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Record Collector (magazine) (p.102) - 5 stars out of 5 -- "Like a mix between a Hendrix jam session and a soaring Pink Floyd 'happening', with lots of ambient guitar feedback...UFO was daring and boundary-breaking."72.69186

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71.96827

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71.96827

$8.89
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71.96827

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57.72905

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$13.50
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57.57462

$10.90
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Musician (12/92, p.98) - "...the Flecktones don't simply challenge listeners, they engage them....UFO TOFU is that rarest of birds, a classy fusion outing with brains, style, wit, and heart..."Reflex (12/15/92, p.71) - "...finds Bela and band prospecting that vast middle ground between Earl Scruggs and Weather Report....deceptively down-home instrumentation makes the Flecktones' music absolutely unique..."50.92616

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35.98413

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Entertainment Weekly (6/22/01, p.91) - "...A delightful intro to jaunty, timeless paens to hangings, UFOs, stuffing one's face, gentrification, and entering Hades..." - Rating: ANo Depression (9-10/01, p.125) - "...This music is a delight..."0.3933026

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0.2495967

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0.2206144

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CMJ (p.39) - "[T]rip on the lyrics, follow his disjointed speak-rap or get lost in the gleefully aimless hip-hop/electronica beats..."0.2206144

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0.2206144

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0.2206144

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BOOK REVIEWS COMING SOON!!!!0.2206144

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0.2206144

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Entertainment Weekly (5/3/02, p.86) - "...[Verve shows] how much DJ-jazz vocal fusion can offer..."Q (May 2002, p.125) - 4 out of 5 stars - "The jazz label's first modern makeover works surprisingly well....potent voices, lush setting."CMJ (5/13/02, p.4) - "...Breezy grooves that pay homage to some of the finest singers and instrumentalists of the 20th century..."JazzTimes (7-8/02, p.119) - "...The appeal of this CD has less to do with the music - though some of these reinterpretations are musically excellent - and more to do with the surprise of hearing timless voices like Ella Fitzgerald, Carmen McRae, Dinah Washington...and especially, Billie Holiday in modern-day contexts..."Vibe (June 2002, p.155) - 4 out of 5 - "...The label opened its storied vault to today's hippest knob-twirlers, whose reinterpretations soar above bargain-basement expectations..."Mojo (Publisher) (5/02, p.110) - "...Extraordinary..."0.1910577

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0.1871976

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0.1764916

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"...Genre fans still pining the loss of THE X-FILES would do well to sit down with this decades-spanning alien abduction anthology..." Movieline's Hollywood Life "...Ambitious..." Entertainment Weekly0.1764916

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0.1764916

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JazzTimes (3/97, p.79) - "A live performance by Bela Fleck and the Flecktones is a celebration of the joy derived from making complex music that's fun at heart..."Musician (2/97, pp.125-126) - "...The collective virtuosity is stunning--like Jaco Pastorius two decades before, Wooten has redefined the bass....the Flecktones manage the difficult task of making intensely complex music accessible and fun....these guys love playing together, and it shows..."NME (Magazine) (7/19/97, p.40) - "...it's really rather spendid, in a kind of self-indulgent and completely mad way....Marvellous."0.1764916

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Mojo (Publisher) (11/03, p.142) - 3 stars out of 5 - "...A competent retrospective of the psychedelic soul group..."0.1764916

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0.1764916

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0.1764916

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Spin (5/01, p.108) - Ranked #8 in Spin's "50 Most Essential Punk Records" - "...Sunday-morning punk....like going from January to May in a single afternoon..."Alternative Press (7/95, p.77) - Ranked #8 in AP's list of the `Top 99 Of '85-'95' - "...The beauty [of NEW DAY RISING] is that the yearning in Mould's voice and the belly-button picking self-esteem of Hart's characters were perfect fodder for adolescent absorption. Husker Du were our Beach Boys. Only surf was definitely not up in the '80s, but splitting a 12-pack in a Minneapolis basement did just fine..."0.1764916

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Alternative Press (2/00, pp.94-5) - 3 out of 5 - "...dark and dreamy excursions in sonic exotica....showcases talented musicianship, curious jocularity and a taste for the psychedelicized bizarre..."0.1764916

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0.1764916

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Rolling Stone (2/4/99, p.61) - "...a DJ-mix CD that works as a pocket history of Motor City microchip music, explicitly admitting techno's evolution from Seventies European disco..."Spin (1/99, pp.121-122) - 7 (out of 10) - "...If you'd rather ride the train than spot it, climb aboard MASTERMIX. Juan may not have aced his engineer's exam, but he usually knows where he's going."Entertainment Weekly (1/15/99, p.63) - "...a beautiful, warts-and-all set of genre classics....smart liner notes provide some historical context, and the diverse mix belies techno's rep as monolithic. And oh, yeah: You can dance to it." - Rating: A-The Wire (02/99, p.46) - "...MasterMix Volume 1 has a strange kind of authority - it feels like an important record."CMJ (1/3/99, p.26) - "...fuses the pulse of old-school techno, house and electro into a unified, empowered urban discourse. Listen and learn..."Vibe (2/99, p.139) - "...Detroit's own brand of mechanized assembly line funk....techno delicately balances electronics with soul..."0.1323687

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Rolling Stone (1/4/01, p.113) - Included in Rolling Stone's "Top 50 Albums of 2000".Rolling Stone (2/17/00, pp.53-4) - 3.5 stars out of 5 - "...[her] background in jazz, gospel, rock and r&b brings a deeply felt sonic futurism....this interplanetary power-girl mix sounds both danceably down-to-earth and shockingly new."Spin (2/00, p.109) - 6 out of 10 - "...Kelis is...a cool sound on an album full of them....[The album's] production standout is 'Mars' where the chorus impossibly melds slow keyboards, fast bully chants, stutter drums, and Kelis' angled wailings with lyrics that involve refusing to leave the planet..."Entertainment Weekly (1/7/00, p.68) - "...fleshes out her persona with petulant sass and roller-rink whimsy, pegging her romantic maturity halfway between Brandy and Mary J....what lingers are the minimalist staccato beats from production duo the Neptunes..." - Rating: B+Q (1/01, p.93) - Included in Q's "50 Best Albums of 2000" - "...Refreshing, vibrant and replete with futuristic flourishes..."Q (4/00, p.88) - 4 stars out of 5 - "...an inspired debut....[She] establishes herself as a solo artist with an album that packs punches of the Mike Tyson variety and oozes confidence from every beat..."CMJ (12/20/99, p.21) - "...one of the hottest R&B debuts of 1999....a full spectrum of moods and tempos...bound together by Kelis' reflective lyrics and the rubber soul production of the Neptunes..."Melody Maker (3/28/00, p.48) - 3 stars out of 5 - "...Pop's best mad psycho-bitch from hell. She does possess a demonic godzilla-with-toothache roar....brilliantly futuristic..."Mojo (Publisher) (5/00, p.96) - "...The producers possibly see themselves as the new Jimmy Jam-Terry Lewis. She is their Mary Davis. The material veers from hard looks at rocky relationships...to, oh dear, UFOs....Best track is 'Ghetto Children', a positive, uptempo song with catchy chorus, crisp rap and a strong echo of Stevie Wonder."NME (Magazine) (12/30/00, p.77) - Ranked #10 in NME's "Top 50 Albums Of The Year".NME (Magazine) (2/26/00, p.35) - 9 out of 10 - "...a futuristic, visionary, multi-layered work of R&B, funk, soul and rap, furnished with an inspirational, psychedelic spirituality, rarely seen but desperately needed in these cynical times....We need more like this."0.1311009

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0.1146346

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0.1103072

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Entertainment Weekly (3/17/95, p.90) - "...In this 18-year, 68 song retrospective, [Jad Fair]--along with a guest lineup that includes saxist John Zorn and Velvet Underground drummer Maureen Tucker--explores his twin obsessions: puppy love and monster flicks. Somewhat rough on the ears, but undeniably easy on the heart..." - Rating: A-0.1103072

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0.1103072

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0.08824578

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