dead-reckoning,Dead Reckoning [Digipak], Dead Reckoning [DVD], DEAD RECKONING [Threshold] [727361173807], Dead Reckoning [9781937007355], Tammy Rogers

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Alternative Press (p.92) - 4 stars out of 5 -- "The contrasts of light/dark, father/son and sinners/saints never sounded so danceable."CMJ - "The album can simply be described as a great band supporting quality lyrics, served up as organically as possible."Paste (magazine) - "Frontman Ryan Solle's nasal yelp can still raise the hairs on the back of your neck....Sollee and his cohorts work up a righteous head of steam."48.90314

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BOOK REVIEWS COMING SOON!!!!48.90314

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Entertainment Weekly (6/14/96, p.61) - "The solo debut from fiddler-vocalist-songwriter Rogers is more contemporary folk than country. With her sweet, small soprano, she sounds like a less-ethereal Alison Krauss..." - Rating: B+39.5501

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Rolling Stone (5/4/95, p.70) - "...IN THE RED [is a] primarily instrumental pilgrimage through styles ranging from Celtic folk to mountain spiritual to Gypsy dance. The....stripped-to-the-bone [musical] interplay reinforces the common spirit of such seemingly disparate musical strains..."39.5501

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Entertainment Weekly (1/19/96, p.53) - "...Henderson is a soulful investigator of down-home American genres--Delta blues, honky-tonk country, gospel, and early rock..." - Rating: B+39.5501

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"...Bogart's sardonic, hypercharged performance holds matters together..." Sight and Sound34.39548

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BOOK REVIEWS COMING SOON!!!!34.2322

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The Wire (p.59) - "All through the album Groundtruther make you think about what you're hearing, setting up rhythmic and stylistic expectations just to knock them down again. As fresh and exciting as anything you'll hear this year."Down Beat (p.80) - 3.5 stars out of 5 - "LONGITUDE features ferocious drumming by Previte and a startling transformation by Hunter. The guitarist steps away from funk and soul jazz, turning to blue and rock influences for extended solos."JazzTimes (p.65) - "[It] runs from what sounds like updated spy-movie themes to Cream-style blues-rock with touches of thrash metal, funk and garage rock. The band can hit hard..."0.2721384

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Uncut (p.138) - 5 stars out of 5 - "This box proves again that the Dead's career remains one of the most engrossing journeys in rock'n'roll."Dirty Linen (pp.48-49) - "[T]here is a lot of great material here..."Mojo (Publisher) (p.116) - 4 stars out of 5 - "BEYOND DESCRIPTION presents the entire post-Warners run, and like its predecessor, is stacked with outtakes, rehearsals, live versions and demos..."9.918151

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Entertainment Weekly (p.81) - "Oneida still imprint each song with their own warped sensibility, often with an undertow of synthesizer dissonance..."Q (p.110) - 3 stars out of 5 -- "[With] an unorthodox approach that pulls in such disparate influences as The Grateful Dead, Krautrock and electronic noise, often in the space of the same song."Uncut (p.91) - 4 stars out of 5 -- "[E]lectronica, folk, folktroncia, big beat, psychedelia and Krautrock, all guided by Kid Millions' astounding drumming."Magnet (p.102) - "[T]he top ingredients are dreamy '60s psych effects and pop vocal harmonies, with some '70s Italian prog-rock arrangements thrown in.....Lovely, creepy and groovy: These guys give eclecticism a good name."0.2510348

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Alternative Press (p.108) - 4 stars out of 5 -- "KILLSWITCH ENGAGE is a concise encapsulation of everything KSE do well....It's a meat-and-potatoes guitar-bass-drums record..."Alternative Press - "It's a meat-and-potatoes guitar-bass-drums record; some tastefully melancholy piano on the album-closing 'This Is Goodbye' is one of few instrumental adornments."Billboard (p.28) - "[With] focused aggression and predicatable melodic swells, you can't help but enjoy such quintessential Killswitch Engage tracks as 'Never Again' or the Mettalica-esque chords that open 'The Forgotten'..."Record Collector (magazine) (p.84) - 3 stars out of 5 -- "[T]he Killswitch sound is a good one. 'A Light In A Darkened World, 'This Is Goodbye' and 'The Forgotten' demonstrate the scope of the band's ambition..."0.1659799

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Q (May 2002, p.118) - 3 out of 5 stars - "...This double live set suggests a renaissance....with the 24 songs voted for by fans, there are plenty of surprises..."0.1452324

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Entertainment Weekly (2/14/92, p.55) - "...a glitterting, kaleidoscopic set of dance tracks..." - Rating: B+Q - One of Q Magazine's 50 best albums of 1991.Alternative Press (7/95, p.116) - "...a pop odyssey generating inspired, witty music informed by the past, but built for the future..."Melody Maker (12/91) - Ranked #17 in Melody Maker's list of the top 30 albums of 1991 - "...a dazzling diverse display of sampladelic imagination."Q (Magazine) (p.139) - 4 stars out of 5 -- "Fusing '60s girl group pop with cut-ups and samples, their records reimagined Burt Bacharach as a house producer."Pitchfork (Website) - "[A] UK indie pop record with a particularly unique sound and vision -- the joys and pangs of cusp-of-adulthood love and loss, delivered with a clued-in-ingenue mix of wide-eyed enthusiasm and knowing languor by Sarah Cracknell..."Record Collector (magazine) (p.95) - 4 stars out of 5 -- "Ambient music holds a firm grip over many of the segues...the album's most famous for the pure sampleadelic pop of 'Nothing Can Stop Us'..."0.1452324

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Kerrang (Magazine) (p.49) - "WARCHEST is one of those treat you'll end up listening to for hours....[A] metallic institution."Blender (Magazine) (p.157) - 3.5 stars out of 5 -- "At their peak, on 1990's thrash tutorial RUST IN PEACE, Mustaine and Marty Friedman formed one of the genre's definitive guitar tandems with wrist-spraining feats of metal soloing."Record Collector (magazine) (p.83) - 4 stars out of 5 -- "[P]erhaps WARCHEST's greatest achievement is the accurate picture it draws of a band emerging from the underground with youthful venom....It's quite a ride, and WARCHEST draws a fitting line under it all."0.09115536

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