summoning,The Summoning, Summoning Deliverance, The Summoning [Ending Quest], Summoning the Void, Summoning the Bygones

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Kerrang (Magazine) (p.53) - "'If Only She Knew' is a melodic power-pop rush of an opener, while 'Lost Souls' raids the '80s hair metal vault..."123.7772

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JazzTimes (12/97, p.140) - "...a beautiful album....an unexpectedly moving portrait of a non-western, non-industrial musical tradition in sync with the flow of nature..."70.59269

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Record Collector (magazine) (p.78) - 4 stars out of 5 -- "Hailing from San Francisco, they make a fine fist of summoning forth the swirling, magisterial portent so essential to the genre."0.5024871

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Entertainment Weekly (p.90) - "[T]he Swedes succeed in summoning some of ABBA's one-of-a-kind joie de vivre." -- Grade: B0.5024871

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Signal To Noise (magazine) (p.67) - "[A] work in which Smith fuses poetry, various genres and a summoning of the trumpet greats into a moving totality."0.5024871

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Musician (8/93, p.54) - "...the guitarist does indeed seem capable of summoning light without heat...a churning, propulsive, unpredictable kind of highbrow hardcore, with a crafty pop overlay and a liquid-cherry center of post-adolescent angst and rebellion...[vocalist Devon Townsend] makes Axl Rose sound like Johnny Mathis...Audio Magazine (11/93, p.105) - "...Vai's legendary axe dexterity is kept more within song contexts than expected, though `accessibility' doesn't diminish the soloing or intellect...."0.3140544

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Alternative Press (p.148) - 3.5 stars out of 5 -- "[W]hen Steve Schlitz's voice howls and cracks with emotion on the Echo & The Bunnymen-summoning 'No Direction,' Longwave's passion rings true."Magnet (p.114) - "The fourth LP from Longwave manages to be a great big sprawl of an album that never sounds too ambitious for its own good."0.3140544

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Down Beat (9/97, p.52) - 3 1/2 stars (out of 5) - "...Henderson's fretboard firepower aggressively reconfigures the blues with an assortment of lightning licks and sizzling solos....Henderson's guitar work is unquestionably exciting..."JazzTimes (9/97, p.67) - "the jazz-trained guitarist unleashes with a fretboard frenzy that goes beyond Stevie Ray Vaughan's technique while summoning up his soulful spirit....From start to finish, this disc is inventive, witty and killing."0.3140544

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0.2880266

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Q (p.136) - 3 stars out of 5 -- "[U]nbearably stark, its gentle banjos and violins summoning images of scorched prairies and deserted saloons. 'Hello Love' is a spectacularly desolate ballad..."CMJ (p.51) - "Frazey Ford belts out each number with equal parts pop sensibility and soul..."Dirty Linen (p.45) - "These women have discipline, taste, and talent....All this, and songwriting and musicianship too."No Depression (p.100) - "'Ootischenia', is the quintessential Tanyas song here, an effortless groove accented by Klein's banjo; Ford sings with growing urgency, her bandmates swelling and gelling in harmony behind her."0.2512435

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Paste (magazine) - "Like the band itself, 'Talk to God' is urgent and intense, demanding attention and yet remaining very mysterious at its core."Pitchfork (Website) - "COMMUNE is pretty splendid. It's recorded through a thick veil of reverb, which makes for an improvement on the crisper tone of their debut..."Clash (magazine) - "Invocations of a universal spirituality are chanted over spell-like percussion and exotic, meandering guitar lines with song titles summoning the ancient tribes of the world."0.2512435

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Rolling Stone (5/18/95, pp.87-88) - 4.5 Stars - Excellent - "...Leading his incendiary '60s quartet, Coltrane wails with an inexhaustible, sometimes truly nightmarish passion....Passages of stark modal beauty detonate into ensemble blasts of dizzying tumult..."Q (3/95, p.116) - 4 Stars - Excellent - "...this is a double set of epic improvisations recorded in a small Seattle club in late 1965....the results are nothing less than awesome..."Down Beat (5/95, p.41) - 4 Stars - Very Good - "...This is an ensemble that starts at the brink, then rushes over it....Trane follows volcanic climax with gorgeous thematic reprise, summoning the sonic Eden that inspired a generation to make love to his late-period music..."0.2198381

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Spin (p.106) - 3 stars out of 5 -- "[Wagner's] lyrics feel positively intoxicating when woven through these swaying, melancholy tunes."Q (p.109) - 4 stars out of 5 -- "[A]dding ever greater layers of haunting melancholy and soaring grace to lyrics about the most intimate places in Wagner's recent life."Q (p.120) - Ranked #43 in Q Magazine's "100 Greatest Albums of 2006" -- "[T]he haunting lyrics and sublime set of 10 songs perfectly captured the mood of our confused times."Uncut (p.76) - 4 stars out of 5 -- "[T]he pleasures of DAMAGED live mainly in the textures of guitars played by Wagner and William Tyler."Magnet (p.98) - "Lambchop's finest instrument is Kurt Wagner's smoke-ruined croak....He's a surprisingly expressive vocalist, capable of summoning regret and longing and resignation in a single half-spoken syllable."0.2198381

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0.2036656

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