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Entertainment Weekly (p.71) - "His take on Bob Marley's 'Exodus' -- featuring K'naan and Los Lobos -- is a truly global trip." -- Grade: B+JazzTimes (p.54) - "When everything clicks, it's a heady mix, as evidenced by the album-closing 'The Song Goes On'....This is a recoding truly worthy of Hancock's expressive skills and imagination."Billboard (p.36) - "Hancock holds his own as a visionary and pianist, playing just enough to be present but also serving as a gracious host to his distinguished guests."Mojo (Publisher) (p.105) - 3 stars out of 5 -- "Hancock manages to unite a raft of disparate musical and cultural elements into something resembling a cohesive and harmonious whole."18.34295

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Q (10/92, p.100) - 5 Stars - Indispensable - "...one of the pivotal albums of the '80s...an American melting-pot music such as had never been heard before..."Mojo (Publisher) (p.77) - 5 stars out of 5 -- "[A]n album that shifted gloriously in mood....SWORDFISHTROMBONES continues to amaze."NME (Magazine) (9/25/93, p.19) - Ranked #16 among The 50 Greatest Albums Of The '80s.14.92911

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Q (10/92, p.101) - 4 Stars - Excellent - "...Sad, delirious, soused and bedraggled by turns...tapped into a timeless wellspring of emotion, illuminating situations you never realized you'd experienced..."Alternative Press (7/95, p.91) - Ranked #57 in AP's list of the `Top 99 Of '85-'95' - "...Tom Waits at his rosiest....The best part about FRANKS is that it [is] no rock record. It's truly a musical with Waits' avant, freakish touch, including the hitting of some off-color notes and Victrola-like warbles to add a touch of dementia to the mix..."Mojo (Publisher) (p.77) - 3 stars out of 5 -- "[I]t has genius flashes of dustbowl sadness and swaying valediction..."14.92911

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Q (10/95, p.143) - 4 Stars - Excellent - "...George Clinton has pinched all the mid-'70s funk kudos for himself, perhaps The Ohio Players deserve some too..."14.92911

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Rolling Stone (5/13/99, p.52) - Included in Rolling Stone's "Essential Recordings of the 90's."Rolling Stone (12/23/93, p.146) - "...entrancing tunefulness [with] Dolores O'Riordan's vocal audacity...they've accomplished a sharp, self-aware debut...."Entertainment Weekly (6/4/93, p.54) - "...The Cranberries are Quiet Storm music for the alternative-rock generation..." - Rating: BQ (1/94, p.84) - Included in Q's list of 'The 50 Best Albums Of 1993' - "...creeps up on your consciousness and stubbornly refuses to leave...."Q (4/93, p.80) - 4 Stars - Excellent - "...softly stroked guitars tenderized by a female voice of exceptional merit....deliciously spine-shivering moments....the melodies are festooned with dreamy hooks..."Alternative Press (7/93, p.66) - "...what really makes the Cranberries stand out is singer Dolores O'Riordan...a Stephen Street production job which makes even the Smiths seem uncompromisingly dense....A remarkable album by a remarkable band..."14.92911

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Entertainment Weekly (6/2/00, pp.78-9) - "...Shows the boys have assiduously studied the Metallica/Pearl Jam/Creed oeuvres. At its swaggering best, LIFE crackles with energy and crowd-pleasing choruses..." - Rating: B-Q (12/00, p.136) - 3 stars out of 5 - "...A bolt-together Stone Temple Alice in Pearl Jam's Soundgarden hybrid....this is rock for people who wear woolen muscle vests and worry about hair products..."14.92911

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Rolling Stone (11/27/97, pp.108-110) - 3.5 Stars (out of 5) - "...a voice that flows like a rap saxophone....the focus is on skills, not cars, drugs or gats....embellished with lush R&B and edgy Wu-Tang aural textures..."Spin (1/98, p.114) - 7 (out of 10) - "...His vocal virtuosity--like a dark storm brewing over both tenemants and pyramids--has influenced everything from the trip-hop brilliance of Tricky to...[many] '90s lyricists....On his first solo album since breaking up with Eric B. in 1993, Rakim ages gracefully...and without bitterness..."The Source (12/97, p.179) - 3.5 Mics (out of 5) - "...his style fathered a rhyme revolution still nurtured to this day....THE 18TH LETTER, Ra's first solo LP, comes complete chock-filled with new seven MC theories and wise prophesies..."Melody Maker (11/22/97, p.45) - "...possibly the most eagerly awaited comeback in hip hop history...razor-sharp, blunted-raw pulse of lithe magic....it's fevered and abandoned where most would settle for lukewarm and cosy..."Rap Pages (1/98, p.97) - Excellent - "...Rakim picks up right where he left off, hypnotizing us with his sublime rhyming skills....No one esle...has quite the same ability to take hold of the English language..."14.92911

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Rolling Stone (11/27/97, p.111) - 3 Stars (out of 5) - "...Chumbawamba employ rousing electronic power chords and have toned down some of the radical rhetoric....TUBTHUMPER may not enlighten the masses, but it'll make them dance."Entertainment Weekly (10/31/97, p.108) - "U.K. ensemble Chumbawamba hae mastered the fist-in-velvet-glove sucker punch. Any weapon is fair game: jungle, synth-pop, hip-hop--even faux madrigals....Social commentary never tasted so sweet." - Rating: B+Q (1/98, p.111) - Included in Q Magazine's "50 Best Albums of 1997."Melody Maker (09/13/97, p.51) - "...fresh songs...positively over-flowing with that bleedin' trumpet and infectiously catchy choruses."NME (Magazine) (8/30/97, p.53) - "...there is the amusing irony of seeing an anarchist band on EMI. Good attitude, subverting from within and all that jazz, although it will quite clearly end in tears. But let's enjoy the bizarre spectacle while it lasts..."14.92911

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Rolling Stone (3/5/98, pp.68-70) - 3 Stars (out of 5) - "...Aykroyd and Goodman enthusiastically heat up a sackful of R&B chestnuts....the predictably stellar roster of guests sets off the real fireworks..."14.92911

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The Source (6/96, p.76) - 3.5 Mics - Dope - "...The Lost Boyz rock the style exhibited in their first two joints over most of the album....the crew flaunts their ghetto status like a boy scout badge..."NME (Magazine) (6/22/96, p.56) - 7 (out of 10) - "...What distinguishes these pragmatic Lost Boyz...is their unique rap flow, and the way the overlapping voices are aligned with an accessible yet hard-edged music....heavy hip-hop that can sit comfortably in the mainstream..."14.92911

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The Source (12/97, p.194) - "...LONG TIME NO SEE is a woefully seductive collection of gospel-drenched sonnets that traces Chico's return to the outside world....Unlike the growing sea of neo-soul contemporaries, Chico is a student approaching his art with the wisdom of a master..."14.92911

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CMJ (1/5/04, p.6) - Ranked #19 in CMJ's "Top 20 Most-Played Albums of 1979".Mojo (Publisher) (p.123) - 4 stars out of 5 -- "By the time Supertramp made this sixth album, they'd tempered their mannered art-rock with disarmingly simple pop hooks."Record Collector (magazine) (p.88) - 3 stars out of 5 -- "It's a classic example of flawlessly-played and -produced late 70s transatlantic soft rock..."Uncut (magazine) (p.102) - 3 stars out of 5 -- "'Goodbye Stranger' and 'Casual Conversations' retain a touch of some of their earlier, jazzier excursions."14.92911

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Entertainment Weekly (12/10/99, pp.107-8) - "...Santa's got a very mixed bag:...the priviledge of jolly-enough John Popper and Run-D.M.C. entries and a no-hard-feelings Clapton/Crow pairing..." - Rating: B-14.92911

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Rolling Stone (10/29/92, p.69) - 3.5 Stars - Good Plus - "...It's a song older than Waits himself--older than Hank Williams, older than Robert Johnson--that Waits is chasing...Albums this rich with spiritual longing prove the validity of that effort..."Spin (12/92, p.68) - Ranked #13 in Spin's list of the `20 Best Albums Of The Year' - "...leaves you breathless in amazement that anyone could be this friggin' weird and cool...a shining collection of tunes..."Spin (11/92, p.115) - Highly Recommended - "...Waits keeps getting weirder--and better--proving that you can live life in sinful disgrace and come out somehow purer in the end..."Entertainment Weekly (9/17/92, p.65) - "...You never know when you're going to be shocked, thrilled, or just plain unnerved by some startling image or sound...As modern songwriters go, [Waits] is one of the few who does matter..." - Rating: A+Q (10/92, p.100) - 4 Stars - Excellent - "...a formidable talent who is surely the true heir to Captain Beefheart...in an era when even the fringes of cultural enterprise are becoming increasingly dominated by market pandering, his is the bravest of stances..."Alternative Press (12/92, p.75) - "...the apocalyptic howl which is Waits' strongest calling card positively bowls you over..."Dirty Linen (Apr/May 93, p.75) - "...a musical sideshow; not one full of bogus wonders, but rather, applicable sounds and images. It doesn't have to be all popsicles and icicles, you know. And Tom Waits remains oh-so valid..."Option (Nov.-Dec./92, p.151) - "...his best album ever....Waits--poignant, brilliant, and original--is beyond all comparisons..."Melody Maker (9/12/92, p.45) - "...Waits doesn't prettify, he just simplifies, as the best storytellers must...shows his roots in the spirituals of black American slaves, gospel, Leadbelly's blues and the Depression folk of Woody Guthrie...weird and wonderful..."Musician (10/92, p.99) - "...one of the most singular-sounding albums to come along in some time...BONE MACHINE should be counted among [Waits's] best efforts--deeply weird, aggressively sardonic and, at its greasy core, painfully humane..."Village Voice (3/2/93, p.5) - Ranked #9 in the Village Voice's list of the 40 Best Albums Of 1992.Stereo Review (1/93, p.88) - "...BONE MACHINE is minimalist music from hell, played on the bones of sinners and sung through the rusty, ravaged, and perhaps even channeled voice of the devil, who shovels coal through Waits's dreams..."Audio Magazine (1/93, p.150) - "...the folk music of the post-apocalypse...his most chilling and darkly humorous album to date..."14.92911

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Down Beat (3/29/62) - 5 Stars - Excellent - "...FOCUS is a pithy, thoughtful and extraordinarily attractive set of seven pieces for string orchestra and tenor saxophone, not quite like anything ever before attempted. It ranks with the best of the Gil Evans-Miles Davis collaborations..."14.92911

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JazzTimes (7-8/95, p.115) - "...a ballads anthology from the High Priestess of African-American song. With a contralto voice as deeply affecting and full of intense feeling as any we've known, Nina Simone turns each song into its own passion play and never so much as with ballads..."14.92911

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Q (5/97, p.122) - 4 Stars (out of 5) - "...some of the most elegant, eloquent duets you could wish for..."Down Beat (4/97, p.50) - 4 Stars (out of 5) - "...Almost hypnotically slow and whispered, the 13 'short stories' of BEYOND THE MISSOURI SKY have a cumulative lulling effect that induces relaxation at the least, and total stupor at best..."14.92911

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Down Beat (9/00, p.67) - 3.5 stars out of 5 - "...Indicates an artist straddling the fence between a maker of cocktail lounge kitsch and profound composer of American song....walking the fine line between the 'Girl From Ipanema' and various takes of the bossa nova workout 'Tema Jazz'..."14.92911

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Down Beat (9/00, p.67) - 3.5 stars out of 5 - "...His memorable melodies breathe innocence and have become a currency all their own....[His] baritone, vibrato and falsetto is a marvel to behold, sensuous yet simple, polished yet very close to his folk roots."14.92911

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Rolling Stone (11/12/98, p.119) - "...PSYCHO CIRCUS--an album of platform-stomping rhythms, roller-coaster guitar riffs and sing-along choruses--is far more respectable than any of the awkward flops from the no-makeup years..."Entertainment Weekly (9/25/98, p.106) - "...This is rock with a capital R, captured in all its cheesy glory....This new effort proves that in the circus of hard-rock dinosaurs, Kiss remains its Barnum & Bailey." - Rating: A-14.92911

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Entertainment Weekly (7/17/92, p.57) - "..remarkably fresh.." - Rating: B14.92911

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