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50 Items Found For universal classics and jazz

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39.39645

$18.45
(0 reviews)

39.39645

$41.92
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13.72588

$16.65
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16.67492

$217.99
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15.18499

$13.92
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15.13375

$8.87
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9.751535

$14.35
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9.061958

$9.30
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9.061958

$9.30
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9.061958

$9.30
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9.061958

$10.15
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9.061958

$10.45
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9.061958

$9.30
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9.061958

$10.45
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9.061958

$9.30
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9.061958

$9.30
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JazzTimes (7-8/95, p.123) - "...this one's a must-have for any guitar lover."9.061958

$6.97
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9.061958

$6.97
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9.061958

$10.15
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9.061957

$9.30
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9.061957

$6.97
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8.923677

$9.29
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8.316463

$9.63
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8.316463

$9.30
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Down Beat (9/90) - 4.5 Stars - Very Good Plus - "..cut of a rich fabric, brocaded with golden threads of melody and intriguingly cross-stitched rhythms.."8.316463

$7.86
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7.65808

$6.97
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Mojo (Publisher) (p.94) - 4 stars out of 5 -- "[T]he duo demonstrate that five decades of collaboration have resulted in musical empathy and an advanced sense of intuitive interplay."Uncut (magazine) (p.70) - "Burton's glassy lead lines and Corea's jerky modalism lend an unusual air to classics by Tadd Dameron, Thelonious Monk and Bill Evans..."7.279521

$10.77
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6.912586

$7.69
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6.912586

$5.81
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6.912586

$22.13
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Down Beat (11/92, p.40) - 4 Stars - Very Good - "...a real departure--a high-wire balancing act which entices its listeners into the world of classical music...reflects Patitucci's love of classics...[Patitucci] is so quick and fluid that he makes it all sound easy..."Jazziz (12/92-1/93, p.94) - Picked by critic Josef Woodard as one of the 10 best jazz albums of 1992.6.264808

$10.00
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Record Collector (magazine) (p.98) - 4 stars out of 5 -- "[I]t includes the Basie orchestra's dynamic renditions of swing classics like 'Jumpin' At The Woodside' adn 'One O'Clock Jump.'"6.140864

$9.30
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5.263835

$33.91
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JazzTimes (4/00, pp.116-8) - "...A great success....It takes all that Loussier has ingested from the 'classics', and spins it out through his own sensibilitites....very listenable."3.557849

$9.30
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Q (6/95, p.138) - 4 Stars - Excellent - "...this 1965 date is arguably Hancock's finest half-hour of his long career. His compositional strength has never been bettered (four out of five tracks have become classics) and his piano playing is a model of the lucid, cerebral style that continues to act as a role model to young aspirants..."3.542656

$14.13
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JazzTimes (p.84) - "[With] many of his crossover classics....Great music. Great musicians."3.516467

$10.77
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Rolling Stone (2/14/02, p.65) - 3.5 stars out of 5 - "...Like their own music, Thievery Corp's choices favor voluptuous rhythms, opiate melodies, worldly flavors and classy musicianship..."Q (2/02, p.119) - 4 stars out of 5 - "A labor of love...showcasing the 60s acts that made the Verve label the home of cool jazz and hot bossa nova..."Alternative Press (4/02, p.84) - 8 out of 10 - "...This disc lets [Thievery's] records do the basking, compiling bossa-nova and other ethno-savvy classics from the Verbe label's catalog..."3.49204

$10.77
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JazzTimes (10/00, p.70) - "...Benoit is at his emotive best here, smartly arranging these familiar classics...in intimate trio settings..."3.477508

$15.86
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CMJ (4/30/01, p.25) - "...His interpretations have a horn-heavy, modern-day, post-bop feel with a bit more swing....Payton touches on different elements of New Orleans jazz like second line, mambo, R&B, swing and ragtime..."Down Beat (1/02, p.49) - 4 stars out of 5 - "...A mature, modern beauty of an Armstrong trib..."Vibe (6/01, p.154) - 4 discs out of 5 - "...A modern interpretation of 13 Louis Armstrong classics....Like Armstrong in his heyday, Payton boasts the most recognizable tone of any living trumpeter and, in spirit, approaches music with the same creative ingenuity that made Armstrong famous..."3.450352

$10.77
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JazzTimes (p.87) - "[I]nstant classics. 'Hold on Tight' is a slow-burning ballad with strings, while 'City of Lights' is a melancholy piece that pays homage to the subject of the title, the romantic city of Paris."3.438548

$9.30
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Entertainment Weekly (5/8/92, p.58) - "...the music is astonishingly alive, robust, and brilliantly expressive; it ranks near the top of his accomplishments...This is one of those records you'd take to a desert island..." - Rating: A+Down Beat (6/92, p.42) - 4 Stars - Very Good - "...It may not be the greatest Getz on disc, but it's likely the last. And it's as much a statement about courage, and perseverance, and creativity defining a life, as it is a musical experience..."JazzTimes - "[A] superb listening experience....They needed each other, and jazz needs more such symbiotic relationships between writers and players."Village Voice (2/2/93, p.78) - "...The radiant tenor's last recordings are among his most provocative and moving, but the main reason these duets are instant classics is the uncanny level of dialogue between Getz and Barron, who at times makes the piano thunder with romance..."Jazziz (Dec.-Jan./92, p.94) - Picked by critic Leonard Feather as one of the 10 best jazz albums of 1992.3.433951

$21.91
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3.418018

$8.36
(0 reviews)

Entertainment Weekly (8/16/96, p.63) - "...Carol Sloane certainly isn't taking the easy way home by visiting classics immortalized by Ol' Blue Eyes himself....but Sloane pulls it all off with taste and emotional depth."- Rating: B+Down Beat (3/97, p.54) - 5 Stars - (out of 5) - "...she offers her own very personal recreation while still paying homage to one of her idols....Sloane's intonation and broad range put her among a select few vocalists whom musicians consider their equals..."JazzTimes (2/97, p.102) - "...ready for immediate consumption..."3.399589

$9.30
(0 reviews)

Mojo (Publisher) (p.144) - 4 star out of 5 -- "Best of all...are Mr. Dynamite's finger-clicking jazz versions of his funk classics, 'Cold Sweat' and 'There Was A Time'."2.769199

$17.86
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Rolling Stone (5/13/99, p.80) - Included in Rolling Stone's "Essential Recordings of the 90's."Rolling Stone (1/23/97, pp.62-63) - 4 Stars (out of 5) - "...The DJ built songs out of layer upon layer of sampled instruments and other sound fragments, most of which he processed, looped and re-arranged far beyond recognition....funky rhythms that never sound like they've been cut and pasted together..."Spin (p.134) - "[T]his remains a stone classic, channeling Afrika Bambaataa's genre-splicing, DJ-booth mysticism into a fully realized studio epic..."Spin (9/99, p.126) - Ranked #15 in Spin Magazine's "90 Greatest Albums of the '90s."Spin (1/97, p.59) - Ranked #12 on Spin's list of the "20 Best Albums of '96."Spin (1/97, p.81) - 9 (out of 10) - "...layers slinky break-beats with sampled sounds--anything from church bells to War Of The Worlds and, egad, Tears For Fears....a cosmic-chamber feel complete with choruses of fallen angels, plucked harps, Mellotron, and cello..."Spin (p.102) - "One of the best hip-hop, yes hip-hop - records ever made."Entertainment Weekly (11/29/96, p.92) - "...Unfolding lik a surreal film soundtrack on which jazz, classical, and jungle fragments are artfully blended with turntable tricks and dialogue snippets, ENDTRODUCING... takes hip-hop into the next dimension." - Rating: A-Q (12/99, p.90) - Included in Q Magazine's "90 Best Albums Of The 1990s."Q (11/96, p.120) - 4 Stars (out of 5) - "...Shadow's brief is to develop a totally sample-based idiom, weaving a cinematically broad spectrum so deftly layered that the sampling-is-stealing argument falls flat..."Uncut (p.121) - 4 stars out of 5 - "It's an elegy from a vinyl mausoleum, a sonic fiction assembled by a keen-eared archaeologist."Alternative Press (4/97, p.70) - 5 (out of 5) - "...an undeniable hip-hop masterpiece....DJ Shadow remembers that sampling is an art form."Magnet (p.88) - "An instrumental album entirely composed of samples and influenced by both prog rock and Public Enemy was, at the time, revolutionary....Still unmatched in its carefree invention."JazzTimes (4/97, p.65) - "Some consider...ENDTRODUCING... a broadcast from hip-hop's near future. But that notion ignores how much this disc reaffirms the music's creative roots....ENDTRODUCING is pretty damn good, with Shadow demonstrating an unerring ear for motif and texture, touching on everything from dub to funk to groove-jazz..."Option (1-2/97, p.73) - "...Shadow makes records the way Robert Rauschenberg made his combines: from scraps, pop artifacts, the things other people throw away....While some of his tracks float serenely on a cloud of jazzy phrasing and ambient textures, Shadow always lands on his beat..."Melody Maker (12/21-28/96, pp.66-67) - Ranked #2 on Melody Maker's list of 1996's "Albums Of The Year."Melody Maker (9/14/96, p.49) - Bloody Essential - "...it flips hip hop inside out all over again like a reversible glove, and again, and again, and each time it's sudden and new. I am, I confess, totally confounded by it. I hear a lot of good records, but very few impossible ones....You need this record. You are incomplete without it."Rap Pages (12/96, p.33) - "...Innovative arrangements and structures of sound are present here, reflecting a mind that is constantly summoning collage forms..."Village Voice (2/25/97) - Ranked #4 in the Village Voice's 1996 Pazz & Jop Critics' Poll.Mojo (Publisher) (p.65) - Ranked #18 in Mojo's "100 Modern Classics" -- "[The album] returned hip hop's focus from the MC to the music."Mojo (Publisher) (p.120) - 4 stars out of 5 - "A decade on, DJ Shadow's affirmatory essay on record collecting as a creative endeavour has lost none of its grandeur."NME (Magazine) (12/21-28/96, pp.66-67) - Ranked #5 in NME's 1996 critics' poll.2.755904

$28.14
(0 reviews)

Down Beat (p.56) - 4 stars out of 5 -- "The title track is a lovely showcase for Ernie Watts....Pointedly grown-up with an almost literary elegance, Haden and partners understand the ties between jazz and cabaret."JazzTimes (p.63) - "Krall's 'Goodbye' is artfully scorched. Most surprising is the haunting, earthy passion of Fleming's 'A Love Like This.'"Mojo (Publisher) (p.107) - 3 stars out of 5 -- "Diana Krall's 'Goodbye' and Norah Jones's 'Ill Wind' are strikingly vulnerable, intimate performances of classics..."2.704858

$15.86
(0 reviews)

Entertainment Weekly (7/17/92, p.58) - "...aural time travel, with musical reminders of postwar Los Angeles and its noir movies, Raymond Chandler novels, and sexy torch singers...a serenade of remembered delights..." - Rating: ADown Beat (8/92, p.37) - 4 Stars - Very Good - "...A set of wistful ballads and gentle bop classics...paves no new paths but makes some gorgeous music...If, as [Haden] suggests, this disc should be treated like a film, I'll gladly buy the popcorn..."Musician (9/92, p.108) - "...Nostalgia can be treacherous, but Haden's bop ensemble bars the door on schmaltz, allowing only consummate invention into this program of tunes from Hollywood's lush life..."Village Voice (2/2/93, p.78) - "...The third Quartet West album is best, and not only because the latest excursion into noir jazz actually drafts three of the sultriest torch singers of postwar cabaret..."Reflex (11/10/92, p.70) - "...The spirits are abundant and vibrant in this aural time capsule of Raymond Chandler's Los Angeles...Haden is in top form...via electronic magic, Billie Holiday, Jo Stafford, and Jeri Southern sing alongside the band, as the ghosts and the era are revitalized..."New York Times (Publisher) (9/11/92, p.C24) - "...The noted bass player and his group pay homage to some of the more evocative pop and jazz sounds of the 1940's...drenched in film-noir moodiness..."2.669744

$8.87
(0 reviews)

Rolling Stone (1/4/01, p.114) - Included in Rolling Stone's "Top 50 Albums of 2000".Rolling Stone (6/22/00, pp.127-8) - 3.5 stars out of 5 - "...A strange, category-evading rock record, a mystery disc of gravity and low humor, of punk aggression and love-bead contentment....improving on the strengths of [their] first album and shooting into areas that you wouldn't expect..."Spin (1/01, p.73) - Ranked #8 in Spin's "Top 20 Albums of the Year [2000]" - "...Mysteriously beautiful, smartly stoopid psychedelic jams, complete with jet planes and monsters..."Q (1/01, p.93) - Included in Q's "50 Best Albums of 2000".Q (9/00, p.111) - 4 stars out of 5 - "...[A] mighty record....[They] may well have a sleeper hit on their hands..."Uncut (10/00, p.88) - 4 stars out of 5 - "...A revved-up jet engine of twisted Sabbath riffs and taut Krautrock rhythms..."Magnet (8-9/00, p.88) - "...Sublime....there's sufficient skronk'n'wail to keep your bong well-stuffed..."CMJ (5/29/00, p.3) - "...Continues to broaden [their] scope while introducing some experimental chutzpah to their sound....Fuzz guitar hero Josh Homme keeps listeners on their toes....successfully employing pop-flavored enhancements....markedly different from [their] debut..."Melody Maker (6/27/00, p.75) - 4 stars out of 5 - "...No mess. No fuss. Just 12 songs of good, solid rock. Rock with all the [b.s.] stripped away....100 per cent unapologetic metal..."Kerrang (Magazine) (p.52) - "[A]n 11-step guide to hedonistic heaven..."Mojo (Publisher) (p.61) - Ranked #47 in Mojo's "100 Modern Classics" -- "[M]aking their unique sound -- as relentless as metal, as eerily groovy as Can -- one of the world's most envied."Mojo (Publisher) (p.110) - 5 stars out of 5 -- "RATED R leaps instantly out of its genre packet into a world where polka rhythms, free jazz and punk rock ramalama share airspace with repetitive Kraut-metal riffing..."Mojo (Publisher) (9/00, p.91) - "...[They] can really kick it like The Stooges did, like Black Flag, The MC5 and Nirvana....you can't help but be smitten..."NME (Magazine) (12/30/00, p.77) - Rated #1 in NME's "Top 50 Albums Of The Year".NME (Magazine) (6/3/00, p.40) - 9 out of 10 - "...A heady mix of speed-addled punk rock, huge, sky-filling psychedelic majesty and sex-crazed black humor....It's just the best, most important rock album for years....The new rock royalty have come to claim their throne..."Pitchfork (Website) - "[O]ne of the last great modern hard rock records and something deceptively tuneful, groove-bitten, and even melancholic."Uncut (magazine) (p.105) - 4 stars out of 5 -- "There's an almost mathematical precision to the freak-outs like 'Better Living Through Chemistry'."2.632474

$8.87
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