 10) - "...Rachel's have set a course between Orchestra Hall and the Midwest's lo-tech ambient studio kitchen. At their best, they cut the gorgeous with the noisy, the linear with the repetitious, the expected with sharp knocks of silence, shrieks, and subterranean rumblings..."Q (5/01, p.73) - "...Their most 'accessible' work, with a 12-piece orchestra augmenting the band....Less a series of definable moments, more an organic whole..."Magnet (p.73) - "At turns classical, experimental, jazzy, ambient and avant garde, this hour-long set is unlike anything you've ever heard."0.219382

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Magnet (4/03, p.82) - "..ANXIETY's shards are intricately arranged....ANXIETY floats on a choppy, satirical undercurrent..."The Wire (01/04, p.38) - Included in Wire's "50 Records Of The Year [2003]"The Wire (3/03, p.55) - "...It's a different beast from its two predecessors. It possesses an intensity which brings Michael Gira around full circle..."Mojo (Publisher) (4/03, p.102) - 4 stars out of 5 - "...EVERYTHING IS GOOD showcases the kind of subterranean folk we might hear bleeding from storm-drains in the post-apocalyptic future..."0.219382

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Rolling Stone (11/11/93, p.74) - 4 Stars - Excellent - "...Morrissey's songs [on NIGHT TRAIN] capture the stark, hardscrabble milieus of a subterranean New England culture..."Entertainment Weekly (9/24/93, p.94) - "...Morrissey's creaky voice is the perfect instrument to tell these proud losers' tales. Put simply, he is the best folk songwriter working today..." - Rating: AStereo Review (4/94, p.98) - "...The testosterone-heavy voice of New England folkie Bill Morrissey is nothing short of compelling, even when his songs bland out..."0.219382

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Entertainment Weekly (3/5/99, p.67) - "...Here he pays spirited homage to earlier scores that incorporated jazz elements, including A STREETCAR NAMED DESIRE, CHINATOWN, AND TAXI DRIVER. Fleshing out the distinctive themes are such A-list improvisers as saxophonist Joe Hendersona and trombonist Steve Turre." - Rating: BCMJ (3/1/99, p.38) - "...Here Blanchard essays famous jazz themes from movies using his band as well as full orchestral accompaniment....classic compositions from Duke Ellington, Elmer Bernstein and Alex North....Anyone who thinks "movie jazz" is not a serious proposition...think again..."0.2190562

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Rolling Stone (11/22/01, p.90) - 5 stars out of 5 - "...LOW flows together into a lyrical, hallucinatory, miraculously beautiful whole, the music of an overstimulated mind in an exhausted body..."Q (p.108) - 5 stars out of 5 -- "[A]n album of mournfully sincere synthesizer music."Q (10/91) - 4 Stars - Excellent - "...the critical acclaim (LOW) received at the time still seems justified....a crucial part of rock history..."Q (6/00, p.80) - Ranked #14 in Q's "100 Greatest British Albums"Mojo (Publisher) (2/02, p.84) - "...The first and best of the so-called Berlin trilogy....'Sound And Vision', a remarkable venture into hypno-disco, typifies the approach. Hooks and melodies abound, but listen a little deeper and you'll hear some of the most radically constructed - and produced - 'pop' ever made."NME (Magazine) (9/18/93, p.19) - Ranked #24 in NME's list of The Greatest Albums Of The '70s.NME (Magazine) (10/2/93, p.29) - Ranked #67 in NME's list of the `Greatest Albums Of All Time.'0.2190562

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JazzTimes (6/01, p.140) - "...Demonstrates the vitality and swing the horn players, Mulligan and trombonist Bob Brookmeyer, generated and the sophistication and chance-taking that increased the longer they stayed together..."0.2190562

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4 stars out of 5 -- "TREMORS is a B-movie classic. Kevin Bacon's never had so much fun, the script drips with tongue-in-cheek wit..."Total Film0.2168546

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4 stars out of 5 -- "TREMORS is a B-movie classic. Kevin Bacon's never had so much fun, the script drips with tongue-in-cheek wit..."Total Film0.2168546

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Rolling Stone (5/9/02, p.76) - 3.5 out of 5 stars - "...Familiar sources are grown into a unique species of subterranean math metal....it all adds up to an otherworldly backwoods sound..."CMJ (4/1/2002, p.15) - "...DOWN II...is everything a supporter of kick-ass American rock music could desire....based on its superior sludge-ish riffs, dark melodies and unrelenting rock, DOWN II is bound to be a mainstay..."CMJ (4/1/2002, p.15) - "...DOWN II...is everything a supporter of kick-ass American rock music could desire...based on its superior sludge-ish riffs, dark melodies and unrelenting rock, Down II is bound to be a mainstay..."NME (Magazine) (4/6/02, p.35) - 8 out of 10 - "...A sludgy, doom-filled collision of black metal and stoner madness..."0.1919593

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Rolling Stone (8/7/97, p.64) - 3.5 Stars (out of 5) - "...beautiful, melancholy sounds and fantastically twisted rhythms....etches expressive--sometimes even humorous--little wrinkles into techno's typically hard shell."Q (1/98, p.113) - Included in Q Magazine's "50 Best Albums of 1997."Melody Maker (7/5/97, p.53) - "...so contagious, so cutely seductive....a chilling, subterranean interlude, drawn...to somewhere just off the map."NME (Magazine) (6/28/97, p.58) - "...LUNATIC HARNESS might be too keen not to stay in one place but underneath the studied experimentaion, Mu-Ziq weaves TUNES of the highest order....LUNATIC HARNESS is (experi)mental as anything digi-electro for android junglists and their mad-for-it cyber-chums..."0.1919593

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"...PHANTOMS wastes no time in laying on the horror....PHANTOMS pulls out all the tricks in the supernatural horror repertoire..."Los Angeles Times0.175245

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Rolling Stone (12/11/03, p.106) - Ranked #31 in Rolling Stone's "500 Greatest Albums Of All Time" - "...Dylan amplifies his cryptic, confrontational songwriting with guitar lighting and galloping drums..."NME (Magazine) (10/2/93, p.29) - Ranked #48 in NME's list of the "Greatest Albums Of All Time."0.175245

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Rolling Stone (p.86) - 3 stars out of 5 -- "Robust horns replace the driving guitars on 'Paranoid Android', while patois-inflected Rasta sits in for the android on 'Fitter Happier'....Thoughtfully considered..."Entertainment Weekly (p.78) - "The most radical, and best, track is 'Let Down.' Fueled by Toots Hibbert's grainy gospel fervor, it turns Yorke and company's anguished ballad into an uplifting rocksteady tune." -- Grade: B+The Wire (p.71) - "'Airbag' is the standout track, with its guitar-meets-cello riff and extended disco mix with a dubwise reprise at the album's close."Mojo (Publisher) (p.106) - 3 stars out of 5 -- "[O]n hearing Airbag's ominous riff scaling a heavy Two Tone skank before Horace Andy's aching staccato enters, you have to admit it, this works."0.175245

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Kerrang (Magazine) (p.52) - "Textured, varied and with an epic bent that reaches right back to Bathory, they also have a penchant for pitch black rolling grooves and chunky riffs that recall latterday Satyricon."0.175245

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Dirty Linen (10-11/99, p.81) - "...contains 10 masterful Dylan songs....absolutely essential for any record collection, and budget priced to boot..."0.175245

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Q (5/02, p.129) - 3 out of 5 stars - "...One remaining asset...involves producing what can only be called a 'vibe' -- a thick, groovy, slightly libidinal ambience....they just sound good together..."Mojo (Publisher) (7/02, p.122) - "...You only had to flip any of their early A-sides to behold the full extent of their capabilities..."0.175245

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"...PHANTOMS wastes no time in laying on the horror....PHANTOMS pulls out all the tricks in the supernatural horror repertoire..." Los Angeles Times0.175245

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Rolling Stone (11/25/93, p.120) - 3.5 Stars - Good Plus - "...There are more hooks on THE RED SHOES than on any of [Kate Bush's] releases since THE DREAMING...while the music has settled down somewhat, Bush herself remains rambunctious, and it's a saving grace..."Spin (12/93, p.119) - Recommended - "...Great songs lurk on THE RED SHOES....Bush still sings like a siren..."Entertainment Weekly (11/5/93, p.70) - "...Filled with lovely, if loopy, pop songs, RED SHOES makes sense of Bush's excesses without squelching her beguiling silliness...." - Rating: B+Q (11/93, p.115) - 3 Stars - Good - "...THE RED SHOES improves immeasurably after repeated plays over a long period of time...[it's] more musically varied than thematically..."Melody Maker (10/30/93, p.32) - "...an utter masterpiece. It had decked me within four tracks and by the climax I was positively subterranean...."Musician (11/93, p.86) - "...Between the theatrical arrangements and aggressively intimate vocals, Bush has clearly labored to do justice to the soul's storms..."NME (Magazine) (12/25/93, p.67) - Ranked #45 in New Musical Express' list of `The Top 50 LPs Of 1993' - "...when the blues really burn, she'll break your heart...."NME (Magazine) (11/6/93, p.29) - 9 - Excellent Plus - "...a paradoxical thing. It's her most personal album to date, yet it's also her most accessible, in which the listener can identify personally with the pain she's trying to pull herself through....a truly exceptional album...."0.1371138

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"...Deisel has so much presence that you don't look away when he's on-screen." Movieline's Hollywood Life "...Weirdly cool....Coolly weird..." -- Rating: B+ Entertainment Weekly "...Superior stuff....A craftily crafted and stylishly shot outer-spacer..." -- 4 out of 5 stars Total Film "...The movie shrewdly taps into the lurking primal terrors of anyone who ever had to sleep with a night light..." New York Times "...Vin Diesel's demeanor is refreshing and the combination of his voice and physical build make his character memorable....Not since the coming of the Terminator has there been an anti-hero so worth cheering..." Box Office "...[Twohy] brings maximum razzle-dazzle and energy to the film....[Vin Diesel] has an intelligence and authority to match his imposing physical presence..."Los Angeles Times "Diesel, with his wrestler's muscles and basso profundo voice, makes a superb bad guy..." Uncut0.1314337

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Rolling Stone (5/13/99, p.82) - Included in Rolling Stone's "Essential Recordings of the 90's."Rolling Stone (8/7/97, pp.59-60) - 3.5 Stars (out of 5) - "...packs all the visceral punch of rock at its incendiary best....populist electro punk that serves as a perfect Brit counterpart to the industrial noir of Trent Reznor or the jittery soundscapes of Wu-Tang Clan's RZA..."Spin (p.86) - "'80s planet-rock rap pushing and biting like Killing Joke art-metal, with Middle Eastern and classical parts, Breeders riffs, and an L7 cover..."Spin (1/98, p.87) - Ranked #20 on Spin's list of the "Top 20 Albums Of The Year."Spin (9/97, p.155) - 7 (out of 10) - "...maybe the best fusion of pseudo-rap and pseudo-punk since Rage Against The Machine..."Entertainment Weekly (7/11/97, pp.65-66) - "...Prodigy leader and beat master Liam Howlett has made THE FAT OF THE LAND harder, more subterranean, more diverse, and more vocal-oriented than previous Prodigy records....This is dance music not about release but aggression, making it ideal party music for the end of the century..." - Rating: BQ (6/00, p.70) - Ranked #47 in Q's "100 Greatest British Albums" - "...This was Keeping It Real, Essex-style, a uniquely British spin on contemporary US influences, rooted in the dance revolution....somewhere for rock and rave to meet in pursuit of instant thrills..."Q (10/01, p.46) - Ranked #43 in Q's "Best 50 Albums of Q's Lifetime"Q (12/99, p.92) - Included in Q Magazine's "90 Best Albums Of The 1990s."Q (1/98, p.114) - Included in Q Magazine's "50 Best Albums of 1997."Melody Maker (12/20-27/97, pp.66-67) - Ranked #13 on Melody Maker's list of 1997's "Albums Of The Year."Village Voice (2/24/98) - Ranked #29 in the Village Voice's 1997 Pazz & Jop Critics' Poll.NME (Magazine) (12/20-27/97, pp.78-79) - Ranked #17 in NME's 1997 Critics' Poll.NME (Magazine) (6/28/97, p.54) - "...the first block rockin' post-Oasis amyl-techno-punk album....as well as reaffirming their position as head-warping slam-kings of the pop underground, [FAT OF THE LAND] seems set to be the ultimate party soundtrack both sides of the ocean..."0.109691

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Dirty Linen (p.73) - "[This compilation] brings together some of his best songs. Dylan's always been a restless and creative spirit, and his music reflects his shifting philosophies and tumultuous Zeitgeist."0.1095281

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