terry-stone,Walk That Walk [Terry Evans], The Silent Majority: Terry Allen's Greatest Missed Hits, Fear and Loathing in Las Vegas [DVD], Brazil [DVD] [Widescreen], 12 Monkeys [DVD] [Special Edition]

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Down Beat (9/00, p.64) - 3.5 stars out of 5 - "...Enjoyable....Ry Cooder leads a fine and funky band, but it's the sideshow to Evan's singing. His virtuoso voice easily communicates heartfelt emotions."32.70272

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Rolling Stone (8/5/93, p.67) - 4 Stars - Excellent - "...deadly funny subversiveness on the order of Sam Shepard's TRUE WEST or Leonard Cohen's recent meditation on `Democracy'....a musical portrait of Manifest Destiny gone haywire..."Q (7/93, p.104) - 3 Stars - Good - "...One of that select crew for whom the word `maverick' is not a conceit...absorbing stuff for students of the Texas scene..."Uncut (p.122) - 4 stars out of 5 - "[T]his scrapbook of sorts is a worthy primer for the uninitiated....[He's] the most fascinating of his Lubbock Mafia peers."20.43918

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"...Fiendish intensity..." Rolling Stone "...FEAR AND LOATHING IN LAS VEGAS throws you straight into a demented cinematic 'acid test'..." Sight and Sound "...A lucid hallucination. Depp again proves himself our most inventive actor....This movie isn't about drugs, it is drugs..." -- Rating: B+ Entertainment Weekly "...A fidelity to the author's hallucinatory imagery that until now seemed impossible to capture in a film. But here it is in all its splendiferous funhouse terror: the closest sensory approximation of an acid trip ever achieved by a mainstream movie..." New York Times "[A] shocking, funny and sad tale of idealism's demise en route." Total Film 4 stars out of 5 -- "Depp and Del Toro couldn't be more perfect for the roles and throw themselves in without fear or hesitation."Premiere10.60893

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"...Gilliam creates this dehumanizing universe with demented wit, sane anger and the most eye-popping visuals since METROPOLIS..." Rolling Stone "...Landmark retro-future tragicomedy..." -- Rating: A+ Entertainment Weekly "...BRAZIL, a jaunty, wittily observed vision of an extremely bleak future, is a superb example of the power of comedy to underscore serious ideas, even solemn ones....Ambitious visual style..." New York Times "...It's a knockout..." Los Angeles Times "...It's rich in irony, steeped in surrealism and touched with genius....Easily one of the greatest movies of the '80s..." Total Film "...Hugely inventive..." Sight and Sound10.60163

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"...Plenty of surrealistic fluorish..." Premiere "...Pitt is terrific....Solving the riddle of 12 MONKEYS is an exhilarating challenge..." Rolling Stone "...A Hitchcockian chase...A crowd-pleasing airport-pursuit pic..." -- 3 1/2 out of 4 stars USA Today "...A near-fractal script,...[an] achingly battered performance [by Willis]...and its own pell-mell momentum....Emotional urgency..." -- Rating: B+ Entertainment Weekly "...An unlikely love story combined with a visionary detective yarn....Mystifying, intriguing..." Los Angeles Times10.59067

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Q (4/00, pp.113,115) - 3 stars out of 5 - "...Best of [their] career mainly because it's got 'Kicks' on it and The Byrds' producer, Terry Melcher, knew how to put some rattle into the guitar..."0.3089368

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Rolling Stone - 3.5 Stars - Very GoodUncut (p.158) - 4 stars out of 5 - "There's no doubting the vaulting musical ambition of their third album..."Magnet (p.88) - "[T]he Pogues' most musically ambitious release....With multi-instrumentalists Jimmy Fearnley and newcomer Terry Woods propelling the [group]..."Mojo (Publisher) (p.123) - 5 stars out of 5 - "[A]n amazingly original, democratically written and ethnically adventurous album..."0.2241438

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Rolling Stone (9/8/94, p.81) - 3.5 Stars - Good - "...the most cohesive and best sampling of NRBQ's distinctive personalities since GROOVES IN ORBIT."Q (11/94, p.118) - 4 Stars - Excellent - "...their music gets airier, more playful and seemingly more youthful with each of their umpteen albums...it's the Lovin' Spoonful communing with Red Hot Chili Peppers..."Musician (3/94, p.83) - "...MESSAGE is their best album since 1978's AT YANKEE STADIUM, mainly because Anderson, Spampinato and Terry Adams are writing some of their most substantial songs in years..."0.179315

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Rolling Stone (6/13/96, pp.85-86) - 4 Stars (out of 5) - "...a hair away from being flawless....The aural jaggedness of contemporary clubland not only perfectly complements EBTG's piercing words and aching vocals but it also burns away any residual preciousness. What's left is raw, pure and absolutely gorgeous."Spin (9/99, p.164) - Ranked #87 in Spin Magazine's "90 Greatest Albums of the '90s."Spin (1/97, p.59) - Ranked #15 on Spin's list of the `20 Best Albums of '96.'Spin (7/96, p.88) - 9 (out of 10) - "...Though [Thorn's] restraint runs counter to current diva acrobatics, she's still incredibly mannered, gently nudging songs along with a personalized assortment of heys and yeahs. It's the grain of her voice...rather than her range, that is special..."Entertainment Weekly (12/27/96-1/3/97, pp.144-146) - Ranked #2 on Entertainment Weekly's list of the "Top 10 Albums And Singles Of 1996."Entertainment Weekly (5/24/96, pp.93-94) - "...provide modern pop's first corollary to the weird sounds cooked up by the early '60s' most avant-garde lounge stylists: Esquivel and Martin Denny....[EBTG] offer an ideal conduit between today's chic underground and pop fans everywhere." - Rating: AVibe (8/96, p.132) - "...Everything But The Girl continue to explore new territory...and deeper into house, jungle and trip hop..."Melody Maker (5/4/96, p.59) - Recommended - "...Personally, I always found Ben and Tracey's continual love-affair-turned-sour laments a little too drippy, too sappy for my taste, but...oh, what a little laid back drum'n'bass can do!..."Village Voice (2/25/97) - Ranked #12 in the Village Voice's 1996 Pazz & Jop Critics' Poll.Mojo (Publisher) (6/96, p.117) - "...A certain lyrical introspection on the title track...infuses deep Jungle waves and breaks with resonance and sensitivity....[WALKING WOUNDED] is a testimony to the strength of collaboration, the possibility of rejuvenation..."NME (Magazine) (5/4/96, p.56) - 6 (out of 10) - "...isn't quite the all-out conversion to gutsy house, drum'n'bass and trip-hop we had hoped for....the songs are...well-crafted and no doubt spectacularly meaningful, and Thorn's vocals as finely elegiac and deeply emotive as ever..."0.1712624

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Rolling Stone (7/10-7/24/97, p.120) - 3 Stars (out of 5) - "...Song titles like 'Love Makes You Do Thangs' and 'You're All I Need' sum up the gist of these gracefully produced pop-funk confections, which singers Terry Ellis, Cindy Herron and Maxine Jones render with their usual creamy elegance..."Spin (8/97, p.114) - 7 (out of 10) - "...En Vogue bring it all back to the basics of gorgeous harmonies and mind-boggling vocal riffs. If Ellis, Braggs, and Jones seem interchangeable (and Dawn Robinson, who went solo, expendable), that's simply further evidence of the group's incredible teamwork..."The Source (8/97, p.176) - "...the advantage these sisters have over the rest of the R&B girlie collectives is that they utilize that element foreign to today's music known as harmony..."0.1569006

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Rolling Stone (5/24/01, p.86) - 3.5 stars out of 5 - "...Jackson cranks the heat even higher....It's just as fresh, familiar and appealing as you've come to expect from Jackson..."Rolling Stone (5/24/01, p.86) - 3.5 stars out of 5 - "...Jackson cranks the heat even higher....It's just as fresh, familiar and appealing as you've come to expect from Jackson..."Rolling Stone (5/24/01, p.86) - 3.5 stars out of 5 - "...Jackson cranks the heat even higher....It's just as fresh, familiar and appealing as you've come to expect from Jackson..."Entertainment Weekly (5/4/01, pp.67-8) - "...Sexy and big, brimming with left-field surprises....about as good as modern diva-pop gets..." - Rating: BEntertainment Weekly (5/4/01, pp.67-8) - "...Sexy and big, brimming with left-field surprises....about as good as modern diva-pop gets..." - Rating: BEntertainment Weekly (5/4/01, pp.67-8) - "...Sexy and big, brimming with left-field surprises....about as good as modern diva-pop gets..." - Rating: BQ (7/01, p.111) - 3 stars out of 5 - "...The most blatantly sexy, wickedly upbeat songs she has ever recorded.... making the most of Jimmy Jam and Terry Lewis' sassy, supple, angular dance-funk..."Q (7/01, p.111) - 3 stars out of 5 - "...The most blatantly sexy, wickedly upbeat songs she has ever recorded.... making the most of Jimmy Jam and Terry Lewis' sassy, supple, angular dance-funk..."Q (7/01, p.111) - 3 stars out of 5 - "...The most blatantly sexy, wickedly upbeat songs she has ever recorded.... making the most of Jimmy Jam and Terry Lewis' sassy, supple, angular dance-funk..."0.1552914

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Rolling Stone (10/31/02, p.136) - Ranked # 36 in Rolling Stone's "Women in Rock: The 50 Essential Albums"Rolling Stone (p.77) - 4 stars out of 5 - "[E]very element is exactly in its place. But it's the combination of pop-rock production and a band that was unhinged, unschooled and unlovely that makes BEAT great."Spin (p.104) - "[With] handclap rockers and terse love notes, they actually became, no joke, America's sweethearts. In a shocking pop upset, they also write their own songs."CMJ (1/5/04, p.10) - Ranked #9 in CMJ's "Top 20 Most-Played Albums of 1982".Q (Magazine) (p.132) - 3 stars out of 5 -- "Spilling over with girly melodies and spangly riffs..."Record Collector (magazine) (p.93) - 3 stars out of 5 -- "The Go-Gos seemed to pick up from before when The Runaways went wrong, replacing jailbait sleaze with harmless, radio-friendly power-pop fun."Uncut (magazine) (p.87) - 3 stars out of 5 -- "[The] elegant 'Our Lips Are Sealed,' by Jane Wiedlin and Terry Hall, remains their finest three minutes."0.1523913

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Rolling Stone (4/17/03, p.109) - 3 stars out of 5 - "...Thorn mulls, mopes and spins melancholy yarns with just a choice few words....Crying on the dance floor never sounded so good..."0.1447271

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"...A charmer....Bassett is a beauty of blazing talents...Goldberg is a scene-stealing wonder..." Rolling Stone "...Angela Bassett as Stella is sensuous, sinewy....And she gives off heat and humidity with newcomer Taye Diggs..." USA Today "...This female-empowerment manual should have WAITING TO EXHALE fans breathing easily again..." Premiere "...Ms. Basset's Stella is the best thing in the movie...[She is] proud, combative and fiery....Mr. Diggs imbues Winston with an easy grace and dignity..." New York Times "...The emotionally-charged characters and soul-searching scenarios are intriguing..." Box Office "...A glossy, good-humored romantic fantasy....It's also another great success for star Angela Bassett..." Los Angeles Times0.138106

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Rolling Stone (5/13/99, p.79) - Included in Rolling Stone's "Essential Recordings of the 90's."Rolling Stone (6/30/94, p.72) - 4 Stars - Excellent - "...it's the absence of beats that makes the music so strange and haunting, and when the beats do surface, they serve to accent a tone rather than sustain a tempo..."Spin (9/99, p.148) - Ranked #56 in Spin Magazine's "90 Greatest Albums of the '90s."Spin (3/94, p.76) - "...undeniable proof that techno was blossoming into a new form of electronic composition...it's the restraint of James' music that paradoxically induces such an unrestrained emotional response in the listener...it's like he's playing acoustic instruments from the distant future or an alien civilization..."Q (1/94, p.84) - Included in Q's list of `The 50 Best Albums Of 1993' - "...[a] brilliant collection of experiments...always fascinating and somehow other-worldly, this is music as enjoyable as it is innovative and of its time..."Alternative Press (5/02, p.104) - Included in AP's '10 Essential Pioneering Electronic Albums'.Option (8/94, p.90) - "...His accomplishment here is monumental; this solo electronic album is so unusual that it needs to be stated up front that it sounds like no other recording in the genre, ever..."Melody Maker (1/1/94, p.76) - Ranked #10 in Melody Maker's list of the `Albums Of The Year' for 1993 - "...Creating a soundscape like a vast, depopulated techno world, the Twin's scurrying swathes of electronics recall Eno, Kraftwerk, Terry Riley--none of whom he'd heard of until years after this stuff. Awesome...."0.1269928

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"...Kelly and Sweeney have a charm that's easy to root for..." Rolling Stone "...Snappily paced and unusually well acted....Effectively bolstered by a chugging pop score..." New York Times "...[A] crowd-pleaser of sufficient wit, vitality and intelligence....Kelly and Sweeney are evenly matched..." Los Angeles Times "...The actors bring it a certain freshness. Kelly is effective....Sweeney is likable..." Chicago Sun-Times0.1174642

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Rolling Stone - 4 Stars - ExcellentRolling Stone - 4 Stars - ExcellentEntertainment Weekly - "...10 zany vols of 70s pop trash..." - Rating: BEntertainment Weekly - "...10 zany vols of 70s pop trash..." - Rating: BEntertainment Weekly - "...10 zany vols of 70s pop trash..." - Rating: BEntertainment Weekly - "...10 zany vols of 70s pop trash..." - Rating: BEntertainment Weekly - "...10 zany vols of 70s pop trash..." - Rating: BEntertainment Weekly - "...10 zany vols of 70s pop trash..." - Rating: BEntertainment Weekly - "...10 zany vols of 70s pop trash..." - Rating: BEntertainment Weekly (1/11/91) - Rating: BEntertainment Weekly (1/11/91) - Rating: BEntertainment Weekly (1/11/91) - Rating: A-Entertainment Weekly (1/11/91) - Rating: B+Goldmine - Highly RecommendedGoldmine - Highly RecommendedGoldmine - Highly RecommendedGoldmine - Highly RecommendedGoldmine - Highly RecommendedGoldmine - Highly RecommendedGoldmine - Highly Recommended0.1112895

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"...[BROKEN ARROW] delivers the hippest action fun around....Director John Woo is in dazzling form..." Rolling Stone "...A knockout beginning, gorgeous to the eye and a rush to the senses: very John Woo..." Sight and Sound "...A long wrap-up full of moving-train mayhem culminates in the movie's most memorable shot..." -- 3 out of 4 stars USA Today "...Audacious action scenes....Rewind...to savor the stunt work..." -- Rating: B+ Entertainment Weekly "A virtually nonstop actioner that's heavy on imaginative destruction..." Variety "...BROKEN ARROW packs an impressive wallop....[With] killer special effects..." New York Times "...[Woo] is one of the most fluidly cinematic filmmakers working today, gifted with a thorough grasp of the mechanics of action..." Los Angeles Times0.1052348

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Rolling Stone (1/4/01, p.113) - Included in Rolling Stone's "Top 50 Albums of 2000".Rolling Stone (2/17/00, pp.53-4) - 3.5 stars out of 5 - "...[her] background in jazz, gospel, rock and r&b brings a deeply felt sonic futurism....this interplanetary power-girl mix sounds both danceably down-to-earth and shockingly new."Spin (2/00, p.109) - 6 out of 10 - "...Kelis is...a cool sound on an album full of them....[The album's] production standout is 'Mars' where the chorus impossibly melds slow keyboards, fast bully chants, stutter drums, and Kelis' angled wailings with lyrics that involve refusing to leave the planet..."Entertainment Weekly (1/7/00, p.68) - "...fleshes out her persona with petulant sass and roller-rink whimsy, pegging her romantic maturity halfway between Brandy and Mary J....what lingers are the minimalist staccato beats from production duo the Neptunes..." - Rating: B+Q (1/01, p.93) - Included in Q's "50 Best Albums of 2000" - "...Refreshing, vibrant and replete with futuristic flourishes..."Q (4/00, p.88) - 4 stars out of 5 - "...an inspired debut....[She] establishes herself as a solo artist with an album that packs punches of the Mike Tyson variety and oozes confidence from every beat..."CMJ (12/20/99, p.21) - "...one of the hottest R&B debuts of 1999....a full spectrum of moods and tempos...bound together by Kelis' reflective lyrics and the rubber soul production of the Neptunes..."Melody Maker (3/28/00, p.48) - 3 stars out of 5 - "...Pop's best mad psycho-bitch from hell. She does possess a demonic godzilla-with-toothache roar....brilliantly futuristic..."Mojo (Publisher) (5/00, p.96) - "...The producers possibly see themselves as the new Jimmy Jam-Terry Lewis. She is their Mary Davis. The material veers from hard looks at rocky relationships...to, oh dear, UFOs....Best track is 'Ghetto Children', a positive, uptempo song with catchy chorus, crisp rap and a strong echo of Stevie Wonder."NME (Magazine) (12/30/00, p.77) - Ranked #10 in NME's "Top 50 Albums Of The Year".NME (Magazine) (2/26/00, p.35) - 9 out of 10 - "...a futuristic, visionary, multi-layered work of R&B, funk, soul and rap, furnished with an inspirational, psychedelic spirituality, rarely seen but desperately needed in these cynical times....We need more like this."0.1015942

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Rolling Stone (p.83) - 4 stars out of 5 -- "[M]any of the best moments here are romantic....[such as] saxman Junior Walker's magnificent Top Five ballad 'What Does It Take'..."Mojo (Publisher) (p.121) - 5 stars out of 5 -- "The stories of Motown, pop music and the USA in 1969 are illuminated and inter-twined across six CDs."0.09021344

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Entertainment Weekly (11/13/98, pp.72-73) - "...for all TRACKS' padding, it is disarming to hear rock delviered with such unbridled earnestness and positive energy, gleefully drunk on its own power to elevate musicians and audiences alike...." - Rating: BQ (1/00, p.87) - Included in Q Magazine's "50 Best Albums of 1999."0.06993127

$39.71
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