Various Artists
Diddy Wah Diddy ...Ain't a Town, Ain't a City
Diddy Wah Diddy ...Ain't a Town, Ain't a City
UPC: 4000127167484
Format: CD
Release Date: Jun 20, 2011
Regular price
$21.95 USD
Regular price
Sale price
$21.95 USD
Unit price
per
Couldn't load pickup availability
FREE SHIPPING
This item is expected to ship between 3 and 4 business days after order placement.

Liner Note Author: Martin Hawkins.
Recording information: Delta Recording Studio, Jackson, Mississippi (1957-1964).
Illustrator: Bobby Joe Swilley.
Photographer: Bobby Joe Swilley.
Jimmie Ammons was a Jackson, Mississippi machinist and tool and die maker who developed an interest in recording in the early '50s. He started out recording weddings, church choirs, and the like, and eventually built a small recording studio in his garage, branching out into doing demos for local musicians. In time he began locally releasing some of these demos on his own Delta Records imprint, which he started around 1952. He kept the studio going until 1977 and ended up working with a wide variety of Mississippi musicians, including local blues and R&B players, hillbilly bands, and -- when rock & roll first broke -- a host of rockabilly artists and nascent rockers. What his recordings lacked in clarity and precision they more than made up for with a certain loose, raw, and immediate energy. This set from Bear Family Records collects 30 of Ammons' rockabilly, R&B, and rock & roll releases recorded between 1956 and 1964, none of which ever generated more than local success, and none of which have previously been available in the digital realm. It's a fun set, full of verve and playfulness, and it's a treasure trove of rare, raucous rockabilly featuring slightly unhinged gems like Rick Richardson's "It Didn't Satisfy My Soul," the Red Counts' loose, horn-led version of "Slow Down," Warner Mack's "Ubangi Stomp," Andy Anderson's "Johnny Valentine," and an almost polished duet by Rick Richardson and Murray Kellum on "The Trouble with Me Is You." None of these sides would have changed the history of pop music any had they somehow managed to break into the national charts, but combined like this, these rare tracks show how rock & roll was building through the 1950s in scores of small, independent studios just like Ammons built in Mississippi. This set is both a history lesson and a whole lot of fun. ~ Steve Leggett
Recording information: Delta Recording Studio, Jackson, Mississippi (1957-1964).
Illustrator: Bobby Joe Swilley.
Photographer: Bobby Joe Swilley.
Jimmie Ammons was a Jackson, Mississippi machinist and tool and die maker who developed an interest in recording in the early '50s. He started out recording weddings, church choirs, and the like, and eventually built a small recording studio in his garage, branching out into doing demos for local musicians. In time he began locally releasing some of these demos on his own Delta Records imprint, which he started around 1952. He kept the studio going until 1977 and ended up working with a wide variety of Mississippi musicians, including local blues and R&B players, hillbilly bands, and -- when rock & roll first broke -- a host of rockabilly artists and nascent rockers. What his recordings lacked in clarity and precision they more than made up for with a certain loose, raw, and immediate energy. This set from Bear Family Records collects 30 of Ammons' rockabilly, R&B, and rock & roll releases recorded between 1956 and 1964, none of which ever generated more than local success, and none of which have previously been available in the digital realm. It's a fun set, full of verve and playfulness, and it's a treasure trove of rare, raucous rockabilly featuring slightly unhinged gems like Rick Richardson's "It Didn't Satisfy My Soul," the Red Counts' loose, horn-led version of "Slow Down," Warner Mack's "Ubangi Stomp," Andy Anderson's "Johnny Valentine," and an almost polished duet by Rick Richardson and Murray Kellum on "The Trouble with Me Is You." None of these sides would have changed the history of pop music any had they somehow managed to break into the national charts, but combined like this, these rare tracks show how rock & roll was building through the 1950s in scores of small, independent studios just like Ammons built in Mississippi. This set is both a history lesson and a whole lot of fun. ~ Steve Leggett
Tracks:
1 - Rock Me, Yeah Yeah
2 - Gonna Rip It Up
3 - I Got Me a Woman
4 - Johnny Valentine
5 - Roll Over and Shake It
6 - Ubangi Stomp
7 - Baby Let's Play House
8 - Red Hot
9 - Woman Can Sure Make a Man Feel Blue
10 - It Didn't Satisfy My Soul
11 - Poor Little Fool
12 - Slow Down
13 - Rock and Rollin' Cadillac
14 - Would You Mind
15 - Goofin' Around
16 - I Love You
17 - (The Feller That's Dressed In) The White Sport Coat
18 - Baby Please Turn It On
19 - Rock-A-Chicka
20 - You Just Won't Say I Do
21 - Rockin' with the Cha Cha
22 - Rockin' at the Hop
23 - I Only Cry to Hear Me Say Your Name
24 - Trouble with Me Is You
25 - Drivin' Me Wild with Your Style
26 - HR 7152
27 - Happy Rhythm in My Soul
28 - Rock Baby Rock
29 - Her Name Was Devilish Mary
30 - It Must Be the Wine
2 - Gonna Rip It Up
3 - I Got Me a Woman
4 - Johnny Valentine
5 - Roll Over and Shake It
6 - Ubangi Stomp
7 - Baby Let's Play House
8 - Red Hot
9 - Woman Can Sure Make a Man Feel Blue
10 - It Didn't Satisfy My Soul
11 - Poor Little Fool
12 - Slow Down
13 - Rock and Rollin' Cadillac
14 - Would You Mind
15 - Goofin' Around
16 - I Love You
17 - (The Feller That's Dressed In) The White Sport Coat
18 - Baby Please Turn It On
19 - Rock-A-Chicka
20 - You Just Won't Say I Do
21 - Rockin' with the Cha Cha
22 - Rockin' at the Hop
23 - I Only Cry to Hear Me Say Your Name
24 - Trouble with Me Is You
25 - Drivin' Me Wild with Your Style
26 - HR 7152
27 - Happy Rhythm in My Soul
28 - Rock Baby Rock
29 - Her Name Was Devilish Mary
30 - It Must Be the Wine