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100+ Items Found For the velvet underground (showing top 100 results)

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Rolling Stone (5/17/69, p.17) - "...the Velvet Underground can write and play any kind of music they want to with equal brilliance..." -Lester BangsQ (6/02, p.128) - 5 stars out of 5 - "...a flickering, unforgettable band preformance..."NME (Magazine) (10/2/93, p.29) - Ranked #58 in NME's list of the 'Greatest Albums Of All Time.'NME (Magazine) (10/2/93, p.29) - Ranked #6 in NME's list of the `Greatest Albums Of All Time.'50.89344

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Q (7/96, p.150) - 5 Stars - Indispensable - "...superb..."50.05931

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Q (7/96, p.150) - 5 Stars - Indispensable - "...superb..."50.05931

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Q (7/96, p.150) - 5 Stars - Indispensable - "...superb..."40.45403

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Q (7/96, p.150) - 5 Stars - Indispensable - "...superb..."40.45403

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"[T]hrilling: rare performance footage, solid reportage about how the band crafted its chillingly lovely music, [and] incisive interviews..." Entertainment Weekly35.76239

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35.39727

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35.39727

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35.39727

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Q (7/96, p.150) - 5 Stars - Indispensable - "...superb..."35.39727

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Q (7/96, p.150) - 5 Stars - Indispensable - "...superb..."35.39727

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Q - 4 Stars - Excellent25.28377

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Rolling Stone (8/3/72, p.37) - "...The sound is remarkably good...and the ambience is full-blown Max's..."Rolling Stone (p.124) - 3 stars out of 5 - "[I]t's still their warmest, most intimate live album..."Entertainment Weekly (p.123) - "This is historically important..." - Grade: BQ (p.134) - 3 stars out of 5 - "[A]s an insight into their fleeting stay as a good-time band, it's not bad at all."Uncut (p.122) - 5 stars out of 5 - "LIVE AT MAX's held huge sway for the bravura of its mellow, metallic-edged sound and decadent atmosphere..."Magnet (p.91) - "The Velvets on LIVE are exuberant and polished..."Mojo (Publisher) (p.112) - 3 stars out of 5 - "[W]ith good-natured energy..."25.28377

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Q - 4 Stars - Excellent25.28377

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Pitchfork (Website) - "Disappears' sound is a pared-down, drone-heavy mixture of Velvet Underground scuzz, garage-rock energy, and krautrock propulsion."0.6518143

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Down Beat (p.66) - 3.5 stars out of 5 - "With some of the discordant guitar work, there is an affinity with the Velvet Underground..."0.6518143

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Uncut (p.89) - 3 stars out of 5 -- "In the spirit of The Velvet Underground, guitars are allowed to bleed over the limits of distortion while the voices are left raw and untreated."0.5703375

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Spin (p.104) - 4 stars out of 5 -- "[A] low-key treat, country-inflected folk rock goosed by melodies that conjure both the Velvet Underground and Johnny Cash."0.5703375

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Mojo (Publisher) (p.89) - 3 stars out of 5 -- "[The material] swings from rockabilly to hard blues and a cover of The Velvet Underground's 'Run Run Run.'"0.5703375

$13.31
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Kerrang (Magazine) (p.50) - "[I]f bleak, fuzzed out soundscapes float your boat, this is as dark and atmospheric as they come."Q (Magazine) (p.112) - 3 stars out of 5 -- "The Warlocks have not lost their knack for raiding the recesses of the Velvet Underground songbook for inspiration and fusing it with psychedelia to fine effect."0.4888607

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Spin (p.94) - 3 stars out of 5 -- "Cryptacize artfully navigate the dusty corners of naive rock, a semi-dormant genre whose line runs from the Velvet Underground through Beat Happening..."Harp (magazine) (p.100) - "There's a fragility to this irresistible music that belies carefully considered and structurally sound arrangements."0.4888607

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Q (6/00, p.108) - 3 stars out of 5 - "...Re-essays their wry, jazzy take on Velvet Underground-derived minimalism. An informal affair..."Melody Maker (7/4/00, p.65) - 4 stars out of 5 - "Dapper geezer makes album full of cute li'l jangle-jazz standards and laid-back guitar runs in front of refined Hamburg audience. Fun!"0.4073839

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Q (9/94, p.131) - 2 Stars - Average - "...charming, not overly accomplished set full of half-songs, scratchy guitars and gauche vocals; it could pass as a Feelies demo, but only just..."Melody Maker (5/16/00, p.46) - 3.5 stars out of 5 - "...Slightly rockier...Like Lou Reed fronting The Velvet Underground! Imagine that!..."0.4073839

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CMJ (6/02, p.15) - "...A multi-layered road of reverb swept guitar and muted organ tones that waver and build with nods to the Velvet Underground....This terrain sounds familiar, but good, like an old love letter you can't stop reading."Mojo (Publisher) (10/03, p.111) - 4 stars out of 5 - "...Secret Machines create a rare mix of spacious grandeur and quiet intimacy....Rarely short of spellbinding..."0.4073839

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Entertainment Weekly (11/27/92, p.82) - "...With lovingly accurate nods to Burt Bacharach, Motown, and even the Velvet Underground, Paradis comes off a lot like a postmodern Dusty Springfield..." - Rating: BQ (12/92, p.133) - 4 Stars - Excellent - "...The songs are short, stripped-down but creative pastiches of '60s pop, rock and soul, with insidiously memorable pop tunes and strong lyrics of love and social concern..."0.4073839

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Entertainment Weekly (p.86) - "[The album] arrives at a sleepy beauty reminiscent of their 1988 hit 'Sweet Jane'." - Grade: B+Q (p.113) - 3 stars out of 5 - "ONE SOUL NOW certainly has its share of dynamic moments."Uncut (p.98) - 3 stars out of 5 - "[With] moments of menacingly forlorn Velvet Underground-meets-Hank Williams beauty."0.4073839

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Alternative Press (p.168) - 4 stars out of 5 -- "On PLAGUE PARK, the duo create wistful electronic torch-songs indebted sonically to the Velvet Underground and Joy Division."Magnet (p.99) - "Considering how prolific his Wolf Parade partner Spencer Krug has been, Boeckner proves here that he's capable of a few left turns of his own."0.4073839

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Dirty Linen (p.57) - "TRINITY REVISITED is as texturally ambient, with Margo Timmins' vocals as hauntingly ethereal as on its predecessor."Q (Magazine) (p.115) - 3 stars out of 5 -- "[T]he guests, notably Ryan Adams and Natalie Merchant add a new twist..."Record Collector (magazine) (p.80) - 4 stars out of 5 -- "The tender frailty of their own compositions nestled cosily alongside radically reworked Hank Williams, Elvis Presley and even Velvet Underground material."0.4073839

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Rolling Stone (p.172) - "[With] the outlaw blues and bark of Steve Wynn enflamed in twin Crazy Horse-Velvet Underground guitars..."Uncut (p.115) - 4 stars out of 5 - "[I]t's the fret-crunching stomp of a band intuitively grasping the punk/garage dynamic."Magnet (p.91) - "Frontman Steve Wynn is in dazzling form, while guitarist Paul Cutler gives every track an inspired post-punk charge..."0.4073839

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Entertainment Weekly (3/17/95, p.90) - "...In this 18-year, 68 song retrospective, [Jad Fair]--along with a guest lineup that includes saxist John Zorn and Velvet Underground drummer Maureen Tucker--explores his twin obsessions: puppy love and monster flicks. Somewhat rough on the ears, but undeniably easy on the heart..." - Rating: A-0.4073839

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Q (Magazine) (p.107) - 3 stars out of 5 -- "'Nice' takes a Velvet Underground drone and adds vocals that wouldn't have sounded out of place on Brian Eno's earliest solo work."Paste (magazine) - "[T]he true experiment is in the restraint Thee Oh Sees show throughout. Every note has its place, none more evident than on the title track and album centerpiece, whose haunting drone finally gives way to a swift rock and roll chorus."0.4073839

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Q (Magazine) (p.113) - 3 stars out of 5 -- "It evokes The Velvet Underground's more whimsical side, XTC and the more contemporary Bon Iver and Calexico..."Uncut (magazine) (p.88) - 3 stars out of 5 -- "[T]heir ragged, ghostly harmonies do just fine on the likes of 'Trees Are Falling'."0.4073839

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Rolling Stone (p.73) - 3 stars out of 5 - "Ambulance Ltd specialize in drony guitar fuzz in the style of Television or the Velvet Underground....They also have a brilliant gift for Lennon-style pop melody that makes their spaciest riffs go down like a spoonful of hash-laced honey."Magnet (p.66) - Ranked #10 in Magnet's "The 20 Best Albums Of 2004" - "[G]auzy guitars, opium-infused ointment and a cabinet full of prescription pop hooks..."CMJ (4/04, p.34) - "[T]heir music is more than just chugging chords and a sneer....The songs continue at a steady clip, yet the introduction of Marcus Congleton's gentle, spoke-sung intonation recalls the more vulnerable side of the Velvet Underground's proto-punk."0.4032895

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Rolling Stone (p.84) - "[T]he Black Angels bring the aura of mid-1966 -- the drilling guitars of early Velvet Underground shows, the raga inflections of late-show Fillmore jams, the acid-prayer stomp of Austin avatars the 13th Floor Elevators -- everywhere they go..."Magnet (p.96) - "[With] organ, fuzz/reverb guitar and sitar-laced dronescapes; hypnotic tribal drums and thicker-than-strata bass; Alex Maas' dramatic, Jim Morrison-esque vocals; and the lysergic ambience of Spacemen 3 and the Velvet Underground."CMJ - "'Mission District' is a high point; the song really lifts off through acid rain-soaked clouds, emerging into spotty sunshine by the end."Q (Magazine) (p.98) - 3 stars out of 5 -- "[With] 'You In Color' and the 16-minute 'Snake In The Grass' conjuring an air of oppressive menace....It makes for an impressive sound..."Mojo (Publisher) (p.113) - 3 stars out of 5 -- "[W]ith the psychedelia stripped to its bare, blackened bones, as cavernous and gothic as -- oh yes -- a sonic cathedral."Clash (magazine) (p.123) - "It's uncompromisingly ambient; from the bath of sultry noise to the Velvet Underground-esque excessiveness of opening track 'You On The Run'."0.3528048

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Entertainment Weekly (p.73) - "[T]here's surprising joy to be found in a couple of pros singing songs they love. Hoffs still has that adorable quaver, and Sweet supports her with steady warmth." -- Grade: B+Uncut (p.124) - 4 stars out of 5 -- "What elevates UNDER THE COVERS above mimicry is the poignancy of the performances from all concerned, and especially from Sweet..."Dirty Linen (p.66) - "[A] taste of the 60s....Just great cover versions of some of the best music of the era."No Depression (p.124) - "Sweet's reedy astringency tempers Hoffs' breathy alto as they bring a warmth to the Velvet Underground's 'Sunday Morning'..."0.3259071

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Entertainment Weekly (p.69) - "[T]his alluring debut is hard to shake off....Few have Ambulance's potent brew of literate lyrics, warm-fuzzy riffs, and infectious hooks." - Grade: B+CMJ (4/04, p.34) - "[T]heir music is more than just chugging chords and a sneer....The songs continue at a steady clip, yet the introduction of Marcus Congleton's gentle, spoke-sung intonation recalls the more vulnerable side of the Velvet Underground's proto-punk."0.3259071

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Rolling Stone (p.77) - 3.5 stars out of 5 - "[B]ilingual chamber pop that suggests French Sixties chanteuse Francoise Hardy whispering ballads from the first Velvet Underground album....[NOLITA] overflows with slow-burning melancholy..."Uncut (p.94) - 3 stars out of 5 - "Keren Ann has helped conceive a wildly successful nouvelle vague of French pop..."Mojo (Publisher) (p.64) - Ranked #5 in Mojo's "Top Ten World Albums Of 2005."Mojo (Publisher) (p.112) - 3 stars out of 5 - "[A] captivating sequence of songs....Keren Ann writes melodies that act as invitations to a soft-focus world of longing and melancholy..."0.3259071

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Q (p.104) - 3 stars out of 5 -- "[W]ith the woozily atmospheric 'Afloat' and gently rocking 'Safe Place In The World', which fetchingly brings to mind both '60s girl-group pop and Nico-era Velvet Underground."Uncut (p.88) - 4 stars out of 5 -- "Much like kindred spirit Cat Power, Repp's minimalist beauty relies on the spaces between the notes as much as the music itself."Mojo (Publisher) (p.98) - 3 stars out of 5 -- "[S]he assembles each track with the elegant detachment of a watercolourist."0.3259071

$8.08
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