Donna Summer
Another Place and Time [180g Translucent Red]
Another Place and Time [180g Translucent Red]
UPC: 654378625626
Format: LP
Release Date: Jul 16, 2021
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$28.95 USD
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![Another Place and Time [180g Translucent Red] cover art](http://www.moviemars.com/cdn/shop/files/d441c97af4a829751f83e59a928140bf_320c7968-fb9a-4167-8699-8871ad75399e.jpg?v=1752066806&width=1445)
Personnel: Donna Summer (vocals): Matt Aitken (guitar, keyboards); Mike Stock (keyboards, background vocals); George De Angelis (keyboards); A. Linn (drums); Dee Lewis, Mae McKenna (background vocals).
Recorded at PWL, London, England.
Something of a surprise for long-time Donna Summer fans, 1989's ANOTHER PLACE AND TIME finds the disco diva in the company of Stock, Aitken, and Waterman, the powerhouse British dance-pop production/writing team of the mid-'80s. Although SAW's stranglehold on the top of the charts (Bananarama, Kylie Minogue, Rick Astley, etc.) was weakening by mid-1989, the writer/producers still had enough commercial mojo to give Summer her first platinum album and hit singles in years.
The charting "This Time I Know It's for Real" and "Love's About to Change My Heart" are terrific slices of late '80s soul-pop. While this album, oddly, sounds more dated now than Summer's '70s disco classics, it's still a fine example of '80s dance pop, and a rare chance to hear SAW's music as interpreted by a disco diva.
Recorded at PWL, London, England.
Something of a surprise for long-time Donna Summer fans, 1989's ANOTHER PLACE AND TIME finds the disco diva in the company of Stock, Aitken, and Waterman, the powerhouse British dance-pop production/writing team of the mid-'80s. Although SAW's stranglehold on the top of the charts (Bananarama, Kylie Minogue, Rick Astley, etc.) was weakening by mid-1989, the writer/producers still had enough commercial mojo to give Summer her first platinum album and hit singles in years.
The charting "This Time I Know It's for Real" and "Love's About to Change My Heart" are terrific slices of late '80s soul-pop. While this album, oddly, sounds more dated now than Summer's '70s disco classics, it's still a fine example of '80s dance pop, and a rare chance to hear SAW's music as interpreted by a disco diva.