heel,Hell on Heels, Disappeared [Spring Heel Jack], The Iron Heel, The Tar Heel State, Close to the Heel

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Rolling Stone (p.71) - Ranked #29 in Rolling Stone's '50 Best Albums Of 2011' -- "Miranda Lambert, Ashley Monroe and Angaleena Presley through the year's best country bash..."Entertainment Weekly (p.102) - Ranked #9 in Entertainment Weekly's 'The Top 10 Albums Of 2011' -- "In an era ruled by sweet country-pop ladies, Miranda Lambert, Angaleena Presley, and Ashley Monroe proudly set a bad example..."66.01825

$7.49
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Q (9/00, p.108) - 3 stars out of 5 - "...Challenging but good."Uncut (10/00, p.90) - 4 stars out of 5 - "...Thoughful, raw, and genuinely innovative....A sound that is superficially drum'n'bass, but capable of devouring any influence it damn well likes..."Alternative Press (10/00, p.109) - 4 out of 5 - "...A cut above 90% of today's electronica....neatly balancing amorphous tonal explorations with chamber-jazz and groovy spy-flick vibes..."CMJ (9/11/00, p.26) - "...Brittle instrumental tracks driven by hard, distorted bass rhythms and whipcrack snare samples..."NME (Magazine) (8/19/00, p.35) - 7 out of 10 - "...Stealthy innovation and breathless compendium of sounds, amounting to a kind of avant-garde 'musique concrete'..."65.86384

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55.88732

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NME (Magazine) (6/24/95, p.56) - 7 (out of 10) - "...it's formula-rama all the way, but hey, let Oasis cast the first stone. It's the odd formula digressions like 'Love Don't Come Easy,' a pumpin' En Vogue sex-romp which squeezes in a weird Latin middle eight...which make HEAD OVER HEELS worth your time..."52.98082

$5.32
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BOOK REVIEWS COMING SOON!!!!52.87637

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Spin (p.108) - "Bazan's low voice and soft consonants give his slow jams a paradoxical urgency..."52.84549

$13.38
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52.69107

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52.69107

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52.69107

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Rolling Stone (p.77) - 3 stars out of 5 -- "[H]eavy with lost love and Faithfull's honey-over-gravel voice....Faithfull, like New Orleans itself, proves hard times make for very good music."Spin (p.72) - "The guitar-heavy result embraces experience without fetishizing it. Singer her own songs, Faithfull sounds more relaxed -- if no merrier -- than she has in years."Paste (magazine) - "She kicks off HORSES AND HIGH HEELS with the ominous chords and spiritual misgivings of 'The Stations' by the Gutter Twins....It's a perfect showcase for Faithfull's distinctive voice..."Record Collector (magazine) (p.86) - 4 stars out of 5 -- "Elegiac closing ballad 'The Old House could sit on any Bad Seeds album, possessed of a subliminal emotional pull which stays long after the closing swells of its crashing grandeur have subsided."Uncut (magazine) (p.80) - 3 stars out of 5 -- "Marianne's thespian touch works its magic on The Shangri-Las' 'Past Present Future', a turning teen angst into a poignant reflection of age."46.40207

$15.16
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Rolling Stone (p.77) - 3 stars out of 5 -- "[H]eavy with lost love and Faithfull's honey-over-gravel voice....Faithfull, like New Orleans itself, proves hard times make for very good music."Spin (p.72) - "The guitar-heavy result embraces experience without fetishizing it. Singer her own songs, Faithfull sounds more relaxed -- if no merrier -- than she has in years."Paste (magazine) - "She kicks off HORSES AND HIGH HEELS with the ominous chords and spiritual misgivings of 'The Stations' by the Gutter Twins....It's a perfect showcase for Faithfull's distinctive voice..."Record Collector (magazine) (p.86) - 4 stars out of 5 -- "Elegiac closing ballad 'The Old House could sit on any Bad Seeds album, possessed of a subliminal emotional pull which stays long after the closing swells of its crashing grandeur have subsided."Uncut (magazine) (p.80) - 3 stars out of 5 -- "Marianne's thespian touch works its magic on The Shangri-Las' 'Past Present Future', a turning teen angst into a poignant reflection of age."46.40207

$21.27
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46.22822

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JazzTimes (8/03, p.140) - "...Both Messbauer's writing and his arrangements are jovial, inventive, attractive and punch-drunk..."46.22822

$14.18
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46.19204

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46.10469

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Alternative Press (10/01, p.100) - 8 out of 10 - "...This is music that doesn't pander to any expectation other than the quest for beauty, and it achieves that with ease."Magnet (9-10/01, pp.116-7) - "...A fascinating document of jazz musicians playing out their element and electronic musicians further exploring their taste for abstraction..."The Wire (1/02, p.40) - Ranked #22 in Wire's "50 Records of the Year 2001".CMJ (6/4/01, p.12) - "...A free-jazz/electronics fusion milestone....The ghost in the machine comes alive to move jazz and electronic music in an adventurous new direction."Down Beat (10/01, p.74) - 3 stars out of 5 - "...More than just a multimedia experiment, the band itself makes MASSES sound alive..."46.10469

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Rolling Stone - 3.5 stars out of 5 -- "They can still muster the familiar action like the atomic-jukebox roll of 'Round and Round She Goes' and he hip-smackin' 'Streetcake.'"Spin (pp.78-79) - "Erstwhile Louis XIV leader Jason Hill and ex-Blondie guitarist Frank Infante help craft the impulsive, off-kilter melodies."Uncut (magazine) (p.89) - 3 stars out of 5 -- "Once the shock subsides, it's quite charming..."46.10469

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46.10469

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