the-end-142,Broken Flowers: Music from the Film, Evening Moods [CD] [1 disc], I Do Not Play No Rock 'n' Roll [Digipak], Sixty Six to Timbuktu [CD Boxset] [2 discs], Emotions [Mariah Carey] [074644798029]

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Entertainment Weekly (No. 838, p.142) - "Jim Jarmusch...has the magpie eye of a truly gifted song collector....Surprisingly sexy for a movie about middle-aged ennui." - Grade: A minus0.246458

$20.96
(0 reviews)

Rolling Stone (4/12/01, p.142) - 3 stars out of 5 - "...Easily Weir's most rewarding solo effort....the best tracks are simple and straight-forward yet played and arranged with imagination..."0.234964

$16.94
(0 reviews)

Q (7/96, p.142) - 4 Stars - Excellent - "...A master of many skills, McDowell was a magical performer, a thrilling bottleneck guitar player and a canny improviser with a penchant for plucking floating verses and weaving them into his performances. A true giant of his genre."Living Blues (p.72) - "[T]his album is an often-overlooked classic in electric blues."Living Blues (3-4/02, p.78) - "...His talents and charm shine through....the album features the original 9 songs with 5 bonus tracks tacked on the end..."0.1901978

$15.21
(0 reviews)

Rolling Stone (2/5/04, p.62) - 3 stars out of 5 - "SIXTY SIX makes a convincing case that Plant's artistry didn't end with Led Zeppelin....[T]he set finds Plant's expressive voice in fine form..."Q (1/04, p.142) - 3 stars out of 5 - "[I]t's on the patently Zeppelin-influenced 'Ship Of Fools' and 'Calling To You' that he really plays to his strengths."Mojo (Publisher) (12/03, p.132) - 4 stars out of 5 - "[A] crash-course in what it takes to become a golden god."0.1901978

$18.50
(0 reviews)

Q (10/99, p.142) - 3 stars out of 5 - "...EMOTIONS is a technically perfect example of mainstream R&B....sashays with the customary elegance of a multi-million dollar production, and Carey's pipes are...in fine fettle..."Stereo Review (1/92, p.77) - Performance "Fine singing" / Recording "Very good" - "...the lustrous texture of her voice, with its appealingly breathy quality, is enough to invite attention, but it is her startling high notes, far beyond the range of most vocalists, that inspire awe..."New York Times (Publisher) (9/15/91) - "...technically impressive and impassioned pop-gospel singing. Few vocalists in any musical genre have voices as flexible as Ms. Carey's nearly four-octave instrument..."0.1556254

$8.59
(0 reviews)

Rolling Stone (4/12/01, p.142) - 4 stars out of 5 - "...A splendidly untraditional traditional-blues album....sounding like a worthy companion to Bob Dylan's TIME OUT OF MIND....The 2 new Tom Waits songs are knockouts..."Q (5/01, p.110) - 4 stars out of 5 - "...A genuine revelation...Hammond savors every last low-life syllable of every spiked boho-spiel with top-dollar back-up....A rambunctious joy from beginning to end..."CMJ (3/12/01, p.28) - "...Hammond doesn't try to reinvent Waits' mule-boned wheel onthese 13 tunes, slathering on some extra greas licks here and there, but largely honoring the style of the originals performances..."JazzTimes (5/01, pp.117-8) - "...A potent brew and a great synthesis of 2 unique artists..."No Depression (5-6/01, p.123) - "...This veteran blues revivalist has a strong, vibrant tenor that gives these melodies a clarity and warmth Waits could never have produced..."Mojo (Publisher) (4/01, p.114) - "...The arrangememts have all the care-worn beauty you'd expect and, vocally, Hammond's classy singlemalt proves just as satisfying as Waits' rough-assed moonshine..."0.1426484

$7.99
(0 reviews)

Rolling Stone (10/31/02, p.136) - Ranked # 22 in Rolling Stone's "Women in Rock: The 50 Essential Albums"Rolling Stone (5/13/99, p.48) - Included in Rolling Stone's "Essential Recordings of the 90's."Spin (p.92) - "[S]he benefited from Prince's donation of 'Nothing Compares 2 U,' but her voice and attitude were undeniable."Spin (9/99, p.142) - Ranked #44 in Spin Magazine's "90 Greatest Albums of the '90s."Entertainment Weekly - "...a journey into unexplored country..." - Ranked as the #1 Album of 1990. - Rating: AQ (12/99, p.68) - Included in Q Magazine's "90 Best Albums Of The 1990s."Q - 4 Stars - Excellent - Ranked as the #5 Album of 1990.New York Times (Publisher) (12/30/90) - Rated #1 of the Top 10 Recordings of 1990.Pitchfork (Website) - "For many, of course, the album will always be about 'Nothing Compares 2 U'....You have to look pretty hard to find a better expression in pop music of the void that exists when a relationship ends."Record Collector (magazine) (p.90) - 4 stars out of 5 -- "[A] record that's at turns heavily political, personal, heartbreaking and joyous....Sinead's stunning vocal reaches its portentous zenith on the breathtaking title track..."0.1188736

$13.64
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Rolling Stone (10/31/02, p.136) - Ranked # 22 in Rolling Stone's "Women in Rock: The 50 Essential Albums"Rolling Stone (5/13/99, p.48) - Included in Rolling Stone's "Essential Recordings of the 90's."Spin (p.92) - "[S]he benefited from Prince's donation of 'Nothing Compares 2 U,' but her voice and attitude were undeniable."Spin (9/99, p.142) - Ranked #44 in Spin Magazine's "90 Greatest Albums of the '90s."Entertainment Weekly - "...a journey into unexplored country..." - Ranked as the #1 Album of 1990. - Rating: AQ (12/99, p.68) - Included in Q Magazine's "90 Best Albums Of The 1990s."Q - 4 Stars - Excellent - Ranked as the #5 Album of 1990.New York Times (Publisher) (12/30/90) - Rated #1 of the Top 10 Recordings of 1990.Pitchfork (Website) - "For many, of course, the album will always be about 'Nothing Compares 2 U'....You have to look pretty hard to find a better expression in pop music of the void that exists when a relationship ends."Record Collector (magazine) (p.90) - 4 stars out of 5 -- "[A] record that's at turns heavily political, personal, heartbreaking and joyous....Sinead's stunning vocal reaches its portentous zenith on the breathtaking title track..."0.1188736

$30.22
(0 reviews)

Rolling Stone (p.86) - 3.5 stars out of 5 -- "[H]is best new tracks are thrilling....Some of the up-tempo stuff flirts with mechanical muscle-flexing..."Rolling Stone (p.106) - Ranked #26 in Rolling Stone's "The Top 50 Albums Of 2006" -- "[O]ne of the year's most enduringly pleasurable hits."Entertainment Weekly (p.70) - "Superior tracks like 'LoveStoned' and 'What Comes Around,' suggest a happy middle path, where Timberlake can equally embrace Timbaland's canny beats and his own vocal helium."Entertainment Weekly (p.128) - Ranked #4 in Entertainment Weekly's "Top 10 Records Of 2006" -- "[T]he two Tims create a boldly forward-thinking soundtrack for nocturnal amusements like club cruising and rump shaking."Q (p.122) - Ranked #36 in Q Magazine's "100 Greatest Albums of 2006" -- "[A] hyper-confident mix of stripped-down R&B and '80s electro soul."Vibe (p.142) - "He's still got a lithe, lovely vocal instrument and a falsetto that evokes El DeBarge."Mojo (Publisher) (p.116) - 3 stars out of 5 -- "[The titles] leave no doubt as to the chief Timberlake brand value, and the louche synth funk and electro-flavoured R&B therein make a pretty seductive back-up argument."0.1159561

$7.53
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Spin (p.70) - "[T]he man's true genius was as an arranger, and his marvelously tricky blend of funk and Bacharach-like sophistication is in perfect balance here."Entertainment Weekly (10/12/01, p.36) - Ranked #40 in EW's "100 Best Movie Soundtracks" - "...A funkafied mama jama..."Entertainment Weekly (10/12/01, p.36) - Ranked #40 in EW's "100 Best Movie Soundtracks" - "...A funkafied mama jama..."Q (10/00, pp.142-4) - 4 stars out of 5 - "...It single-handedly enhanced the reputation of a stylish but dull feature, and helped give rise to an entire movie genre. The potency of that track...highlights Hayes; top-flight skills as a composer....its lasting impact is more obvious..."Q (10/00, pp.142-4) - 4 stars out of 5 - "...It single-handedly enhanced the reputation of a stylish but dull feature, and helped give rise to an entire movie genre. The potency of that track...highlights Hayes; top-flight skills as a composer....its lasting impact is more obvious..."Mojo (Publisher) (6/02, p.66) - Included in Mojo's "100 Coolest Movie Soundtracks".Mojo (Publisher) (11/99, p.132) - "...boasting Issac Hayes' brilliant score. The main theme proved unstoppable, an award-winner that resulted in countless similar funk fiestas..."Mojo (Publisher) (10/00, p.100) - "...The melodramatic strings, sleazy horns and wacca-wacca guitars are all present, but it still feels as ersatz as an old Top Of The Pops compilation album..."Mojo (Publisher) (6/02, p.66) - Included in Mojo's "100 Coolest Movie Soundtracks".Mojo (Publisher) (11/99, p.132) - "...boasting Issac Hayes' brilliant score. The main theme proved unstoppable, an award-winner that resulted in countless similar funk fiestas..."Uncut (magazine) (p.88) - 3 stars out of 5 -- "[T]he ghetto lament 'Soulsville' and the symphonic chill of 'Do Your Thing' endure as exemplars of '70s soul."0.1146737

$13.88
(0 reviews)

Rolling Stone (p.86) - 3.5 stars out of 5 -- "[H]is best new tracks are thrilling....Some of the up-tempo stuff flirts with mechanical muscle-flexing..."Rolling Stone (p.106) - Ranked #26 in Rolling Stone's "The Top 50 Albums Of 2006" -- "[O]ne of the year's most enduringly pleasurable hits."Entertainment Weekly (p.70) - "Superior tracks like 'LoveStoned' and 'What Comes Around,' suggest a happy middle path, where Timberlake can equally embrace Timbaland's canny beats and his own vocal helium."Entertainment Weekly (p.128) - Ranked #4 in Entertainment Weekly's "Top 10 Records Of 2006" -- "[T]he two Tims create a boldly forward-thinking soundtrack for nocturnal amusements like club cruising and rump shaking."Q (p.122) - Ranked #36 in Q Magazine's "100 Greatest Albums of 2006" -- "[A] hyper-confident mix of stripped-down R&B and '80s electro soul."Vibe (p.142) - "He's still got a lithe, lovely vocal instrument and a falsetto that evokes El DeBarge."Mojo (Publisher) (p.116) - 3 stars out of 5 -- "[The titles] leave no doubt as to the chief Timberlake brand value, and the louche synth funk and electro-flavoured R&B therein make a pretty seductive back-up argument."0.105988

$7.98
(0 reviews)

Rolling Stone (p.99) - 4 stars out of 5 - "Even the ballads bristle with force. As these thirteen songs rattle and rumble along, it's easy to miss their depth, their incisive mapping of the places where love, obsession and anger intersect."Rolling Stone (p.142) - Included in Rolling Stone's Top 50 Records Of 2004 - "Costello's best full-on rock album since BLOOD AND CHOCOLATE..."Uncut (p.104) - 3 stars out of 5 - "[T]his is a strong and lusty country-punk album placing him in Tom Waits or Neil Young territory....He hasn't sounded this energized for years."Uncut (p.76) - Ranked #34 in Uncut's "Best New Albums of 2004" - "A strong country influence with lots of steel guitar..."CMJ (p.5) - "[I]t's done right....Elvis welcomes guest Emmylou Harris and Lucinda Williams to add the heartbreak you can only get from male/female vocal interplay."Mojo (Publisher) (p.62) - Ranked #41 in Mojo's "100 Modern Classics" -- "A fun Costello album? You're looking at it."Mojo (Publisher) (p.97) - 5 stars out of 5 - "So: songs terrific, band sensational, and - big plus - Costello's voice late-developing way beyond that pinched whine into an instrument of substance and character."0.101004

$18.77
(0 reviews)

Rolling Stone (pp.67-68) - 4 stars out of 5 - "The rhythmic jolt makes the malaise more compelling and complex, with enough playful musical wit to hint at a next step....On GUERO, he finds a way to revitalize his musical imagination..."Spin (p.64) - Ranked #11 in Spin's "40 Best Albums Of 2005" - "Los Angeles plays itself: the noise of traffic, boom boxes, curbside Spanglish, mariachi music -- the sound of what it's like to be an outcast even in an outsider's hood."Spin (pp.97-98) - "[A] return to his most popular trick: digging up cool grooves and noises from far-flung neighborhoods and throwing a party where the whole city can get down and make out." - Grade:BEntertainment Weekly (p.140) - Ranked #2 in Entertainment Weekly's 'Top Ten Records of the Year' -- "[H]e's learned that kaleidoscopic music that digs deep into blues, bossa nova, and electro keeps everything marvelously grounded too."Entertainment Weekly (No. 813, p.66) - "[GUERO] is the first record on which the many moods and sides of Beck co-exist, and it's about time." - Grade: A-Uncut (p.100) - 4 stars out of 5 - "Here, again, is where fat dusty beats meet keening bottleneck scrapes....As another installment in the guy's ongoing dialectics, it's as welcome as anything he's done."Alternative Press (p.132) - 5 out of 5 - "'Rental Car' has a dilapidated bass line that's White Stripes-worthy....And let's not overlook 'Hell Yes,' which brings Beck together with Neptunes-ish beats for a broken hip-hop revival. Long live the king of hip."Magnet (p.85) - "Remarkably, the shifts in tone and mood only serve GUERO in the end, proof that stepping back to enjoy the broad picture can be just as rewarding as focusing on one detail at a time."Vibe (p.142) - "[E]ssentially a sequel to his '96 sample-heavy opus."Mojo (Publisher) (p.92) - 3 stars out of 5 - "'Missing' with wistful melody, swooping Melody Nelson strings, beautifully minimal bass and bossa nova guitar, is a jewel that takes Beck's sonic kleptomania to a new realm."0.09509892

$7.16
(0 reviews)

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