will-oldham,Will Oldham on Bonnie "Prince" Billy, Poetical Works of John Oldham (9781437227710), Kevin Oldham: Piano and Vocal Music, Slow Fade (As Read by Will Oldham), Out of the Depths [Kevin Oldham]

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BOOK REVIEWS COMING SOON!!!!99.53379

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Record Collector (magazine) (p.90) - 4 stars out of 5 -- "24 unimpeachable selections penned by the master songwriters of Memphis and Muscle Shoals. Every song is simply stupendous..."59.80006

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"[A] shimmering, quiet treasure of a film, an elegy to mutable friendship, enduring nature, and the sense of loss that inevitably accompanies the adult pull to move forward." -- Grade: AEntertainment Weekly Included in Entertainment Weekly's "Top 10 Films Of The Year" -- "OLD JOY is a small, delicate thing, and a huge achievement in honestly independent filmmaking."Entertainment Weekly Ranked #13 in Film Comment's "20 Best Films Of 2006."Film Comment "[F]illed with the kind of unemphatic ambition and relevance that's become virtually extinct in American independent filmmaking."Film Comment 3 stars out of 5 -- "[I]ts subtlety is as treasurable as an old friend."Total Film "[A] campfire monologue recalls EASY RIDER, and a wrangle over an order in a diner brings to mind FIVE EASY PIECES. As these forerunners suggest, the journey is as much metaphorical as geographical."Sight and Sound31.77901

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3 stars out of 5 -- "It's a small story with a big heart that trumps a lot of the louder and more expensive machine-made Hollywood pictures."Box Office "[Reichardt] has perfected a mode of rapturous minimalism....Williams makes Wendy's total lack of affect luminously expressive." -- Grade: A-Entertainment Weekly "[The film] does not include a superfluous word or shot....What happens to Wendy -- and to Lucy -- matters a lot, which is to say that WENDY AND LUCY, for all its modesty, matters a lot too."New York Times "Reichardt's haunting, mournful film engages the texture of a life in which money and hope are equally thin on the ground....Williams' performance is remarkable not only for its depth but for its stillness."Los Angeles Times 3.5 stars out of 4 -- "Kelly Reichardt is a true cinema poet who works miracles in miniature. And she finds the perfect collaborator in Williams..."Rolling Stone Included in Entertainment Weekly's 2008 Films Of The Year -- "[A] precise, nearly whispered story....Pay attention, and it grows into a textured ode -- or maybe it's a lament -- to a lost America..."Entertainment Weekly "WENDY AND LUCY is another illustration of how absorbing a film can be when the plot doesn't stand between us and a character."Chicago Sun-Times "Williams's performance is nuanced, moving and well worth any awards she gets."Washington Post 4 stars out of 5 -- "Far more than just a sentimental anecdote about a girl and a dog, on this exciting new director's watch a simple tale becomes the stuff of pure poetry."Total Film31.33342

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BOOK REVIEWS COMING SOON!!!!27.72052

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BOOK REVIEWS COMING SOON!!!!13.86026

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Spin - "It's fitting for singer/songwriter Will Oldham to collaborate with young Chicago guitar whiz Emmett Kelly. Both are intimate with folk forms lodged in the Blue Ridge Mountains and the Emerald Isles..."Pitchfork (Website) - "All of Oldham's takes on love and companionship here are worth the price of admission, but what makes the album really stick is the way each tale is mirrored by its sonics."Uncut (magazine) (p.84) - 4 stars out of 5 -- "Slowly, these immensely crafted songs bed in, emerging as some of the best and most accessible that Oldham has ever written. 'That's What Our Love Is' is remarkable..."0.4150683

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Rolling Stone (p.80) - 3 stars out of 5 -- "Louvin turns out highly likable collabos with people such as Elvis Costello, Jeff Tweedy and Will Oldham. Well-penned and dustily tuneful."Entertainment Weekly (p.98) - "[Featuring] lovely, utterly unpretentious readings of these dozen bluegrass standards, blues, and selections from his own songbook." -- Grade: B+Uncut (p.86) - 4 stars out of 5 -- "[A]mong the sturdy Louvins/Carter Family/Bill Monroe chestnuts, 'Ira', a tearful elegy to his brother's legacy stands out."Magnet (p.103) - "[A]t 79 years of age and with his voice taking on a handsome, lacquered husk not unlike that of Dr. Ralph Stanley, Louvin remains the focal point."Dirty Linen (p.82) - "Louvin sounds great and seems to be having a ball running through a set of Louvin Brothers tunes and classics by the likes of A.P. Carter, Jimmie Rodgers, and the Delmore Brothers."No Depression (p.111) - "The project positions Louvin as a crucial link between country's foundations and future....It's hard for a murder ballad to get an darker than the matter-of-fact 'Knoxville Girl', or for heartbreak to sound more desolately abject than on 'Must You Throw Dirt On My Face'."Mojo (Publisher) (p.104) - 4 stars out of 5 -- "[T]here is subtle beauty here and cuts such as the tender biographical tribute 'Ira'...and 'Grave On The Green Hillside' are a real delight."0.3725693

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Dirty Linen (p.41) - "FOR THE LIVING OF THESE DAYS is a heartfelt album that looks at Christian faith from a multi-faceted perspective."No Depression (p.90) - "Campbell's yearning soprano and Oldham's eloquent accompaniment are perfect vehicles for this material."0.3594597

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"Using inexperienced actors and lived-in locations, Mr. Porterfield joins an off-the-cuff narrative to a rigorous realism, allowing information to swell and fade through snatches of overheard conversations."New York Times "[An] affecting family drama....Drenched in the evening glow of its urban and suburban backdrops, DARKER comes alive in the dark..."A.V. Club0.3182777

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Rolling Stone (6/12/97, p.118) - 3 Stars (out of 5) - "...superior examples of subtle hearbreak....proves that whatever else Oldham may be, he still isn't predictable..."Entertainment Weekly (5/2/97, p.61) - "...On these early singles, outtakes, and oddities, the music consistently underlines Oldham's connection to the American-gothic traditions he invokes." - Rating: B+Q (5/97, p.142) - 4 Stars (out of 5) - "...Drawing on [Will] Oldham's already considerable oeuvre- LOST BLUES...runs the gamut of the man's visceral obsessions....with a novelist's eye for detail and the Louvin Brothers' ear for a melancholic refrain..."Option (7-8/97, pp.120-121) - "...there's no denying that the cumulative weight of these little projects form the most diverse and interesting--and solid--Palace record yet."Melody Maker (3/22/97, p.51) - "...And so, quietly and spectrally, like a daguerreotype of the unseen or hymns in language ancient and merciless, these songs startle and dazzle like the coming of electricity....It's the sound of the body weary as dust, but of the soul gazing on treasures untold."0.3113012

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Uncut (2/03, p.77) - 3 stars out of 5 - "...Softly shuffling beats, lonely guitars, occasional banjos and quietly unhinged vocals recall both Will Oldham and Howe Gelb..."Magnet (10/02, p.81) - "...Original and expansive..."CMJ (12/02, p.51) - "...Blends tasty, fluid electric guitar picking with quiet layers of atmosphere..."0.2995498

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Mojo (Publisher) (p.101) - "[I]ntimate, Will Oldham-like folk disquisition 'A Burden' is punctuated by clusters of sublimely glinting violin, while dreich minor chord dirge 'Heathen's Kiss' is bought to life by subtle daubs of strings..."Paste (magazine) (p.53) - "Horse Feathers constructs music out of fragile whispers and half-remembered dreams, eagerly filling in the gaps between Sufjan Stevens and Iron & Wine..."0.2995498

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The Wire (p.45) - "The literary quality of his words is sustained at an impossibly high level -- there isn't a dud or 'squeezed to fit' line here..."Mojo (Publisher) (p.114) - 3 stars out of 5 -- "'So Everyone' is classic Oldham territory: a love song that's concurrently dirty, funny, romantic, self-centred and tragic..."0.2995498

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Alternative Press (p.200) - "[T]he sound is closer to the Boss' NEBRASKA -- as Will Oldham would have done it -- haunting, reflective and drowning in sorrow."No Depression (p.120) - "TO THE RACES sounds like a troubadour telling tales of isolation and loneliness by a campfire just over a sand dune from the ocean."0.2995498

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Alternative Press (6/01, p.68) - 4 out of 5 - "...No irony. No literary caveats. No pretentious prattle....the quartet sublimely lope along, spinnign out shuffling rhythms and wearing heavily drugged Jonathan Richman aesthetics..."Magnet (6-7/01, p.78) - "...Ned Oldham's warble sails above the songs, most of which are cut from the natty cloth of Southern rock..."0.2995498

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Paste (magazine) - "On the stunning 'New Black Rich (Tusks),' Oldham basks in his own....Backed by heartbroken fiddles and electric guitars, it is the album's most intimate moment..."Pitchfork (Website) - "[T]he McCrary sisters add spiritual weight to 'We are Unhappy', which offsets despairing lyrics with a bouncy, decidedly happy-sounding banjo..."0.2995498

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