UPC: 727701861425
Format: CD
Release Date: Sep 22, 2009
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Personnel: Alex Erian, Steve Marois (vocals); Ben Landreville, Eric Jarrin (guitar); Alex Pelletier (drums).
Audio Mixer: Andreas Lars Magnusson.
Despised Icon have ties to the Quebec technical death metal scene, though they're not truly part of it. Their music has some intricate parts, but it's primarily a display of muscle-headed deathcore brutality. Their album, DAY OF MOURNING, was produced by the band's former guitarist, Yannic St-Amand, though, and he's worked with acts like Ion Dissonance, Neuraxis, and Beneath the Massacre, so he knows how to get an ultra-clean tech-death sound. Drummer Alex Pelletier sounds like a machine, whipping through ultra-complex fills and brutal, endurance-testing blastbeats with equal energy, and St-Amand gives him a full, reverby sound rather than the typewriter/practice-pad clicking still too common in extreme metal. Pelletier, in fact, is the primary reason to listen to this album, as the riffs--even when they shift briefly, tantalizingly, into dissonance--are mostly of an extremely knuckle-headed-friendly sort, downtuned and grinding like a bulldozer trying to work its way out of a golf course sand trap. Some songs, like "Eulogy," feature decent soloing, but for the most part, the guitars are there to provide a foundation for the two lead vocalists to shout and scream over. They come across like a Run-D.M.C.-style partnership, one going low and the other somewhat higher, with the entire band joining in for gang shouts at times. Within the extremely limited context of deathcore, this is a pretty good album, but "thick-necked dudes riffing and bellowing" is a genre that's offering limited rewards in 2009, so DAY OF MOURNING is best appreciated as a showcase for Alex Pelletier; it would be nice if he could find a side band more worthy of his talents.
Audio Mixer: Andreas Lars Magnusson.
Despised Icon have ties to the Quebec technical death metal scene, though they're not truly part of it. Their music has some intricate parts, but it's primarily a display of muscle-headed deathcore brutality. Their album, DAY OF MOURNING, was produced by the band's former guitarist, Yannic St-Amand, though, and he's worked with acts like Ion Dissonance, Neuraxis, and Beneath the Massacre, so he knows how to get an ultra-clean tech-death sound. Drummer Alex Pelletier sounds like a machine, whipping through ultra-complex fills and brutal, endurance-testing blastbeats with equal energy, and St-Amand gives him a full, reverby sound rather than the typewriter/practice-pad clicking still too common in extreme metal. Pelletier, in fact, is the primary reason to listen to this album, as the riffs--even when they shift briefly, tantalizingly, into dissonance--are mostly of an extremely knuckle-headed-friendly sort, downtuned and grinding like a bulldozer trying to work its way out of a golf course sand trap. Some songs, like "Eulogy," feature decent soloing, but for the most part, the guitars are there to provide a foundation for the two lead vocalists to shout and scream over. They come across like a Run-D.M.C.-style partnership, one going low and the other somewhat higher, with the entire band joining in for gang shouts at times. Within the extremely limited context of deathcore, this is a pretty good album, but "thick-necked dudes riffing and bellowing" is a genre that's offering limited rewards in 2009, so DAY OF MOURNING is best appreciated as a showcase for Alex Pelletier; it would be nice if he could find a side band more worthy of his talents.
Tracks:
1 - Temps Changent
2 - Day of Mourning
3 - MVP
4 - All for Nothing
5 - Eulogy
6 - Made of Glass
7 - Black Lungs
8 - Diva of Disgust
9 - Entre le Bien et le Mal
10 - Sleepless
2 - Day of Mourning
3 - MVP
4 - All for Nothing
5 - Eulogy
6 - Made of Glass
7 - Black Lungs
8 - Diva of Disgust
9 - Entre le Bien et le Mal
10 - Sleepless