refused,The Orchestra, Sadly, Has Refused, ReFused [Heavy Tin/B.R. Pearson], Everlasting [Refused] [CD] [1 disc], The Good War and Those Who Refused to Fight It, The Raven That Refused to Sing and Other Stories [CD] [1 disc] [802644824222]

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Entertainment Weekly (3/26/04, p.73) - "[T]he Silent League are sublime and spacey, delicate and dramatic." - Grade: A-Uncut (p.74) - 3 stars out of 5 - "[Russo] now does his own faintly lovely thing....It's very much of the Rev/Lips school, sadder than ghosts and frail as fallen leaves."Magnet (pp.107-8) - "[S]ophisticated, hazy keyboard mini-symphonies....It's not only the supremely crafted song structures that give this album its classic feel but also the trickery-free production and Russo's slightly grayed tenor."Mojo (Publisher) (p.94) - 4 stars out of 5 - "[I]n his gentle, lilting voice, Russo stretches out lyrics..."78.28883

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CMJ (8/20/01, p.19) - "...Seeps with the type of harmonic distortion favored by Snapcase and Glassjaw, the gravel-throated vs. the melodious, clean singing of Hot Water Music, and the post-hardcore riffing of Refused and Quicksand..."0.4825942

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CMJ (8/20/01, p.19) - "...Seeps with the type of harmonic distortion favored by Snapcase and Glassjaw, the gravel-throated vs. the melodious, clean singing of Hot Water Music, and the post-hardcore riffing of Refused and Quicksand..."0.4825942

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Alternative Press (p.206) - "FUTURIST is a decent little rock 'n' roll record, its recycled proto-punk riffs and programmed beats falling somewhere between Refused and the HIves via Ministry's mixing board."0.4825942

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Dirty Linen (4-5/96, p.79) - "...violinist and mandolin player Howard Armstrong is a walking history of American music...LOUIE BLUIE...encapsulates some of the best material from Armstrong's long career..."Dirty Linen (4-5/99, p.71) - "...a vibrant set of songs and tunes that range from ragtime to blues to country to popular..."Living Blues (7-8/99, pp.83-4) - "...LOUIE BLUIE provides a joyful and informative sampling of an artist who has always refused to be constrained by musical boundaries."0.2757681

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Dirty Linen (4-5/96, p.79) - "...violinist and mandolin player Howard Armstrong is a walking history of American music...LOUIE BLUIE...encapsulates some of the best material from Armstrong's long career..."Dirty Linen (4-5/99, p.71) - "...a vibrant set of songs and tunes that range from ragtime to blues to country to popular..."Living Blues (7-8/99, pp.83-4) - "...LOUIE BLUIE provides a joyful and informative sampling of an artist who has always refused to be constrained by musical boundaries."0.2757681

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Spin (p.85) - "[B]lending folk, jazz, and avant garde sensibilities into a searching, mystical style..."Mojo (Publisher) (p.71) - "[E]ven when the songs were tailored for Top 40 radio, like 'Aren't You The Girl' and 'I Can't See You,' Buckley refused to be confined..."Record Collector (magazine) (p.86) - 3 stars out of 5 -- "TIM BUCKLEY is a much underrated album with beautiful songs such as 'Wings' and 'I Can't See You,' where that enthralling tenor voice was heard for the first time..."Uncut (magazine) (p.104) - 4 stars out of 5 -- "Ostensibly a folk-rock album, oft-stereotyped as such, in truth TIM BUCKLEY turns the fledgling genre inside out."0.2412971

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Spin (p.85) - "[B]lending folk, jazz, and avant garde sensibilities into a searching, mystical style..."Mojo (Publisher) (p.71) - "[E]ven when the songs were tailored for Top 40 radio, like 'Aren't You The Girl' and 'I Can't See You,' Buckley refused to be confined..."Record Collector (magazine) (p.86) - 3 stars out of 5 -- "TIM BUCKLEY is a much underrated album with beautiful songs such as 'Wings' and 'I Can't See You,' where that enthralling tenor voice was heard for the first time..."Uncut (magazine) (p.104) - 4 stars out of 5 -- "Ostensibly a folk-rock album, oft-stereotyped as such, in truth TIM BUCKLEY turns the fledgling genre inside out."0.2412971

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Rolling Stone (10/16/03, p.88) - 3 stars out of 5 - "...Black Box Recorder are still on the case, making sardonic art pop with juicy melodies and nasty wit..."Magnet (11/03, pp.86-8) - "...Songwriters Haines and John Moore are adept at crafting melodramatic pop hooks while Nixey's breathy vocals do justice to this clever pop noir..."CMJ (8/18/03, p.6) - "...This disc will slap you silly with its bitter English fervor..."0.2195289

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Spin (p.121) - 3.5 stars out of 5 -- "[T]he record maintains its hypnotic spell with slow-as-IV drip rhythms that set the scene for Hawley's moonlit walks down lonely streets."Entertainment Weekly (p.69) - "Haunting yet hopeful, BRIDGE crosses the gap from great to instant classic." -- Grade: AUncut (p.86) - 4 stars out of 5 -- "While he still sings like a kinder, sadder Jarvis Cocker, he does it with such sincerity that it seems churlish to resist."Magnet (p.97) - "Echoes of Roy Orbison, Gene Pitney and Lee Hazlewood abound; it's all in the sympathetic, tasteful playing of Hawley's backing band, his own burnished, bruised baritone...and the little guitar licks..."0.2195289

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Rolling Stone (10/16/03, p.88) - 3 stars out of 5 - "...Black Box Recorder are still on the case, making sardonic art pop with juicy melodies and nasty wit..."Magnet (11/03, pp.86-8) - "...Songwriters Haines and John Moore are adept at crafting melodramatic pop hooks while Nixey's breathy vocals do justice to this clever pop noir..."CMJ (8/18/03, p.6) - "...This disc will slap you silly with its bitter English fervor..."0.2195289

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BOOK REVIEWS COMING SOON!!!!0.2195289

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Rolling Stone (2/14/02, p.62) - 4 stars out of 5 - "...Rocks like a jet engine in a jewel case...hyperkinetic, gorgeous beats..."Spin (2/02, pp.105-6) - 9 out of 10 - "...A modest triumph...integrating their 2 sides: high-octane thrust and airy psychedelic dreaminess....an almost perfect album, an invitation not to be refused..."Entertainment Weekly (2/01/02, p.107) - "The Brothers excel at turning extra-strength breakbeats into roller-coaster dance tracks..." - Rating: BQ (Jan/02, p.97) - 3 out of 5 stars - "...blend[s] the brutal efficiency of current dancefloor trends with...the music that prompted [them] to make records....good, clean, hedonistic fun..."Q (Jan/02, p.97) - 3 out of 5 stars - "...blends the brutal efficiency of current dancefloor trends with...the music that promted [them] to make records....good, clean, hedonistic fun..."Alternative Press (2/02, p.67) - 7 out of 10 - "...A return to the early-'90s acid-house exuberance that first inspired them..."Mixmag (2/02, p.58) - 5 out of 5 - "...There are enough ear-tickling noises for us to realise they havn't lost their Midas....these tunes will sound amazing played out. Which is precisely what clubland needs now."Vibe (3/02, p.174) - 4 discs out of 5 - "...It's an incredible trip..."Mojo (Publisher) (2/02, p.98) - "...A genuinely thrilling, energy-charged adventure that effortlessly spans Balearic house, electronic folk and post-techno, neo-disco and beats-driven epic blues..."NME (Magazine) (1/26/02, p.35) - 6 out of 10 - "...thrilling..."0.1723551

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"...Interesting...Mature...Subversive..." Sight and Sound "...Spectacularly shot scenery by cinematographer John Lindley, from mesas of Arizona to the snowy climes of New England..." Variety0.1536702

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