the-tree-people,The People Tree, The Sunset Tree [Digipak], The Lemon Tree, The Charcoal People, Seventh Tree [CD] [1 disc] [724596938126]

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JazzTimes (5/96, pp.64-153) - "...they keep things interesting by throwing in some classic rock flavors....[keeping] this disc from slipping into Brit-soul orthodoxy, giving it enough bite to stand out from the pack."Mojo (Publisher) (p.131) - 4 stars out of 5 -- "Lead singer and songwriter Matt Deighton looked to Santana and Curtis Mayfield in both delivery and songwriting style..."29.27973

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Spin (p.110) - "John Darnielle's written some of the toughest and most open-souled music of his lo-fi outlet's oft-brilliant history." - Grade: B+Entertainment Weekly (No. 819, pp.88-9) - "[Darnielle writes] songs that could inspire a season's worth of TV-movie melodramas...Get the man an orchestra, now." - Grade: BUncut (p.98) - 4 stars out of 5 - "[A]utobiography intersects with dramatic storytelling which has always been the Californian's forte....[With] songs as gripping as any in the Goats' prolific catalogue."Magnet (p.104) - "On an LP rife with personal agony and catharsis, Darnielle turns such material into a work of universal appeal."15.66868

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Rolling Stone (p.59) - 3 stars out of 5 -- "[S]mart arrangements abound: 'A & E' rides a bittersweet, Feist-style chorus, and on 'Little Bird,' Goldfrapp sings eerie minor-key melodies over a bed of swirling keyboards and trip-hop drums."Entertainment Weekly (p.61) - "[D]ialed-down....Very lovely..." -- Grade: B+Uncut (p.100) - 4 stars out of 5 -- "SEVENTH TREE is Goldfrapp unplugged. It is a digital folk album. It is hand-knitted synth pop played around a campfire on dulcimers and autoharps and harmoniums."CMJ - "It's an introspective piece, and also their most sedate record to date, soothing listeners with flawless female vocals waltzing over dreamy melodies."Q (Magazine) (p.103) - "'Caravan Girl' is bright, summery pop, 'Cologne Cerrone Houdini' has a languid, Serge Gainsbourg feel..."Mojo (Publisher) (p.103) - 4 stars out of 5 -- "[A] very English pastoral work, a lush and trippy affair with shades of Edward Lear-like surrealism and John Winston Lennon amid strawberry fields."Mojo (Publisher) (p.67) - Ranked #38 in Mojo's "The 50 Best Albums Of 2008" -- "[A] tune-rich texture-fest that moistened eyes and tingled toes."Blender (Magazine) (p.98) - 3.5 stars out of 5 -- "Goldrapp's voice remains extraordinary, as witchily sensual as Kate Bush's, as otherworldly as a theremin."Harp (magazine) (p.102) - "[T]his new recording finds her in superb voice. More organic/simple instrumentation and lush cinematic soundscapes dominate here."Paste (magazine) (p.76) - 4 stars out of 5 -- "Imagine Feist with more reserve than Canadian heartiness, and more interested in pristine sound beds than bubbly effusions."The Word (magazine) (p.94) - "The opening 'Clowns' is an undeniably beautiful merengue, the likes of which you won't have heard since Scott Walker's 'Plastic Palace People'....SEVENTH TREE is mostly strings, gentle guitars and all thing bucolic."Record Collector (magazine) (p.88) - 3 stars out of 5 -- "SEVENTH TREE is a grower; it's more pastel-tinted than the riotous neon of BLACK CHERRY or SUPERNATURE, but no less gorgeous."12.73125

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Rolling Stone (p.59) - 3 stars out of 5 -- "[S]mart arrangements abound: 'A & E' rides a bittersweet, Feist-style chorus, and on 'Little Bird,' Goldfrapp sings eerie minor-key melodies over a bed of swirling keyboards and trip-hop drums."Entertainment Weekly (p.61) - "[D]ialed-down....Very lovely..." -- Grade: B+Uncut (p.100) - 4 stars out of 5 -- "SEVENTH TREE is Goldfrapp unplugged. It is a digital folk album. It is hand-knitted synth pop played around a campfire on dulcimers and autoharps and harmoniums."CMJ - "It's an introspective piece, and also their most sedate record to date, soothing listeners with flawless female vocals waltzing over dreamy melodies."Q (Magazine) (p.103) - "'Caravan Girl' is bright, summery pop, 'Cologne Cerrone Houdini' has a languid, Serge Gainsbourg feel..."Mojo (Publisher) (p.103) - 4 stars out of 5 -- "[A] very English pastoral work, a lush and trippy affair with shades of Edward Lear-like surrealism and John Winston Lennon amid strawberry fields."Mojo (Publisher) (p.67) - Ranked #38 in Mojo's "The 50 Best Albums Of 2008" -- "[A] tune-rich texture-fest that moistened eyes and tingled toes."Blender (Magazine) (p.98) - 3.5 stars out of 5 -- "Goldrapp's voice remains extraordinary, as witchily sensual as Kate Bush's, as otherworldly as a theremin."Harp (magazine) (p.102) - "[T]his new recording finds her in superb voice. More organic/simple instrumentation and lush cinematic soundscapes dominate here."Paste (magazine) (p.76) - 4 stars out of 5 -- "Imagine Feist with more reserve than Canadian heartiness, and more interested in pristine sound beds than bubbly effusions."The Word (magazine) (p.94) - "The opening 'Clowns' is an undeniably beautiful merengue, the likes of which you won't have heard since Scott Walker's 'Plastic Palace People'....SEVENTH TREE is mostly strings, gentle guitars and all thing bucolic."Record Collector (magazine) (p.88) - 3 stars out of 5 -- "SEVENTH TREE is a grower; it's more pastel-tinted than the riotous neon of BLACK CHERRY or SUPERNATURE, but no less gorgeous."12.73125

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The Wire (p.41) - "Jansch is in notably better voice than usual delivering his compositions 'People On The Highway' and 'Jump Baby Jump'..."0.3992078

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Alternative Press (2/97, p.67) - 3 (out of 5) - "...SIGNIFY marks Porcupine Tree's fourth attempt to weave their concentrated, symmetrical drones into more people's waking consciousness..."0.3646862

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JazzTimes (p.110) - "Marc Ducret is the rare Metheny-style guitarist who can shred as convincingly as any headbanger. And Jim Black, who rounds out the trio, is one of the most musical drummers in jazz..."0.1319929

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3.5 stars out of 5 -- "The drama of TAKE SHELTER resembles Todd Haynes' SAFE in its real-world fear and paranoia, but it's warmer, more poignant and more suspenseful than that 1995 psychodrama."Box Office "Writer-director Jeff Nichols builds his elegantly shot, weather-sensitive horror story in waves of tension that crest as if pulled by tempests." -- Grade: A-Entertainment Weekly "Nichols is still concerned with family legacies, and the ways people in smaller communities relate to each other, but TAKE SHELTER is slower and smoother, deliberately developing a mood of creeping dread."A.V. Club 3 stars out of 4 -- "Nichols throws curveballs, but his film is unique and unforgettable."Rolling Stone 4 stars out of 4 -- "Here is a frightening thriller based not on special effects gimmicks but on a dread that seems quietly spreading in the land..."Chicago Sun-Times 4 stars out of 4 -- "Taut, unsettling, haunting and powerful, TAKE SHELTER stars Michael Shannon in a shattering performance as a man caught up in forces beyond his control."Washington Post 4 stars out of 5 -- "[A] beguiling mix of Polanski-esque psychological terror and Loach-like social realism....Aided by the poetic, often Malick-esque visuals...it's a brave idea, boldly executed."Total Film "[TAKE SHELTER] grows more convincing as it develops Curtis's predicament....It's a pleasure and a relief to see a film about the realities as well as the surrealities of the world..."Sight and Sound 4 stars out of 5 -- "Jessica Chastain makes a more forceful, feisty mother than she did in Terrence Malick's THE TREE OF LIFE, while in the lead, Shannon is as riveting as ever."Uncut0.1302451

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Mojo (Publisher) (p.101) - 4 stars out of 5 - "[P]robably their finest work. Still possessing the same unhurried organic warmth that characterised their last two full-lengths..."0.1099941

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CMJ - "'Good Things,' with its funky bass, horn samples and old-school scratching, could be a lost DJ Shadow track..."0.08799526

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Spin (p.100) - 3.5 stars out of 5 -- "TIME ON EARTH is an assured, soothing collection of sweet-tempered pop tunes and ballads."Entertainment Weekly (p.75) - "Beatlesesque melancholia permeates the record, with singer Neil Finn's reflection on 'English Trees' a typically lugubrious contribution." -- Grade: BUncut (p.104) - 4 stars out of 5 -- "[T]his taut album possesses the immersive qualities and cumulative impact of a good novel."0.08799526

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BOOK REVIEWS COMING SOON!!!!0.08799526

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Q (Magazine) (p.105) - 3 stars out of 5 -- "THE VIOLENCE is ambitious in Hayman's homemade, almost hesitant way, but his vision goes far beyond any other current independent artist, and is a true treasure."0.08799526

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Spin (p.100) - 3.5 stars out of 5 -- "TIME ON EARTH is an assured, soothing collection of sweet-tempered pop tunes and ballads."Entertainment Weekly (p.75) - "Beatlesesque melancholia permeates the record, with singer Neil Finn's reflection on 'English Trees' a typically lugubrious contribution." -- Grade: BUncut (p.104) - 4 stars out of 5 -- "[T]his taut album possesses the immersive qualities and cumulative impact of a good novel."0.07699585

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Option (5-6/93, p.100) - "...Ellis jumps joyfully between toasting and singing, a blend you don't hear enough of these days..."0.07699585

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BOOK REVIEWS COMING SOON!!!!0.06866434

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"...Xavier Jimenez's cinematography fits the film's tenebrous tone and there's some particularly accomplished art direction from Cesar Macarron..." Box Office "...Wonderfully spooky...a sharp brainteaser of a film, a compelling mind game you compulsively play along with....Smart and carefully worked out..." Los Angeles Times "...INTACTO noodles around big, vague ideas, then stirs them into a baroque swirl of imagery linked in its very Spanish decorative style to such striking Iberian whoppers as LOVERS OF THE ARCTIC CIRCLE and OPEN YOUR EYES..." Entertainment Weekly "...Intriguing....The story is unusually persuasive, dovetailing a complex set of characters and their various numbed situation..." Sight and Sound "...Superior....[A] mind-warping, inventive thriller....Technically assured....Original..."Total Film "...[With] ingenious construction..." Chicago Sun-Times0.06599644

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