trouble-in-mind-37,Trouble in Mind [Smithsonian/Folkways], Troublesome Mind, IRDS OF PREY TP VOL 01 TROUBLE IN MIND (N52, Irrelevant Future, Complete Recorded Works, Vol. 2 (1936-37)

100+ Items Found For trouble in mind 37 (showing top 100 results)

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No Depression (5-6/00, pp.101-2) - "...This collection is important for 2 reasons. First, it serves as a repository of American vernacular music sung by the son of a sharecropper who came up singing [these songs] and feels them in his bones....[Secondly] it anticipated the Freedom Movement..."38.01997

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28.74639

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28.48236

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26.85478

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22.50516

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Entertainment Weekly (2/23/01, p.162) - "...Chicago blues is a powerful force in the right hands, which, in this case, belong to the son of Muddy Waters..." - Rating: BJazzTimes (6/01, p.106) - "...Proves once again that the acorn doesn't fall far from the tree..."Mojo (Publisher) (1/02, p.71) - Included in Mojo's "Best Blues Albums of 2001".Mojo (Publisher) (5/01, p.112) - "...A tangy cocktail, skillfully made to a classic Chicago bar recipe, straight up with a couple of olives in the form of duets with Taj Mahal..."16.45987

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16.42687

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14.41211

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Rolling Stone (p.71) - "DONA GOT A RAMBLIN' MIND is dazzling in its velocity and virtuosity..."Dirty Linen (p.48) - "[T]hey represent the hope for rebirth and continuation of a vibrant, exciting genre....Every note exudes excitement and vitality."Living Blues (p.33) - "The music the Chocolate Drops make is good-timey and danceable, with a rugged undercurrent of hard-bitten wisdom contained in the lyrics."No Depression (p.96) - "Their debut discs brims with exuberance. Tackling sixteen traditional songs -- some well-known, others obscure -- the group transcends any whiff of novelty while conjuring up a bygone era."12.43089

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10.28187

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Living Blues (1-2/96, p.94) - "...Her versions of `Some Cold Rainy Day' and `Trouble In Mind,' in particular, are classics..."0.4351428

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Mojo (Publisher) (p.149) - 3 stars out of 5 -- "[E]asing off the gas to let guitarist Agata's acrobatic riffage to blow minds."0.191431

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Rolling Stone (3/29/01, p.62) - 3.5 stars out of 5 - "...A gutsy roller-coasetr ride from an artist familiar with the thrill of emotional contretemps and musical collisions."Entertainment Weekly (3/9/01, p.82) - "...Marries her capsized-mind lyrics to lovely melodies....exquisitely unsettling..." - Rating: A-Alternative Press (5/01, p.81) - 4 out of 5 - "...Graceful emotional depth..."Magnet (6-7/01, pp.90-2) - "...Jagged electric/acoustic gems..."CMJ (3/5/01, p.7) - "...As dark and stormy as anything she's done before....Musically, she counters her emotional confusion with a steely, confident layering of acoustic and electric textures....evoking considerable beauty..."Mojo (Publisher) (4/01, p.92) - "...[Her] best album yet....With a sound that's as usual pitched somewhere between bohemian singer/songwriter folk and gutsy alt rock..."0.1244114

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Rolling Stone (3/2/00, p.96) - 3 stars out of 5 - "...continues to delve into the deserted heart of Southern roots music, now adding a resonant tightness and punk finesse..."Spin (4/00, p.196) - 7 out of 10 - "...ingeniously slicked-up garage-pop....Never mind the sleaze, here's a Boss Hog any mother could love..."Q (3/00, p.98) - 3 stars out of 5 - "...A smattering of truly great songs..."Uncut (3/00, p.74) - 4 stars out of 5 - "...WHITEOUT kicks like few records kick. It'll take your roof off in 20 seconds....Phenomenal..."Alternative Press (4/00, p.83) - 4 out of 5 - "...less raucous, less trashy, and perhaps even a little campier....Mind you, the album isn't any less funky, driving, sexy, cocky or beautiful than what fans are used to....a love for the griminess, carnality and sheer pleasure in rock is alive and well..."CMJ (2/14/00, p.18) - "...zones in on the infectious faux-Stax grooves that propelled the finer points of the Hog's eponymous 1995 debut....their finest half-hour to date."Melody Maker (2/8/00, p.48) - 4 stars out of 5 - "...the best thing Jon Spencer has ever put his name to. The sound is much fuller, phatter and funkier than JSBX..."0.1203765

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0.1167574

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0.1063791

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0.09729781

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0.09729781

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Entertainment Weekly (9/9/94, p.84) - "...vengeful songs about women enduring midlife crises to a rock/disco/reggae rhythm both innovative and tough..." - Rating: B+Alternative Press (12/94, p.110) - "...a voice that was equal parts gravel, nicotine and venom...a sort of smoky Marlene Dietrich for the Me Generation..."0.09729781

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0.09729781

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0.09729781

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Rolling Stone (4/1/93, p.53) - 3.5 Stars - Very Good - "...Guy reigns supreme among flashy, high-energy blues guitarists....these songs sound tailor-made for Guy's heated, gospelish vocal turns..."Spin (5/93, pp.84-85) - Highly Recommended - "...achieves a greater cohesiveness than anything he's recorded to date....Guy's great gift is that he can create revolutions without knocking walls down..."Entertainment Weekly (4/2/93, p.53) - "...when he starts strafing the landscape, it's hard not to surrender to the blinding intensity of this living legend's white-hot blues..." - Rating: B-Q (4/93, p.82) - 4 Stars - Excellent - "...an unreconstructed dude who has no qualms about cranking the axe to 10 and letting rip....Guy plays to his strengths--stringmanship and singing--while letting others take a the songwriting strain..."0.09729781

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Down Beat (7/97, p.62) - 3 stars (out of 5) - "Nat Adderley's still got the blues in his soul-jazz veins....the cornetist revisits old territory with aplomb....best moments burst out of the speakers during the exciting cornet-sax trades..."JazzTimes (6/97, p.111) - "...soulful and spirited. It's a fine mixture of bop-inspired funk and ballads, of original pieces and swinging mainstays. The MERCY, MERCY, MERCY title is in tribute to brother Cannonball, and specifically to his sound from that era....lovingly captures that spirit..."0.09729781

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Uncut (9/02, p.108) - 3 stars out of 5 - "...A Best Of which, for once, lives up to the billing."Mojo (Publisher) (11/02, p.118) - "...An ideal starter for those not already familiar with the Texas roots maverick's highly personalised imagery."0.07846839

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Dirty Linen (p.70) - "[T]he punch and rhythm of these carefully arranged songs show that he's making all the right moves."Living Blues (p.68) - "Echoes of Delta tradition are strong and clear, but they're melded with more contemporary influences, often in sly and unexpected ways."0.07783824

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0.07783824

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Living Blues (1-2/96, p.76) - "...second only to B.B. King in the modern blues pantheon..."0.07783824

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Mojo (Publisher) (1/99, p.102) - "...What in other hands might have been no more than a job lot of old mountain songs...became in Holcomb's an opaque short-story collection of Appalachian life before highways and hot dogs..."0.07783824

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NME (Magazine) (4/29/00, p.34) - 7 out of 10 - "...This isn't a Patrick Bateman mix tape....there's New Order and the Cure...where there might have been Whitney [and] Phil Collins....Monologue-splicing reminiscent of NATURAL BORN KILLERS. Features ace Whitney deconstruction."0.07783824

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0.07783824

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Sing Out! (11-12/94-1/95, p.140) - "...father of the bluegrass fiddle. His bluesy, lyrical playing has always favored style over speed....This recording should be required listening for any aspiring bluegrass fiddler, and is recommended for anyone with a taste for instrumental bluegrass..."0.07783824

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0.07783824

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Entertainment Weekly (10/16/98, p.89) - "...The hearty performances are faithful to Wills' eclectic-vision without being slavishly reverent, making an eloquent case for Wills' signifigance as an early exponent of rock & roll attitude." - Rating: B+0.07783824

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0.07783824

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0.07783824

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0.07783824

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0.07783824

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Mojo (Publisher) (2/03, p.103) - "...This vibrant, close-miked set perfectly captures his alternately tough and tender voice and guitarwork..."0.07783824

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