UPC: 790377037821
Format: CD
Release Date: Mar 23, 2015
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$18.95 USD
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Personnel: Hunter Hunt-Hendrix (vocals, guitar); Bernard Gann (guitar); Greg Fox (drums).
Audio Mixer: Jonathan Schenke.
Recording information: Strange Weather.
Photographers: Jacqueline Castel; Navi .
Arranger: Hunter Hunt-Hendrix.
With the artful strategies Liturgy implemented on 2011's wonderfully excessive, brainy Aesthethica, they simultaneously alienated the purist black metal audience and attracted new fans whose tastes ran more to indie rock than extreme music. The Ark Work liberates the band from most notions of black metal while retaining some of its key elements -- namely, the blastbeat drumming of Greg Fox and Hunter Hunt-Hendrix's own lightning-quick tremolo picking. The Ark Work utilizes an impressive if often questionable array of different instruments (bells, glockenspiels, chimes, chanted vocals) and textures to achieve a musical morass that interweaves metal, prog, indie, gothic rock, and even IDM. "Follow II" contains an atmospheric, minimal synth painted by low volume, silvery tremolo picking for the first two minutes. When the bassline enters, it thunders. Blastbeats and spiraling guitars reach for the margins, building a melodic intensity that eventually breaks free. "Queztalcoatl" has a spiky guitar vamp, stuttered vocals and glitchy, low-end electronic drums. It all moves toward a majestic bridge before turning back on itself as textures get exponentially multiplied. At over 11 minutes, "Reign Array" contains quick-shifting time signatures and noisy textural juxtapositions that grind against frenetic guitars and manic drumming. Its frenzied peaks erect a monolith to sonic annihilation that can be heard intermittently throughout the album. ~ Thom Jurek
Audio Mixer: Jonathan Schenke.
Recording information: Strange Weather.
Photographers: Jacqueline Castel; Navi .
Arranger: Hunter Hunt-Hendrix.
With the artful strategies Liturgy implemented on 2011's wonderfully excessive, brainy Aesthethica, they simultaneously alienated the purist black metal audience and attracted new fans whose tastes ran more to indie rock than extreme music. The Ark Work liberates the band from most notions of black metal while retaining some of its key elements -- namely, the blastbeat drumming of Greg Fox and Hunter Hunt-Hendrix's own lightning-quick tremolo picking. The Ark Work utilizes an impressive if often questionable array of different instruments (bells, glockenspiels, chimes, chanted vocals) and textures to achieve a musical morass that interweaves metal, prog, indie, gothic rock, and even IDM. "Follow II" contains an atmospheric, minimal synth painted by low volume, silvery tremolo picking for the first two minutes. When the bassline enters, it thunders. Blastbeats and spiraling guitars reach for the margins, building a melodic intensity that eventually breaks free. "Queztalcoatl" has a spiky guitar vamp, stuttered vocals and glitchy, low-end electronic drums. It all moves toward a majestic bridge before turning back on itself as textures get exponentially multiplied. At over 11 minutes, "Reign Array" contains quick-shifting time signatures and noisy textural juxtapositions that grind against frenetic guitars and manic drumming. Its frenzied peaks erect a monolith to sonic annihilation that can be heard intermittently throughout the album. ~ Thom Jurek
Tracks:
1 - Fanfare
2 - Follow
3 - Kel Valhaal
4 - Follow, Pt. 2
5 - Quetzalcoatl
6 - Father Vorizen
7 - Haelegen
8 - Reign Array
9 - Vitriol
10 - Total War
2 - Follow
3 - Kel Valhaal
4 - Follow, Pt. 2
5 - Quetzalcoatl
6 - Father Vorizen
7 - Haelegen
8 - Reign Array
9 - Vitriol
10 - Total War