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Uncut (p.98) - 3 stars out of 5 -- "No country titan has straddled both sides of Nashville's musical divide quite like Nelson....[With] covers and three Willie originals..."Down Beat (p.81) - 3 stars out of 5 -- "He's at his best when ripping through twisted honky-tonk tunes like 'You Don't Think I'm Funny Anymore.'"Dirty Linen (pp.56-57) - "The reading of Kris Kristofferson's 'Moment of Forever' is particularly tender; 'Keep Me From Blowing Away' scores the platter's most heartfelt interpretation."Mojo (Publisher) (p.102) - 4 stars out of 5 -- "[Nelson is] grizzled, weary-voiced and all the more relevant for his ability to make every song sound like an integral part of his life."The Word (magazine) - "The focus falls on two elements of Willie Nelson -- the intimate, crackling delivery and the lightness of touch -- and by force of his vividly constructed persona, both are magnified the older he gets."14.39013
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Pitchfork (Website) - "[T]his is a highly personal and tender album, rich with musings on adventure, love, and the mysteries of life."0.2464441
$15.03
Living Blues (p.40) - "Her ability to move so effortlessly between moods -- from tender to fierce -- and to place a personal stamp on so many different types of songs marks Foster as one of the most remarkable American song stylists performing today."Billboard (p.28) - "LET IT BURN provides a framework for Foster to connect soul to soul with listeners as she takes on gospel songs and covers..."Mojo (Publisher) (p.82) - 4 stars out of 5 -- "[T]he undoubted highlight is a completely restructured version of Ring Of Fire that's guaranteed to stay in your heart forever."Paste (magazine) - "Foster understands vocals that start from the soul unify genres and create a repertoire that's seamlessly evocative."0.2263049
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Spin (p.78) - "[M]usically contemplative and lyrically bountiful. Darnielle's reedy whisper -- or, less often now, shout -- confides but also encourages..."Alternative Press (p.115) - 3 stars out of 5 -- "Steeped in religious and mythical imagery....[The] songs that comprise ALL ETERNALS DECK are allegorical tales consumed as much by rich metaphor as they are by a tender, personal openness."Paste (magazine) - "ALL ETERNALS DECK manages to be simultaneously esoteric and accessible, faithful and irreverent."0.1711654
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"First-time director Jake Schreier has fun here....The film thankfully underplays that melodrama, reserving its most poignant moments for interactions between man and microchip."Hollywood Reporter 3 stars out of 5 -- "[T]he film is light-fingered and charming....Langella is in virtually every scene, and he is a marvel of virile intelligence, wringing every bit of nuance and humor out of the best screen role he's had since FROST/NIXON."Box Office "Charming, playful and sly, it makes us believe that a serene automaton and a snappish human being can be best friends forever."Los Angeles Times "Langella brings the film a gruff magic..." -- Grade: B+Entertainment Weekly 3 stars out of 4 -- "There's bracing humor here, and a dash of heartbreak....Langella, who's played everyone from Dracula to Nixon onscreen, is giving a master class in acting."Rolling Stone0.1695612
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"PHYLLIS AND HAROLD is a remarkable and extraordinary film that will have audiences talking, one of the most profound movies about married life seen on screen in some time."Box Office0.1257946
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0.1257946
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Record Collector (magazine) (p.99) - 4 stars out of 5 -- "[F]or those who love pure unadulterated down-home rock'n'roll, Wray is a keeper of the flame, and the flame is in the safest of hands here."0.1257946
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0.1257946
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0.1257946
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Rolling Stone (p.54) - 3 stars out of 5 -- "Reznor and collaborator Atticus Ross roll out three hours of often weirdly engrossing metal-machine music....There's a huge debt to Brian Eno at his most austere..."Billboard (p.16) - "'Hidden in Snow' hauntingly mixes the creepy and the tender."Kerrang (Magazine) (p.69) - "[T]his is largely music designed to create mood. And that mood is isolated and uncannily still."Pitchfork (Website) - "[T]he most arresting moments emerge out of layers of increasingly damaged soundsthat set an uncompromisingly bleak mood."0.123222
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Rolling Stone (6/2/94, p.69) - 4 Stars - Excellent - "...LAST OF THE INDEPENDENTS outlines the life of a woman who grew up wanting to be a boy, then discovered she could bear children and nurture them without jettisoning some rock & roll requisites...what really sticks are the album's moments of pure pop joy..."Alternative Press (8/94, p.90) - "...Hynde actually sounds like she means it again. Up there with Costello's BRUTAL YOUTH--artistic rejuvenation of the year..."Musician (6/94, p.79) - "...Atop musical settings ranging from pop to funk to rockabilly, Hynde outswaggers all comers, from Anais Nin to Camille Paglia to Thelma and Louise, with her tough-to-tender switchbacks...an inspired, combo-punching return to her inimitable peak form...."Mojo (Publisher) (1/95, p.51) - Included in Mojo's "25 Best Albums of 1994" - "Ballsy rock-chick attitude, sturdy four-square rock-outs and big, anthemic ballads..."0.1223811
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Rolling Stone (p.82) - 4.5 stars out of 5 -- "All of it rocks; none of it sounds like any other band on Earth; it delivers an emotional punch....[Yorke's] voice has an R&B lilt that suits the songs' romantic directness."Rolling Stone (p.108) - Included in Rolling Stone's "50 Top Albums of the Year 2007" -- "Radiohead haven't sounded this aggressive and infuriates -- so rock & roll -- since OK COMPUTER..."Spin (p.111) - 4 stars out of 5 -- "[With] a handful of gorgeous quiet-storm ballads that seem to have been imported from a time even less troubled than the late '90s."Entertainment Weekly (p.66) - "Using the full musical and emotional spectra to conjure breathtaking beauty, the collection is well named. It may have arrived via computer, but the vision is timeless." -- Grade: AUncut (p.86) - 4 stars out of 5 -- "[T]he tender, if not sunny, mood is maintained across a beautiful suite of songs..."Uncut (p.82) - 4 stars out of 5 -- "[T]he shuffling fever-funk of 'Down Is The New Up' reaches a state of grace that very few bands ever get to achieve."The Wire (p.63) - "[T]racks like opener '15 Step' are injected with almost Rephlex-like accelerating rhythms....The album is sonically diverse..."The Wire (p.35) - Included in The Wire's "50 Records of the Year 2007".Down Beat (p.77) - 4 stars out of 5 -- "Subtle electronics and tastefully deployed string arrangements are woven into the fabric of the tunes..."Q (Magazine) (p.107) - 5 stars out of 5 -- "IN RAINBOWS still leaves Radiohead in the most enviable position: progressively perfecting their art while able to command autonomy beyond the record industry."Q (Magazine) (p.88) - Ranked #04 in Q's "The 50 Best Albums Of 2007" -- "Beneath its approachable surface swam myriad subtleties, multiplying with every play."Mojo (Publisher) (p.96) - 4 stars out of 5 -- "IN RAINBOWS is a necessary masterstroke....Rejoice in a glorious moment for Radiohead, and for the art and business of rock in general."Blender (Magazine) (pp.141-142) - 4 stars out of 5 -- "IN RAINBOWS formulates a lush, sensualized ideal out of vague, layered discomfort....Far more pensive and reflective than its predecessor..."Clash (magazine) (p.77) - "IN RAINBOWS shines as a magical, mysterious and multi-faceted album to cherish forever."Record Collector (magazine) (p.87) - 3 stars out of 5 -- "[It] is a smashing record to actually listen to....Piano lines follow unpredictable patterns and cymbals get clipped at every other bar..."0.1131525
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"Hoffman's portrayal of the petite yet outsize Truman Capote...is impeccable -- it's bound for awards..."Entertainment Weekly "[A] fascinating and fine-grained reconstruction....Not only does Mr. Hoffman achieve an impressive physical and vocal transformation...but he also conveys, with clarity and subtlety, the complexities of Capote's temperament."New York Times 5 stars out of 5 -- "[T]he movie steers its own delicate course through the ethical minefields of 'faction' with consummate skill....It's Hoffman's film -- a tour de force..."Uncut "Hoffman's unmissable and unforgettable performance as Truman Capote should make him the frontrunner for every Best Actor prize in the book."Rolling Stone "[I]t's a stark, complex and ultimately stunning examination of a man who exploited others for professional gain and the emotional price he paid."Movieline's Hollywood Life 4 stars out of 5 -- "Beautifully shot and flawlessly acted; this captures the essence of the iconic novel and also brings a lingering poignancy to a portrait of a man as troubled and haunted as the novel's subjects."Ultimate DVD "[R]apt, absorbing and thrillingly perceptive....CAPOTE honors its subject by doing just what Truman Capote did. It teases, fascinates, and haunts." -- Grade: A-Entertainment Weekly "The complexity of a gifted author, as well as his self-aggrandizing nature, are what the film focuses on. Hoffman delivers a thrilling and profound Oscar-caliber performance that will haunt viewers well after the movie is over."USA Today 3.5 stars out of 4 -- "Catherine Keener is remarkably subtle and soulful as Capote's friend and helpmeet Harper Lee."Premiere "Philip Seymour Hoffman is in complete control of his effects....The Oscar-worthy achievement is really the voice..."Sight and Sound 4 stars out of 5 -- "[Miller] deserves much credit for his sedate, seemingly effortless direction and beautifully composed style."Total Film "Ms. Keener's quiet austerity provides a counterbalance to Mr. Hoffman's brilliance."Wall Street Journal0.07862161
$11.97
"Hoffman's portrayal of the petite yet outsize Truman Capote...is impeccable -- it's bound for awards..."Entertainment Weekly "[A] fascinating and fine-grained reconstruction....Not only does Mr. Hoffman achieve an impressive physical and vocal transformation...but he also conveys, with clarity and subtlety, the complexities of Capote's temperament."New York Times 5 stars out of 5 -- "[T]he movie steers its own delicate course through the ethical minefields of 'faction' with consummate skill....It's Hoffman's film -- a tour de force..."Uncut "Hoffman's unmissable and unforgettable performance as Truman Capote should make him the frontrunner for every Best Actor prize in the book."Rolling Stone "[I]t's a stark, complex and ultimately stunning examination of a man who exploited others for professional gain and the emotional price he paid."Movieline's Hollywood Life 4 stars out of 5 -- "Beautifully shot and flawlessly acted; this captures the essence of the iconic novel and also brings a lingering poignancy to a portrait of a man as troubled and haunted as the novel's subjects."Ultimate DVD "[R]apt, absorbing and thrillingly perceptive....CAPOTE honors its subject by doing just what Truman Capote did. It teases, fascinates, and haunts." -- Grade: A-Entertainment Weekly "The complexity of a gifted author, as well as his self-aggrandizing nature, are what the film focuses on. Hoffman delivers a thrilling and profound Oscar-caliber performance that will haunt viewers well after the movie is over."USA Today 3.5 stars out of 4 -- "Catherine Keener is remarkably subtle and soulful as Capote's friend and helpmeet Harper Lee."Premiere "Philip Seymour Hoffman is in complete control of his effects....The Oscar-worthy achievement is really the voice..."Sight and Sound 4 stars out of 5 -- "[Miller] deserves much credit for his sedate, seemingly effortless direction and beautifully composed style."Total Film "Ms. Keener's quiet austerity provides a counterbalance to Mr. Hoffman's brilliance."Wall Street Journal0.07862161
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Rolling Stone (11/11/93, p.76) - 5 Stars - Classic - "...FROM NASHVILLE TO MEMPHIS reveals that reclaiming [his] roots meant Elvis' artistic resurrection....[it] belies any notion that only the '50s Elvis was vital....[Elvis] remains the finest singer rock & roll has ever produced..."Melody Maker (10/23/93, p.36) - "...[FROM NASHVILLE TO MEMPHIS] is the sound of Presley calming down, recognizing his talents, acknowledging the craft of the song rather than merely the lascivious bluster..."NME (Magazine) (10/2/93, p.32) - 7 - Very Good - "...These are the most majestic performances of his career, songs that stretched all his resources, the consummate artist of his era re-identifying with the very land he once sprung from like a thunderbolt...."0.04717296
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