universal-distribution,The Imagine Project [886977486128], All the Number Ones, Les Liaisons Dangereuses, Oliver! [Original 1960 London Cast] [2002 Universal], Swordfishtrombones

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Entertainment Weekly (p.71) - "His take on Bob Marley's 'Exodus' -- featuring K'naan and Los Lobos -- is a truly global trip." -- Grade: B+JazzTimes (p.54) - "When everything clicks, it's a heady mix, as evidenced by the album-closing 'The Song Goes On'....This is a recoding truly worthy of Hancock's expressive skills and imagination."Billboard (p.36) - "Hancock holds his own as a visionary and pianist, playing just enough to be present but also serving as a gracious host to his distinguished guests."Mojo (Publisher) (p.105) - 3 stars out of 5 -- "Hancock manages to unite a raft of disparate musical and cultural elements into something resembling a cohesive and harmonious whole."18.03088

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Q (10/92, p.100) - 5 Stars - Indispensable - "...one of the pivotal albums of the '80s...an American melting-pot music such as had never been heard before..."Mojo (Publisher) (p.77) - 5 stars out of 5 -- "[A]n album that shifted gloriously in mood....SWORDFISHTROMBONES continues to amaze."NME (Magazine) (9/25/93, p.19) - Ranked #16 among The 50 Greatest Albums Of The '80s.14.664

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Q (10/92, p.101) - 4 Stars - Excellent - "...Sad, delirious, soused and bedraggled by turns...tapped into a timeless wellspring of emotion, illuminating situations you never realized you'd experienced..."Alternative Press (7/95, p.91) - Ranked #57 in AP's list of the `Top 99 Of '85-'95' - "...Tom Waits at his rosiest....The best part about FRANKS is that it [is] no rock record. It's truly a musical with Waits' avant, freakish touch, including the hitting of some off-color notes and Victrola-like warbles to add a touch of dementia to the mix..."Mojo (Publisher) (p.77) - 3 stars out of 5 -- "[I]t has genius flashes of dustbowl sadness and swaying valediction..."14.664

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Q (10/95, p.143) - 4 Stars - Excellent - "...George Clinton has pinched all the mid-'70s funk kudos for himself, perhaps The Ohio Players deserve some too..."14.664

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Entertainment Weekly (7/16/99, p.71) - "...likably loopy, with some serious 4.0 exceptions..." - Rating: B14.664

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Rolling Stone (11/27/97, pp.108-110) - 3.5 Stars (out of 5) - "...a voice that flows like a rap saxophone....the focus is on skills, not cars, drugs or gats....embellished with lush R&B and edgy Wu-Tang aural textures..."Spin (1/98, p.114) - 7 (out of 10) - "...His vocal virtuosity--like a dark storm brewing over both tenemants and pyramids--has influenced everything from the trip-hop brilliance of Tricky to...[many] '90s lyricists....On his first solo album since breaking up with Eric B. in 1993, Rakim ages gracefully...and without bitterness..."The Source (12/97, p.179) - 3.5 Mics (out of 5) - "...his style fathered a rhyme revolution still nurtured to this day....THE 18TH LETTER, Ra's first solo LP, comes complete chock-filled with new seven MC theories and wise prophesies..."Melody Maker (11/22/97, p.45) - "...possibly the most eagerly awaited comeback in hip hop history...razor-sharp, blunted-raw pulse of lithe magic....it's fevered and abandoned where most would settle for lukewarm and cosy..."Rap Pages (1/98, p.97) - Excellent - "...Rakim picks up right where he left off, hypnotizing us with his sublime rhyming skills....No one esle...has quite the same ability to take hold of the English language..."14.664

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Rolling Stone (11/27/97, p.111) - 3 Stars (out of 5) - "...Chumbawamba employ rousing electronic power chords and have toned down some of the radical rhetoric....TUBTHUMPER may not enlighten the masses, but it'll make them dance."Entertainment Weekly (10/31/97, p.108) - "U.K. ensemble Chumbawamba hae mastered the fist-in-velvet-glove sucker punch. Any weapon is fair game: jungle, synth-pop, hip-hop--even faux madrigals....Social commentary never tasted so sweet." - Rating: B+Q (1/98, p.111) - Included in Q Magazine's "50 Best Albums of 1997."Melody Maker (09/13/97, p.51) - "...fresh songs...positively over-flowing with that bleedin' trumpet and infectiously catchy choruses."NME (Magazine) (8/30/97, p.53) - "...there is the amusing irony of seeing an anarchist band on EMI. Good attitude, subverting from within and all that jazz, although it will quite clearly end in tears. But let's enjoy the bizarre spectacle while it lasts..."14.664

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Rolling Stone (3/5/98, pp.68-70) - 3 Stars (out of 5) - "...Aykroyd and Goodman enthusiastically heat up a sackful of R&B chestnuts....the predictably stellar roster of guests sets off the real fireworks..."14.664

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The Source (6/96, p.76) - 3.5 Mics - Dope - "...The Lost Boyz rock the style exhibited in their first two joints over most of the album....the crew flaunts their ghetto status like a boy scout badge..."NME (Magazine) (6/22/96, p.56) - 7 (out of 10) - "...What distinguishes these pragmatic Lost Boyz...is their unique rap flow, and the way the overlapping voices are aligned with an accessible yet hard-edged music....heavy hip-hop that can sit comfortably in the mainstream..."14.664

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Entertainment Weekly (9/25/98, p.107) - "...On its own, the CD is a more than respectable stand-up disc; Seinfeld's riffs on airplane bathrooms, Halloween masks, pharmacists, and supermarkets...are worthy of preservation..."- Rating: B+14.664

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The Source (12/97, p.194) - "...LONG TIME NO SEE is a woefully seductive collection of gospel-drenched sonnets that traces Chico's return to the outside world....Unlike the growing sea of neo-soul contemporaries, Chico is a student approaching his art with the wisdom of a master..."14.664

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CMJ (1/5/04, p.6) - Ranked #19 in CMJ's "Top 20 Most-Played Albums of 1979".Mojo (Publisher) (p.123) - 4 stars out of 5 -- "By the time Supertramp made this sixth album, they'd tempered their mannered art-rock with disarmingly simple pop hooks."Record Collector (magazine) (p.88) - 3 stars out of 5 -- "It's a classic example of flawlessly-played and -produced late 70s transatlantic soft rock..."Uncut (magazine) (p.102) - 3 stars out of 5 -- "'Goodbye Stranger' and 'Casual Conversations' retain a touch of some of their earlier, jazzier excursions."14.664

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Down Beat (3/29/62) - 5 Stars - Excellent - "...FOCUS is a pithy, thoughtful and extraordinarily attractive set of seven pieces for string orchestra and tenor saxophone, not quite like anything ever before attempted. It ranks with the best of the Gil Evans-Miles Davis collaborations..."14.664

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JazzTimes (7-8/95, p.115) - "...a ballads anthology from the High Priestess of African-American song. With a contralto voice as deeply affecting and full of intense feeling as any we've known, Nina Simone turns each song into its own passion play and never so much as with ballads..."14.664

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Q (5/97, p.122) - 4 Stars (out of 5) - "...some of the most elegant, eloquent duets you could wish for..."Down Beat (4/97, p.50) - 4 Stars (out of 5) - "...Almost hypnotically slow and whispered, the 13 'short stories' of BEYOND THE MISSOURI SKY have a cumulative lulling effect that induces relaxation at the least, and total stupor at best..."14.664

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Down Beat (p.74) - 3.5 stars out of 5 - "Soulive gets closest to their live sound in the studio when the band takes more risks....The organ trio combines that sense of experimentation with a healthy respect for what sounds good in the studio."14.664

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JazzTimes (12/01, p.110) - "...Highlights abound....Taylor proves versatile as well as sensitive..."14.664

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Rolling Stone (12/26/02, p.102) - Included in Rolling Stone's "50 Best Albums of 2002"Rolling Stone (10/3/02, p.99) - 3 stars out of 5 - "...Unified by his gift for melody, the theme of heartbreak and his adenoidal vocal resemblance to Paul Simon....the ballads are much better than the rockers..."Spin (1/03, p.72) - Ranked #33 on Spin's list of 2002's "Albums of the Year"Spin (11/02, p.119) - 7 out of 10 - "...Adams at his soulful, hyperstudious peak..."Entertainment Weekly (10/4/02, pp.150,153) - "...Dominated by intentionally underproduced acoustic ballads...Adams is very adept at this genre....[The music] wafts in the air and settles gently on the furniture..." - Rating: B-Q (10/02, p.101) - 3 stars out of 5 - "...An album largely split between moments of hushed intimacy and gonzoid rockers....it sounds like Adams is auditioning to be the next John Cougar Mellencamp..."Uncut (1/03, p.94) - Ranked #13 in Uncut's "100 Best Albums of the Year"Uncut (10/02, p.100) - 4 stars out of 5 - "...DEMOLITION is further proof that his creative instincts are still intact..."CMJ (9/30/02, p.6) - "Adams commands each musical style with ease and authority....the quality of the material makes it hard to believe these songs are all untouched demos..."Mojo (Publisher) (1/03, p.74) - Ranked #22 in Mojo's "Best Albums of 2002"Mojo (Publisher) (10/02, p.92) - "...A fine, multi-faceted album with very little surplus."NME (Magazine) (9/21/02, p.39) - 8 out of 10 - "DEMOLITION finds Ryan Adams in a fittingly traditional musical setting--at a crossroads."14.664

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Entertainment Weekly (6/7/02, pp.76-7) - "...The songs show some serious talent, while her remarkable voice, more pristine, in fact, transcends the merely pretty..." - Rating: BMojo (Publisher) (8/02, p.100) - "...Nice stuff..."14.664

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Rolling Stone (1/31/02, p.54) - 4 stars out of 5 - "...Explodes the yahoo baggage of 1970s Southern rock in a roaring memoir of gorwing up white, loud and desperate in the former Confederacy..."Spin (1/03, p.72) - Ranked #23 on Spin's list of 2002's "Albums of the Year" - "...Fictionalizing the bourbon-soaked saga of Lynyrd Skynyrd, SOUTHERN ROCK is a hard-rock history lesson for anyone who's ever yelled out for 'Freebird' and meant it."Q (9/02, p.104) - 3 stars out of 5 - "...This is indeed a rock opera...and they are unafraid to rock. Bonkers of course, but it's also a treat."14.664

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