bass-day-97,Those Were the Days [Box], The 7 Day Theory [PA] [099923581024], The Don Killuminati: The 7 Day Theory [Edited] [099923581123], Friends Forever: In Memory of Kenny Drew, Shelter [The Brand New Heavies] [CD] [1 disc] [081227676827]

9 Items Found For bass day 97

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Rolling Stone (9/18/97, p.106) - "...[Cream] were capable of hard-driving discipline as well as discursive solos....Cream pump out taut psychedelia...crystalline pop...and crunching hard-rock hooks..."Entertainment Weekly (9/26/97, p.79) - "The sheer intensity of the pioneering psychedelic-blues band, Cream...remains undeniable 30 years after their demise. Guitarist Eric Clapton never sounded quite as electric as when prodded by the hyperactive bass of Jack Bruce and the savage stomp of drummer Ginger Baker." - Rating: AMusician (11/97, p.88) - "...Cream was really two bands...a studio band and a live band, with a heavy blues focus that evolved into a postmodern view of pop as their artistry grew and the technology of the recording studios rose to meet their challenge..."12.72297

$55.13
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Rolling Stone (12/26/96, p.184) - "...The tracks are fat with funky menace (the upfront bass in `Life of an Outlaw' smells of Bootsy Collins-meets-Robbie Shakespeare), and the choral-vocal effect in many of the raps has a street-corner, pass-the-bottle charge..."Rolling Stone (12/26/96, p.184) - "...The tracks are fat with funky menace (the upfront bass in `Life of an Outlaw' smells of Bootsy Collins-meets-Robbie Shakespeare), and the choral-vocal effect in many of the raps has a street-corner, pass-the-bottle charge..."Muzik (1/97, p.113) - 5 out of 5 - "...one of the most important [albums] of the year....perfectly captures the dark tensions arising from the centre of the vicious heat that is the City of Angels..."Muzik (1/97, p.113) - 5 out of 5 - "...one of the most important [albums] of the year....perfectly captures the dark tensions arising from the centre of the vicious heat that is the City of Angels..."12.68273

$14.02
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Rolling Stone (12/26/96, p.184) - "...The tracks are fat with funky menace (the upfront bass in `Life of an Outlaw' smells of Bootsy Collins-meets-Robbie Shakespeare), and the choral-vocal effect in many of the raps has a street-corner, pass-the-bottle charge..."Rolling Stone (12/26/96, p.184) - "...The tracks are fat with funky menace (the upfront bass in `Life of an Outlaw' smells of Bootsy Collins-meets-Robbie Shakespeare), and the choral-vocal effect in many of the raps has a street-corner, pass-the-bottle charge..."Muzik (1/97, p.113) - 5 out of 5 - "...one of the most important [albums] of the year....perfectly captures the dark tensions arising from the centre of the vicious heat that is the City of Angels..."Muzik (1/97, p.113) - 5 out of 5 - "...one of the most important [albums] of the year....perfectly captures the dark tensions arising from the centre of the vicious heat that is the City of Angels..."9.544047

$14.08
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Entertainment Weekly (4/18/97, p.69) - "...This 1995 session, dedicated to Kenny Drew, may not break virgin ground, but its discriminating pleasures are too bracing to be ignored." - Rating: B+Down Beat (12/97, p.91) - 4 stars (out of 5) - "...a bass player whose very initials are synonymous with a particularly dark, fluid, evocative tonal universe....the choice of Renee Rosnes for the piano chair in this tribute to a pianist is apt..."JazzTimes (9/97, p.89) - "The tone of Niels-Henning Orsted Pedersen's bass is so full and rich....Rosnes exhibits tremendous depth, sensitivity and a bluesy spirit. The three players click with each other and create a recording that's a joy to listen to..."0.2112382

$14.96
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Q (5/97, p.114) - 3 Stars (out of 5) - "...their most cohesive set yet, a simmering collection of sweaty funk workouts dispatched with the band's unique sense of cool."JazzTimes (10/97, p.86) - "...the familiar Brit-influenced grooves are in place....there isn't a whole lot of envelope pushing here, just a pleasant holding pattern."Vibe (6-7/97, p.165) - "...With SHELTER, the Heavies prove they're still the feel-good band they've always been, serving up a hearty stew of deep grooves, breezy horns, and funky bass lines..."0.1858742

$6.82
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JazzTimes (9/97, p.134) - "...McDonough's pretty voice delivers love songs super-simply, devoid of ever-embellishment. She's most pleasnt singing in the lower vocal range..."0.1626502

$14.32
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Rolling Stone (5/13/99, pp.76-77) - Included in Rolling Stone's "Essential Recordings of the 90's."Rolling Stone (2/20/97, pp.66-68) - 3.5 Stars (out of 5) - "...Badu is from the Diana Ross school of Billie Holiday imitation...mainly interested in just being herself....BADUIZM's strength lies in her ability to filter jazz vocals through hip-hop without any fuss or fanfare..."Spin (1/98, p.87) - Ranked #12 on Spin's list of the "Top 20 Albums Of The Year."Entertainment Weekly (2/14/97, p.62) - "...Badu's nouvelle-soul debut hits the target, blows it up, reinvents it. Sweetly cooing over Ron Carter's walking bass rhythms and the Roots' poetic wordplay, the singer echoes Lady Day--especially her phrasing and cadence..." - Rating: AQ (1/98, p.111) - Included in Q Magazine's "50 Best Albums of 1997."Q (4/97, p.117) - 4 Stars (out of 5) - "...a warm thoroughly idiosyncratic record which mixes jazz, soul and a slice or two of hip hop into a rich, smoky musical brew..."Q (p.132) - 4 stars out of 5 - "File next to D'Angelo or OutKast's Badu-featuring HUMBLE MUMBLE, under loaded-soul perfection."Vibe (3/97, p.133) - "...BADUIZM is rooted in an old vocab....[It] serves as a conduit for an awakening of something dark, familiar, and long slept....Badu...reaches for the joyful, exacting vocal arrangements of the Sweet Inspirations and the Emotions..."The Source (3/97, p.126) - "Erykah Badu redefines the word diva....She's replaced attitude with sass, and her sex appeal lies within her own private sensuality..."Melody Maker (12/20-27/97, pp.66-67) - Ranked #45 on Melody Maker's list of 1997's "Albums Of The Year."Rap Pages (4/97, p.79) - "...What Erykah has accomplished is to set herself worlds apart from the universe of over-produced, honey-voiced, nothing-worthwhile-to-say fly girls..."Village Voice (2/24/98) - Ranked #7 in the Village Voice's 1997 Pazz & Jop Critics' Poll.Village Voice (2/18/97, pp.65-69) - "...sparklingly fresh....The last time a black woman came across in mainstream black pop as so nakedly her own creation and with so much creative control, her name was Sade..."NME (Magazine) (3/29/97, p.46) - "...BADUIZM has a sophisticated running order, with reprises, lyrical motifs and a series of musical refrains. And refreshingly, this is probably the first rap-influenced record in which `hoe' is a garden implement and not a term of disrespect."0.1429885

$9,999.99
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Rolling Stone (12/12/96, p.82) - 3.5 Stars (out of 5) - "...After defining the music's rhythm in his dusted, offbeat, signature style, RZA emphasizes simple, precise percussion and bass thuds that are augmented by moody traces of lush strings, baroque riffs and samples from '60s soul records..."Spin (2/97, p.90) - 7 (out of 10) - "...Ghostface raps a more explosive variant of the chippy, Wu-Tang rhyme combinations....This guy just sounds mean--brutal, skilled, and unpredictable....As usual, [RZA] provides awesomely dark and eccentric backdrops for the MCs' dark maneuvers..."Entertainment Weekly (11/08/96, p.69) - "The latest from the Wu Tang Clan member finds Ghostface talking vehemently about sex, politics, and sexual politics..." - Rating: B+Q (6/00, p.123) - 3 stars out of 5 - "...More about lyrical finesse than anything else. 'Daytona 500' is a maginifcent, fast-paced testing of skills with Raekwon and Cappadonna....everything is delivered with tongue-twisting Wu-Tang virtuosity that untangles with every listen..."The Wire (10/01, p.46) - "...A masterpiece....Raekwon and Ghost raise the slang bar quickly, analogizing various mysterious practices to various foods..."Vibe (12/96, p.186) - "...Ghostface bangs out sarcastic, street-camouflaged wildness....If ONLY BUILT 4 CUBAN LINX...had you open, prepare for another gaping wound."The Source (12/96, p.124) - 4 Mics (out of 5) - "...introspective lyrics, haunting melodies and intense emotional moments....[T]he RZA does another masterful job, topping himself in terms of sonic diversity..."Rap Pages (1/97, p.25) - "...yet another tangled web of expectations-bashing yarns; an exhilarating listen...with moments to inspire both cardiopulmonary palpitations and contemplative nods....IRONMAN is the Wu-banger to challenge your demands and ultimately win you over..."NME (Magazine) (12/21-28/96, pp.66-67) - Ranked #29 in NME's 1996 critic's poll.0.08794089

$6.41
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0.04387412

$53.57
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