the-blakes,Leaving Blake's (9781449091972), BLAKES'S 7 SERIES 2, BLAKES'S 7 SERIES 3, BLAKE'S 7 -SERIES 4, The Jungle Boy or, Sexton Blake's Adventures in India

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77.70596

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JazzTimes (p.59) - "Blake's writing favors a pop accessibility, as on 'Amuse Bouche'..."0.5334681

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"[A] mesmerizing dream of a film....One of this year's indisputably great films."New York Times "[U]ndeniably hypnotic..."Rolling Stone "LAST DAYS is a subversive piece of filmmaking....It'll stick in your head for a long while to come. Which is the point."Uncut "In LAST DAYS, the writer-director Gus Van Sant draws us into the illusion that we're seeing the druggy, blithering, zoned-out final days of a rock star very much like -- no, exactly like -- Kurt Cobain."Entertainment Weekly "Pitt bears a spooky resemblance to Cobain and captures some of his intense originality in demeanor....[The film] has a hypnotic quality."USA Today Ranked #6 in Uncut's Best Films Of 2005 -- "A bleak but brilliant study of the isolating nature of fame."Uncut "[C]inematographer Harris Savides is behind the camera, finding beautiful still-life tableaux in Blake's crumbling mansion."Sight and Sound "Occasionally sublime in its vivid long-take hypnotics and sonic soundscapes."Premiere0.4354731

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Down Beat (12/94, p.62) - 3.5 Stars - Good Plus - "...Jordan's tenor creates a fascinating fantasy of bop and swing inflections while Blake burrows into...cracks and crevices..."JazzTimes (9/94) - "...a very ambitious...session....eclectic materials...pop music curios...cohere into a programmatic unity through Blake's interpretative insights. This is an album with many highlights..."0.3334176

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Down Beat (pp.66-67) - 3 stars out of 5 -- "Blake's sound is warm and inviting in the first of the duos, "Please Be Kind,' and rises to some funky wailing on 'Atonement'..."JazzTimes (p.107) - "They take care to articulate each bar, and out of that precision comes the tension between parts that lends the feeling of urgency."0.3334176

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Down Beat (p.68) - 4 stars out of 5 -- "AMOR DE COSMOS captures every facet of Blake's significant talents, letting his improvisations, arrangements and compositions thrive on equal footing."JazzTimes (p.76) - "The music is typical of Blake, drawing on free improvisation, modern classical forms, backbeat funk, straightahead swing, calypso and whatever falls into the cracks separating those idioms."0.3334176

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Rolling Stone (p.75) - 3.5 stars out of 5 -- "Blake uses neosoul keyboards, blip beats and layered snips of his heart-starved warbling to create eerie, softly roiling slow-jams."Spin (p.75) - "Using lo-fi digital techniques to play up rough edges and raw emotion, Blake's rare talent is to make music so naked seem unshakable."Magnet (p.37) - Ranked #20 in Magnet's '20 Best Albums Of 2011' -- "His itchy productions were born with an innate sense of agitated drama, the tension that lies the shadows of a pregnant pause or fermata rest."The Wire (p.46) - "Blake is an instrumentalist, digital synthesist, producer and engineer too, and -- most crucially of all -- blurs the boundaries between these roles."CMJ - "[Blake] reaches unplumbed emotional depths using the mostly untapped potential of electronics to reach the soul."Q (Magazine) (p.113) - 4 stars out of 5 -- ""Blake has an uncanny ear for what to leave out, and how absence can play on the imagination."Paste (magazine) - "With a stripped-down, uncluttered sound, Blake's creations are hauntingly beautiful. His voice echoes soulfully throughout..."Clash (magazine) - "His are fragile, beautiful songs floating over warmly alien, sometimes seemingly formless musical structures yet it's an effort borne through unconventional levels of space and patience."Uncut (magazine) (p.98) - 4 stars out of 5 -- "Blake takes from dubstep an awareness of space and silence; he appreciates the power of a perfectly weighted pause."Uncut (magazine) (p.33) - Ranked #21 in Uncut's '50 Best Albums Of 2011' -- "Blake's debut album revealed him to be an innovative singer-songwriter....Spare, beat-strewn and strikingly plaintive."0.2887481

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Rolling Stone (p.75) - 3.5 stars out of 5 -- "Blake uses neosoul keyboards, blip beats and layered snips of his heart-starved warbling to create eerie, softly roiling slow-jams."Spin (p.75) - "Using lo-fi digital techniques to play up rough edges and raw emotion, Blake's rare talent is to make music so naked seem unshakable."Magnet (p.37) - Ranked #20 in Magnet's '20 Best Albums Of 2011' -- "His itchy productions were born with an innate sense of agitated drama, the tension that lies the shadows of a pregnant pause or fermata rest."The Wire (p.46) - "Blake is an instrumentalist, digital synthesist, producer and engineer too, and -- most crucially of all -- blurs the boundaries between these roles."CMJ - "[Blake] reaches unplumbed emotional depths using the mostly untapped potential of electronics to reach the soul."Q (Magazine) (p.113) - 4 stars out of 5 -- ""Blake has an uncanny ear for what to leave out, and how absence can play on the imagination."Paste (magazine) - "With a stripped-down, uncluttered sound, Blake's creations are hauntingly beautiful. His voice echoes soulfully throughout..."Clash (magazine) - "His are fragile, beautiful songs floating over warmly alien, sometimes seemingly formless musical structures yet it's an effort borne through unconventional levels of space and patience."Uncut (magazine) (p.98) - 4 stars out of 5 -- "Blake takes from dubstep an awareness of space and silence; he appreciates the power of a perfectly weighted pause."Uncut (magazine) (p.33) - Ranked #21 in Uncut's '50 Best Albums Of 2011' -- "Blake's debut album revealed him to be an innovative singer-songwriter....Spare, beat-strewn and strikingly plaintive."0.2887481

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0.2718425

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Down Beat (p.53) - 3 stars out of 5 -- "Bottom heavy -- with Michael Blake's bass clarinet and two grinding electric guitars joining Ben Allison's bass -- ACTION-REFRACTION shares a fondness for the forms and bombast of prog-rock with The Bad Plus."JazzTimes (p.53) - "A rewarding excursion, ACTION-REFRACTION allows us a glimpse into some of the songs and composers informing Allison's eclectic musical universe."0.2667341

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Down Beat (10/97, pp.50-51) - 4 stars (out of 5) - "...[Blake] proves to be a master of suspense. Sounding edgy and pensive, he keeps the listener on seat's edge with sudden but meaningful silences and eye-opening harmonies..."JazzTimes (8/97, p.115) - "...Blake proves himself to be a [Sarah] Vaughan connoisseur not just by tapping a lot of out-of-print albums for his program, but translating into pianistic terms how Vaughan made disparate materials... her own....UNMARKED VAN is a loving tribut to Vaughan, but ultimately, it is an even more poignant testament to Blake's artistry..."0.2667341

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Q (3/02, p.116) - 3 stars out of 5 - "...The sound of 2 virtuosos essaying such gorgeous melodies as 'Little Bessie' and 'Oklahoma Redbird' proves immensely rewarding as they exude dignity, harmony and ages past..."0.217474

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Rolling Stone (p.66) - 3.5 stars out of 5 -- "His immaculately arranged Americana is still as comfortable as an old cardigan, but now there's a hint of sunshine in the melodies..."Entertainment Weekly (p.68) - "HOLD TIME does, in fact, feel timeless, a musical wanderer's dusty, train-hopping tour through folk, blues and country." -- Grade: A-Alternative Press (p.107) - 4.5 stars out of 5 -- "[H]is sixth studio album comes teeming with lush compositions and fluttering melodies."CMJ - "[W]ith plenty of echoey, hushed ballads like 'Jailbird' that could only be called classic Ward."Billboard (p.33) - "From the shimmering, upbeat opener 'For Beginners' to the ominous instrumental 'Outro,' HOLD TIME highlights the full range of the singer/songwriters' styles."Q (Magazine) (p.105) - 4 stars out of 5 -- "[H]is most playful and eclectic yet, ranging from the Beach Boys-meets-ELO baroque pop of 'To Save Me' to the tear-stained and gin-soaked 'Oh Lonesome Me'..."Mojo (Publisher) (p.111) - 4 stars out of 5 -- "Bringing out the too-often buried pop nuances of his stylish songs and new invention from his under-rated guitar work, it's a stylistic cloth that Ward seems very comfortable wearing."Blender (Magazine) (p.64) - 3.5 stars out of 5 -- "He murmurs heartsick ballads while his acoustic guitar reflects the country-blues fatalism of John Fahey..."Paste (magazine) (p.53) - "'Jailbird' is quintessential Ward with string embellishment, 'To Save Me' rollicks fiercely, and the cover of Buddy Holly's 'Rave On' is splendid."Pitchfork (Website) - "With mixing and assistance from Saddle Creek mainstay Mike Mogis, plus strings by Peter Broderick, Ward keeps his voice sounding lo-fi even when the production is Phil Spector-sized."Record Collector (magazine) (p.105) - 4 stars out of 5 -- "Ward has refined his sound, embracing a lusher approach....HOLD TIME features a few tracks that almost verge upon glam, Beach Boys homages and moments of driving country-rock."0.217474

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Rolling Stone (9/18/03, p.70) - 4 stars out of 5 - "...Fittingly, she says goodbye with a lovely bouquet of songs....The album's pristine, spare sound emphasizes Norman Blake's masterful picking, daughter-in-law Laura Cash's haunting fiddle and June's signature autoharp strum..."Entertainment Weekly (9/12/03, p.152) - "...There's palpable joy in the way she and her supporting cast...breath life into these age-old country-folk songs, as if they're tugging at rapture and saness at the same time....As a posthumous release, it's almost too poignant to bear." - Rating A-Uncut (1/04, p.108) - 4 stars out of 5 - "WILDWOOD FLOWER is raw and achingly human."Dirty Linen (12/03, p.52) - "...WILDWOOD FLOWER serves as a poignant and beautiful coda to her fascinating musical life..."Mojo (Publisher) (12/03, p.108) - 5 stars out of 5 - "Humble, home-spun, deeply warm and honest, this record comes from a place where the idea of music as business simply doesn't exist."0.2000505

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Billboard (p.28) - "Sting recasts 'The Hounds of Winter' as a slow-mo bossa nova with percussion by Brazil's Cyro Baptista."Record Collector (magazine) (p.93) - 4 stars out of 5 -- "'It's a constantly enchanting set that addresses the spirit, solitude and reflective beauty of this time of year."0.1902898

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Spin - "The objective of their fandom is youthful enthusiasm, addressing grown-up concerns with forever-young pop-rock stylings."Billboard (p.33) - "Love's '60s pop obsessions, Blake's gift for harmonic invention, and McGinley's plain-spoken way with a lyric all come to the fore as each takes his turn at the mic..."Mojo (Publisher) (p.95) - 4 stars out of 5 -- "[T]he band's famed harmony is achieved with three distinct, mutually supportive songwriters in constant rotation."Mojo (Publisher) (p.52) - Ranked #37 in Mojo's "The 50 Best Albums Of 2010" -- "[G]orgeously classicist....Delightful."Paste (magazine) - "Long-running Scots deliver more pop purity....The pop landscape is littered with folks who wish they could deliver one or two tracks as good as the dozen found here."Pitchfork (Website) - "The lightly psychedelic 'Into the City' ebbs and flows through tides of phased guitar into an outro of soaring Beach Boys-worthy harmonies."Clash (magazine) - "[I]t's the chiming guitars and angelic harmonies that truly revitalise the soul. 'Shock And Awe,' replete with soaring guitar break, is a highlight."Uncut (magazine) (p.89) - 4 stars out of 5 -- "SHADOWS is full of drowsy sweetness and mellow doubt: the sound of a great group ageing gracefully."Uncut (magazine) (p.36) - Ranked #23 in Uncut's "The 50 Best Albums of 2010" -- "[G]raceful melancholy prevailed..."0.1667088

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Spin - "The objective of their fandom is youthful enthusiasm, addressing grown-up concerns with forever-young pop-rock stylings."Billboard (p.33) - "Love's '60s pop obsessions, Blake's gift for harmonic invention, and McGinley's plain-spoken way with a lyric all come to the fore as each takes his turn at the mic..."Mojo (Publisher) (p.95) - 4 stars out of 5 -- "[T]he band's famed harmony is achieved with three distinct, mutually supportive songwriters in constant rotation."Mojo (Publisher) (p.52) - Ranked #37 in Mojo's "The 50 Best Albums Of 2010" -- "[G]orgeously classicist....Delightful."Paste (magazine) - "Long-running Scots deliver more pop purity....The pop landscape is littered with folks who wish they could deliver one or two tracks as good as the dozen found here."Pitchfork (Website) - "The lightly psychedelic 'Into the City' ebbs and flows through tides of phased guitar into an outro of soaring Beach Boys-worthy harmonies."Clash (magazine) - "[I]t's the chiming guitars and angelic harmonies that truly revitalise the soul. 'Shock And Awe,' replete with soaring guitar break, is a highlight."Uncut (magazine) (p.89) - 4 stars out of 5 -- "SHADOWS is full of drowsy sweetness and mellow doubt: the sound of a great group ageing gracefully."Uncut (magazine) (p.36) - Ranked #23 in Uncut's "The 50 Best Albums of 2010" -- "[G]raceful melancholy prevailed..."0.1667088

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Down Beat (5/92, p.52) - 4 Stars - Very Good - "..The arrangements are inspired, the guitar execution exceptional.."0.1631055

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"...Striking black-and-white camera work..."Rolling Stone "...DEAD MAN looks beautiful....Neil Young's soundtrack has many moments of great beauty..."Sight and Sound "...A piquant humor and eccentric mood that brand it with the mark of one of America's most distinctive indie filmmakers..."Variety "...Sensational....The movie beautifully sustains a vision of the West as wild in the most primal and scary sense of the word..."New York Times "...Hilarious, silly, facetious, violent, mystical....DEAD MAN is finally a poignant lament for the cursed coming of the white man to the West..."Los Angeles Times0.1631055

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"Orlando Bloom is low-key bordering on recessive, in sync with the cool psychological thriller and its undercurrent of black comedy."Los Angeles Times0.1631055

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"Orlando Bloom is low-key bordering on recessive, in sync with the cool psychological thriller and its undercurrent of black comedy."Los Angeles Times0.1631055

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"Orlando Bloom is low-key bordering on recessive, in sync with the cool psychological thriller and its undercurrent of black comedy."Los Angeles Times0.1631055

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