worried,Worried, Feeling Worried, Worried Well, Worried [9781432971199], Worried Blues [011661108226]

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Spin (9/99, pp.198-9) - 8 out of 10 - "...one of [the record label's] finest releases....features performances as priceless as the one on the back-cover photo, where Payton picks at his guitar, oblivious to the pairs of freshly washed boxer shorts hung out to dry behind him..."Magnet (8-9/99, p.84) - "...stands out as the most soulful of the lot - the only true R&B record in the catalog....If there's room for only a handful of blues albums in your record collection, make sure this obscure gem is one of them."Living Blues (7-8/99, p.58) - "...shows off Payton's voice at its most supple and emotionally expressive....it's good that we have this document of a blues journeyman who lived and died within the context of Mississippi's indigenous blues traditions."New Music Monthly (7/99, p.54) - "...In his voice and fretwork you can hear not just one lifetime of pain, but generations of it....this might as well be [Fat Possum] label's best release yet."Guitar Magazine (7/99, p.100) - "...For those drawn to the raw rhythms and earthy grace of other Fat Possum artists...this album is a must-hear..."157.4045

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110.1984

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110.0769

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78.77818

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78.70151

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78.62636

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63.08327

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Living Blues (5-6/01, p.75) - "...The songs here bear out the street singer...ranging from blues to gospel...and early country...demonstrating an awareness of the day's popular music....There is a strong Texas flavor and riveting quality to his music..."63.00736

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62.90109

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55.19027

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Q (11/92, p.138) - 3 Stars - Good - "...a rich collection..."Option (Nov.-Dec./92, p.114) - "...represents the wealth of musical riches Estes recorded during his heyday...a rhythmically entrancing set of country blues...The playing is dynamic and propulsive throughout..."Living Blues (Sept.-Oct./92, p.77) - "...If you don't have any prewar Estes, this set is a logical choice; it samples the string band sides and gives you an overview of his prewar career..."39.41945

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39.41945

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BOOK REVIEWS COMING SOON!!!!39.31318

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39.31318

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Rolling Stone (1/4/01, p.113) - Included in Rolling Stone's "Top 50 Albums of 2000".Rolling Stone (7/20/00, p.136) - 3.5 stars out of 5 - "...A commercially astute meeting of like minds, hearts and voices. There are times...when Clapton's sandy aging tenor is virtually a mirror image of King's gritty bellow..."Entertainment Weekly (6/16/00, p.90) - "...On this triumphant collaboration, the 2 cross-generational masters take on...the blues in its many guises....'father' and 'son' find plenty of common ground." - Rating: AQ (8/00, p.100) - 3 stars out of 5 - "...[A] roof-raising R&B party, delivering a mix of classic and contemporary tunes....there's plenty on offer here for anyone with a passing interest in the [blues]..."CMJ (7/10/00, p.24) - "...[Their] chemistry is uncanny as they tear through every avenue of the blues....a union of prodigal father and son as magnanimous as any in rock'n'roll."JazzTimes (10/00, p.72) - "...A brilliant blues-drenched CD..."Mojo (Publisher) (7/00, p.106) - "...A program stuffed with serious blues in which the principals reawaken even such sleeping dogs as 'Key To The Highway' and 'Worried Life Blues' - both done exceptionally....This is a slow-burning fire with hours of warmth in it."0.4511904

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Rolling Stone - "[T]he charging-guitar shimmer and fun, facile choruses are pretty undeniable. It's kind of weird no one thought of this sooner: It's the Smiths reborn as the Strokes..."CMJ - "[T]here is an irresistible sprightliness in the songs that says these guys haven't worried once about their near-tribute sound."0.3807484

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Rolling Stone (1/4/01, p.113) - Included in Rolling Stone's "Top 50 Albums of 2000".Rolling Stone (7/20/00, p.136) - 3.5 stars out of 5 - "...A commercially astute meeting of like minds, hearts and voices. There are times...when Clapton's sandy aging tenor is virtually a mirror image of King's gritty bellow..."Entertainment Weekly (6/16/00, p.90) - "...On this triumphant collaboration, the 2 cross-generational masters take on...the blues in its many guises....'father' and 'son' find plenty of common ground." - Rating: AQ (8/00, p.100) - 3 stars out of 5 - "...[A] roof-raising R&B party, delivering a mix of classic and contemporary tunes....there's plenty on offer here for anyone with a passing interest in the [blues]..."CMJ (7/10/00, p.24) - "...[Their] chemistry is uncanny as they tear through every avenue of the blues....a union of prodigal father and son as magnanimous as any in rock'n'roll."JazzTimes (10/00, p.72) - "...A brilliant blues-drenched CD..."Mojo (Publisher) (7/00, p.106) - "...A program stuffed with serious blues in which the principals reawaken even such sleeping dogs as 'Key To The Highway' and 'Worried Life Blues' - both done exceptionally....This is a slow-burning fire with hours of warmth in it."0.3297377

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Uncut (p.94) - 5 stars out of 5 - "[B]uried in the richness of their music, there's a spare elegance unheard since The Triffids....They feed an energy more residual than that of The Rapture or The Strokes."Magnet (p.53) - Ranked #10 in Magnet's "The 20 Best Albums Of 2005" - "Once inside, you're privy to literate songs about conflicted men, unhinged minds and worried heroes."Mojo (Publisher) (p.108) - 4 stars out of 5 - "[The album] walks the same Cold War-era Bowery streets as Interpol but is not more than a half step away from lysergic brilliance."0.3045987

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Alternative Press (10/94, p.113) - "...skewered, eccentric, country folk filtered through a Tourettes sensibility..."0.3005801

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Spin (8/95, p.95) - 6 - Reasonably Good - "...Prine...seems worried that the fate of the lonely oldtimers in his classic `Hello In There' is creeping up on him....[his] nursery-rhyme stream-of-consciousness seems not like a sideways engagement, but an evasion--he's the funny guy who can't stop spouting one-liners even as his...love is walking out the door..."Entertainment Weekly (5/5/95, p.70) - "...Prine can still pull heartstrings better than anyone..." - Rating: BQ (10/95, p.124) - 3 Stars - Good - "...Prine's still doing his best..."Sing Out! (8-10/95, pp.149-150) - "...his nearly disintegrated voice sounds better than it has in a while. His deceptively simple lyrics, from the king of masculine rhymes, hit hard..."New York Times (Publisher) (1/6/96, p.C16) - Included on Neil Strauss' list of the Top 10 Albums of `95 - "...hard-won insights, quick wit and a rasping voice always on the edge of a laugh or a tear..."0.228449

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Rolling Stone (10/31/02, p.136) - Ranked # 17 in Rolling Stone's "Women in Rock: The 50 Essential Albums" - "...Opaque, seductive..."Rolling Stone (5/13/99, p.74) - Included in Rolling Stone's "Essential Recordings of the 90's."Spin (9/99, p.156) - Ranked #72 in Spin Magazine's "90 Greatest Albums of the '90s."Entertainment Weekly (11/25/94, p.77) - "...more serious than her crossover 1992 debut....[Mary J. Blige] continues soaring to soulful heights over streetwise beats..." - Rating: BVibe (12/99, p.160) - Included in Vibe's 100 Essential Albums of the 20th CenturyMusician (3/95, p.88) - "As the album's intro makes plain, even Blige's own camp worried whether she could `do it again,' and to be honest, she doesn't--she does it better....She...knows how to work a groove..."NME (Magazine) (1/7/95, p.34) - 7 (out of 10) - "...In rap, the beats sometimes seem irrelevant compared to the chat: here they reign supreme. Blige is telling her audience she grew up the same way they did, listened to the same things, was influenced by the same situations. That's what makes her so beloved..."0.228449

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