terence-blanchard,Flow [Terence Blanchard], Choices [Terence Blanchard], Magnetic [Terence Blanchard] [5099990335426], Jazz in Film [Terence Blanchard], Jazz Fest 2010 [Terence Blanchard]

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Down Beat (p.64) - "[T]his is first-rate work and signals a welcome expansion of Blanchard's horizons."JazzTimes (p.94) - "Blanchard has crafted a stirring and soulful contemporary outing and one of the strongest albums of his distinguished career."83.30094

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JazzTimes (p.56) - "Hodge's `Winding Roads,' CHOICES' longest track, is also its most panoramic, subtly slipping from one disparate texture and ambiance to another."83.30094

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83.30094

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Entertainment Weekly (3/5/99, p.67) - "...Here he pays spirited homage to earlier scores that incorporated jazz elements, including A STREETCAR NAMED DESIRE, CHINATOWN, AND TAXI DRIVER. Fleshing out the distinctive themes are such A-list improvisers as saxophonist Joe Hendersona and trombonist Steve Turre." - Rating: BCMJ (3/1/99, p.38) - "...Here Blanchard essays famous jazz themes from movies using his band as well as full orchestral accompaniment....classic compositions from Duke Ellington, Elmer Bernstein and Alex North....Anyone who thinks "movie jazz" is not a serious proposition...think again..."66.64075

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Entertainment Weekly (6/8/01, p.77) - "One of jazz's trumpeters-of-choice has settled on a ripe concept, with inviting tunes by great American songwriter Jimmy McHugh. Wisely, Blanchard calls on several fine singers..." - Rating: B+CMJ (6/11/01, p.23) - "...Thoughtful and reaching arrangements that simmer with the same blue flame that fueled Miles Davis' '50s work....This is a no-brainer for fans of vocal and traditional jazz."Down Beat (8/01, pp.66-7) - 3 stars out of 5 - "...Blanchard's buttoned-down performance is consistently restrained and thoughtful....adroit and distinctive....with some attractive interpretive and sometimes idiosyncratic departures..."41.65047

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Down Beat (p.60) - 3.5 stars out of 5 -- "The band has a close-in feel, with saxophonist Scott's history of pop/funk jazz well-suited to the material. Trumpeter Terence Blanchard serves as the perfect foil for him..."JazzTimes (pp.122-123) - "Along with keyboardist George Duke, drummer Steve Gadd, bassist Marcus Miller and trumpeter Terence Blanchard, Scott gets to the cheery caramel center of the Adderley aesthetic."0.9618489

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"[T]he cinematic traditionalism of MIRACLE AT ST. ANNA is perhaps its most satisfying trait....An earthy inquiry into death, duty, friendship and honor."New York Times "There are individual sequences, shot beautifully by Matthew Libatique to a mournful score by Terence Blanchard, that achieve enormous power."Rolling Stone0.8161559

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"[T]he cinematic traditionalism of MIRACLE AT ST. ANNA is perhaps its most satisfying trait....An earthy inquiry into death, duty, friendship and honor."New York Times "There are individual sequences, shot beautifully by Matthew Libatique to a mournful score by Terence Blanchard, that achieve enormous power."Rolling Stone0.8161559

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Rolling Stone (p.75) - 3 stars out of 5 -- "'You Might Be Surprised' is a grand Fifties-style ballad infused with rich Ellington-esque horns and gallows humor....It's a bittersweet dispatch from just above the waterline."JazzTimes (pp.60-61) - "CITY THAT CARE FORGOT is at once the most fervent, acerbic, livid music Mac Rebennack has ever made; the most eloquent and probably the funkiest, too."Q (Magazine) (p.135) - 4 stars out of 5 -- "Full of righteous anger....CITY THAT CARE FORGOT is the liveliest, funkiest Dr. John album in a long, long time."Blender (Magazine) (p.84) - "In the wake of Hurricane Katrina, superdelectable New Orleans piano master Dr. John got something bigger than religion. He got sincerity..."Record Collector (magazine) (p.90) - 5 stars out of 5 -- "Music rarely gets as heartbreaking as 'My People Need A Second Line,' which brilliantly ups gear midway to a glorious and defiant marching band blowout."0.5301821

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"...Any old way you choose it, the music still kills..." Premiere "...Fleshing out this engaging cartoon is an excellent performance by Ian Hart..." Sight and Sound "...Lively, galvanizing and unexpectedly well made....[Softley] has done a fond, imaginative job..." New York Times "...An exhilarating surprise....As thrilling as it is original..." -- Rating: A Entertainment Weekly "...It's lively and full of good music and it plays around with a fascinating subject..." Los Angeles Times "BACKBEAT nails the era's speed-fueled rocker spirit while mining the consequences of an artist following his bliss." Rolling Stone "[I]t's Ian Hart as the young Lennon who steals the show." Uncut0.3280335

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Entertainment Weekly (p.63) - "[T]he actors nail just the right blend of reverence and vitality in their covers..." -- Grade: BLiving Blues (p.38) - "Wright nails the four Waters selections with appropriate style and attitude. His reading of Robert Johnson's 'Country Blues,' supported only by Bill Simm Jr.'s slide guitar, is especially chilling."Billboard (p.41) - "The songs are performed in WALK THE LINE fashion by the actors....Ms. Knowles sounds wonderful..."0.2811716

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"...It produces a wrenching, dazzling succession of moods..."New York Times "...Undeniably beautiful..." Premiere "...The role plays right into Norton's gift for letting brainy anxiety detonate just beneath the surface of a scene....Lee, as he did in MALCOLM X and CLOCKERS, makes his hero's dread palpable..." Entertainment Weekly "...25TH HOUR is a riveting, emotionally resonant New York drama....Edward Norton is dynamite..." Rolling Stone "...Lee's use of space expertly evokes the general air of a city bereft..." Sight and Sound "...An impressive, affecting return to form from one of Hollywood's finest filmmakers..." Total Film0.2343096

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