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Rolling Stone (4/12/01, p.142) - 4 stars out of 5 - "...A splendidly untraditional traditional-blues album....sounding like a worthy companion to Bob Dylan's TIME OUT OF MIND....The 2 new Tom Waits songs are knockouts..."Q (5/01, p.110) - 4 stars out of 5 - "...A genuine revelation...Hammond savors every last low-life syllable of every spiked boho-spiel with top-dollar back-up....A rambunctious joy from beginning to end..."CMJ (3/12/01, p.28) - "...Hammond doesn't try to reinvent Waits' mule-boned wheel onthese 13 tunes, slathering on some extra greas licks here and there, but largely honoring the style of the originals performances..."JazzTimes (5/01, pp.117-8) - "...A potent brew and a great synthesis of 2 unique artists..."No Depression (5-6/01, p.123) - "...This veteran blues revivalist has a strong, vibrant tenor that gives these melodies a clarity and warmth Waits could never have produced..."Mojo (Publisher) (4/01, p.114) - "...The arrangememts have all the care-worn beauty you'd expect and, vocally, Hammond's classy singlemalt proves just as satisfying as Waits' rough-assed moonshine..."121.5407

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"...Murphy's trademark grin and lithe acrobatic skills dominate here....Pinchot is given free rein and is hilarious..." Variety0.5394789

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"Stealing every scene in which he appears, Alan Cumming twinkles and grins as a wise, friendly cab driver besotted with Gray."New York Times0.4315831

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Uncut (6/03, p.91) - 4 stars out of 5 - "...His lap-guitar style is exemplary, his voice has a heartfelt, rich patina and the backing musicians, including Bill Frisell on electric guitar, create a folk-jazz accompaniment of almost spiritual empathy..."Living Blues (6/03, p.88) - "...A timeless collection of low-key acoustic abstractions....Electric guitar genius Bill Frisell contributes gentle riffs to the album, while drummer Scott Amendola adds thoughtful percussive elements..."0.2790906

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"...Strong visuals....A thrilling ride..." Variety "...Tom Cruise took our breath away..." Entertainment Weekly "Tony Scott's career-defining bombast still packs a punch." Uncut "Cruise slapped on a grin and some sunglasses...and cunningly tapped the rich vein of MTV in its '80s heyday." Total Film0.2697394

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Entertainment Weekly (8/22-8/29/97, p.135) - "As on his '95 debut, Miler's second album walks the line between scratch-and-grin hillbilly and poetic and progressive country rock. With his wife, Julie, he reprises the sound of such golden duet teams as Gram Parsons and Emmylou Harris....Raw, real and resonant." - Rating: B+0.2697394

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Record Collector (magazine) (pp.94-95) - 3 stars out of 5 -- "[I]t remains a superbly realised album -- to many their masterpiece."0.2232725

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Rolling Stone (9/16/71, p.42) - "...Bruce's playing is as superb as usual, and he handily avoids the musical excesses of the many who have tried to imitate him..."Goldmine - Highly RecommendedMojo (Publisher) (4/03, pp.116-8) - 5 stars out of 5 - "...How disciplined it all sounds....Way ahead of the game..."0.2232725

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Dirty Linen (2-3/96, p.85) - "...They call it "hillbilly hip"...The Boys give it a rhumba beat. They also do the country brother duet sound, lots of bluegrass licks and a bit of blues with a hip modern swagger propelled by strong bass and mandolin."0.2232725

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"...[REPO MAN] is the real thing. It's a sneakily rude, truly zany farce that treats its lunatic characters with a solmenity that perfectly matches the way in which they see themselves..." New York Times "...REPO MAN has the type of unerring energy that leaves audiences breathless and entertained..." Variety "Estevez chases a 1964 Chevy Malibu from outer space in punk auteur Alex Cox's comic sci-fi satire." -- Grade: B+ Entertainment Weekly "One giant nihilism-smothered sickly grin, the film depicts an otherworldly Los Angeles subculture in the time of Reagan and nuclear fear." Rolling Stone0.2157916

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Rolling Stone (3/2/00, p.100) - 3 stars out of 5 - "...The album is of-the-moment only the debuts of professional high-lifers can be, yet it is also, given its vague '80s drifts, a touch old-fashioned....[They] indulge in a cool distance..."Alternative Press (4/00, p.103) - 3 out of 5 - "...a deliciously seductive affair....singer Geri Soriano-Lightwood purrs and growls, a knowing grin peeking through her vocal inflections..."0.2157916

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Entertainment Weekly (11/24/95, p.107) - "...Whether spinning lightweight rhythm numbers or hotdogging his way around an electric guitar, Gill often repeats himself but seldom bores." - Rating: B+Journal Of Country Music (Vol.18, No.1, pp.52-54) - "...reveals an ambition and range that belie his doe eyes, shy grin and tremulous voice....he's at his best when he soars alone....It's a measure of Gill's skill that he can take a fairly standard country shuffle...and give it fresh urgency on the strength of his snappy phrasing and curt guitar solo..."0.2157916

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Rolling Stone (2/5/04, p.59) - 3 stars out of 5 - "[T]he Special Goodness present an indie version of Weezer's arena emo..."Spin (3/04, p.96) - "[T]he vibe is right..." - Grade: BCMJ (04/07/03, p.9) - "...Charmingly lo-fi--but not too raw--production and abrasive power-pop punches anchor the songs...old-school guitar solos add a playful edge to the proceedings..."Mojo (Publisher) (p.104) - 3 stars out of 5 - "LAND, AIR, SEA makes you smile without even really listening because the whole sound is such a cheering mix of grunt and grin....Further perusals reveal some appealing, very pithy songs amid the brontosaurus riffs..."0.2157916

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Alternative Press (6/01, pp.77-8) - 4 out of 5 - "...33 vignettes of bi-polar queasy echoes and machine gurgles..."The Wire (12/00, p.51) - "...Mansell's score evokes the stern tenderness of Selby's original novel....a work of tremendous sensitivity, discipline and thought."0.1953634

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Rolling Stone (10/16/03, p.86) - 3 stars out of 5 - "The impressive thing about [IN REVERIE] is how much energy it packs without resorting to emo or pop-punk cliches..."Spin (01/04, p.102) - "...For someone with such a sweet voice, Conley is a master at psychological warfare....Behind that boyish grin and gawky posture lies a savage mind..." - Grade: B-Entertainment Weekly (9/19/03, p.86) - "...It's an unexpectedly poppy collection of left-field melodies and twisty song structures that wrap around your brain like a head cold..." - Rating: A-CMJ (9/22/03, p.4) - "...Here the band sheds its previous skins and keeps its face forward....Christopher Conley's [vocals] recall a younger Elliott Smith, while Pete Salloway's guitars gently weep--when they're not pouring out power-pop riffs..."0.1888176

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Rolling Stone (4/29/99, pp.65-66) - 1/2 Stars (out of 5) - "...ECHO puts the Heartbreakers back where they belong; in the garage and in front of the amplifier stacks....It's Petty and the Heartbreakers standing their ground with wise-ass grins and loud guitars..."Entertainment Weekly (4/16/99, p.58) - "...Petty's patented formula reverberates on every solidly crafted tune with the comforting predictability we've come to expect....the predominant roots-pop aesthetic heer is of a piece with Petty and the Heartbreakers' best work..." - Rating: A-New Music Monthly (7/99, p.54) - "...File ECHO somewhere between GREAT WIDE OPEN and 1985's SOUTHERN ACCENTS - a fine addition to the catalog....Petty's lyrics, wry as ever, celebrate the losers with empathy..."Mojo (Publisher) (5/99, p.96) - "...Petty's music is its lurching adolescent cockiness, its continued thing for strange girls who just blew in from the valley, the seamlessness of its mating Old South and Plantation with sports utility vehicle and cell-phone..."0.1618437

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Rolling Stone (12/25/03, p.111) - Included in Rolling Stone's "50 Best Albums of 2003"Rolling Stone (5/15/03, p.130) - 4 stars out of 5 - "...They just rock out, stripping New Wave and metal and rockabilly down to primal thrust and blare....The Yeah Yeah Yeahs are closer to Siouxsie and the Banshees (but with a grin) and Led Zeppelin (but with estrogen) than to the blues..."Entertainment Weekly (5/2/03, pp.66-69) - "...[Karen] O howls and growls her way through 37 minutes of art-school punk with enough strapped-on swagger to make Mick Jagger blush..." - Rating: BQ (01/01/04, p.82) - Ranked #15 in Q's "The 50 Best Albums of 2003" - "[A] 40-minute aural assault..."Uncut (01/04, pp.84-7) - Ranked #29 in Uncut's "Albums Of The Year 2003"Uncut (5/03, p.92) - 5 stars out of 5 - "...FEVER TO TELL is, quite simply, magnificent....This is as revitalising a debut as could be hoped for..."The Wire (6/03, p.74) - "...Yeah Yeah Yeah's debut album kicks out low and hard with a set of intelligently performed rock tunes distinguished by Karen O's smart and smarting lyrics..."CMJ (12/29/03, p.7) - Ranked #10 in CMJ's "Top 10 of 2003"CMJ (5/19/03, p.8) - "...A kick-ass debut that's urgent and, above all else, a hell of a lot of fun. FEVER TO TELL is a post-punk, new wave, anti-pop record that takes giant, hyperactive strides just to be different..."Mojo (Publisher) (01/01/04, p.59) - Ranked #13 in Mojo's "The Best of 2003"Mojo (Publisher) (5/03, p.90) - 4 stars out of 5 - "...The record is full of surprises, roping in all manner of esoteria for a sweaty, beer-splattered and tune-drenched rock'n'roll party that rivals NEVERMIND for balancing the pop sugar with the twisted underbelly and subtle smarts....Blistering..."0.1078958

$5.64
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Rolling Stone (12/25/03, p.111) - Included in Rolling Stone's "50 Best Albums of 2003"Rolling Stone (5/15/03, p.130) - 4 stars out of 5 - "...They just rock out, stripping New Wave and metal and rockabilly down to primal thrust and blare....The Yeah Yeah Yeahs are closer to Siouxsie and the Banshees (but with a grin) and Led Zeppelin (but with estrogen) than to the blues..."Entertainment Weekly (5/2/03, pp.66-69) - "...[Karen] O howls and growls her way through 37 minutes of art-school punk with enough strapped-on swagger to make Mick Jagger blush..." - Rating: BQ (01/01/04, p.82) - Ranked #15 in Q's "The 50 Best Albums of 2003" - "[A] 40-minute aural assault..."Uncut (01/04, pp.84-7) - Ranked #29 in Uncut's "Albums Of The Year 2003"Uncut (5/03, p.92) - 5 stars out of 5 - "...FEVER TO TELL is, quite simply, magnificent....This is as revitalising a debut as could be hoped for..."The Wire (6/03, p.74) - "...Yeah Yeah Yeah's debut album kicks out low and hard with a set of intelligently performed rock tunes distinguished by Karen O's smart and smarting lyrics..."CMJ (12/29/03, p.7) - Ranked #10 in CMJ's "Top 10 of 2003"CMJ (5/19/03, p.8) - "...A kick-ass debut that's urgent and, above all else, a hell of a lot of fun. FEVER TO TELL is a post-punk, new wave, anti-pop record that takes giant, hyperactive strides just to be different..."Mojo (Publisher) (01/01/04, p.59) - Ranked #13 in Mojo's "The Best of 2003"Mojo (Publisher) (5/03, p.90) - 4 stars out of 5 - "...The record is full of surprises, roping in all manner of esoteria for a sweaty, beer-splattered and tune-drenched rock'n'roll party that rivals NEVERMIND for balancing the pop sugar with the twisted underbelly and subtle smarts....Blistering..."0.1078958

$6.74
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