UPC: 077779888627
Format: CD
Release Date: Mar 30, 1992
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Personnel: Joe Cocker (vocals); John Miles (guitar, organ, Hammond organ, keyboards, tambourine, background vocals); Phil Grande, Mike Campbell, Danny Kortchmar (guitar); Deric Dyer (saxophone); Chris Stainton (piano, keyboards); Benmont Tench, Ian McLagan (Hammond organ); Rory Kaplin, Greg Phillinganes, David Paich (keyboards); Neil Stubenhaus, T.M. Stevens (bass); Steve Holley (drums, percussion); Mike Baird, Jim Keltner (drums); Jim Brock (timbales); Alex Acuna (percussion); Marti Jones, Michelle Cross, Debra Lewis-Brown, Geraldine Clark, Maxine Sharp, Cydney Davis, The Water Sisters, The New Life Community Choir (background vocals); Jeff Lynne.
Producers: David Tickle, Chris Lord-Alge, Danny Kortchmar, Jeff Lynne.
Engineers include: Chris Lord-Alge, David Tickle, Richard Dodd.
Recorded at The Village Recorder and A&M Studios, Los Angeles, California; Rumbo Studios, Canoga Park, California..
Personnel: Joe Cocker (vocals); John Miles (guitar, organ, Hammond organ, keyboards, tambourine, background vocals); Phil Grande, Mike Campbell, Danny Kortchmar (guitar); Deric Dyer (saxophone); Chris Stainton (piano, keyboards); Benmont Tench, Ian McLagan (Hammond organ); Rory Kaplin, Greg Phillinganes, David Paich (keyboards); Neil Stubenhaus, T.M. Stevens (bass); Steve Holley (drums, percussion); Mike Baird, Jim Keltner (drums); Jim Brock (timbales); Alex Acuna (percussion); Marti Jones, Michelle Cross, Debra Lewis-Brown, Geraldine Clark, Maxine Sharp, Cydney Davis, The Water Sisters, The New Life Community Choir (background vocals); Jeff Lynne.
Producers: David Tickle, Chris Lord-Alge, Danny Kortchmar, Jeff Lynne.
Recorded at The Village Recorder and A&M Studios, Los Angeles, California; Rumbo Studios, Canoga Park, California.
Unlike Cocker's two previous studio albums, NIGHT CALLS was produced by several different hands, a decision that ultimately pays off in the album's overall variety (the title track, for example, with its sampled drums and multiple guitar lines courtesy of writer/producer Jeff Lynne, doesn't sound anything at all like the rest of the record). In any case, Cocker is clearly energized throughout, particularly on Elton John's "Don't Let the Sun Go Down on Me" and a mysterioso take on Steve Winwood's "Can't Find My Way Home." Best of all is the re-imagining of the Beatles "You've Got to Hide Your Love Away." Cocker casts it as an impassioned piece of neo-Gospel, which is a conceptual masterstroke in a league with his classic take on "With a Little Help From My Friends."
Producers: David Tickle, Chris Lord-Alge, Danny Kortchmar, Jeff Lynne.
Engineers include: Chris Lord-Alge, David Tickle, Richard Dodd.
Recorded at The Village Recorder and A&M Studios, Los Angeles, California; Rumbo Studios, Canoga Park, California..
Personnel: Joe Cocker (vocals); John Miles (guitar, organ, Hammond organ, keyboards, tambourine, background vocals); Phil Grande, Mike Campbell, Danny Kortchmar (guitar); Deric Dyer (saxophone); Chris Stainton (piano, keyboards); Benmont Tench, Ian McLagan (Hammond organ); Rory Kaplin, Greg Phillinganes, David Paich (keyboards); Neil Stubenhaus, T.M. Stevens (bass); Steve Holley (drums, percussion); Mike Baird, Jim Keltner (drums); Jim Brock (timbales); Alex Acuna (percussion); Marti Jones, Michelle Cross, Debra Lewis-Brown, Geraldine Clark, Maxine Sharp, Cydney Davis, The Water Sisters, The New Life Community Choir (background vocals); Jeff Lynne.
Producers: David Tickle, Chris Lord-Alge, Danny Kortchmar, Jeff Lynne.
Recorded at The Village Recorder and A&M Studios, Los Angeles, California; Rumbo Studios, Canoga Park, California.
Unlike Cocker's two previous studio albums, NIGHT CALLS was produced by several different hands, a decision that ultimately pays off in the album's overall variety (the title track, for example, with its sampled drums and multiple guitar lines courtesy of writer/producer Jeff Lynne, doesn't sound anything at all like the rest of the record). In any case, Cocker is clearly energized throughout, particularly on Elton John's "Don't Let the Sun Go Down on Me" and a mysterioso take on Steve Winwood's "Can't Find My Way Home." Best of all is the re-imagining of the Beatles "You've Got to Hide Your Love Away." Cocker casts it as an impassioned piece of neo-Gospel, which is a conceptual masterstroke in a league with his classic take on "With a Little Help From My Friends."