the-who,Who Was Who in America Index [9780837902807], The Who - Who's Better, Who's Best, Who, The - Live at the Isle of Wight Festival 1970 [DVD], The Who [9781423482154], The Who [9781423482468]

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BOOK REVIEWS COMING SOON!!!!90.31029

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BOOK REVIEWS COMING SOON!!!!64.99722

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Q (Magazine) (p.97) - 4 stars out of 5 -- "Like all the best break-up albums, WHO NEEDS WHO bleeds heartache from every lyric, but keeps faith in music as the surest form of consolation."Mojo (Publisher) (p.96) - 4 stars out of 5 -- "[B]uilt on breezy piano melodies, choral-folk arrangements an an epic ambition..."Paste (magazine) - "On top of a traditional piano-bass-drums rhythm section, Dark Dark Dark wheel out strings, horns, and accordions, all used to frame and color Nona Marie Invie's aching jazz-cabaret..."42.56322

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BOOK REVIEWS COMING SOON!!!!41.97236

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BOOK REVIEWS COMING SOON!!!!41.97236

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Rolling Stone (p.69) - Ranked #13 in Rolling Stone's '50 Best Albums Of 2011' -- "[A] joyous, idea-stuffed album built on a stream of horns, loops, ukulele riffs and skeletal dance grooves..."Spin (p.30) - Ranked #30 in Spin's 'The Top 40 Albums Of 2011' -- "Amid the uproar, Garbus tackles issues of class, race, and sexuality with hardheaded intelligence."Magnet (p.39) - Ranked #14 in Magnet's '20 Best Albums Of 2011' -- "[A] giddily hypnotic kind of avant pop....It's a joy to listen to..."CMJ - "Everything has an elastic bouncy quality that is hard to achieve with looping drums and a ukulele....Just as Brian Wilson created pocket symphonies, WHOKILL has pocket power ballads."Billboard - "[The] structured, strummy track 'Powa' showcases Garbus' immense vocal range from dulcet whispers to Robert Plant-like caterwaul."Uncut (magazine) (p.31) - Ranked #44 in Uncut's '50 Best Albums Of 2011' -- "[T]he gusto with which she mixed and matched global musics, often relying on her own eclectic voice, made a virtue of that eccentricity..."41.97236

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BOOK REVIEWS COMING SOON!!!!41.97236

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BOOK REVIEWS COMING SOON!!!!41.97236

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BOOK REVIEWS COMING SOON!!!!41.97236

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Entertainment Weekly (4/4/97, pp.81-82) - "...The corrected CD add[s a] booklet with extensive essays and photos--disc-respect at last..."- Rating: B-33.91879

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BOOK REVIEWS COMING SOON!!!!33.91879

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BOOK REVIEWS COMING SOON!!!!33.91879

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Spin (p.72) - "Her voice can rival Christina Aguilera's for sheer force, but she keeps it on a tighter leash."Entertainment Weekly (p.86) - "[With the] gorgeously paranoid ballad 'Big White Room' -- lifted from an acoustic performance this year -- which offers the promise of a gifted singer ready to ditch the flash and show us who she is."--Grade: BBillboard (p.28) - "Jessie J owns a big voice rich with old-soul intensity. Here, she uses it most powerfully in 'Mamma Knows Best,' a brassy vaudeville-style number."30.10115

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Rolling Stone (4/1/99, p.100) - 3 1/2 Stars (out of 5) - "...the chrome-funk and ice-ballad instrumentals on WHO ELSE are all cut from the familiar wailing fusion cloth of Beck's mid-Seventies beauties....WHO ELSE is a feast of tone color and riff musculature..."Entertainment Weekly (3/19/99, p.106) - "The techno-rhythm tracks and spacey melodies that threaten to engulf this still-adventurous gutiar hero's work may be dated and just this side of dumb, but few '60s-era ax-men have as much fun extracting outlandish sounds from their instruments as the original Beck..." - Rating: B30.09755

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Rolling Stone (4/1/99, p.100) - 3 1/2 Stars (out of 5) - "...the chrome-funk and ice-ballad instrumentals on WHO ELSE are all cut from the familiar wailing fusion cloth of Beck's mid-Seventies beauties....WHO ELSE is a feast of tone color and riff musculature..."Entertainment Weekly (3/19/99, p.106) - "The techno-rhythm tracks and spacey melodies that threaten to engulf this still-adventurous gutiar hero's work may be dated and just this side of dumb, but few '60s-era ax-men have as much fun extracting outlandish sounds from their instruments as the original Beck..." - Rating: B30.09755

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Entertainment Weekly (4/25/97, p.72) - "Abbey Lincoln sings in a voice both wise and childlike, reminiscent of Billie Holiday but in her own private groove....As expected, Lincoln bends time and massages the heart."- Rating: A-Down Beat (7/97, pp.46-47) - 4 stars (out of 5) - "...WHO USED TO DANCE... contains [Lincoln's] patented mix of melancholy and self-affirmation-a twinge of sorrow and a flash of courage....a highly engrossing record."JazzTimes (8/97, p.81) - "...continues on the creative peak she has been scaling ever since her Verve series began, now a six album odyssey.... Lincoln's ongoing evolution as a songwriter...provides her the greatest degree of comfort...impressive wells of energy and elan..."30.09674

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Rolling Stone (p.179) - 3 stars out of 5 - "[T]heir James Brown horns and cross-continental funk work up free-flowing hippie jams for nonhippies."Spin (p.110) - "You come for the humanist politics; you stay (and stay) for the 13-member band's effervescent grind." - Grade: A-Magnet (p.81) - "WHO IS THIS AMERICA? is the summer soundtrack for dancing in the streets. Rioting is optional."Down Beat (p.80) - 3 stars out of 5 - "[T]he band's strongest outing to date. You can't hold still to this music. It's a sonic assault, all low horn and organ growl, while drums, percussion and dual guitars weave their magic underneath."Mojo (Publisher) (p.104) - 4 stars out of 5 - "The horns are funky, the huge rhythm section right on the money....The brass and beats are funkier than an elephant."30.05283

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BOOK REVIEWS COMING SOON!!!!30.0277

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"With its compellingly multifaceted approach, its earnest compassion and a celebrity presence in the form of the actor Gael Garca Bernal, the documentary could be enlisted in the perennial battle over immigration law."New York Times30.0277

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