76.30211
$9.67
55.47156
$8.44
55.47156
$11.84
55.47156
$13.01
55.47156
$8.27
47.06918
$15.44
44.37725
$73.10
44.37725
$9.99
44.37725
$7.58
44.37725
$6.98
38.83009
$8.04
38.83009
$15.17
38.83009
$8.14
Rolling Stone (12/23/93, p.148) - "...WALK RIGHT BACK is hardly the definitive Everly Brothers anthology, since it doesn't pick up the thread until 1960 and `Cathy's Clown,' but it does offer an overview of their largely forgotten '60's output...."Q (10/96, p.180) - 3 Stars - Good - "Being a star name of the 1950s proved to be a handicap in the novelty-obsessed 1960s....the public tired of them, which was cruel, given how much the Brothers' country-pop harmonies shaped the sound of...The Beatles. Most of what's on here is good and deserves a wider hearing..."33.68526
$13.22
33.28294
$8.25
33.28294
$15.29
33.28294
$13.76
33.28294
$13.78
33.28294
$11.24
33.28294
$13.46
33.28294
$6.61
33.28294
$8.08
33.28294
$15.25
33.28294
$14.90
33.28294
$15.03
33.28294
$9.80
33.28294
$8.67
33.28294
$7.13
27.73578
$9.93
27.73578
$23.96
27.73578
$8.84
27.73578
$5.38
27.73578
$9.36
27.73578
$14.06
Record Collector (magazine) (p.81) - 4 stars out of 5 -- "IT'S EVERLY TIME is a cracking harmony fest....The real ace in the pack, however, is 1968's ROOTS, a country-rock classic..."19.53715
$22.38
Mojo (Publisher) (p.120) - 4 stars out of 5 -- "Best Track award is a toss up between The Everly Brothers' dreamy, seductive take on Jack's old roomie's 'Mr. Soul' or the jaw-dropping collaboration between John Lee Hooker, Taj Mahal and Miles Davis..."1.197915
$18.10
Mojo (Publisher) (p.91) - 4 stars out of 5 -- "LONG WAVE's fat-free 27 minutes include re-creations of The Everly Brothers' 'So Sad' and Roy Orbison's 'Running Scared'..."1.045281
$46.92
Spin (p.80) - "TWO MATCHSTICKS evoke the Everly Brothers' sibling intimacy..."Alternative Press (p.112) - 4 stars out of 5 -- "[G]ently simmering music that takes the hollow-bodied pulse of '50s country and rockabilly and gives it an internal structure borne of indie pop, Tropicalia and the echoes of post-punk."Pitchfork (Website) - "[The songs are] lessons of life and love conveyed in clear, unadorned language."0.8710678
$13.56
Rolling Stone (1/10/91) - "...it's an album of pure pop songs informed by the duo's mutual affection for Roy Orbison, the Everly Brothers and the Beatles..."0.8046579
$6.85
Spin (p.77) - "The whole thing breezes along like an afternoon at a pub where the oldies-laden jukebox takes you from Everly Brothers despair to island escape."0.8046579
$12.93
Entertainment Weekly (6/16/95, p.60) - "The Beatles/Squeeze/Crowded House influences still haunt Phil Solem and Danny Wilde, whose voices blend with Everly Brothers ease. Their third album bursts with chewable confections..." - Rating: B-0.7040757
$8.71
Mojo (Publisher) (p.99) - 4 stars out of 5 -- "[T]hough there's cheer in his acoustic plus brushed drums rock'n'roll or Tex-Mex rhythms, his voice delivers a muscular melancholy matched by often startling mysterious-to-surreal lyrics."Uncut (magazine) (p.92) - 3 stars out of 5 -- "[The highlight] is 'Oh, What A Time!', which finds Zach and Josh harmonising like The Everly Brothers."0.5029112
$13.76
Mojo (Publisher) (p.57) - Ranked #9 in Mojo's "The 50 Best Albums Of 2010" -- "[S]trong melodies were cloaked in shimmering guitars and sun-kissed harmonies..."Record Collector (magazine) (p.80) - 4 stars out of 5 -- "A thing of true wonderment, it's shimmering, beatific multi-coloured coats of guitars and vocal harmonies -- think The Everly Brothers, Byrds, Crosby, Stills & Nash -- dress songs that primarily concern themselves with the demystification process."0.402329
$13.07

Rolling Stone (5/13/99, p.58) - Included in Rolling Stone's "Essential Recordings of the 90's."Rolling Stone (10/29/92, p.70) - 3.5 Stars - Good Plus - "...their definitive statement...when Louris's and Olson's voices rise together, the resulting magic somehow seems like nothing you've heard before...this album is as raggedly beautiful as any in recent memory..."Spin (7/92, p.75) - Highly Recommended - "...The songs on HOLLYWOOD TOWN HALL are simplistic, yet rich with enlightened comments about everyday life...countrified guitar work and heart-wrenchingly beautiful melodies make every song sound sad..."Entertainment Weekly (1/7/93, p.124) - Ranked #9 in Entertainment Weekly's list of the Top 10 Albums Of 1992 - "...Imagine a hearfelt combination of Gram Parsons, the Everly Brothers, and Neil Young's six-string..." Alternative Press (3/01, p.104) - Included in A.P.'s "10 Essential Alt-Country Albums".Entertainment Weekly (9/25/92, p.66) - "...[an] effortless mix of sawdust harmonies and craggy electric guitars...sounds like the Everly Brothers backed by the Rolling Stones during their DEAD FLOWERS era..." - Rating: AQ (9/00, p.135) - Included in Q's "Best Alt.Country Albums Of All Time"Q (6/00, p.126) - 3 stars out of 5 - "...The warm country rock of Gram Parsons and The Flying Burrito Brothers filtered through the mesh of indie attack from years in the scene that spawned Husker Du..."Alternative Press (2/93, p.51) - "...If wearing your older brother's boots from the '70s is your thing, then the Jayhawks truly deliver...the Jayhawks generate the harmonica, steel-guitar, horse-riding thing so passionately you might relinquish the present angst for a dose of the feel-good past..."Village Voice (3/2/93, p.5) - Ranked #15 in the Village Voice's list of the 40 Best Albums Of 1992.Stereo Review (2/93, pp.120-121) - "...the songs flow effortlessly and easily, establishing a comfortable familiarity on first hearing and wearing well....HOLLYWOOD TOWN HALL is a tunefully melancholy place worth visiting over and over..."Audio Magazine (1/93, p.152) - "...The country-tinged rock of the Jayhawks is both ingenious and unaggressive...this just makes the band more likable, as it emphasizes the high-quality songwriting..."Reflex (11/10/92, p.71) - "...While the merging of country and rock is often a shaky union, on HOLLYWOOD TOWN HALL, The Jayhawks show the two can exist in perfect harmony..."Stereophile (12/92, pp.263-265) - "...the Jayhawks are no retro band, and I hear neither condescending contempt nor fawning reverence in this remarkable album...If Gram Parsons was still alive, he'd be proud just to be in this band..."Mojo (Publisher) (p.112) - 4 stars out of 5 -- "[I]t's the core band that shines brightest on HOLLYWOOD TOWN HALL....Louris's guitar, fed through a Fuzz Face pedal, screams even on the 'quiet' numbers."NME (Magazine) (10/3/92, p.37) - 7 - Good - "...their music feels timeless...there's plenty to admire...the road to nowhere still sounds like a cool place to be..."Record Collector (magazine) (p.92) - 4 stars out of 5 -- "[A] magnificently layered set of songs, rich in melodic twists and densely-constructed musical ideas..."Uncut (magazine) (p.97) - 4 stars out of 5 -- "The Mark Olson/Gary Louris songwriting team takes full flight on HOLLYWOOD, mixing spiky Crazy Horse guitars, creamy Everly Brothers harmonies, and a soulful, pensive undertow..."0.3048737
$17.96

Rolling Stone (5/13/99, p.58) - Included in Rolling Stone's "Essential Recordings of the 90's."Rolling Stone (10/29/92, p.70) - 3.5 Stars - Good Plus - "...their definitive statement...when Louris's and Olson's voices rise together, the resulting magic somehow seems like nothing you've heard before...this album is as raggedly beautiful as any in recent memory..."Spin (7/92, p.75) - Highly Recommended - "...The songs on HOLLYWOOD TOWN HALL are simplistic, yet rich with enlightened comments about everyday life...countrified guitar work and heart-wrenchingly beautiful melodies make every song sound sad..."Entertainment Weekly (1/7/93, p.124) - Ranked #9 in Entertainment Weekly's list of the Top 10 Albums Of 1992 - "...Imagine a hearfelt combination of Gram Parsons, the Everly Brothers, and Neil Young's six-string..." Alternative Press (3/01, p.104) - Included in A.P.'s "10 Essential Alt-Country Albums".Entertainment Weekly (9/25/92, p.66) - "...[an] effortless mix of sawdust harmonies and craggy electric guitars...sounds like the Everly Brothers backed by the Rolling Stones during their DEAD FLOWERS era..." - Rating: AQ (9/00, p.135) - Included in Q's "Best Alt.Country Albums Of All Time"Q (6/00, p.126) - 3 stars out of 5 - "...The warm country rock of Gram Parsons and The Flying Burrito Brothers filtered through the mesh of indie attack from years in the scene that spawned Husker Du..."Alternative Press (2/93, p.51) - "...If wearing your older brother's boots from the '70s is your thing, then the Jayhawks truly deliver...the Jayhawks generate the harmonica, steel-guitar, horse-riding thing so passionately you might relinquish the present angst for a dose of the feel-good past..."Village Voice (3/2/93, p.5) - Ranked #15 in the Village Voice's list of the 40 Best Albums Of 1992.Stereo Review (2/93, pp.120-121) - "...the songs flow effortlessly and easily, establishing a comfortable familiarity on first hearing and wearing well....HOLLYWOOD TOWN HALL is a tunefully melancholy place worth visiting over and over..."Audio Magazine (1/93, p.152) - "...The country-tinged rock of the Jayhawks is both ingenious and unaggressive...this just makes the band more likable, as it emphasizes the high-quality songwriting..."Reflex (11/10/92, p.71) - "...While the merging of country and rock is often a shaky union, on HOLLYWOOD TOWN HALL, The Jayhawks show the two can exist in perfect harmony..."Stereophile (12/92, pp.263-265) - "...the Jayhawks are no retro band, and I hear neither condescending contempt nor fawning reverence in this remarkable album...If Gram Parsons was still alive, he'd be proud just to be in this band..."Mojo (Publisher) (p.112) - 4 stars out of 5 -- "[I]t's the core band that shines brightest on HOLLYWOOD TOWN HALL....Louris's guitar, fed through a Fuzz Face pedal, screams even on the 'quiet' numbers."NME (Magazine) (10/3/92, p.37) - 7 - Good - "...their music feels timeless...there's plenty to admire...the road to nowhere still sounds like a cool place to be..."Record Collector (magazine) (p.92) - 4 stars out of 5 -- "[A] magnificently layered set of songs, rich in melodic twists and densely-constructed musical ideas..."Uncut (magazine) (p.97) - 4 stars out of 5 -- "The Mark Olson/Gary Louris songwriting team takes full flight on HOLLYWOOD, mixing spiky Crazy Horse guitars, creamy Everly Brothers harmonies, and a soulful, pensive undertow..."0.3048737
$10.53
0.3021994
$5.27
Rolling Stone (p.76) - 3 stars out of 5 -- "The Everly Brothers-style 'What a Little Bit of Love Can Do' is the highlight, a pep-talk-turned-come-on from an earthy singer as affable as his film characters."Rolling Stone (p.90) - 4 stars out of 5 -- "Best of all is the broken heart lament 'Nothing Yet,' penned by the late Stephen Bruton, responsible for much of the CRAZY HEART soundtrack..."Spin (p.80) - "[W]hen the pieces come together -- as on laid-back, folksy charmers like 'Everything but Love' and 'Maybe I Missed the Point' -- the result is as comfortable and unpretentious as the Dude's bathrobe."Uncut (magazine) (p.81) - 4 stars out of 5 -- "The recording, executed by producer T Bone Burnett, is warmly dedicated in the old-school analogue sense, and Bridges gives a characteristically convincing performance..."0.3017467
$13.44
0.2643694
$14.93