the-museum,Sound Museum, Museum of Heart, The Dinosaur Museum [9781426303357], Touch in Museums, The Night at the Museum

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Rolling Stone (3/5/98, p.70) - 3.5 Stars (out of 5) - "...[mixes] international sounds into his light, delicate style of headphone techno....SOUND MUSEUM offers a slick flow of samba, robotic disco, jazz fusion and a dash of hip-hop..."Entertainment Weekly (2/20-2/27/98, p.116) - "The second solo joint from Deee-Lite's former DJ showcases the same bounce and song sense that made the group's `Groove Is In The Heart' irresistible. Jazzy hip-hop, fizzy house, even Indonesian gamelan inform the mix..." - Rating: A-Musician (5/98, pp.88-89) - "...Towa dabbles with a range of styles--from old school hip-hop and bossa-nova to contemporary R&B and house....he holds it together with subtle, funky grooves and lush production..."87.91697

$13.64
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Entertainment Weekly (10/29/93, p.75) - "...[MUSEUM OF THE HEART is] mesmerizing and haunting..." - Rating: A63.24141

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Mojo (Publisher) (2/04, p.114) - 4 stars out of 5 - "[W]ith exhilarating raw soul vocal interludes courtesy of Betty Barney, it's all essential rip roaring stuff."50.01905

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BOOK REVIEWS COMING SOON!!!!43.76667

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The Beat (V.16 #3 1997, pp.74-76) - "...We are allowed to hear the origins of pop music chestnuts such as "The Lion Sleeps Tonight" and "La Bamba"....There are [25] tracks on the album. As one has come to expect of Conte's franchise, they are all gems."37.51429

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31.26191

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The Beat (V.16 #3 1997, pp.74-76) - "...the voltage surges when one encounters a surprise on the order of the piano(!), oud and violin ensemble behind Tunisia'a Dalila Taliana....MUSIC OF NORTH AFRICA restores the sensual glory to a fading repertoire."31.26191

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Musician (3/96, p.94) - "...collect[s] field recordings from around the globe waxed at a time when the twentieth century had barely begun to intrude on indigenous musics..."Village Voice (2/20/96) - Tied for #2 on the Compilations list of Village Voice's 1995 Pazz & Jop Critics' Poll.31.26191

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Musician (3/96, p.94) - "...collect[s] field recordings from around the globe waxed at a time when the twentieth century had barely begun to intrude on indigenous musics..."31.26191

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31.26191

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23.3654

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Entertainment Weekly (12/10/93, p.78) - "...some of the wildest, most twisted dance music of the 20th century...these 78s are way too sprightly and silly to be moldy museum pieces..." - Rating: A+0.3992803

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JazzTimes (8/97, p.103) - "...Here [Ehrlich] gets to flex his creativity alongside Abrams on a Brooklyn Museum outdoor concert. One of the finer aspects of this date is the framework it offers for Abrams the pianist, free of the arduous responsibilites of composing for large ensemble..."0.3422402

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"Tom Tykwer's glossy, high finance conspiracy thriller is a spectacular looking film with an unsettling intensity."Hollywood Reporter "THE INTERNATIONAL gets high marks for timeliness....It's a well-made and handsome drama....Clive Owen does a fine job..."USA Today 3 stars out of 4 -- "The movie has a scene in it Hitchcock might have envied, a gun battle ranging up and down the ramps of the Guggenheim Museum in New York....The visuals are terrific..."Chicago Sun-Times "Shot by Tykwer's usual cinematographer Frank Griebe, THE INTERNATIONAL exhibits noticeable visual style as it gallivants around the world, and it also has some solid action sequences."Los Angeles Times "THE INTERNATIONAL is in many ways a throwback to the monochrome urban thrillers of the 1970s, with the added topical twist of having a diabolical financial institution at its center....The compulsively watchable Owen makes for an ideal leading man..."Washington Post 4 stars out of 5 -- "[I]n Tykwer's assured hands, and boasting dazzling photography, THE INTERNATIONAL rises tot he top of the espionage pile."Total Film "Owen supplies the needed center of gravity....Owen has proved himself the thinking man and woman's action hero, serving up brains and brawn in a hypnotic wrapper."Rolling Stone "Both Watts and Owen give solid performances as determined investigators, but it's the chemistry between them that makes the whole thing work."Premiere "[T]he star of the pic may well be NYC's Guggenheim Museum and Istanbul's Grand Bazaar, both of which figure in cool action chase sequences that pay handsome dividends."Entertainment Weekly0.331763

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"...Great fun..."Los Angeles Times "[O]ne of the most popular 3-D movies..."USA Today "[W]ith Vincent Price on fine form as a mutilated, murderous maniac..."Uncut0.2703996

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Rolling Stone (9/30/99, p.87) - 3 stars out of 5 - "...surround-sound arena rock, a collection of smart arrangements brimming with evocative lines and hard-to-shake choruses..."Spin (11/99, p.194) - 8 out of 10 - "...the last native tongue of a museum tribe: guitar-scored elaborations on a lost theme, lovely as they are irrelevant...utterly pleasurable because the stakes are so low you can't get under them....It's just music. Exactly. Copacetic. Poignant."Alternative Press (10/99, p.80) - 3 out of 5 - "...long rumored as heir to [Kurt] Cobain's throne....AUGUST EVERYWHERE proves [Jordon Zadorozny] has the musical chops for the role..."0.2281602

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Living Blues (9-10/95, pp.75-77) - "...The blend of classic and original material makes for an interesting program, and the arrangements make the appropriate bow to the Horns' Stax/Memphis roots without sounding like museum pieces. If you like Memphis soul music from back in the days when a horn section still meant something, this is a disc to get."Jazziz (10/95, p.98) - "...gutbucket blues magic....new energy to works by Otis Redding, Al Green, and Sam Cooke, among others....enough heat to warm the coldest regions of the planet..."0.2281602

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BOOK REVIEWS COMING SOON!!!!0.2207803

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Q (p.125) - 4 stars out of 5 -- "[The] album zeroed in on every angsty adolescent's desire to feel heroic, with a sound of spotlit, spacious sophistication plus anthemic choruses you'd bet your house on."Q (7/99, pp.130-1) - 3 stars (out of 5) - "...launched the 'duo' onto the world stage....were it not for the skyscraping 'Shout', the always-uplifting 'Everybody Wants To Rule The World' and the mighty 'Head Over Heels', this would possess museum value only..."Q (7/99, pp.130-1) - 3 stars (out of 5) - "...launched the 'duo' onto the world stage....were it not for the skyscraping 'Shout', the always-uplifting 'Everybody Wants To Rule The World' and the mighty 'Head Over Heels', this would possess museum value only..."CMJ (1/6/03, p.14) - Included in CMJ's list of "Top 25 College Radio Albums of All Time"CMJ (1/5/04, p.16) - Ranked #1 in CMJ's "Top 20 Most-Played Albums of 1985"CMJ (1/6/03, p.14) - Included in CMJ's list of "Top 25 College Radio Albums of All Time"CMJ (1/5/04, p.16) - Ranked #1 in CMJ's "Top 20 Most-Played Albums of 1985"Mojo (Publisher) (p.115) - 4 stars out of 5 -- "'Everybody Wants To Rule The World''s lens flare and Robert Wyatt homage 'I Believe' prove durable."0.201667

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Rolling Stone (12/29/94-1/12/95, p.181) - "...Junior Kimbrough is the blues at its rawest....Chulahoma, Miss., is home to Kimbrough, and only that kind of harsh, lush ancient South could spawn these blues. An electric outfit, the Soul Blues Boys power charge [the music]..."Option (11-12/94, p.125) - "...The grooves...here are so sweet and thick it's amazing they can make it through the speaker cones....These are the blues, not as sanitized pop fare or dusted-up museum pieces..."Living Blues (9-10/94, p.64) - "...may be the most primal sound anywhere... relentless and intense...pre-shuffle, modal electric blues, the roots of the root....as a document of some of the most unfettered and emotionally honest blues...today, this disc is indispensable..."0.1996401

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0.1839836

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Rolling Stone (10/14/99, pp.125-6) - 3 stars out of 5 - "...SHOWBIZ is no maverick masterstroke, but it is passionate and loud and also unexpectedly gentle - a great first shot from three guys barely old enough to drink on their U.S. tour."Entertainment Weekly (10/1/99, p.75) - "...the trio's dark, complex sound, kick-ass musicality...and hook-laden songs...combine to make SHOWBIZ one of the more compelling rock records of the year." - Rating: B+Q (1/01, p.92) - Included in Q's "50 Best Albums of 2000" - "...The best rock debut in years..."Mojo (Publisher) (11/99, p.100) - "There's no getting around it, Muse sound...a lot like Radiohead....In the end it comes down to songs, and there's a lot of strong ones here..."0.1839836

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Q (10/01, p.128) - 3 stars out of 5 - "...Superbly idiosyncratic stuff..."CMJ (8/27/01, p.12) - "...Lyrically and musically over the top....strangely beautiful..."0.1839836

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Entertainment Weekly (10/30/92, p.87) - "...much like the sound Weller explored with his late-'80s group, Style Council, only now with a high spark..." - Rating: A-Musician (10/92, p.100) - "..a full-out homage to late-'60s/early-'70s soul...dreamy...What's really striking about this record is how improved Weller's vocals sound..."Q (Magazine) (p.131) - 3 stars out of 5 -- "[Weller's] solo debut...pulling together influences as diverse as Curtis Mayfield and Traffic..."Record Collector (magazine) (p.96) - 5 stars out of 5 -- "Weller wrote songs which displayed a youthful vigour and musical vitality he has rarely bettered....A quiet classic..."0.1839836

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CMJ (p.4) - "Valentine's voice clips and distorts as frequently as her wall of amps, making this a rare band that can walk the fine line between metal and pop."Kerrang (Magazine) (p.48) - "[A] dense, fuzzy and often additively sludgy third album..."0.1839836

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