{"product_id":"wild-ones","title":"Wild Ones","description":"Personnel: Kip Moore (background vocals); Chris DeStefano (guitar, mandolin, piano, drums, programming, background vocals); Ilya Toshinskiy, Tom Bukovac, Rob McNelley (guitar); Scotty Sanders (lap steel guitar); Jeff Hyde (banjo); Dave Cohen , Tim Lauer (keyboards); Matthew Bubel (drums); Justin Weaver (programming); Brett James (background vocals).\u003cbr\u003eAudio Mixer: Nick Brophy.\u003cbr\u003eRecording information: Blackbird Studios; Southern Ground Studios; Sub-Level 03 Studios, Nashville, TN; The Barn Studio; The Laundry Room, Franklin, TN; The Tracking Room, Nashville, TN.\u003cbr\u003ePhotographer: Kristin Barlowe.\u003cbr\u003eKip Moore scored three big bro country hits in the two years surrounding 2012 -- \"Somethin' 'Bout a Truck\" was the 2011 breakthrough, followed by \"Beer Money\" in 2012 and \"Hey Pretty Girl\" in 2013 -- but he struggled on the journey to his second album, delivering two singles that, in his words, \"stiffed,\" leading him to scrap an entire LP and write a new record, presumably one that's more commercial. Wild Ones, delivered three years after Up All Night, is that official second record and, as the neon-speckled album cover indicates, it's an album indebted to the '80s and not the hybrid of Hall \u0026amp; Oates and Paul Young suggested by the art, either. Moore plays up his middle-America bona fides, eager to conjure some of the spirit of fellow Springsteen fan Eric Church, but where Church prefers beefy guitars, Moore favors open-road anthems, songs that feel masculine but retain a vulnerable core. Such an emphasis on ballads and deliberate midtempo rockers gives Wild Ones a soft, even hazy touch when compared to the glossy snap of Up All Night, a shift that neatly punctures whatever lingering bro country affections remain in Moore's music. Instead of living for tomorrow's parties, he's rhapsodizing about good times once had in a style that funnels prime Bon Jovi through John Mellencamp. If Kip's songs aren't as hook-heavy or as sticky as his idols, it is nevertheless admirable that he's completely revamped his sound so he doesn't feel like anybody else in contemporary country -- not his bro country peers, not Church, not a red dirt refugee or macho rocker. He's effectively evoked the feel and aesthetic of mid-'80s heartland rock, and if that doesn't necessarily make him a wild one, it does make him a rebel of sorts. ~ Stephen Thomas Erlewine","brand":"MovieMars","offers":[{"title":"Default Title","offer_id":45294597275935,"sku":"602537688852","price":10.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/7833\/0399\/files\/499a04cc87f169268e0c8d57d534d1e7_4184adf1-4457-4dd4-9fdb-d75eeea207fa.jpg?v=1781787896","url":"https:\/\/www.moviemars.com\/products\/wild-ones","provider":"MovieMars","version":"1.0","type":"link"}