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Rolling Stone (7/10-24/97, p.123) - 4.5 Stars (out of 5) - "...The Warhols are masters of the hypnotically droning riff delivered in waves of fuzz guitar and garage-band keyboards that recall everything from the Seeds and the Velvets to Stereolab and Spiritualized..."Q (12/00, p.142) - 4 stars out of 5 - "...If we'd had this lot in the '80s baggy may never have happened....with their audible commitment to UK drone-rock and their equal lust for tunes and fun..."Option (11-12/97, p.90) - "Like the milkshake on the menu that you know you don't need, The Dandy Warhols are good for some fleeting pleasure (even if you'll later be thinking you really shouldn't have indulged)..."70.78174

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Clash (magazine) (p.110) - "'The World The People Together (Come On)' is MOD-tastic, a hip swaying opener, while the guitar tortured solo in 'Now You Love Me' affirms The Dandy's as agreeable as ever."70.3601

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Billboard (p.44) - "ARE SOUND gets the swing and psychedelia that the Warhols originally intended."61.56509

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Rolling Stone (12/25/03, p.105) - Included in Rolling Stone's "50 Best Albums of 2003"Rolling Stone (9/4/03, p.144) - 3 stars out of 5 - "[Producer Nick] Rhodes does an admirable job of making the Dandies bounce instead of drone..."Q (01/01/04, p.76) - Ranked #34 in Q's "The 50 Best Albums of 2003" - "Stylish, kinky [and] genuinely soulful..."Uncut (6/03, p.100) - 4 stars out of 5 - "They could've been new rock messiahs, but chose to be pop-art prophets. It's arrogantly risky. That's their best feature. Still cool..."CMJ (8/4/03, p.6) - "The Dandy Warhols have taken their latest compositions and recast them in a brave new wave mold, bringing the synths out in force to push the old six-string sonics into the corner..."0.8462068

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Rolling Stone (12/25/03, p.105) - Included in Rolling Stone's "50 Best Albums of 2003"Rolling Stone (9/4/03, p.144) - 3 stars out of 5 - "[Producer Nick] Rhodes does an admirable job of making the Dandies bounce instead of drone..."Q (01/01/04, p.76) - Ranked #34 in Q's "The 50 Best Albums of 2003" - "Stylish, kinky [and] genuinely soulful..."Uncut (6/03, p.100) - 4 stars out of 5 - "They could've been new rock messiahs, but chose to be pop-art prophets. It's arrogantly risky. That's their best feature. Still cool..."CMJ (8/4/03, p.6) - "The Dandy Warhols have taken their latest compositions and recast them in a brave new wave mold, bringing the synths out in force to push the old six-string sonics into the corner..."0.7612936

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Alternative Press (1/96, p.74) - "...Put them in a room with the Dandy Warhols, and an old Bo Diddley album, and you'd never want to leave....it's not the method, it's the madness which counts, and Chrome Cranks are so far out to lunch they won't be back till past dinner..."0.7228137

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"[I]t invites those of us who aren't alt-rock obsessives into the hive, yet it never feels like a dilettante's tour....[The director] gets right up into the pores of the post-grunge demimonde." Entertainment Weekly "[The film] gives a cinema verite spin to the endlessly fascinating pop-music soap opera formula of VH1's 'Behind the Music.'"New York Times "DIG! is really about all the sad and funny things that happen at the intersection between art and commerce."Los Angeles Times "[A] fascinating, engaging rock documentary..."Chicago Sun-Times "[An] unflinching look at the rock world..." Rolling Stone "It contains enough brawls, drug busts an over-inflated egos to render SPINAL TAPE obsolete." Uncut "[A] gripping tragi-comedy and acerbic commentary on postmodern pop fame..." Sight and Sound "Seven years in the making, Ondi Timoner's ruthlessly cutthroat, sad and comic documentary makes essential viewing." Mojo Ranked #8 in Uncut's Best Films Of 2005 -- "All the conventions of rock'n'roll excess are summarily invoked." Uncut Ranked #2 in Entertainment Weekly's Top Ten DVDs Of The Year -- "[A] fascinating look at the struggling band's love-hate relationship with the more commercially successful Dandy Warhols." Entertainment Weekly0.6688568

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Q (Magazine) (p.98) - 3 stars out of 5 -- "Splicing garage rock with unashamed '80s synth-pop, it's full of gnomic weirdness and flirtation. Pop appeal comes with The Dandy Warhols-like 'Lovesick'..."Clash (magazine) (p.97) - "Black here returns for a record of unforeseen style mashing, thanks largely to '80s loving member (and partner) Violet Clark....[An] interesting direction..."Record Collector (magazine) (p.94) - 4 stars out of 5 -- "[A] brew that should please both Pixies' die hards and fans of Postal Service....PETITS FOURS is the most satisfying Francis-involved album since DOG IN THE SAND."0.4818758

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Entertainment Weekly (10/22/99, p.91) - "...suggests the series' emotional obsessions: from repressed anger...to glorious gloppy romanticism....wonderful voice-from-the-crypt melodrama." - Rating: B+Q (1/00, p.129) - 3 stars out of 5 - "...splices the theme music with selections from Hepburn, Garbage, The SUndays, Guided By Voices, rootsy country fiddle player Alison Krauss and various lesser-known names....It's not without a certain Gothic charm."Uncut (2/04, p.74) - 4 stars out of 5 - "Kicking off with The Breeders' blast at the theme tune, it rolls through the Dandy Warhols, Dashboard Prophets, Aimee Mann, The Devics and Laika. There are score fragments, too..."0.4818758

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Rolling Stone (6/6/02, pp.77-8) - 3.5 stars out of 5 - "...A magnificently hedonistic party album for extremely consenting adults..."Spin (6/02, pp.106-7) - 7 out of 10 - "...ON transforms the Teen into a paranoid, European version of the Cars..."Uncut (10/02, p.107) - 2.5 stars out of 5 - "...sounds like the Dandy Warhols freed from the rigours of coolness...refreshingly well-adjusted..."Alternative Press (5/02, p.90) - 7 out 10 - "...Offers tight musicanship, intimate lyrics and a wider sonic berth in comparison to indie pop's lyrically trite mistake celebrations..."Magnet (6-7/02, p.94) - "...Proves that great albums aren't a thing of the past..."CMJ (4/8/02, p.4) - "...A jumping-jacks-skipping-rope-romp replete with tweeny boy/girl vocals, winsome keyboards and infectious melodies..."0.4216413

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Rolling Stone (12/26/02, p.112) - Included in Rolling Stone's "50 Best Albums of 2002"Rolling Stone (7/25/02, p.73) - 3 stars out of 5 - "...A promising first effort...These four handsome Australian lads are doing a fine job of plundering decades worth of trashy-yet-tuneful American rock..."Q (12/02, p.69) - Included in Q Magazine's "50 Best Albums of 2002"Uncut (8/02, p.116) - 4 out of 5 - "...Striking a seam said to be equal parts Beatles and Nirvana...Despite pasty complexions and studio tan lines, these Vines will grow on you..."Alternative Press (8/02, p.86) - 8 out of 10 - "...It's rare for a band to channel the Velvet Underground, Nirvana, Dandy Warhols and the Beatles within the span of 45 minutes and sound unique, but the Vines have crept into that select category with HIGHLY EVOLVED."CMJ (6/24/02, p.12) - "...HIGHLY EVOLVED elevates you to a better place..."NME (Magazine) (7/6/02, p.24) - 9 out of 10 - "...Arty and hummable, gloomy but not scared of long, lazy afternoons in the sun, this album is the sort of shiver-down-the-spine debut that gets you thinking that if The Stokes were the John The Baptists of rock then just maybe..."0.3614069

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Rolling Stone (12/26/02, p.110) - Included in Rolling Stone's "50 Best Albums of 2002"Rolling Stone (10/02, p.72) - 3 stars out of 5 - "...Like Guided By Voices, the Soundtracks know where the good stuff is buried, and they charge it with new life..."Spin (1/03, p.72) - Ranked #30 on Spin's list of 2002's "Albums of the Year"Spin (11/02, p.122) - 9 out of 10 - "...A near-perfect vision of futures past..."Q (12/02, p.68) - Included in Q Magazine's "The 50 Best Albums of 2002."Q (1/02, p.107) - 4 out of 5 stars - "...Psychedelic whimsy turned into hard-rock bluster....re-creating the sound of rock's golden age...ransacking its melody library..."CMJ (9/30/02) - "...Amazingly fresh...fantastically new....it's here. It's now. These are the moments to live in."Mojo (Publisher) (3/02, p.114) - "...Fantastic...bringing to mind a roll-call of classic late-'60s acts. BTM is heavy with mellotrons, dulcimers, sitars and many, many electric guitars. It's a revelation, a psych-tinged collection of hard-rocking pop hooks played with irresistible force..."NME (Magazine) (1/19/02, p.28) - 9 out of 10 - "...A gloriously quixotic album which should endear them to anyone with a soft spot for rock's great gonzoid '60s iconographers: The Dandy Warhols, Monster Magnet and Oasis....they are the best post-everything six-piece space rock band in the history of the eardrum..."0.3011724

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0.2971958

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