refused,Refused - The Shape of Punk To Come, ReFused [Heavy Tin/B.R. Pearson], The Good War and Those Who Refused to Fight It, The Raven That Refused to Sing and Other Stories [CD] [1 disc] [802644824222], Space Age Revolution

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Q (p.135) - 4 stars out of 5 - "Refused reached a peak of intelligence and intensity with THE SHAPE OF PUNK TO COME..."Alternative Press (3/02, p.96) - Included in AP's "Essential Punk Influences '02 Style" - "...A manifesto-driven, techno-punk landmark..."CMJ (11/09/98, p.22) - "...The Shape...is a dark, fierce and proggressive recording that proves punk and hardcore are not a stagnant genre..."Mojo (Publisher) (p.111) - 4 stars out of 5 -- "Building upon a sonic and sartorial blueprint laid down by early `90s DC crew The Nation Of Ulysses, Refused drew on a plethora of other influences..."Mojo (Publisher) (p.130) - 4 stars out of 5 - "This is an album of punk finality, of defiant, left-wing independence....When in range, Refused are as impossible to ignore as they are to deny."Pitchfork (Website) - "Rhythmically, all members are locked-in, feeding off each other's energy and authority."118.7153

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80.32094

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60.37437

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50.46791

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40.47621

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Alternative Press (p.159) - 3.5 stars out of 5 -- "[A] their core, Sadaharu are a riff-driven rock band who blend the vitriol of Refused with the feel of AC/DC to create a post-everything amalgam..."0.4749142

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Alternative Press (p.206) - "FUTURIST is a decent little rock 'n' roll record, its recycled proto-punk riffs and programmed beats falling somewhere between Refused and the HIves via Ministry's mixing board."0.4749142

$10.70
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Dirty Linen (4-5/96, p.79) - "...violinist and mandolin player Howard Armstrong is a walking history of American music...LOUIE BLUIE...encapsulates some of the best material from Armstrong's long career..."Dirty Linen (4-5/99, p.71) - "...a vibrant set of songs and tunes that range from ragtime to blues to country to popular..."Living Blues (7-8/99, pp.83-4) - "...LOUIE BLUIE provides a joyful and informative sampling of an artist who has always refused to be constrained by musical boundaries."0.2713795

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Dirty Linen (4-5/96, p.79) - "...violinist and mandolin player Howard Armstrong is a walking history of American music...LOUIE BLUIE...encapsulates some of the best material from Armstrong's long career..."Dirty Linen (4-5/99, p.71) - "...a vibrant set of songs and tunes that range from ragtime to blues to country to popular..."Living Blues (7-8/99, pp.83-4) - "...LOUIE BLUIE provides a joyful and informative sampling of an artist who has always refused to be constrained by musical boundaries."0.2713795

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Spin (p.85) - "[B]lending folk, jazz, and avant garde sensibilities into a searching, mystical style..."Mojo (Publisher) (p.71) - "[E]ven when the songs were tailored for Top 40 radio, like 'Aren't You The Girl' and 'I Can't See You,' Buckley refused to be confined..."Record Collector (magazine) (p.86) - 3 stars out of 5 -- "TIM BUCKLEY is a much underrated album with beautiful songs such as 'Wings' and 'I Can't See You,' where that enthralling tenor voice was heard for the first time..."Uncut (magazine) (p.104) - 4 stars out of 5 -- "Ostensibly a folk-rock album, oft-stereotyped as such, in truth TIM BUCKLEY turns the fledgling genre inside out."0.2374571

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Spin (p.85) - "[B]lending folk, jazz, and avant garde sensibilities into a searching, mystical style..."Mojo (Publisher) (p.71) - "[E]ven when the songs were tailored for Top 40 radio, like 'Aren't You The Girl' and 'I Can't See You,' Buckley refused to be confined..."Record Collector (magazine) (p.86) - 3 stars out of 5 -- "TIM BUCKLEY is a much underrated album with beautiful songs such as 'Wings' and 'I Can't See You,' where that enthralling tenor voice was heard for the first time..."Uncut (magazine) (p.104) - 4 stars out of 5 -- "Ostensibly a folk-rock album, oft-stereotyped as such, in truth TIM BUCKLEY turns the fledgling genre inside out."0.2374571

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Spin (p.121) - 3.5 stars out of 5 -- "[T]he record maintains its hypnotic spell with slow-as-IV drip rhythms that set the scene for Hawley's moonlit walks down lonely streets."Entertainment Weekly (p.69) - "Haunting yet hopeful, BRIDGE crosses the gap from great to instant classic." -- Grade: AUncut (p.86) - 4 stars out of 5 -- "While he still sings like a kinder, sadder Jarvis Cocker, he does it with such sincerity that it seems churlish to resist."Magnet (p.97) - "Echoes of Roy Orbison, Gene Pitney and Lee Hazlewood abound; it's all in the sympathetic, tasteful playing of Hawley's backing band, his own burnished, bruised baritone...and the little guitar licks..."0.2227684

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0.2227684

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Rolling Stone (10/16/03, p.88) - 3 stars out of 5 - "...Black Box Recorder are still on the case, making sardonic art pop with juicy melodies and nasty wit..."Magnet (11/03, pp.86-8) - "...Songwriters Haines and John Moore are adept at crafting melodramatic pop hooks while Nixey's breathy vocals do justice to this clever pop noir..."CMJ (8/18/03, p.6) - "...This disc will slap you silly with its bitter English fervor..."0.2227684

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BOOK REVIEWS COMING SOON!!!!0.2227684

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Rolling Stone (p.64) - "[A] dream sundae of RUBBER SOUL, CROSBY, STILLS AND NASH, and the Beach Boys' WILD HONEY."0.1782147

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Rolling Stone (2/14/02, p.62) - 4 stars out of 5 - "...Rocks like a jet engine in a jewel case...hyperkinetic, gorgeous beats..."Spin (2/02, pp.105-6) - 9 out of 10 - "...A modest triumph...integrating their 2 sides: high-octane thrust and airy psychedelic dreaminess....an almost perfect album, an invitation not to be refused..."Entertainment Weekly (2/01/02, p.107) - "The Brothers excel at turning extra-strength breakbeats into roller-coaster dance tracks..." - Rating: BQ (Jan/02, p.97) - 3 out of 5 stars - "...blend[s] the brutal efficiency of current dancefloor trends with...the music that prompted [them] to make records....good, clean, hedonistic fun..."Q (Jan/02, p.97) - 3 out of 5 stars - "...blends the brutal efficiency of current dancefloor trends with...the music that promted [them] to make records....good, clean, hedonistic fun..."Alternative Press (2/02, p.67) - 7 out of 10 - "...A return to the early-'90s acid-house exuberance that first inspired them..."Mixmag (2/02, p.58) - 5 out of 5 - "...There are enough ear-tickling noises for us to realise they havn't lost their Midas....these tunes will sound amazing played out. Which is precisely what clubland needs now."Vibe (3/02, p.174) - 4 discs out of 5 - "...It's an incredible trip..."Mojo (Publisher) (2/02, p.98) - "...A genuinely thrilling, energy-charged adventure that effortlessly spans Balearic house, electronic folk and post-techno, neo-disco and beats-driven epic blues..."NME (Magazine) (1/26/02, p.35) - 6 out of 10 - "...thrilling..."0.1696122

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"...Highly stylized..." -- Rating: A Entertainment Weekly "Pearson's scenes with Garfield are among the most supercharged ever..."USA Today "A socially conscious noir steeped in atmosphere and paranoia, with stunning dialogue." Uncut "This was surely Garfield's finest hour: he conveys brilliantly his character's ruthlessness and his sense of loss and yearning." Sight and Sound0.1559379

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3 stars out of 5 -- "Boasting impressive production values, engaging storytelling and a standout lead performance by German star Ulrich Tukur..."Box Office "The German actor Ulrich Tukur brings an understated intensity and psychological depth to the title role of JOHN RABE, a sweeping historical film that exalts a largely unsung real-life hero..."New York Times "Gallenberger tells Rabe's story deftly, establishing essential elements of the man's personality in subtle shorthand."Movieline "[A] handsomely designed, big-scale production that deftly incorporates archival footage. Drawn from Rabe's diaries, the film is rich in telling and ironic details."Los Angeles Times0.1559379

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