manic,Manic Moonlight, Take That Manic Ride, South San Gabriel Songs/Music, Billy Madison [DVD] [Special Edition - Widescreen], The Remains

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CMJ (10/15/01, p.27) - "...[This] isn't metal, but funky rock that sounds like quality bar music..."128.7184

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CMJ (2/19/01, p.14) - "...An agonizingly (and good) album....with amazingly reserved crooning....It's time to sit back and drink down this manic calm."0.3875299

$11.09
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"...A healthy streak of sick humor that keeps you guessing..." USA Today "...A certain manic energy and no-holds-barred attitude....[With] bursts of sheer, irresistible idiocy..." Variety0.3390886

$8.40
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Rolling Stone (3/20/97, p.84) - "...a legendary studio performance...of such explosive exuberance and muscular force that it has been...a religious totem of all that was manic and marvelous about mid-'60s pop..."0.3390886

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Dirty Linen (p.61) - "As always, Kirwan is as manic as they come, nearly spitting out the lyrics. But he does so with conviction and grit, making Black 47 one of the truly magnificent and sincere rock bands in the land."0.3390886

$18.12
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"...For every dulcet song, there's an unsettling side, uttered with a wide-eyed manic energy..." Entertainment Weekly "[The] psychedelic factory tour is a sugary version of Dante's inferno." Premiere0.3390886

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"...A healthy streak of sick humor that keeps you guessing..." USA Today "...A certain manic energy and no-holds-barred attitude....[With] bursts of sheer, irresistible idiocy..." Variety0.3390886

$14.91
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"...[Mr. Chow's] charisma is infinite, and he finds a perfect foil in the slack-jawed, manic Mr. Scott. They seem to be having a very good time, and why should they be the only ones?..." New York Times "...Well-calibrated entertainment....The screenplay deftly mixes Chinese philosophy with superhero action..." Hollywood Reporter "...Chow and Scott generate a playful rapport..." Sight and Sound0.2422062

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Spin (6/92, p.72) - Recommended - "..The band has replaced [thrash's] inherent redundancy and manic speed with well-constructed songs relentlessly pelted with cool riffs...melodic thrash metal masterfully sandblasted.."Entertainment Weekly (5/29/92, p.64) - "..they've slowed the music down a few RPMs and added subtlety to the arrangements.." - Rating: B0.2422062

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Q (p.128) - 4 stars out of 5 -- "Their legendary debut album is a manic thrill, with Gerry Roslie's unhinged screams punching home the band's saxed-up three-chord thrash."Uncut (p.85) - 5 stars out of 5 -- "[T]he clipped ferocity of early Kinks, producing rock'n'roll so rabid that even the ballads were spiked with screams."0.2422062

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CMJ (8/01, p.85) - "...Garage futurists....excavating a noodly, open vibe from the formative, raw end of the '70s prog-rock spectrum..."0.2081816

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Q (2/94, p.93) - 3 Stars - Good - "...boasts a finely-tuned musical understanding and enough psychedelic sideswipes to impress..."0.2081816

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BOOK REVIEWS COMING SOON!!!!0.2081816

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Rolling Stone (9/19/02, p.110) - 4 stars out of 5 - "...Features all of the Hendrix songs still played on classic rock radio stations..."0.2081816

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JazzTimes (10/96, p.111) - "...They honk, funk, scream and slow dirge, and come laughingly back on a disc full of ambitious original material. On the way they visit Afro-Cuban, klezmer and New Orleans themes with lots of whimsy and close attention to maintaining the core pulse through creative horn arrangements..."0.2081816

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Rolling Stone (9/27/01, p.70) - 3.5 stars out of 5 - "...Both manic and schizoid, Tankian veers easily from sing-rap rhythm to Korn-ish hysterics to demonic baritone growl to doomily ruminative....the music insists on forward motion without trapping itself in a thrashy lock-step rut..."Spin (1/02, p.76) - Ranked #1 in Spin's "Albums of the Year 2001".Spin (p.89) - "System have an undeniable nerd-prog charm..."Entertainment Weekly (9/7/01, pp.161-2) - "...Strange and engaging....It all adds up to bizarro type of meta; that has a warped majesty and strength..." - Rating: B-Q (9/01, p.121) - 4 stars out of 5 - "...Matches Slipknot for manic intensity while employing a freeform approach to songcraft which invites comparison to the lunatic-fringe rock of the '60s..."Alternative Press (2/02, p.64) - Ranked #9 in AP's "25 Best Albums of 2001".Alternative Press (10/01, p.102) - 9 out of 10 - "...This is not pop music - this is psychic wreckage."Mojo (Publisher) (p.54) - Ranked #93 in Mojo's "100 Modern Classics" -- "[T]he world's most darkly hilarious noise band had come of age."0.2055188

$7.00
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"...Shakur is perfectly matched with Tim Roth as manic Stretch. The British actor revels in impersonating American lowlifes..." -- 3 out of 4 stars USA Today "...[Shakur] lends Spoon a tremor of sorrow, projecting a supple emotionalism..." Entertainment Weekly "...A smart, well-made buddy film....[Shakur] played this part with an appealing mix of presence, confidence and humor..." New York Times "...Shakur has the relaxed presence of a young Wesley Snipes and plays perfectly off the delirious Tim Roth..."Los Angeles Times "...This is grim material, but surprisingly entertaining....[Shakur] gives his best performance..." Chicago Sun-Times0.1937649

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Down Beat (6/96, p.44) - 4 Stars - Very Good - "...Anastasio directs varying combinations of players in open, structured improvisations...Credit Anastasio for defying commercial expectations with this gutsy, freewheeling ensemble effort."Option (7-8/96, p.135) - "...Trey Anastasio is determined to push the proverbial envelope, even if he's not sure where it's going..."Musician (5/96, p.93) - "...[Anastasio] captured some profound stuff, bouncing off manic guitarist Marc Ribot and keyboardist John Medeski, while Sun Ra trumpeter Michael Ray and saxist Marshall Allen turned the trip into a free-jazz-for-all, with admirably fluctuating levels of adrenaline..."0.1937649

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"A spirited mishmash of horror notions, special effects and plot elements recycling everything from NOSFERATU to STAR WARS, NIGHT WATCH makes for splendidly diverting Saturday-night entertainment." Sight and Sound 3 stars out of 4 -- "Bekmambetov delivers a manic shocker that grows more compelling as it increases in ridiculousness..." Premiere "[T]he story has been stylishly brought to the screen....It bursts with a sick, carnivorous glee in its own fiendish games." New York Times 4 stars out of 5 -- "Whip-fast, bonkers and sometimes completely incomprehensible....[A] stylish riff on vampire mythology..." Total Film 4 stars out of 5 -- "[A] cryptic but giddyingly inventive Russian fantasy..." Ultimate DVD 4 stars out of 5 -- "A milestone in Russian cinema....Energetic..."Uncut0.1695443

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"...Bergman arrives in the very big time....A virtually nonstop scream of benign delirium, pop entertainment as revivifying as anything you're likely to see..."New York Times "...Many uproarious bits....[Nicolas Cage gives] a funny, over-the-top performance..." USA Today "...[Cage] once again displays the quintessential air of frenetic desperation....Sarah Jessica Parker not only looks appropriately attractive but also brings an essential down-to-earth sanity to the role..." Los Angeles Times "...There is a cheerfully rising tide of goofiness in Andrew Bergman's HONEYMOON IN VEGAS that is typical of his work..." Chicago Sun-Times 3 stars out of 5 -- "[I]t fleetingly glitters with winning charm."Uncut 3 stars out of 5 -- "Nic is on satisfyingly manic form, Caan is effortlessly menacing..."Total Film0.1695443

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"...Witty and touching....Joan Cusack is pinpoint funny..." Entertainment Weekly "...Hail! Hail! Jack Black: He's the clown king of rock & roll....Enroll in his class and you won't stop laughing..." Rolling Stone "...A very funny for-kids-of-all-ages delight that should catapult Mr. Black straight to the top of the A-list of Hollywood funnymen..." New York Times "...ROCK takes a clever premise and Black's unflagging manic energy and comes up with a pleasing mainstream comedy..." Los Angeles Times "...The whole show is basically Black's....He really can riff and shriek like every bedroom Led Zep fantasist dreams of doing..." Variety "Jack Black is a living, breathing, sweating advertisement for the transformative power of rock 'n' roll..." Chicago Sun-Times "[A] joyous farce....The star is Jack Black, whose anarchic musician is a monster of antic id..."Wall Street Journal0.1695443

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Rolling Stone (5/14/70, p.52) - "...Chuck Berry simply oozes from the album...a very conscious attempt to do for teenage America what the rock and roll of the Fifties did instinctively and naturally--create a young community of spirit, affection, excitement, and self-conciousness..." -Greil MarcusEntertainment Weekly (9/11/92, p.90) - "...MC5 played simple songs with ferocious, claustrophobic energy, taking cues from Chuck Berry and setting an incendiary rock & roll standard that still stands..." - Rating: AQ (7/93, p.110) - 4 Stars - Excellent - "...The finest hours of Detroit's nearly men, MC5...[the album] opts for a crackling, toppy sound...an energetic reinvention of classic rock moves spiced with their radical politics..."Alternative Press (11/92, p.79) - "...Harnessing their manic energy to an extremely precise rock & roll format, producer Jon Landau and the band created an unique no-frills sound which has endured as one of punk's ancestral inspirations....A furious testament..."0.1695443

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The Wire (8/99, p.59) - "...[grafts] a few new ideas onto [post-rock's] basic instrumental grid....technically proficient and full of energy..."CMJ (5/10/99, p.26) - "...a haunted hybrid of post-hardcore and jazz....the vocals play a sparse and inconsequential second-fiddle to the instrumental interaction, notably to the seducion between the sax and the percussion....intense, manic and ominous....a mature, masterful follow-up."Melody Maker (5/8/99, p.45) - 3 1/2 stars (out of 5) - "...Fugazi-ish guitar power and Elvis Costello pure pop...rag-and-bone blues....mid-point between Mogwai and Rancid....Difficult? At times. Worth it? Hell, yes."NME (Magazine) (5/8/99, p.39) - 8 out of 10 - "...It's a very beautiful record in a strange and twisted way....misanthropic squirty sax noises way down in the mix, oblique lyrics and complex atonal jazz structures..."0.1695443

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Rolling Stone (12/26/96, p.199) - "...the most underrated album of the year....ABBEY ROAD with tenement-block attitude; GIVE 'EM ENOUGH ROPE as produced by Phil Spector....a record of painstaking melodic craft and thundering execution..."Entertainment Weekly (8/23-8/30/96, p.124) - "...they focus on more personal concerns and come up with a document of bracing, guitar-swept compositions that yields many a trenchant insight as well as a few anthems." - Rating: AQ (p.151) - 4 stars out of 5 -- "Few albums have as dramatic a story to tell. After a decade, it sounds like a release from a dark place and a life-affirming jump for joy."Q (10/01, p.85) - Ranked #16 in Q's "Best 50 Albums of Q's Lifetime"Q (12/99, p.90) - Included in Q Magazine's "90 Best Albums Of The 1990s."Q (6/00, p.72) - Ranked #39 in Q's "100 Greatest British Albums" - "The moment the Manic Street Preachers came to terms with their roots....What hadn't killed them really did make them stronger."Alternative Press (10/96, p.93) - 5 (out of 5) - "...their wide-screen symphonic sweep has that uplifting classic pop feel which is gonna sound great on oldies radio someday....what the Manics lost in angst and emotion, they'be replaced with sharp hooks and humor..."Melody Maker (12/21-28/96, pp.66-67) - Ranked #1 on Melody Maker's list of 1996's `Albums Of The Year.'Melody Maker (5/18/96, p.48) - Bloody Essential - "...there has always been something of the walking wounded about the Manics, that's why we like them. So it is weirdly appropriate that they should now limp along without their most famous member....We're glad they're still here..."RIP (9/96, p.73) - 4 (out of 5) - "...What's great about EVERYTHING MUST GO is how the tunes are uplifting yet realistic, anthemic while not being self-righteous, wounding without descending into nihilism..."Mojo (Publisher) (6/96, p.113) - "...EVERYTHING MUST GO is a string-drenched Phil Spector/Kashmir collision, 'A Design For Life' is rugged and perfect, and 'The Girl Who Wanted To Be God' is splendid soaring pop....a bold and frequently remarkable album."NME (Magazine) (12/21-28/96, pp.66-67) - Ranked #2 in NME's 1996 critics' poll.NME (Magazine) (5/18/96, p.50) - 8 (out of 10) - "...tragedy has not dimmed the Manics' creative glow....the sound of a band in bloom....No other group makes music that sounds so much like one final, valedictory salute to everything..."0.1678054

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"...Amusing....Stiller works with craftsmanly precision..."Entertainment Weekly "...Genuinely funny..."Variety0.1665453

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CMJ (p.16) - "[The album] traces the blues-infused, proggy 'n' groovy hard rock of King's X throughout their career..."0.1457271

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Rolling Stone (p.65) - 4.5 stars out of 5 -- "It's heavier, noisier, more jagged....KALA strikes deep....A riot of human, musical and mechanical sounds bubbles underneath these tracks."Rolling Stone (p.107) - Included in Rolling Stone's "50 Top Albums of the Year 2007" -- "M.I.A.'s second album was an international block party with a sonic imagination nobody could match all year."Spin (p.127) - 4.5 stars out of 5 -- "M.I.A.'s border-crossing dance pop is a revolutionary manifesto set the victory party vibe of the future."Entertainment Weekly (p.133) - "KALA is propelled by genuinely stellar moments: the manic thrall of 'Jimmy,' the ferocious gunshot-chorused 'Paper Planes.'" -- Grade: BUncut (p.87) - 4 stars out of 5 -- "[A] head-spinning equatorial dash....She twangs the boundaries of taste both lyrically and musically. But a knockout's a knockout..."The Wire (p.57) - "She has kept her globetrotting spirit intact in later years -- for Kala she's harvested inspiration and sounds from streets on every continent."The Wire (p.37) - Ranked #8 in The Wire's "Top Ten Records of the Year 2007" -- "[The] album saw her in transcontinental globetrotting mode in search of the tribal beats, engine sounds and local pop samples mishmashed into KALA."Q (Magazine) (p.76) - Ranked #34 in Q's "The 50 Best Albums Of 2007" -- "[H]ip hop by way of Africa, the Caribbean and the Indian subcontinent..."0.1211031

$9.35
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