wu-tang-clan,Wake Up Show: Freestyles, Vol. 1, Wake Up Show: Freestyles, Vol. 7, Legend of the Wu-Tang Clan: Wu-Tang Clan's Greatest Hits [PA], Wake Up Show: Freestyles, Vol. 2, Ironman [PA]

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0.4400132

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0.4400132

$8.58
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Spin (p.120) - "This is a quickie reminder of their greatness..."Entertainment Weekly (p.120) - "The Wu's gritty, lo-fi rhymes sound gloriously anachronistic."0.4400132

$6.95
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0.3771542

$8.58
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Rolling Stone (12/12/96, p.82) - 3.5 Stars (out of 5) - "...After defining the music's rhythm in his dusted, offbeat, signature style, RZA emphasizes simple, precise percussion and bass thuds that are augmented by moody traces of lush strings, baroque riffs and samples from '60s soul records..."Spin (2/97, p.90) - 7 (out of 10) - "...Ghostface raps a more explosive variant of the chippy, Wu-Tang rhyme combinations....This guy just sounds mean--brutal, skilled, and unpredictable....As usual, [RZA] provides awesomely dark and eccentric backdrops for the MCs' dark maneuvers..."Entertainment Weekly (11/08/96, p.69) - "The latest from the Wu Tang Clan member finds Ghostface talking vehemently about sex, politics, and sexual politics..." - Rating: B+Q (6/00, p.123) - 3 stars out of 5 - "...More about lyrical finesse than anything else. 'Daytona 500' is a maginifcent, fast-paced testing of skills with Raekwon and Cappadonna....everything is delivered with tongue-twisting Wu-Tang virtuosity that untangles with every listen..."The Wire (10/01, p.46) - "...A masterpiece....Raekwon and Ghost raise the slang bar quickly, analogizing various mysterious practices to various foods..."Vibe (12/96, p.186) - "...Ghostface bangs out sarcastic, street-camouflaged wildness....If ONLY BUILT 4 CUBAN LINX...had you open, prepare for another gaping wound."The Source (12/96, p.124) - 4 Mics (out of 5) - "...introspective lyrics, haunting melodies and intense emotional moments....[T]he RZA does another masterful job, topping himself in terms of sonic diversity..."Rap Pages (1/97, p.25) - "...yet another tangled web of expectations-bashing yarns; an exhilarating listen...with moments to inspire both cardiopulmonary palpitations and contemplative nods....IRONMAN is the Wu-banger to challenge your demands and ultimately win you over..."NME (Magazine) (12/21-28/96, pp.66-67) - Ranked #29 in NME's 1996 critic's poll.0.3233328

$6.41
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Rolling Stone (7/8-22, p.146) - 4 Stars (out of 5) - "...it adds up to a superlative set of RZA madness, full of the bubbling, hallucinogenic keyboard effects and clipped piano arpeggios that typify his work..."Vibe (4/99, p.184) - "...CHRONICLES ratifies the seismic impact the Clan have had on '90s hip hop...leaves plenty of room for the Wu to represent..."The Source (4/99, p.212) - "...a new collection of Clan cameos, RZA-sisted beats and Tangy ciphers....What CHRONICLES amounts to is a Wu-Tang Greatest Hits..."39.67574

$10.97
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Spin (4/98, p.123) - 8 (out of 10) - "...Killah Priest's jump-cut preaching adds Book Of Revelation bluster and astronaut daydreams to the Wu view, more consistently metaphysical than Ghostface's blunt confessions but still in line with the Wu belief that black soul is more interesting than black violence..."The Source (4/98, p.168) - "...HEAVY MENTAL, mindfully weaves a tapestry of Five Percent-speak, Hebrew Isrealite interpretations of the holy books, and a hip-hop purist's dissatisfaction with the present state of hip-hop..."NME (Magazine) (2/28/97, p.44) - 8 (out of 10) - "...Gruffly swerving from conspiracy theory to street politics to arcane lessons in Egyptology, Priest is as happy imparting down-to-earth truisms as he is astro-travelling through the cosmos....this is not your standard Wu-Tang Clan release..."0.4017825

$11.52
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0.2912927

$18.82
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Rolling Stone (p.132) - 3.5 stars out of 5 -- "[A] terrific mix of classic Clan grime and enough new tricks to justify Inspectah Deck's claim that 'Wu-Tang keep it fresh like Tupperware.'"Spin (p.96) - 3 stars out of 5 -- "U-God's baritone flows perfectly with the airy chants and martial drums of 'Wolves'."Uncut (p.95) - 4 stars out of 5 -- "[T]here are stunning verses everywhere, especially from Genius and U-God, who rap like men in full repossession of their mojos."Q (Magazine) (p.93) - 3 stars out of 5 -- "The lyrical flash and chop-socky samples signify business as usual, but at heart 8 DIAGRAMS is a bold move into deeper, mellower territory..."Mojo (Publisher) (p.100) - 4 stars out of 5 -- "[I]t's an uncompromising comeback, as RZA kicks against he art form's mainstream co-option with some ferocious, otherworldly orchestrations."0.2799972

$30.20
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Entertainment Weekly (1/27/95, p.50) - "...A kind of best of the B sides from some of today's hottest groups, it includes the hard-hitting rock of L7 and Green Day, the rollicking-soft gangsta beats of rappers Coolio & the 40 Thevz, and the melodic distortion of Superchunk..." - Rating: B+0.2548811

$7.24
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Entertainment Weekly (9/7/01, p.164) - "...RZA again demonstrates his unparalleled studio might..." - Rating: BEntertainment Weekly (9/7/01, p.164) - "...RZA again demonstrates his unparalleled studio might..." - Rating: BAlternative Press (10/01, p.99) - 7 out of 10 - "...Scattershot and immediate, with every track sounding as if it came off the top of his head..."Alternative Press (10/01, p.99) - 7 out of 10 - "...Scattershot and immediate, with every track sounding as if it came off the top of his head..."NME (Magazine) (9/8/01, p.40) - 6 out of 10 - "...The muzziest, most oppressive atmospheres in hip-hop..."NME (Magazine) (9/8/01, p.40) - 6 out of 10 - "...The muzziest, most oppressive atmospheres in hip-hop..."0.2548811

$13.00
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Spin (4/97, pp.156-157) - 7 (out of 10) - "...Taking back the sonic baton he handed over to...RZA, Muggs sets a team of MC theorists against his version of trip-hop's noir melodrama--piano shards echoing into infinity, drumbeats pounding against the darkness, overheard radio static. The songs are apocalyptic and hushed at once..."Entertainment Weekly (3/14/97, p.81) - "...Uniting West Coast luminaries like Dr. Dre with New York's Wu-Tang Clan and Fugees, Muggs creates a dream team of rap's most wanted. His apocalyptic grooves steal the show, while brooding strings and eerie trip-hop effects bring a mournful soul feel to his street beats." - Rating: A-Q (5/97, p.150) - 4 Stars (out of 5) - "...A modern masterpiece."The Source (3/97, p.116) - 3.5 Mics (out of 5) - "...the New York born-LA transplant Italiano opted to speak with his hands....Muggs gets the job done..."Musician (9/97, p.87) - "...Muggs isn't just a rhythm meister: He's a storyteller with a mixing board....he clearly has fun using the board to spin some new ripping yarns with the Soul Assassins."Rap Pages (4/97, p.77) - "...Muggs' shedding the image of the ultimate pot head and focusing on healthier and more important topics like the New World Order....What makes this album worth having is that it's the first time you will hear the producer produced..."0.233331

$11.89
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Rolling Stone (p.60) - 4 stars out of 5 -- "Ghostface's emotionally charged stream-of-consciousness flow is off-the-wall and amazing as it's ever been."Rolling Stone (pp.102-103) - Ranked #5 in Rolling Stone's "The Top 50 Albums Of 2006" -- "[I]t's the beats that seal the deal."Spin (p.62) - Ranked #04 in Spin's "The 40 Best Albums of 2006" -- "[T]he album sounds like a man on his last legs, groggily spilling stream-of-consciousness rhymes all over a '70s jukebox."Q (p.115) - 4 stars out of 5 -- "[T]he input of so many producers doesn't dilute the plot and FISHSCALE rattles along like a novel....He remains rap's finest storyteller."Q (p.117) - Ranked #76 in Q Magazine's "100 Greatest Albums of 2006."Vibe (p.151) - 4 discs out of 5 -- "The sample-heavy results are cohesive yet diverse, a proper canvas for Ghost's finest effort since SUPREME CLIENTELE."XXL (Magazine) (p.140) - "Providing some of the year's most opulent music....An all-around cohesive album."Mojo (Publisher) (p.104) - 4 stars out of 5 -- "[T]his fifth solo album from the Wu-Tang Clan member certainly delivers a top-grade high."0.233331

$8.98
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0.2095264

$10.58
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Rolling Stone (10/2/97, p.56) - 3 Stars (out of 5) - "...the group easily re-establishes its mastery of the genre now known as trip-hop....Geoff Barrow and Adrian Utley have refined their sound to an instantly identifiable essence..."Spin (1/98, p.86) - Ranked #6 on Spin's list of the "Top 20 Albums Of The Year."Spin (11/97, p.142) - 9 (out of 10) - "...Like every brilliantly dismal act from Screamin' Jay Hawkins to the Wu-Tang Clan, Portishead tiptope across a ledge where utter seriousness is one false move away from tragic self-parody. They manage the high-wire act with brittle grace, bitter poise. And they sound as if they could break at any second..."Entertainment Weekly (10/03/97, p.84) - "...This sophomore spook-athon from chilly U.K. combo Portishead clanks across the attic, via Geoff Barrow's skeletal samples and funereal keyboards. Beth Gibbons' surgical-steel voices slices into her partner's scraps of musical meat, for an effect that's hypnotic, bloodless, and addictive..." - Rating: AQ (1/98, p.114) - Included in Q Magazine's "50 Best Albums of 1997."Vibe (11/97, p.152) - "...Beth Gibbons shows off stark vocal mood swings as she croons and claws under a bitter moon. A 30-piece orchestra keeps you strung out on drama, while producers/bandmates Adrian Utley and Geoff Barrow snap out the beats..."The Source (11/97, p.174) - "...crafted with care and eloquence, and somehow articulating the space that exists between the emotional and the physical....Portishead succeed with aplomb on their eponymously-titled follow-up album..."Melody Maker (12/20-27/97, pp.66-67) - Ranked #18 on Melody Maker's list of 1997's "Albums Of The Year."Melody Maker (10/4/97, p.50) - "...deep fried, delightful doom music....they're still...the original flames, the instigators, the innovators and still the only sure soundtrack to the future."Musician (11/97, p.86) - "...Gibbons' extraordinary voice has grown darker, nastier, and more spine-tingling, while the new songs vary from grim...to serene....PORTISHEAD looks over the cliff, then dives headlong into the abyss..."Village Voice (2/24/98) - Ranked #14 in the Village Voice's 1997 Pazz & Jop Critics' Poll.NME (Magazine) (12/20-27/97, pp.78-79) - Ranked #32 in NME's 1997 Critics' Poll.NME (Magazine) (9/27/97, p.57) - 8 (out of 10) - "...if DUMMY was smoky film noir material, this is a choking Hammer Horror ho-ho-free hoedown....wavering, painfully sensitive choruses, desperately distorted soundscapes and good old-fashioned tunes..."0.1866648

$15.74
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