Black Lace Freudian Slip

Personnel: Kevin Bales (piano); Quentin Baxter (drums).
Audio Mixer: Katsu Naito.
Recording information: Jazz Standard, NYC (01/2011); Mile High Music Recording, Inc., Wheat Ridge, CO (01/2011); Jazz Standard, NYC (07/07/2011); Mile High Music Recording, Inc., Wheat Ridge, CO (07/07/2011).
Editor: Yasunari Rowan.
Photographers: Crush Boone; Joe Boggess.
Black Lace Freudian Slip is a rarity: a jazz-oriented vocal album that is dominated by the singer's own compositions. René Marie, who co-produced Black Lace Freudian Slip with acoustic pianist Bruce Barth (although Barth leaves all the piano playing to Kevin Bales), didn't write everything on this early-2011 recording. But she wrote most of the material, and her writing is as strong as her singing. Jazz vocalists, of course, have a long history of using other artists' songs to express themselves emotionally; Marie's far-reaching repertoire has included material by everyone from Harry Warren to Jefferson Airplane. But on Black Lace Freudian Slip, her own songs are the main focus. And she excels as a both a vocalist and a songwriter on originals that include the playful "Rim Shot," the bluesy "Tired," the contemplative "Gosh, Look at the Time," and the dark, moody "Fallin' Off a Log." Occasionally, Marie steps outside of jazz on this 69-minute CD. Marie's "Wishes," for example, is folk-rock and finds jazz musician Dexter Payne contributing some Bob Dylan-ish harmonica; the tune wouldn't be out of place on a Tracy Chapman album. Marie never claimed to be a jazz purist or a jazz snob, and "Wishes" underscores the fact that she sees the artistic value in music other than straight-ahead jazz. The jazz world is full of artists who have little or no interest in anything having to do with rock, folk, or R&B; Marie, however, clearly is not one of them. The jazz-oriented (though not jazz-exclusive) singer has kept an open mind, and that open-mindedness continues to serve her well on Black Lace Freudian Slip. ~ Alex Henderson