will-oldham,Kevin Oldham: Piano and Vocal Music, Slow Fade (As Read by Will Oldham), Out of the Depths [Kevin Oldham], Carpenter: Collected Piano Works / Denver Oldham, Live from the Vaults: Oldham 1978

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39.63084

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34.67698

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BOOK REVIEWS COMING SOON!!!!32.69315

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BOOK REVIEWS COMING SOON!!!!32.69315

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"[A] shimmering, quiet treasure of a film, an elegy to mutable friendship, enduring nature, and the sense of loss that inevitably accompanies the adult pull to move forward." -- Grade: AEntertainment Weekly Included in Entertainment Weekly's "Top 10 Films Of The Year" -- "OLD JOY is a small, delicate thing, and a huge achievement in honestly independent filmmaking."Entertainment Weekly Ranked #13 in Film Comment's "20 Best Films Of 2006."Film Comment "[F]illed with the kind of unemphatic ambition and relevance that's become virtually extinct in American independent filmmaking."Film Comment 3 stars out of 5 -- "[I]ts subtlety is as treasurable as an old friend."Total Film "[A] campfire monologue recalls EASY RIDER, and a wrangle over an order in a diner brings to mind FIVE EASY PIECES. As these forerunners suggest, the journey is as much metaphorical as geographical."Sight and Sound31.0911

$20.94
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3 stars out of 5 -- "It's a small story with a big heart that trumps a lot of the louder and more expensive machine-made Hollywood pictures."Box Office "[Reichardt] has perfected a mode of rapturous minimalism....Williams makes Wendy's total lack of affect luminously expressive." -- Grade: A-Entertainment Weekly "[The film] does not include a superfluous word or shot....What happens to Wendy -- and to Lucy -- matters a lot, which is to say that WENDY AND LUCY, for all its modesty, matters a lot too."New York Times "Reichardt's haunting, mournful film engages the texture of a life in which money and hope are equally thin on the ground....Williams' performance is remarkable not only for its depth but for its stillness."Los Angeles Times 3.5 stars out of 4 -- "Kelly Reichardt is a true cinema poet who works miracles in miniature. And she finds the perfect collaborator in Williams..."Rolling Stone Included in Entertainment Weekly's 2008 Films Of The Year -- "[A] precise, nearly whispered story....Pay attention, and it grows into a textured ode -- or maybe it's a lament -- to a lost America..."Entertainment Weekly "WENDY AND LUCY is another illustration of how absorbing a film can be when the plot doesn't stand between us and a character."Chicago Sun-Times "Williams's performance is nuanced, moving and well worth any awards she gets."Washington Post 4 stars out of 5 -- "Far more than just a sentimental anecdote about a girl and a dog, on this exciting new director's watch a simple tale becomes the stuff of pure poetry."Total Film30.63375

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30.40047

$25.97
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Record Collector (magazine) (p.90) - 4 stars out of 5 -- "24 unimpeachable selections penned by the master songwriters of Memphis and Muscle Shoals. Every song is simply stupendous..."29.72313

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21.66133

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BOOK REVIEWS COMING SOON!!!!18.6818

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0.4321541

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Record Collector (magazine) (p.89) - 3 stars out of 5 -- "[T]here's a towering soul dignity to the Andrew Oldham-penned 'Baby Make It Soon.'"0.397156

$14.33
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Spin - "It's fitting for singer/songwriter Will Oldham to collaborate with young Chicago guitar whiz Emmett Kelly. Both are intimate with folk forms lodged in the Blue Ridge Mountains and the Emerald Isles..."Pitchfork (Website) - "All of Oldham's takes on love and companionship here are worth the price of admission, but what makes the album really stick is the way each tale is mirrored by its sonics."Uncut (magazine) (p.84) - 4 stars out of 5 -- "Slowly, these immensely crafted songs bed in, emerging as some of the best and most accessible that Oldham has ever written. 'That's What Our Love Is' is remarkable..."0.3930825

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Rolling Stone (p.80) - 3 stars out of 5 -- "Louvin turns out highly likable collabos with people such as Elvis Costello, Jeff Tweedy and Will Oldham. Well-penned and dustily tuneful."Entertainment Weekly (p.98) - "[Featuring] lovely, utterly unpretentious readings of these dozen bluegrass standards, blues, and selections from his own songbook." -- Grade: B+Uncut (p.86) - 4 stars out of 5 -- "[A]mong the sturdy Louvins/Carter Family/Bill Monroe chestnuts, 'Ira', a tearful elegy to his brother's legacy stands out."Magnet (p.103) - "[A]t 79 years of age and with his voice taking on a handsome, lacquered husk not unlike that of Dr. Ralph Stanley, Louvin remains the focal point."Dirty Linen (p.82) - "Louvin sounds great and seems to be having a ball running through a set of Louvin Brothers tunes and classics by the likes of A.P. Carter, Jimmie Rodgers, and the Delmore Brothers."No Depression (p.111) - "The project positions Louvin as a crucial link between country's foundations and future....It's hard for a murder ballad to get an darker than the matter-of-fact 'Knoxville Girl', or for heartbreak to sound more desolately abject than on 'Must You Throw Dirt On My Face'."Mojo (Publisher) (p.104) - 4 stars out of 5 -- "[T]here is subtle beauty here and cuts such as the tender biographical tribute 'Ira'...and 'Grave On The Green Hillside' are a real delight."0.3705159

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Dirty Linen (p.41) - "FOR THE LIVING OF THESE DAYS is a heartfelt album that looks at Christian faith from a multi-faceted perspective."No Depression (p.90) - "Campbell's yearning soprano and Oldham's eloquent accompaniment are perfect vehicles for this material."0.3404195

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0.3266778

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"Using inexperienced actors and lived-in locations, Mr. Porterfield joins an off-the-cuff narrative to a rigorous realism, allowing information to swell and fade through snatches of overheard conversations."New York Times "[An] affecting family drama....Drenched in the evening glow of its urban and suburban backdrops, DARKER comes alive in the dark..."A.V. Club0.3266778

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The Wire (p.53) - "Within its contemplative parameters, ASK FORGIVENESS is certainly a success....[With] Bonnie 'Prince' Billy returning once again to a meditative, troubadour persona..."Q (Magazine) (p.92) - 3 stars out of 5 -- "With Oldham reinventing everything in his own backwoods way, the results are not so far in spirit from Johnny Cash's American Recordings."Harp (magazine) - "[T]here's remarkable fluidity across this gorgeous set, which suggests that Oldham's versions of anyone else's songs are first and foremost his own."Uncut (magazine) (p.83) - "Unobtrusive, but indubitably stylish."0.3209505

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Rolling Stone (6/12/97, p.118) - 3 Stars (out of 5) - "...superior examples of subtle hearbreak....proves that whatever else Oldham may be, he still isn't predictable..."Entertainment Weekly (5/2/97, p.61) - "...On these early singles, outtakes, and oddities, the music consistently underlines Oldham's connection to the American-gothic traditions he invokes." - Rating: B+Q (5/97, p.142) - 4 Stars (out of 5) - "...Drawing on [Will] Oldham's already considerable oeuvre- LOST BLUES...runs the gamut of the man's visceral obsessions....with a novelist's eye for detail and the Louvin Brothers' ear for a melancholic refrain..."Option (7-8/97, pp.120-121) - "...there's no denying that the cumulative weight of these little projects form the most diverse and interesting--and solid--Palace record yet."Melody Maker (3/22/97, p.51) - "...And so, quietly and spectrally, like a daguerreotype of the unseen or hymns in language ancient and merciless, these songs startle and dazzle like the coming of electricity....It's the sound of the body weary as dust, but of the soul gazing on treasures untold."0.2948119

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Rolling Stone (3/18/04, p.72) - 3 stars out of 5 - "Oldham doesn't cover so much as reinvent spare Palace tunes such as "Ohio River Boat Song" and "Gulf Shores" into lush countrypolitian numbers."Spin (p.108) - "[M]ost of these jaunty retoolings are a rhinestone-studded joy." - Grade: B+Uncut (4/04, p.93) - 4 stars out of 5 - "[P]ossibly the most straightforwardly enjoyable album Oldham has produced thus far....He sounds more human, less theatrical, touchingly direct."Uncut (p.76) - Ranked #43 in Uncut's "Best New Albums of 2004" - "[A] stunning collection of wryly provocative country ballads with a blackly humorous twist."CMJ (3/15/04, p.4) - "[H]is now-solid voice is confident, as though years of inexplicable yearning have made him wiser....Oldham's disenchantment has finally been refigured into a brilliant new eloquence."Dirty Linen (p.83) - "These sounds are amazingly fresh, vibrant, and a breath of fresh air..."Mojo (Publisher) (4/04, p.126) - "[B]eefed up country-style with big guitars, rollicking piano, fiddling fiddles and loud pedal steel....An agreeable curio..."0.2948119

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Q (p.125) - 3 stars out of 5 -- "[A]n intimate hour spent revisiting past glories, with Penn's soothing voice and Oldham's soulful keyboards gliding through the night."Down Beat (p.67) - 3 stars out of 5 -- "Still an outstanding tunesmith, Penn leaves Nashville now and then to give performances with sidekick/keyboardist Oldham -- here they're in the British Isles in 1998."Living Blues (p.40) - "Penn takes the lead on most of the songs. His grainy murmur transforms 'I'm Your Puppet' from a jaunty novelty into a yearning plea of infatuation."No Depression (1-2/00, p.94) - "...Penn, of the astonishingly soulful vocals, and Oldham, potentate of the slow-groove Wurlitzer...are responsible for sublime pop and soul songs....[this album] is a master class with two great soul men."Mojo (Publisher) (p.131) - 3 stars out of 5 -- "Penn's voice -- weathered yet unmistakably smooth -- is in top form, and the recording is crisp enough to make the listener feel like they were there."Mojo (Publisher) (1/00, p.30) - Ranked #38 in Mojo Magazine's "Best of 1999"0.2948119

$15.25
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Uncut (2/03, p.77) - 3 stars out of 5 - "...Softly shuffling beats, lonely guitars, occasional banjos and quietly unhinged vocals recall both Will Oldham and Howe Gelb..."Magnet (10/02, p.81) - "...Original and expansive..."CMJ (12/02, p.51) - "...Blends tasty, fluid electric guitar picking with quiet layers of atmosphere..."0.2836829

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Uncut (p.126) - 4 stars out of 5 -- "[I]t was his startling performances that stood him apart. Strumming a weird over-sized dulcimer, Niles sings in a strangulated falsetto..."Mojo (Publisher) (p.118) - 4 stars out of 5 -- "Sometimes anguished, sometimes whimsical, you can hear the horror and magic of these songs snaking their way into the work of Will Oldham, Michael Gira, Devendra Banhart et al."0.2836829

$20.08
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Mojo (Publisher) (p.101) - "[I]ntimate, Will Oldham-like folk disquisition 'A Burden' is punctuated by clusters of sublimely glinting violin, while dreich minor chord dirge 'Heathen's Kiss' is bought to life by subtle daubs of strings..."Paste (magazine) (p.53) - "Horse Feathers constructs music out of fragile whispers and half-remembered dreams, eagerly filling in the gaps between Sufjan Stevens and Iron & Wine..."0.2836829

$15.97
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The Wire (p.45) - "The literary quality of his words is sustained at an impossibly high level -- there isn't a dud or 'squeezed to fit' line here..."Mojo (Publisher) (p.114) - 3 stars out of 5 -- "'So Everyone' is classic Oldham territory: a love song that's concurrently dirty, funny, romantic, self-centred and tragic..."0.2836829

$18.60
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Alternative Press (p.200) - "[T]he sound is closer to the Boss' NEBRASKA -- as Will Oldham would have done it -- haunting, reflective and drowning in sorrow."No Depression (p.120) - "TO THE RACES sounds like a troubadour telling tales of isolation and loneliness by a campfire just over a sand dune from the ocean."0.2836829

$17.69
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Alternative Press (p.200) - "[T]he sound is closer to the Boss' NEBRASKA -- as Will Oldham would have done it -- haunting, reflective and drowning in sorrow."No Depression (p.120) - "TO THE RACES sounds like a troubadour telling tales of isolation and loneliness by a campfire just over a sand dune from the ocean."0.2836829

$14.58
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Alternative Press (6/01, p.68) - 4 out of 5 - "...No irony. No literary caveats. No pretentious prattle....the quartet sublimely lope along, spinnign out shuffling rhythms and wearing heavily drugged Jonathan Richman aesthetics..."Magnet (6-7/01, p.78) - "...Ned Oldham's warble sails above the songs, most of which are cut from the natty cloth of Southern rock..."0.2836829

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Spin (p.68) - "Most of the record crawls by quietly, like a wary hunter."Magnet (p.52) - "WOLFROY GOES TO TOWN is a meditative and sparse collection....On tracks like 'We Are Unhappy,' he still sees a darkness."The Wire (p.56) - "Oldham orbits a remarkably consistent sonic and lyrical solar system -- a Kentucky Kierkegaard for the mildly melancholy..."Record Collector (magazine) (p.90) - 4 stars out of 5 -- "WOLFROY GOES TO TOWN quietly features some sterling additions to Oldham's songbook. Album centerpiece 'Black Captain' recalls vintage Palace material in its musical economy..."Uncut (magazine) (p.81) - 4 stars out of 5 -- "[U]ncharacteristically respectful of the traditional country and hushed folk idioms that make it up."0.2808317

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Spin (p.94) - 3.5 stars out of 5 -- "[The songs] flirt with familiar forms -- from straight-up blues to achy, winsome country ballads....Proving that well-worn ingredients often yield novel and beautiful results."Entertainment Weekly (p.95) - "Here he returns to more familiar territory, strumming spare elegies on acoustic guitar. His warmth is complemented by chilly accents..." -- Grade: B+Uncut (p.102) - 4 stars out of 5 -- "[T]he most immediately striking thing is the effect of the string arrangements, which add an extra layer of haunting mystery."The Wire (p.49) - "Prince Billy is more stylistically adventurous than usual here....Even Oldham's most romantic songs are flavoured with a carnal aftertaste. THE LETTING GO is singed with intimacy."CMJ (p.47) - "The orchestral backings nicely fill the sparse acoustic tunes, and Dawn McCarthy's vocals blend well with Oldham's."Dirty Linen (p.85) - "The warbling vocals have a poignant, vulnerable quality while much of the music sounds eerily haunting."No Depression (p.102) - "[T]here's a disarmingly endearing sense that he's found great sweetness in it all."Mojo (Publisher) (p.102) - 4 stars out of 5 -- "[With] expansive arrangements and glowing melodies....Wherever it ultimately sits in the Oldham canon, THE LETTING GO -- introspective, yet as tender and universal as a lover's embrace -- is a fine addition."Uncut (magazine) (p.83) - "[McCarthy is] a suitable banshee-like foil on one of Bonnie 'Prince' Billy's most intimate records."0.2456766

$18.19
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Uncut (3/00, p.84) - 3 stars out of 5 - "...His songs are made up of glancing asides, frozen whispers and raucous and forlorn requiems that draw on ghost images of America's past..."Alternative Press (5/00, p.100) - 4 out of 5 - "...May be one of the best entrance points to Oldham's unique musical universe; populated with desolate ballads, odes to alcoholic lovers, and salutes to all that we keep hidden away deep in our hearts..."Magnet (4-5/00, p.89) - "...fresh insight into his restless musical mind....a jumble-sale companion to Palace Music's LOST BLUES, containing an assortment of unfindable singles, compilation tracks, Peel sessions and alternate takes from throughout his career..."The Wire (3/00, p.51) - "...The emphasis is on the slow gait of Oldham's acoustic guitar and sometimes convincing...overplayed hillbilly drawl....mining the faded, world-weary seam between folk, rock and indie experiment..."CMJ (2/14/00, p.19) - "...offers Oldham's raw, unpolished sound in even rawer and more unpolished settings....his stark vocal and guitar approach grab ahold don't let go..."Melody Maker (3/7/00, p.47) - 3.5 stars out of 5 - "...mournful, fractured, minimal country, with that reedy whine telling tales of incest, drunkeness, death and other 'Brookside' storylines....this compilation [may] appeal beyond the hardcore fans."Mojo (Publisher) (3/00, p.96) - "...this is beautiful music for anyone wishing to escape bland standard country and enjoy its tart, salty and bitter margins....this epic CD will bring both joy to the faithful and a strange sense of existential indigestion to everyone else..."NME (Magazine) (2/19/00, p.34) - 8 out of 10 - "...highlights the depth and acuity of his talents....showcasing that great mismatch of Appalachian style and Bon Scott content, proving again the surprising warmth and flexibility of his parched materials..."0.2456766

$30.24
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Spin (p.77) - "Oldham remains mostly untroubled on BEWARE, accompanied by an array of instruments -- marimba, cornet, banjo, and flute swirl around placid country-tinged ruminations..."Entertainment Weekly (p.63) - "BEWARE is studded with warm country rambles and folky, fiddle-tinged laments." -- Grade: B+Q (Magazine) (p.100) - 3 stars out of 5 -- "[With] more muscular instrumentation....'There Is Something I Have To Say' and 'Without Work You Have Nothing' testify to Oldham's metaphysical powers."Paste (magazine) (p.65) - "'There Is Something I Have To Say' swells in that listless ennui he favored in a past life, while 'Afraid Ain't Me' -- with it gypsy punch -- adds flute and violin with an ear toward DESIRE-era Dylan."Pitchfork (Website) - "Oldham seems more inclined than ever to instruct and guide, a move befitting his age, experience and the role he plays in the indie-rock community."Clash (magazine) (p.111) - "There is an air of flamboyance surrounding this record, and it is this evocation of grandeur that ensures that these essentially personal anecdotes are give the life and breathing space they deserve."Record Collector (magazine) (p.88) - 5 stars out of 5 -- "BEWARE is yet another collection of songs veering from the poignant to the amusing, with heartbreaking, filthy ruminations upon the turbulence of relationships."Uncut (magazine) - 4 stars out of 5 -- "Warmed through by pedal steel, and by soulful backing singers, the impression is periodically of EXILE...-era Rolling Stones, buffed up to a Nashville shine."0.2456766

$20.95
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Spin (12/95, p.123) - 8 - Very Good - "...Oldham's tunes are lovely and thorny, a bible-belt punk response to PJ Harvey's brimstone tangos....purer and wilder than any previous Palace outing....Palace leaves lo-fi country the way Elizabeth Taylor leaves husbands--proving one way to do something new is to hunker down and become weirdly, deeply more of what you already are."Q (9/95, p.118) - 3 Stars - Good - "...Oldham is sometimes artfully artless, there's coherence to this reworking of the restless spirit of country blues..."Melody Maker (12/23-30/95, pp.66-67) - Ranked #30 on Melody Maker's list of 1995's `Albums Of The Year.'Melody Maker (8/12/95, p.34) - Recommended - "...the purest country I've heard since the Cowboy Junkies, but as spare as that band were ornate....Albini's production is pivotal...lending their unassuming strummings a powerful presence without requiring them to resort to the risible, c**try-rock, fiddly f***ery of `Comes A Time'..."NME (Magazine) (12/23-30/95, pp.22-23) - Ranked #50 in NME's `Top 50 Albums Of The Year' for 1995.NME (Magazine) (8/19/95, p.49) - 8 (out of 10) - "...[Will Oldham] has expanded his sound--previously shaky, fragmented meta-country--to a richer mix of strafed and plucked guitars, jagged pianos and humming synths....his trademark croaking voice has strengthened....surreal, allusive and crookedly beautiful..."Uncut (magazine) (p.100) - 5 stars out of 5 -- "1995's magnificent VIVA LAST BLUES is simply recommended to all. Its medium for the most part a warm and even Stonesy folk-rock..."0.2456766

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0.2309961

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0.2286745

$8.51
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0.2286745

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0.2286745

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