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100+ Items Found For the ocean blue (showing top 100 results)

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Magnet (p.106) - "The propulsive, Bunnymen-like 'Between Something And Nothing' and sax-driven Haircut 100-alike 'Drifting, Falling' made the Ocean Blue instant darlings of the college-radio (scene)..."71.80923

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0.1402794

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0.1402794

$19.95
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Uncut (p.79) - 4 stars out of 5 -- "Stephen Fellows' lyrics were brilliant with existential suggestion."0.1122235

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0.1122235

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Q - 4 Stars - Excellent0.1122235

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0.09819556

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0.05611175

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38.44087

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38.36342

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Rolling Stone (5/14/98, p.57) - 3.5 Stars (out of 5) - "...Because OCEAN SONGS moves like sweet lava...it is easy to overlook the emotional, transportive force of Dirty Three's instrumental, scorched cabaret blues....pulls you into its deep, blue mood, lifts you out and leaves you cleansed."Entertainment Weekly (4/3/98, p.97) - "...This trio's impressionistic instrumental reveries are positively mesmerizing....it's really all about the way violinist Warren Ellis draws out gorgeous, droning melody lines while guitarist Mick Turner and drummer Jim White fill in the blanks behind him."- Rating: A-Uncut (p.102) - 4 stars out of 5 -- "[I]ts violin-and-piano moods are beautifully shaded and its sadness elegantly expressed."Magnet (p.116) - "[S]low, brooding and hypnotic."Option (5-6/98, p.83) - "...[violinist Warren Ellis] can draw you into his world with or without his fiddle..."Mojo (Publisher) (p.123) - 4 stars out of 5 -- "OCEAN SONGS is an album of spume-flecked, salt-gilled melancholy."NME (Magazine) (3/28/98, p.40) - 8 (out of 10) - "...OCEAN SONGS...further serves to underline their unique talent for making furiously emotional music....the songs here are submerged in quiet repetition and crashing melancholy..."30.93669

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30.78522

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Q (2/96, p.104) - 3 Stars (out of 5) - "...closed the chapter on Clapton as guitar hero and opened a new one as a hitmaker with a more relaxed and commercial style..."Uncut (p.172) - 4 stars out of 5 - "[T]he 1974 album on which Clapton rediscovered the primacy of music in his life. The result was a joyous collection..."Mojo (Publisher) (p.119) - 4 stars out of 5 - "A form-finding set, comedown as comeback."30.69752

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Uncut (1/03, p.97) - Included in Uncut's "100 Best Albums of the Year"Mojo (Publisher) (2/02, p.90) - "...Masterfully assured skittering lounge-funk..."NME (Magazine) (2/9/02, p.37) - 7 out of 10 - "...Holmes' propensity for crate-digging is well-documented and this score simmers with dusty-fingered enthusiasm..."30.69168

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26.95052

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26.86168

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Entertainment Weekly (4/25/97, p.72) - "...arrives on her alt-folk-rock debut armed with dark, poetic lyrics about betrayal, redemption, and the damage caused by long-held secrets....One of the year's most haunting surprises."- Rating: A20.39933

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16.52319

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14.19549

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Q (11/03, p.130) - 4 stars out of 5 - "...Coltrane's first significant release as a group leader still impresses with its uninhibited energy nearly 46 years on..."JazzTimes (9/97, p.87) - "THE ULTIMATE BLUE TRAIN...lives up to its name.... The sound is better than on the album's previous incarnations. Previously unreleased takes of `Lazy Bird' and the title tune significantly flesh out the record of this historic session..."11.72614

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10.23528

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10.22393

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Living Blues (6/03, p.81) - "...Roomful of Blues manage to deliver hard-hitting jump blues with the same flair that marked their debut - 17 albums later..."9.740724

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Spin (p.82) - "[A] thrilling, hyperpercussive collection of laptop ditties mixes so cleverly that they'll sound great ticking through earbuds..."Alternative Press (p.133) - 4 stars out of 5 -- "ALL ABOARD FUTURE -- for all its dystopian doom -- somehow shakes out as the first truly modern punk record of 2009."CMJ - "These Are Powers look to the future for answers by riding the thick sound of back beats and sampled space fuzz."9.715555

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8.827436

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Entertainment Weekly (1/12/96, p.57) - "...Maudlin yet lyrical, reverent yet free spirited, pianist Jarrett at 50 is at the peak of his game, and this trio, with drummer Jack DeJohnette and bassist Gary Peacock, is a unified organism, breathing new life into familiar jazz standards....May well be 1995's finest jazz release." - Rating: A+Down Beat (12/95, p.70) - 5 Stars - Excellent - "...Very rarely has so much transcendent piano trio music from a moment in time been gathered in one place....Jarrett's trio has now achieved a level of intuitive interaction with few precedents in the history of jazz..."Musician (11/95, pp.92-94) - "...sets the standard for standards....It's a gourmet feast--which...is almost an oxymoron. Listen in small doses; it goes down better....Where most bands build their solos on a rhythm groove, Jarrett constructs a melodic groove from which the rhythm grows..."8.74774

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4.993905

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Q (2/97, p.102) - 4 Stars (out of 5) - "...This largely acoustic face-off with a posse of guest slide guitarists easily stands beside the singer/harmonica player's finest work..."JazzTimes (2/97, p.87) - "...No burgeoning horn sections or blustery arrangements here; just Wells' distinctively soulful voice and signature honking backed by the rock solid New Orleans rhythm section....An intriguing showcase for the Young Lions Of Slide Guitar, topped of with the regal presence of Junior..."Living Blues (1-2/97, p.66) - "COME ON IN THIS HOUSE presents harmonica veteran Junior Wells in a wide variety of settings, surrounded by a bevy of slide guitarists....Relying more on straight blues than many of Wells' albums..."0.9443315

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Down Beat (4/96, p.55) - 4 Stars - Very Good - "After a remarkable run of almost 30 years, the blues titan bid goodbye to Chess Records in 1975 with this strong recording made in the New York State artists community with help from local luminaries..."0.9387133

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CMJ (12/21/98, pp.26-27) - "...rock 'n' roll fans who have yet to unearth the joys of American folk music may begin to see the light..."Dirty Linen (4-5/99, p.75) - "...some great, hard-to-find country blues and old-timey classics....this set brings together some wonderful performances that explore the pre-war blues and 'hillbilly' ethos of bad men, bad living and all the bad things that'll drag a good man down."0.9128563

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Down Beat (p.74) - 4 stars out of 5 - "The success of LIVE IN TASMANIA, from beginning to end, stems from Fahey's confident attacks in this all-original program."0.8964722

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Q (9/01, p.135) - 3 stars out of 5 - "...Splendid..."0.874265

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Down Beat (p.74) - 4 stars out of 5 - "The success of LIVE IN TASMANIA, from beginning to end, stems from Fahey's confident attacks in this all-original program."0.8685888

$12.65
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Musician (8/97, p.90) - "...balance[s] whimsy and dignity, melody and dissonance, in a wholly original and very bent manner..."0.8685888

$11.91
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0.8578258

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Uncut (p.89) - 5 stars out of 5 -- "This mesmerising set by several ANTHOLOGY figures, plus Bill Monroe, Doc Watson, Maybelle Carter and others, brings the gravity of the moment home."Dirty Linen (p.67) - "The performances are inspiring, and the sound quality is superb....The first disc includes a genre-and color-line-busting banjo and vocal performance of 'The Country Blues' by Boggs."No Depression (p.77) - "As the collection's subtitle implies, the folk revival starts here. The people whose applause you hear were touched in many ways by hearing these performances."Mojo (Publisher) (p.105) - 5 stars out of 5 -- "The 55 tracks, each of them fabulous, together add up to a collection almost as powerful as the Harry Smith ANTHOLOGY OF AMERICAN FOLK MUSIC box."0.839197

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Spin (9/00, p.189) - 8 out of 10 - "...A sublime set of straight-ahead jazz standards....managing to make both 'Blue Skies' and 'Smile' sound like a comforting arsenic drip."The Wire (10/00, p.73) - "...This is a compelling showcase for the artistry of one of the truly great jazz singers."CMJ (6/19/00, p.29) - "...Scott is like a good bottle of wine - he just keeps getting better with age....Known for his behind-the-beat phrasing, [he] chops words up by the syllable or he stretches them out...adding depth to familiar songs..."Down Beat (11/00, pp.63-4) - 4 stars out of 5 - "...A lovingly realized collection of tunes culled from the Great American Songbook....Exquisite stuff."JazzTimes (10/00, p.88) - "...[His] jazz chops are on display...finding his haunting tenor singing familiar standards..."Mojo (Publisher) (9/00, p.104) - "...The feeling of sheer class pervades....Pain and pleasure in equal quantities..."0.1700561

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CMJ (5/00, p.66) - "...[He] lays his lonely heart on the line in this collection of angst-pop ditties, as thundering walls of guitar and edgy melodies alternate with delicate folk and blues ensembles..."0.1682426

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Entertainment Weekly (4/12/91) - "..the album George Strait was born to make, and the first one to show the 38-year old Texan in control of his idiom: The record is a sublime refinement of all the ballads, honky-tonk, and hot Texas dance music he's done before. We get to hear all the different facets of his musical personality..." - Rating: A+Q (6/91) - 4 Stars - Excellent - "..Beneath those Bobby Ewing good looks and well-pressed ranchwear, clean-livin' Texan George Strait has certainly done his honky-tonk homework. Leaning heavily on the high-octane ghosts of country past, he's produced his most satisfying and consistent album since 1987's "Ocean Front Property."Stereo Review (9/91) - Performance "His Best" / Recording "Excellent" - "..It is, simply, the album of his career.."0.1667607

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Rolling Stone (4/15/04, p.152) - 5 stars out of 5 - "[A] pivotal evening in his career....The times were a-changin', and you can hear Dylan coming and going, with one foot in each era, on LIVE 1964."Entertainment Weekly (4/2/04, p.66) - "It's shocking that this pristine tape--the young bard in full-on protest-song mode--was shelved." - Rating: A-Uncut (4/04, pp.90-1) - 5 stars out of 5 - "This is Dylan in headlong motion, snapped in a unique, brief and vital transitional moment in his development as his comet blazes across the firmament of popular culture."Uncut (p.75) - Ranked #5 in Uncut's "Best New Albums of 2004" - "[A] joyous, highly entertaining acoustic performance..."Mojo (Publisher) (4/04, pp.116-18) - 4 stars out of 5 - "LIVE 1964 is Dylan on the cusp. It's the wave moving below the surface of the ocean, shifting our boats unexpectedly, gathering force before it finally breaks the plane of water and comes crashing down."0.1400909

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